[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-449522-en-US":3},{"detail":4,"match":242,"insight":243,"providers":244,"providerLink":23,"trailer":23},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":10,"videos":11,"credits":13,"imdb_id":33,"revenue":8,"runtime":34,"similar":35,"tagline":33,"homepage":33,"overview":225,"softcore":6,"popularity":226,"vote_count":8,"poster_path":23,"release_date":227,"vote_average":8,"backdrop_path":23,"origin_country":228,"original_title":230,"watch\u002Fproviders":231,"spoken_languages":233,"original_language":236,"production_companies":238,"production_countries":239,"belongs_to_collection":23},449522,false,"The Housekeeper",0,[],"Released",{"results":12},[],{"cast":14,"crew":25},[15],{"id":16,"name":17,"adult":6,"order":8,"gender":18,"cast_id":19,"character":20,"credit_id":21,"popularity":22,"profile_path":23,"original_name":17,"known_for_department":24},1298833,"Gilberto Freyre",2,1,"Self","614d5084982f740043df73c7",0.3043,null,"Acting",[26],{"id":27,"job":28,"name":29,"adult":6,"gender":8,"credit_id":30,"department":31,"popularity":32,"profile_path":23,"original_name":29,"known_for_department":31},1785901,"Director","Jonathas de Andrade","58dbb74a92514133a500bcef","Directing",0.3718,"",8,{"page":19,"results":36,"total_pages":223,"total_results":224},[37,50,60,73,81,90,99,111,119,127,134,143,154,164,172,182,191,199,207,216],{"id":38,"adult":6,"title":39,"video":6,"overview":40,"softcore":6,"genre_ids":41,"popularity":43,"vote_count":18,"poster_path":44,"release_date":45,"vote_average":46,"backdrop_path":47,"original_title":48,"original_language":49},449633,"The White Funeral","A bride walks on the desert. She takes off her bridal ornaments and turns into a harlot. A multitude of people crawl on their bellies, become sick and soon die. A volcano erupts. White ashes of lahar cover the earth. The bride remembers her betrothal and repents--symbolically paving the way for the resurrection of her people. A final bridal march into a new heaven and earth takes place.",[42],18,1.1739,"\u002FvdJ7XH6gJpc3bz3mYv1i7AKHc0L.jpg","1997-07-01",5.5,"\u002Fjgf5klMRWOJovUC5XiBfvH0WWCQ.jpg","Puting Paalam","tl",{"id":51,"adult":6,"title":52,"video":6,"overview":53,"softcore":6,"genre_ids":54,"popularity":56,"vote_count":8,"poster_path":57,"release_date":58,"vote_average":8,"backdrop_path":23,"original_title":52,"original_language":59},633565,"Magma (C)","Drops of fire that create a universe of magmatic asteroids. Liquid and gravitational reality. Cosmic energy. Atomized Rhythm.  Neurons of a liberated unconscious. Elimination of the idea of \"soul\" as \"everything\", reducing it to the condition of units of energy in perpetual process, elementary particles, without duration, that arise in perfect dependence. The \"I\" as a stream of units of force in ceaseless becoming that procures the illusion of an entity. Karmic chain. The idea that eternity resides in the transitory, the eternal belongs to it instantly. Eternity not as infinite duration but as absence of temporality. Universe of a mobile, procedural, relational and interactive nature of everything that exists. Here the \"object\" is conceived as something that is constituted, completed, lost and recovered with the vibrating rhythm of a universe in constant production.",[55],99,1.0222,"\u002Ff1M5zE0YITMaS3RnHpM5A4uWiys.jpg","2014-08-12","gl",{"id":61,"adult":6,"title":62,"video":6,"overview":63,"softcore":6,"genre_ids":64,"popularity":66,"vote_count":67,"poster_path":68,"release_date":69,"vote_average":70,"backdrop_path":23,"original_title":71,"original_language":72},449846,"An Expression","A experimental animated film featuring moving shapes and lines.",[65],16,0.4323,3,"\u002FvwlKYNJWvvj91LRkvV94c0wz4BF.jpg","1935-12-31",5.3,"AN