[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-449282-en-US":3},{"detail":4,"match":263,"insight":264,"providers":265,"providerLink":24,"trailer":24},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":10,"videos":11,"credits":13,"imdb_id":32,"revenue":8,"runtime":33,"similar":34,"tagline":250,"homepage":250,"overview":251,"softcore":6,"popularity":252,"vote_count":35,"poster_path":24,"release_date":253,"vote_average":254,"backdrop_path":24,"origin_country":255,"original_title":7,"watch\u002Fproviders":257,"spoken_languages":259,"original_language":260,"production_companies":261,"production_countries":262,"belongs_to_collection":24},449282,false,"Nicht stören! – Funktionärsversammlung",0,[],"Released",{"results":12},[],{"cast":14,"crew":15},[],[16,25],{"id":17,"job":18,"name":19,"adult":6,"gender":20,"credit_id":21,"department":22,"popularity":23,"profile_path":24,"original_name":19,"known_for_department":22},549377,"Writer","Günter Neumann",2,"58d98815c3a368125f071d19","Writing",0.4231,null,{"id":26,"job":27,"name":28,"adult":6,"gender":8,"credit_id":29,"department":30,"popularity":31,"profile_path":24,"original_name":28,"known_for_department":30},1784895,"Director","Hans Herbst","58d9880bc3a368127c070f9c","Directing",0.3109,"tt0406102",14,{"page":35,"results":36,"total_pages":175,"total_results":249},1,[37,45,56,69,79,93,105,113,121,129,143,151,161,169,182,196,207,215,224,238],{"id":38,"adult":6,"title":39,"video":6,"overview":40,"softcore":6,"genre_ids":41,"popularity":42,"vote_count":8,"poster_path":24,"release_date":43,"vote_average":8,"backdrop_path":24,"original_title":39,"original_language":44},831178,"Murray and Max Talk About Money","A virtuosic study of sync-sound cinema, Cagean organizational strategies, and montage.  Preserved by the Academy Film Archive in 2009.",[],0.7575,"1979-01-01","pt",{"id":46,"adult":6,"title":47,"video":6,"overview":48,"softcore":6,"genre_ids":49,"popularity":50,"vote_count":51,"poster_path":52,"release_date":53,"vote_average":54,"backdrop_path":24,"original_title":47,"original_language":55},267577,"Surfacing on the Thames","‘A beautiful, mysterious yet satisfying optical illusion…celebrates the early passing of a steam on the Thames. Using freeze-frame techniques, elaborate dissolves, and most of the resources on the optical table, this picture is, amongst other things, a Turner come to life. Rimmer’s concern with the surface nature of the film is most evident in this work which, in spite of its filmic complexity, is incredibly simple.’ — Donald Richie.  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Preserved by the Academy Film Archive in 2000.",[74],16,0.7256,"\u002FAjbc58eqSavlmoQvYpnkoc8Ko5B.jpg","1945-01-01",6,{"id":80,"adult":6,"title":81,"video":6,"overview":82,"softcore":6,"genre_ids":83,"popularity":85,"vote_count":86,"poster_path":87,"release_date":88,"vote_average":89,"backdrop_path":90,"original_title":91,"original_language":92},896,"The World of Apu","Apu, now a jobless ex-student dreaming vaguely of a future as a writer, is invited to join an old college friend on a trip up-country to a village wedding.",[84],18,2.2969,296,"\u002F6Tz1Q69o2n3Zwb0ZffzPL0nFt2T.jpg","1959-05-01",8.1,"\u002Fd3RW7jRsBCHfC9QZaUF9FpzJrh8.jpg","অপুর সংসার","bn",{"id":94,"adult":6,"title":95,"video":6,"overview":96,"softcore":6,"genre_ids":97,"popularity":98,"vote_count":99,"poster_path":100,"release_date":101,"vote_average":102,"backdrop_path":103,"original_title":104,"original_language":92},897,"Aparajito","Apu and his family have moved away from the country to live in the bustling holy city of Benares. 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It stands out as a more textural piece from Nelson, which, rather than retreating into pure abstraction or bland trippiness, subtly transmits an undercurrent of its ominous source material. —Mark Toscano.  Preserved by the Academy Film Archive in 2010.",[],0.6064,"\u002F5L5r9pVFKCknZXVOmCfK7RJRlEC.jpg","1967-01-01",{"id":114,"adult":6,"title":115,"video":6,"overview":116,"softcore":6,"genre_ids":117,"popularity":118,"vote_count":8,"poster_path":119,"release_date":120,"vote_average":8,"backdrop_path":24,"original_title":115,"original_language":55},634713,"Throbs","Coming in the wake of a whole movement of wild, ecstatic, psychedelic films loaded with unchecked energy and abandon, Throbs demonstrates a remarkable subtlety and restraint, as Fred explores variations in loops and cycles, weaving unlikely combinations of found and original footage to envelop us in a free associative dream world. —Mark Toscano.  