[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-453166-en-US":3},{"detail":4,"match":244,"insight":245,"providers":246,"providerLink":41,"trailer":41},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":28,"revenue":8,"runtime":29,"similar":30,"tagline":225,"homepage":225,"overview":226,"softcore":6,"popularity":227,"vote_count":31,"poster_path":228,"release_date":229,"vote_average":115,"backdrop_path":41,"origin_country":230,"original_title":7,"watch\u002Fproviders":232,"spoken_languages":234,"original_language":42,"production_companies":237,"production_countries":238,"belongs_to_collection":41},453166,false,"Machete Gillette... Mama",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":18},[],[19],{"id":20,"job":21,"name":22,"adult":6,"gender":23,"credit_id":24,"department":25,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":25},1195101,"Director","Larry Gottheim",2,"58f8d57ac3a3687569009f47","Directing",0.0486,"\u002Fy6YJWdMk6006kMVK1CwZXWtD713.jpg","tt6980426",42,{"page":31,"results":32,"total_pages":223,"total_results":224},1,[33,43,54,61,73,80,87,98,107,116,125,133,145,154,162,171,182,193,203,213],{"id":34,"adult":6,"title":35,"video":6,"overview":36,"softcore":6,"genre_ids":37,"popularity":38,"vote_count":8,"poster_path":39,"release_date":40,"vote_average":8,"backdrop_path":41,"original_title":35,"original_language":42},439331,"The Way to My Father’s Village","In the fall of 1986, Richard Fung made his first visit to his father's birthplace, a village in southern Guangdong, China. This experimental documentary examines the way children of immigrants relate to the land of their parents, and focuses on the ongoing subjective construction of history and memory. The Way to My Father's Village juxtaposes the son's search for his own historical roots, and his father's avoidance of his cultural heritage.",[11],0.1193,"\u002FyyioslhcgHCA1bx8cojhtDB7ivG.jpg","1988-01-01",null,"en",{"id":44,"adult":6,"title":45,"video":6,"overview":46,"softcore":6,"genre_ids":47,"popularity":48,"vote_count":23,"poster_path":49,"release_date":50,"vote_average":51,"backdrop_path":41,"original_title":52,"original_language":53},439707,"Private Chronicles: Monologue","The collective life of the generation born as Jurij Gagarin became the first man in space. Vitaly Mansky has woven together a fictional biography – taken from over 5.000 hours of film material, and 20.000 still pictures made for home use. A moving document of the fictional, but nonetheless true life of the generation who grew up in this time of huge change and upheaval.",[11],0.1948,"\u002F3et6Yqj4E97hmzQcEeVHcsZK5Sz.jpg","1999-01-01",9,"Частные хроники. Монолог","ru",{"id":55,"adult":6,"title":56,"video":6,"overview":57,"softcore":6,"genre_ids":58,"popularity":59,"vote_count":8,"poster_path":41,"release_date":60,"vote_average":8,"backdrop_path":41,"original_title":56,"original_language":42},264970,"Clouds","Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.",[11],0.1975,"1969-12-19",{"id":62,"adult":6,"title":63,"video":6,"overview":64,"softcore":6,"genre_ids":65,"popularity":67,"vote_count":68,"poster_path":69,"release_date":70,"vote_average":71,"backdrop_path":72,"original_title":63,"original_language":42},440917,"The Bomb","Filmmakers use archival footage and animation to explore the culture surrounding nuclear weapons, the fascination they inspire and the perverse appeal they still exert.",[11,66],16,0.2758,15,"\u002F42tKG16xOL6yB4S2Vzp8IzBgktv.jpg","2017-06-10",7,"\u002Fvm40HXBMPQmTXTSnYV1r1mO9DQA.jpg",{"id":74,"adult":6,"title":75,"video":6,"overview":76,"softcore":6,"genre_ids":77,"popularity":78,"vote_count":8,"poster_path":41,"release_date":79,"vote_average":8,"backdrop_path":41,"original_title":75,"original_language":42},795527,"Where are the African Gods?","A moving recording of the late writer and renowned