EXPRESSION","ja",{"id":74,"adult":6,"title":75,"video":6,"overview":76,"softcore":6,"genre_ids":77,"popularity":78,"vote_count":8,"poster_path":23,"release_date":79,"vote_average":8,"backdrop_path":23,"original_title":75,"original_language":80},264970,"Clouds","Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.",[55],1.0613,"1969-12-19","en",{"id":82,"adult":6,"title":83,"video":6,"overview":84,"softcore":6,"genre_ids":85,"popularity":86,"vote_count":19,"poster_path":87,"release_date":88,"vote_average":89,"backdrop_path":23,"original_title":83,"original_language":80},634157,"Rote Movie","\"'Rote Movie' is part of a series of works examining aspects of the traumatic experience. It is an examination of decay and forgetting, where what both distance and time can bring to one's private feelings of belonging and home. Highly immersed in a fragmented and disjointed haptic space of its own materiality, this film stutters out its thoughts frame by frame\" - Steven Ball, 'Mesh' 3, Autumn 1994.",[],1.1847,"\u002F2gxbfmbzCBoDylJTENFC6TWUNYn.jpg","1994-01-01",5,{"id":91,"adult":6,"title":92,"video":6,"overview":93,"softcore":6,"genre_ids":94,"popularity":95,"vote_count":8,"poster_path":96,"release_date":97,"vote_average":8,"backdrop_path":98,"original_title":92,"original_language":80},824057,"A Night of Soap Water","A watchman at an apartment complex in Assam, India, spends an ordinary evening. A surreal, expressionistic landscape unfolds.",[55],0.8527,"\u002FgF2rgudq0GREJ5KhplGvcWVhoUb.jpg","2021-02-24","\u002FyeR7uQP7q3ywShn6gXcq6t0JHPH.jpg",{"id":100,"adult":6,"title":101,"video":6,"overview":102,"softcore":6,"genre_ids":103,"popularity":105,"vote_count":19,"poster_path":106,"release_date":107,"vote_average":108,"backdrop_path":23,"original_title":109,"original_language":110},453001,"Untitled #1","A young girl’s fiery dance, accidentally caught on 16 mm film in the street. The viewer is confronted by the sacrificial and the passionate, the strong and the fragile, the fleeting and the eternal. These are the faces of femininity.",[104],10402,0.78,"\u002FwkUKCs5KJkU7t6KmUu5g2fAWRdh.jpg","2005-01-01",6,"Без названия #1","xx",{"id":112,"adult":6,"title":113,"video":6,"overview":114,"softcore":6,"genre_ids":115,"popularity":116,"vote_count":19,"poster_path":117,"release_date":118,"vote_average":34,"backdrop_path":23,"original_title":113,"original_language":80},453164,"Tree of Knowledge","It started with filming the tree. Something was released in that manner of filming seemingly farthest removed from the procedure of the early films. I first thought a simple ordering of this rich material might be enough, something related to BARN RUSHES [...] But the film only came into its form-life with the idea of linking this deep-rooted and far-outreaching tree material with that film on paranoia that had fascinated me for many years. –L. G.",[55],0.6351,"\u002FcUg6CWBqFHwPeJ4PDLEDkRuFo0H.jpg","1981-01-01",{"id":120,"adult":6,"title":121,"video":6,"overview":122,"softcore":6,"genre_ids":123,"popularity":124,"vote_count":19,"poster_path":125,"release_date":126,"vote_average":108,"backdrop_path":23,"original_title":121,"original_language":80},453166,"Machete Gillette... Mama","\"With characteristic wit and rigor, experimental filmmaker Larry Gottheim here applies his impressionistic editing style to footage collected during his travels in the Dominican Republic. Gottheim’s formal emphasis on repetition and fissures between sound and image resonates here as a mode of sociological reflection (with the fragmentary montage mirroring elements of ritual while also destabilizing the ethnographic gaze). A largely overlooked antecedent to the contemporary blending of avant-garde and ethnographic filmmaking, MACHETTE GILLETTE… MAMA still poses a potent challenge to documentary convention.