[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-449521-en-US":3},{"detail":4,"match":226,"insight":227,"providers":228,"providerLink":26,"trailer":26},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":27,"revenue":8,"runtime":28,"similar":29,"tagline":210,"homepage":210,"overview":211,"softcore":6,"popularity":212,"vote_count":30,"poster_path":213,"release_date":214,"vote_average":215,"backdrop_path":26,"origin_country":216,"original_title":218,"watch\u002Fproviders":219,"spoken_languages":221,"original_language":104,"production_companies":222,"production_countries":223,"belongs_to_collection":26},449521,false,"The Fish",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":18},[],[19],{"id":20,"job":21,"name":22,"adult":6,"gender":8,"credit_id":23,"department":24,"popularity":25,"profile_path":26,"original_name":22,"known_for_department":24},1785901,"Director","Jonathas de Andrade","58dbb5ce92514133b900b478","Directing",0.0859,null,"tt7280632",40,{"page":30,"results":31,"total_pages":208,"total_results":209},1,[32,43,56,65,73,81,93,105,113,121,129,136,143,151,159,166,174,182,190,200],{"id":33,"adult":6,"title":34,"video":6,"overview":35,"softcore":6,"genre_ids":36,"popularity":38,"vote_count":8,"poster_path":39,"release_date":40,"vote_average":8,"backdrop_path":41,"original_title":34,"original_language":42},628349,"Puenting (Leap of Faith)","A first feature based on sexual events. 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This portrait provides brutal witness to how government sanctioned destruction metes upon structures of home and State. Unlike the mediated images of current warfare, Still Life examines the effects of the destruction of Occupation through the details of cinematic landscapes and its inherent inhabitants. In its relentless questioning reaffirmed with a unique and unremitting soundtrack by composer Zeena Parkins, Still Life forces us to focus on details of devastation.",[11],0.3311,"\u002ForwcybhyWvbPGWuIUfRLKUVzjAd.jpg","2004-04-09",{"id":175,"adult":6,"title":176,"video":6,"overview":177,"softcore":6,"genre_ids":178,"popularity":179,"vote_count":8,"poster_path":180,"release_date":181,"vote_average":8,"backdrop_path":26,"original_title":176,"original_language":64},451314,"Devotion","A sparing and minimal travelogue of Istanbul. A foreigner meditates on the unraveling of a relationship while moving from hotel room to hotel room. 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First of all, it is a film about their style, about the artistic culmination that is ping-pong at its best, it records China's comeback into the international sports world.",[11],0.8142,"\u002F5hNwbpkj24ByMfzHiO7A7hhRT4T.jpg","1972-03-22",6.5,"Kinesisk bordtennis",{"id":201,"adult":6,"title":202,"video":6,"overview":203,"softcore":6,"genre_ids":204,"popularity":205,"vote_count":8,"poster_path":206,"release_date":207,"vote_average":8,"backdrop_path":26,"original_title":202,"original_language":64},439331,"The Way to My Father’s Village","In the fall of 1986, Richard Fung made his first visit to his father's birthplace, a village in southern Guangdong, China. This experimental documentary examines the way children of immigrants relate to the land of their parents, and focuses on the ongoing subjective construction of history and memory. The Way to My Father's Village juxtaposes the son's search for his own historical roots, and his father's avoidance of his cultural heritage.",[11],0.1263,"\u002FyyioslhcgHCA1bx8cojhtDB7ivG.jpg","1988-01-01",11703,234049,"","\"A fisherman, dark-skinned and shirtless, sits in a boat on a quiet river and, before long, catches a fish. The fish gasps for air and the fisherman holds it to his chest until it dies. This sequence—performed by a series of fishermen, of various ages and using various styles of capture—is the spine of the work, interrupted by passages of quiet natural beauty; one shot is a steady, stately pan through scores of trees and empty air behind.\" - Vinson Cunningham",0.2358,"\u002F4S52qq0a02BhVXU7Og8cUxa5tUD.jpg","2016-11-14",10,[217],"BR","O Peixe",{"results":220},{},[],[],[224],{"name":225,"iso_3166_1":217},"Brazil",50,"A documentary story that tends to land well.",[]]