jazz singer Abbey Lincoln is captured in this new film from Brooklyn-born director Rodney Passé, who has previously worked with powerhouse music video director Khalil Joseph. Reading from her own works, Lincoln’s voice sets the tone for a film that explores the African American experience through fathers and their sons.",[11],0.1088,"2018-03-26",{"id":81,"adult":6,"title":82,"video":6,"overview":83,"softcore":6,"genre_ids":84,"popularity":85,"vote_count":51,"poster_path":41,"release_date":86,"vote_average":71,"backdrop_path":41,"original_title":82,"original_language":42},795534,"Wè","As Black and LGBTQ+ History Month begin this February, material science clothing brand PANGAIA leads celebrations with a poetic film that honors these two communities. Following a year of isolation, and with it a deeper understanding of the importance of outdoor spaces and the environment, Wè is a portrait of the self-love and acceptance we have learned to show others and gift to ourselves.",[11],0.1911,"2021-02-03",{"id":88,"adult":6,"title":89,"video":6,"overview":90,"softcore":6,"genre_ids":91,"popularity":92,"vote_count":71,"poster_path":93,"release_date":94,"vote_average":95,"backdrop_path":41,"original_title":96,"original_language":97},451798,"Everyday Life","Dialogue-free short detailing the daily tasks of a man and his wife.",[11],0.1159,"\u002Fq6Z9smTZV39prbRgXH2JbClqmtW.jpg","1976-10-05",5.167,"Życie codzienne","pl",{"id":99,"adult":6,"title":100,"video":6,"overview":101,"softcore":6,"genre_ids":102,"popularity":103,"vote_count":71,"poster_path":104,"release_date":105,"vote_average":106,"backdrop_path":41,"original_title":100,"original_language":42},275331,"The Hunters","An ethnographic documentary following four Ju\u002F’hoansi (!Kung) men during a multi-day giraffe hunt in the Kalahari Desert, filmed during the Smithsonian–Harvard Peabody expedition of 1952–53.",[11],0.2617,"\u002Fp7GnfRZq8oUYM6a8xVxZEf33hPA.jpg","1957-03-21",6.5,{"id":108,"adult":6,"title":109,"video":6,"overview":110,"softcore":6,"genre_ids":111,"popularity":112,"vote_count":31,"poster_path":113,"release_date":114,"vote_average":115,"backdrop_path":41,"original_title":109,"original_language":42},809280,"A Wife Among Wives","David and Judith MacDougall are exploring the marriage rituals and roles of Turkana women in this ethnographic documentary. The film's biggest part is taken up by talks between the Turkana people. As one of the first ethnographic documentaries \"A Wife Among Wives\" subtitles these talks so that the viewer can get a better and probably more personal understanding of the life of the Turkana.",[11],0.2146,"\u002FkSubhmAtS7iqYhrB1hDMAKpB6dF.jpg","1981-01-01",6,{"id":117,"adult":6,"title":118,"video":6,"overview":119,"softcore":6,"genre_ids":120,"popularity":121,"vote_count":8,"poster_path":122,"release_date":123,"vote_average":8,"backdrop_path":41,"original_title":118,"original_language":124},809419,"Une certaine histoire du cinéma expérimental français","Founded in the second half of the 1990s, the experimental film association L'Etna witnessed the transition from film to digital cinema. Its premises, located in the heart of Paris, were unable to withstand gentrification.",[11],0.247,"\u002Fcf9AxfKFMSwmA13eyMf1df2l26X.jpg","2019-02-07","fr",{"id":126,"adult":6,"title":127,"video":6,"overview":128,"softcore":6,"genre_ids":129,"popularity":130,"vote_count":8,"poster_path":131,"release_date":132,"vote_average":8,"backdrop_path":41,"original_title":127,"original_language":42},275727,"Himalayan Herders","John Bishop and Naomi Bishop present a portrait a peculiar life style of the Himalayan indigenous Sherpa people in their documentary , the Himalayan Herders. The 76 minutes long film is about the diverse culture and life style of herders community near Mt. Everest region of Nepal.The film was made in 1997 