\" - Max Goldberg",[55],0.729,"\u002FlGxDUwlsmTywbnTXWmTbE0PlEoc.jpg","1989-01-01",{"id":128,"adult":6,"title":129,"video":6,"overview":130,"softcore":6,"genre_ids":131,"popularity":132,"vote_count":8,"poster_path":133,"release_date":33,"vote_average":8,"backdrop_path":23,"original_title":129,"original_language":80},636913,"New Woman","A meditative journey, using and manipulating archival silent film footage, that investigates the look of the \"New Woman\" in Chinese silent screen.",[55],0.553,"\u002Fsmmmv2v2xpyhRYMP9X5u7GnTTjv.jpg",{"id":135,"adult":6,"title":136,"video":6,"overview":137,"softcore":6,"genre_ids":138,"popularity":139,"vote_count":19,"poster_path":140,"release_date":126,"vote_average":108,"backdrop_path":23,"original_title":141,"original_language":142},264638,"Impressions from the Upper Atmosphere","Sistiaga painted directly on 70mm film a circular (planetary?) form, around which dance shifting colours in a psychedelic acceleration matched by the soundtrack’s deep-space roar and howl. - Cinema Scope",[55,65],1.453,"\u002Fyn8D07RpJBHkNwLj3Lv3sGTmsuh.jpg","Impresiones en la alta atmósfera","es",{"id":144,"adult":6,"title":145,"video":6,"overview":146,"softcore":6,"genre_ids":147,"popularity":149,"vote_count":18,"poster_path":150,"release_date":151,"vote_average":152,"backdrop_path":153,"original_title":145,"original_language":72},450056,"ami. exe","Wanderings of the young Ami in the streets of Kabukicho, Tokyo.",[148],878,0.9069,"\u002Fxug70daVDwdFtP1OFHmUXWsdVzy.jpg","2017-02-23",4,"\u002FbaH0rXOgARq6bJbi4K6z4DG5gTw.jpg",{"id":155,"adult":6,"title":156,"video":6,"overview":157,"softcore":6,"genre_ids":158,"popularity":159,"vote_count":19,"poster_path":160,"release_date":161,"vote_average":162,"backdrop_path":163,"original_title":156,"original_language":80},824186,"welcome_home.exe","As technology accelerates, our species' collective imagination of the future grows ever more kaleidoscopic. We are all haunted by temporal distortion, perhaps no more than when we attempt to remember what the future looked like to our younger selves. As the mist of time devours our memories, the future recedes; each of us burdened by the gaping mouth of entropy. Yet, emerging technology provides a glimmer of hope; transhumanism promises a future free from mortality, disease and pain. Does our salvation lie in digital simulacra? We're here to sell you the answer to that question, for the low, low price of four hundred and seventy seconds.",[104,65,55],0.6155,"\u002Fa5DE4owZPRePeBQVCygRzmwPtvM.jpg","2021-04-29",10,"\u002FzAWc2LOevgt6QO2wlB4eTWD8l45.jpg",{"id":165,"adult":6,"title":166,"video":6,"overview":167,"softcore":6,"genre_ids":168,"popularity":169,"vote_count":8,"poster_path":170,"release_date":171,"vote_average":8,"backdrop_path":23,"original_title":166,"original_language":80},449815,"Spirit House","A tale of 2 passages within the Spirit house. This is the first in a series that looks at the places we find our spiritual presence augmented, inflamed, or simply acknowledged.",[55],1.1991,"\u002FdgTf0N7xpqojQy5P3ekRREfIj1W.jpg","2008-06-22",{"id":173,"adult":6,"title":174,"video":6,"overview":175,"softcore":6,"genre_ids":176,"popularity":177,"vote_count":8,"poster_path":178,"release_date":179,"vote_average":8,"backdrop_path":180,"original_title":181,"original_language":142},823933,"Nocturne","After ending a very close relationship, Manuel falls into melancholy and begins to rethink his way of loving. Within his thoughts are the social problems that surround him. He realizes that with these comes a rethinking of what love is. An idea that we have been carrying for a long time: the idea that to love is to