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Preserved by the Academy Film Archive in 2012.",[74],0.4919,"\u002Fbvhs5gikXDISUD1XxWDk5LhFFwi.jpg","1977-01-01",{"id":130,"adult":6,"title":131,"video":6,"overview":132,"softcore":6,"genre_ids":133,"popularity":137,"vote_count":138,"poster_path":139,"release_date":140,"vote_average":141,"backdrop_path":142,"original_title":131,"original_language":55},993,"Sleuth","A man who loves games and theatre invites his wife's lover to meet, setting up a battle of wits with potentially deadly results.",[134,135,136],53,9648,80,3.3396,751,"\u002FjAREYLUnYGwPjbQr0vs1s38QLkH.jpg","1972-12-10",7.7,"\u002FrVdKBzVyHTG1gv8bAAJnr5Eu6gl.jpg",{"id":144,"adult":6,"title":145,"video":6,"overview":146,"softcore":6,"genre_ids":147,"popularity":148,"vote_count":8,"poster_path":149,"release_date":150,"vote_average":8,"backdrop_path":24,"original_title":145,"original_language":55},455183,"Kitsch in Synch","The animation, music, and optical printing of Kitsch in Synch was produced by Beckett and the students in two classes he was teaching at CalArts. Although a group project, it is clear that Beckett was the director. The playful, catchy soundtrack is used to create a cycle of building tension and release. The brightly colored shapes create approximate symmetrical formations and become more densely layered, with glimpses of iconographic objects and even live footage near the end. Preserved by the Academy Film Archive, in partnership with the iotaCenter, in 2007.",[74],0.5435,"\u002FxtJEqvajspa6KSnYkjWUcYttzes.jpg","1975-01-01",{"id":152,"adult":6,"title":153,"video":6,"overview":154,"softcore":6,"genre_ids":155,"popularity":157,"vote_count":20,"poster_path":158,"release_date":159,"vote_average":160,"backdrop_path":24,"original_title":153,"original_language":55},270584,"He Comes Up Smiling","Jerry Martin quits his dull job as a bank clerk and falls in with a band of hobos. 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This early film now reveals itself as a revelatory early warning sign of Worden's filmmaking to come, comprising ten minutes extrapolated from only four frames of source imagery.\" (Mark Toscano)  Preserved by the Academy Film Archive in 2009.",[],0.7317,"\u002FfM9Nk6m02fLbifru9V5HcZbb5ZU.jpg","1976-01-01",{"id":170,"adult":6,"title":171,"video":6,"overview":172,"softcore":6,"genre_ids":173,"popularity":176,"vote_count":177,"poster_path":178,"release_date":179,"vote_average":180,"backdrop_path":181,"original_title":171,"original_language":55},271007,"Appointment in Tokyo","Produced by the Army Pictorial Service, Signal Corps, with the cooperation of the Army Air Forces and the United States Navy, and released by Warner Bros. for the War Activities Committee shortly after the surrender of Japan. Follow General Douglas MacArthur and his men from their exile from the Philippines in early 1942, through the signing of the instrument of surrender on the USS Missouri on September 1, 1945.  Preserved by the Academy Film Archive in 2013.",[61,174,175],10752,36,1.3735,5,"\u002Fq1qzQP4zR0PbXtTu4gdaGOANrcQ.jpg","1945-12-07",6.4,"\u002Fq7NYlePdLwkqaBQ8xfL05gu7ECc.jpg",{"id":183,"adult":6,"title":184,"video":6,"overview":185,"softcore":6,"genre_ids":186,"popularity":190,"vote_count":191,"poster_path":192,"release_date":193,"vote_average":194,"backdrop_path":195,"original_title":184,"original_language":55},530,"A Grand Day Out","Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese.",[187,74,156,188,189],10751,878,12,4.6041,1051,"\u002Fh5e3r12VwfUotN36fBr1DNeCD4n.jpg","1990-05-18",7.49,"\u002FbWpk3hGj95bDxDVk4pvU2K7tN0H.jpg",{"id":197,"adult":6,"title":198,"video":6,"overview":199,"softcore":6,"genre_ids":200,"popularity":201,"vote_count":202,"poster_path":203,"release_date":204,"vote_average":205,"backdrop_path":206,"original_title":198,"original_language":55},531,"The Wrong Trousers","Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno trousers created by Wallace. 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Preserved by the Academy Film Archive in 2012.",[],0.6933,"\u002FzeDnPBhjKruy44XW89aya1QPHfm.jpg","1971-01-01","\u002F5O8IsBd0Rfg8WfmI1BEP9N21F6B.jpg",{"id":225,"adult":6,"title":226,"video":6,"overview":227,"softcore":6,"genre_ids":228,"popularity":230,"vote_count":231,"poster_path":232,"release_date":233,"vote_average":234,"backdrop_path":235,"original_title":236,"original_language":237},335,"Once Upon a Time in the West","As the railroad builders advance unstoppably through the Arizona desert on their way to the sea, Jill arrives in the small town of Flagstone with the intention of starting a new life.",[84,229],37,20.1235,5085,"\u002FqbYgqOczabWNn2XKwgMtVrntD6P.jpg","1968-12-21",8.262,"\u002Fu5IhDThM1SClL4pkCUp8hOmsDQJ.jpg","C'era una volta il West","it",{"id":239,"adult":6,"title":240,"video":6,"overview":241,"softcore":6,"genre_ids":242,"popularity":243,"vote_count":244,"poster_path":245,"release_date":246,"vote_average":247,"backdrop_path":248,"original_title":240,"original_language":55},532,"A Close Shave","Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.",[187,74,156],4.5708,979,"\u002FqdIR27trLyrlJ5nmkbcG3Bomah6.jpg","1996-03-07",7.599,"\u002FaD8ZhhrlJ6PXDiyyIvaMltxfbSz.jpg",711,"","Agitprop short made in West Germany.  Preserved by the Academy Film Archive in 2005.",0.6547,"1951-02-07",9,[256],"US",{"results":258},{},[],"de",[],[],45,"Nicht stören! – Funktionärsversammlung sits in the sweet spot of what works for tonight.",[]]