as a part of Case Studies in Cultural Anthropology Series.",[11],0.1264,"\u002F3ALb5QAivb0m8AA5jgKCQ03WBeD.jpg","1997-06-11",{"id":134,"adult":6,"title":135,"video":6,"overview":136,"softcore":6,"genre_ids":137,"popularity":138,"vote_count":139,"poster_path":140,"release_date":141,"vote_average":142,"backdrop_path":143,"original_title":144,"original_language":53},26317,"Man with a Movie Camera","A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.",[11],1.2809,800,"\u002FvJgAdgJWX54v0oXfIvhwjlZnmgn.jpg","1929-05-12",7.846,"\u002FbyRNEm1QwfQC1Mn0K4gLM2fIfWO.jpg","Человек с киноаппаратом",{"id":146,"adult":6,"title":147,"video":6,"overview":148,"softcore":6,"genre_ids":149,"popularity":150,"vote_count":31,"poster_path":151,"release_date":152,"vote_average":153,"backdrop_path":41,"original_title":147,"original_language":42},466809,"Transitions","A look at the various modes of transportation made for the Expo '86 World Fair in Vancouver, Canada.",[11],0.2115,"\u002Fs4XeToT8FdK3z4QnaeRVUNv5yyP.jpg","1986-05-02",8,{"id":155,"adult":6,"title":156,"video":6,"overview":157,"softcore":6,"genre_ids":158,"popularity":159,"vote_count":8,"poster_path":160,"release_date":161,"vote_average":8,"backdrop_path":41,"original_title":156,"original_language":42},640357,"It Was Always You, Helen","An interview with actor Virginia Madsen about her work in Candyman (1992).",[11],0.1637,"\u002Fo2GVHQc6HktRDhWjhUkZV2YjaeY.jpg","2018-10-29",{"id":163,"adult":6,"title":164,"video":6,"overview":165,"softcore":6,"genre_ids":166,"popularity":167,"vote_count":8,"poster_path":168,"release_date":169,"vote_average":8,"backdrop_path":170,"original_title":164,"original_language":42},824057,"A Night of Soap Water","The film is an observational telling of a watchman in an apartment complex in Guwahati, Assam, India. It blends documentary to explore his alienation and raise the question of empathy vis-a-vis his occupation: its existence beyond what may be referred to as a linear time or the time occupied by the privileged. His time is interpreted as existing in an another time characterised by the banal quality of his job. The film attempts to do away with any narrative control where the subject (the spectator) too exercises a reciprocal gaze on the filmer: by becoming an observer to his own filming, the film's own privileged gaze is confronted.",[11],0.1732,"\u002FiMDFiKjjJn6Rk7ZqGQVI7ssfWIE.jpg","2021-02-24","\u002FyeR7uQP7q3ywShn6gXcq6t0JHPH.jpg",{"id":172,"adult":6,"title":173,"video":6,"overview":174,"softcore":6,"genre_ids":175,"popularity":177,"vote_count":31,"poster_path":178,"release_date":179,"vote_average":180,"backdrop_path":181,"original_title":173,"original_language":42},824186,"welcome_home.exe","As technology accelerates, our species' collective imagination of the future grows ever more kaleidoscopic. We are all haunted by temporal distortion, perhaps no more than when we attempt to remember what the future looked like to our younger selves. As the mist of time devours our memories, the future recedes; each of us burdened by the gaping mouth of entropy. Yet, emerging technology provides a glimmer of hope; transhumanism promises a future free from mortality, disease and pain. Does our salvation lie in digital simulacra? We're here to sell you the answer to that question, for the low, low price of four hundred and seventy seconds.",[176,66,11],10402,0.1705,"\u002Fa5DE4owZPRePeBQVCygRzmwPtvM.jpg","2021-04-29",10,"\u002FzAWc2LOevgt6QO2wlB4eTWD8l45.jpg",{"id":183,"adult":6,"title":184,"video":6,"overview":185,"softcore":6,"genre_ids":186,"popularity":187,"vote_count":71,"poster_path":188,"release_date":189,"vote_average":190,"backdrop_path":191,"original_title":192,"original_language":124},271945,"Letter in Motion to Gilles Jacob and Thierry Fremaux","Rather than writing a simple letter to explain his absence from the press conference for his latest Cannes entry, \"Goodbye to Language,\" at the Cannes Film Festival, instead, legendary filmmaker Jean-Luc Godard created a video \"Letter in motion to (Cannes president) Gilles Jacob and (artistic director) Thierry Fremaux.