possess.",[42],1.2668,"\u002FekwLpBDQpPsyGNmZVQNTnPdgECc.jpg","2021-04-23","\u002F3fFNRvWAEyDsBnesHRIFsaNOvJV.jpg","Nocturno",{"id":183,"adult":6,"title":184,"video":6,"overview":185,"softcore":6,"genre_ids":186,"popularity":187,"vote_count":19,"poster_path":188,"release_date":189,"vote_average":34,"backdrop_path":23,"original_title":184,"original_language":190},450923,"Hjärtat brinner","A film that places the bright and dark sides of life close together. From an understatement beginning, the movie drives up to an ecstatic highlight with a love act between two young people. The orgasm becomes an enormous image flow into the crematorium's death machine.",[104],0.9796,"\u002FgCsykMk8KsNpkRBi9YZ9L0zsFuj.jpg","1967-01-01","sv",{"id":192,"adult":6,"title":193,"video":6,"overview":194,"softcore":6,"genre_ids":195,"popularity":196,"vote_count":8,"poster_path":197,"release_date":198,"vote_average":8,"backdrop_path":23,"original_title":193,"original_language":80},450952,"Robert Breer At Home","Burford met Breer in February 1992 and filmed his actions. Breer manipulates some of his mutoscopes: he leafs through some cards of his film in the making, Sparkill Ave! A dome-shaped sculpture slowly moves across the space.",[55],0.8419,"\u002FiCC21A4KArbNOHDzyJFYvsJ2z0b.jpg","1992-01-01",{"id":200,"adult":6,"title":201,"video":6,"overview":202,"softcore":6,"genre_ids":203,"popularity":204,"vote_count":8,"poster_path":205,"release_date":206,"vote_average":8,"backdrop_path":23,"original_title":201,"original_language":80},451207,"White Sands","White Sands is a 3 screen projection 16mm film installation which reflects on the visible and invisible manifestations of the nuclear fuel chain on the land, air, water and people of New Mexico.",[55],0.5568,"\u002FiM88NPipMTOYMC0istj2rx5nxks.jpg","2014-04-08",{"id":208,"adult":6,"title":209,"video":6,"overview":210,"softcore":6,"genre_ids":211,"popularity":212,"vote_count":108,"poster_path":213,"release_date":214,"vote_average":215,"backdrop_path":23,"original_title":209,"original_language":72},265456,"GOOD-BY ELVIS and USA","A trippy pop-art collage of phallic objects, naked women and American icons, most notably Elvis Presley.",[65],0.9626,"\u002FsoaHHXAKz36z5fz9VCVbfAJBDqb.jpg","1971-01-01",4.2,{"id":217,"adult":6,"title":218,"video":6,"overview":219,"softcore":6,"genre_ids":220,"popularity":221,"vote_count":8,"poster_path":222,"release_date":126,"vote_average":8,"backdrop_path":23,"original_title":218,"original_language":80},450926,"A Knowledge They Cannot Lose","Using both found footage and her own material, Nina Fonoroff recollects the memory of her father. Constructing and deconstructing a portrait, she weaves family and friends’ remembrances with an inquiry into her own work process. Her searching attitude suggests that with the loss of her father came a question of the role, not of a particular father, but the father figure—a refusal of authority, and an appreciation of her father’s cycles of learning, teaching, learning. As Danny Kaye, playing Hans Christian Andersen, tells a group of children the story of the piece of chalk that saw itself as a the source, not the transmitter of knowledge, one senses Fonoroff’s sorrow at the loss inherent in the film image, and a yearning for the source of the image, not just its projection.",[],0.6354,"\u002FldPLIvwOaY3RNrk6fJJEnEgFKdu.jpg",110,2186,"\"A deeply beautiful and disturbing split-screen depiction of the contrasting daily routines of sociologist Gilberto Freyre in 1959 (author of The Masters and the Slaves, originator of Lusotropicalism, proponent of racial integration) and Cristóvão, an ordinary housekeeper in 2016.\" - Angeline Gragásin",0.8766,"2016-01-01",[229],"BR","O Caseiro",{"results":232},{},[234],{"name":235,"iso_639_1":236,"english_name":237},"Português","pt","Portuguese",[],[240],{"name":241,"iso_3166_1":229},"Brazil",45,"The Housekeeper sits in the sweet spot of what works for tonight.",[]]