\" The video intercuts from Godard speaking cryptically about his \"path\" to key scenes from Godard classics such as \"Alphaville\" and \"King Lear\" with Burgess Meredith and Molly Ringwald, and quotes poet Jacques Prevert and philosopher Hannah Arendt.",[11],0.1473,"\u002F1PDRFTDucTrz66N7CT7SLbjQiFf.jpg","2014-05-21",6.9,"\u002FmaYcSBG4ISZpl6bqUe2YdWGJm7C.jpg","Khan Khanne, sélection naturelle",{"id":194,"adult":6,"title":195,"video":6,"overview":196,"softcore":6,"genre_ids":197,"popularity":198,"vote_count":8,"poster_path":199,"release_date":200,"vote_average":8,"backdrop_path":41,"original_title":201,"original_language":202},623003,"2minutes40seconds","One of the major works by South Korean feminist film collective Kaidu Club, this short is a dynamic, idiosyncratic, and mosaic-like portrait of Korean life, culture, and people who dream of a unified North and South.",[11],0.1443,"\u002FnADUeTwzId4HHJhBBNdQh2Mnp2S.jpg","1975-12-01","2분 40초","ko",{"id":204,"adult":6,"title":205,"video":6,"overview":206,"softcore":6,"genre_ids":207,"popularity":208,"vote_count":8,"poster_path":209,"release_date":210,"vote_average":8,"backdrop_path":211,"original_title":212,"original_language":53},455435,"Russia as a dream","In the small town of Kansk, the Krasnoyarsk Territory many years in a row there is an international festival of short experimental films, which has a strong reputation throughout the world. \"Russia as a dream\" is an international project, shot by a team of authors and united directors, artists, poets. Each of the guests of the 14th International Kan Video Festival held in 2015 was invited to participate in the creation of a general film, the theme of which was the relationship of man and landscape, civilization and nature, reality and sleep.",[11],0.1437,"\u002FvXQgBDYePWXp7N7EJJpJOoL71yU.jpg","2017-06-22","\u002FiuUXxcqDmPtThzav81FpxpXzjuh.jpg","Россия как сон",{"id":214,"adult":6,"title":215,"video":6,"overview":216,"softcore":6,"genre_ids":217,"popularity":218,"vote_count":180,"poster_path":219,"release_date":220,"vote_average":221,"backdrop_path":222,"original_title":215,"original_language":42},455322,"6-18-67","Filmed during the production of the Columbia Pictures western \"Mackenna’s Gold,\" this short work presents a non-narrative visual study of the Arizona desert. Rather than documenting the film set itself, \"6-18-67\" assembles landscape images, time-lapse photography, and ambient sound into an abstract record of place and duration.",[11],0.2987,"\u002FlazQWN6hVh1vfRnEp6oHBkuSUJu.jpg","1967-07-07",5.9,"\u002F1AhLvUSyaioO3SpNvJKZD3WHxnf.jpg",11434,228674,"","\"With characteristic wit and rigor, experimental filmmaker Larry Gottheim here applies his impressionistic editing style to footage collected during his travels in the Dominican Republic. Gottheim’s formal emphasis on repetition and fissures between sound and image resonates here as a mode of sociological reflection (with the fragmentary montage mirroring elements of ritual while also destabilizing the ethnographic gaze). A largely overlooked antecedent to the contemporary blending of avant-garde and ethnographic filmmaking, MACHETTE GILLETTE… MAMA still poses a potent challenge to documentary convention.\" - Max Goldberg",0.1795,"\u002FlGxDUwlsmTywbnTXWmTbE0PlEoc.jpg","1989-01-01",[231],"US",{"results":233},{},[235],{"name":236,"iso_639_1":42,"english_name":236},"English",[],[239,242],{"name":240,"iso_3166_1":241},"Dominican Republic","DO",{"name":243,"iso_3166_1":231},"United States of America",45,"A documentary story that tends to land well.",[]]