[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-454643-en-US":3},{"detail":4,"match":335,"insight":336,"providers":337,"providerLink":36,"trailer":36},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":104,"revenue":8,"runtime":105,"similar":106,"tagline":121,"homepage":121,"overview":309,"softcore":6,"popularity":310,"vote_count":23,"poster_path":311,"release_date":312,"vote_average":313,"backdrop_path":36,"origin_country":314,"original_title":7,"watch\u002Fproviders":318,"spoken_languages":320,"original_language":172,"production_companies":324,"production_countries":328,"belongs_to_collection":36},454643,false,"El (im)posible olvido",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":18},[],[19,28,37,44,49,55,61,68,72,77,83,89,91,97],{"id":20,"job":21,"name":22,"adult":6,"gender":23,"credit_id":24,"department":25,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":25},2277874,"Producer","Pamela Livia Delgado",1,"619c9a1567b6130068addc15","Production",0.2912,"\u002FgKPMqx3DqlSdqecFGDv1OEg8EDJ.jpg",{"id":29,"job":30,"name":31,"adult":6,"gender":32,"credit_id":33,"department":34,"popularity":35,"profile_path":36,"original_name":31,"known_for_department":34},21040,"Editor","Alejandro Brodersohn",2,"5901476f92514155d20046fe","Editing",0.395,null,{"id":38,"job":39,"name":40,"adult":6,"gender":23,"credit_id":41,"department":25,"popularity":42,"profile_path":43,"original_name":40,"known_for_department":25},1804552,"Executive Producer","Felicitas Raffo","5901484192514155b5004596",0.3164,"\u002FxFxhtSRmFGU0y3N3pMxkVGxGOjI.jpg",{"id":45,"job":39,"name":46,"adult":6,"gender":32,"credit_id":47,"department":25,"popularity":48,"profile_path":36,"original_name":46,"known_for_department":25},1804553,"Andrés Longares","5901485992514155f4004632",0.3111,{"id":50,"job":39,"name":51,"adult":6,"gender":23,"credit_id":52,"department":25,"popularity":53,"profile_path":36,"original_name":51,"known_for_department":54},143492,"Lúcia Murat","5901487c92514155d6004a25",0.4497,"Directing",{"id":56,"job":57,"name":58,"adult":6,"gender":8,"credit_id":59,"department":57,"popularity":60,"profile_path":36,"original_name":58,"known_for_department":57},1804549,"Sound","Paula Ramírez","590147b392514155e2004688",0.3274,{"id":62,"job":63,"name":64,"adult":6,"gender":8,"credit_id":65,"department":54,"popularity":66,"profile_path":67,"original_name":64,"known_for_department":54},1360756,"Director","Andrés Habegger","590146f3c3a36810a8004a40",0.2295,"\u002FuWhXaRc6LMgHASFFc5sya4P9TcN.jpg",{"id":62,"job":69,"name":64,"adult":6,"gender":8,"credit_id":70,"department":71,"popularity":66,"profile_path":67,"original_name":64,"known_for_department":54},"Writer","59014719c3a36810a8004a5f","Writing",{"id":73,"job":57,"name":74,"adult":6,"gender":32,"credit_id":75,"department":57,"popularity":76,"profile_path":36,"original_name":74,"known_for_department":57},1804550,"Joaquín Rajadel","590147c592514155d6004993",0.7501,{"id":78,"job":79,"name":80,"adult":6,"gender":8,"credit_id":81,"department":57,"popularity":82,"profile_path":36,"original_name":80,"known_for_department":57},1804551,"Music","Agustina Lumi","5901482692514155ce0045d5",0.4161,{"id":84,"job":85,"name":86,"adult":6,"gender":8,"credit_id":87,"department":57,"popularity":88,"profile_path":36,"original_name":86,"known_for_department":57},1456110,"Sound Designer","Gaspar Scheuer","5901479192514155f40045d0",0.2973,{"id":62,"job":39,"name":64,"adult":6,"gender":8,"credit_id":90,"department":25,"popularity":66,"profile_path":67,"original_name":64,"known_for_department":54},"5901486c92514155d20047a2",{"id":92,"job":79,"name":93,"adult":6,"gender":32,"credit_id":94,"department":57,"popularity":95,"profile_path":96,"original_name":93,"known_for_department":57},1549197,"Jorge Aliaga","59014808c3a3681123004871",0.5629,"\u002Ft0TTPoI6MFOsBf7SparVXdbny6I.jpg",{"id":98,"job":99,"name":100,"adult":6,"gender":8,"credit_id":101,"department":102,"popularity":103,"profile_path":36,"original_name":100,"known_for_department":54},1804548,"Cinematography","Melina Terribili","5901474492514155d600492b","Crew",0.3126,"tt6221988",81,{"page":23,"results":107,"total_pages":307,"total_results":308},[108,118,127,137,149,159,173,184,192,204,215,225,234,243,250,259,267,275,283,294],{"id":109,"adult":6,"title":110,"video":6,"overview":111,"softcore":6,"genre_ids":112,"popularity":113,"vote_count":23,"poster_path":114,"release_date":115,"vote_average":116,"backdrop_path":36,"original_title":110,"original_language":117},270507,"Você Também Pode Dar um Presunto Legal","Amid the civil-military dictatorship implanted with the 1964 coup, Sergio Muniz had the idea of making a documentary about the action of the Death Squad. At the time,  the press still had some freedom to disseminate the work of these death squads formed by police officers of various ranks, and that he acted on the outskirts of cities like Sao Paulo and Rio de Janeiro. The victims of police repression (as today) were men, poor and black, and this condition is supposed criminals.",[11],0.2088,"\u002Fuy6DtELaFsU5bIN7tIi7UkIzFgs.jpg","2006-07-05",7,"pt",{"id":119,"adult":6,"title":120,"video":6,"overview":121,"softcore":6,"genre_ids":122,"popularity":123,"vote_count":8,"poster_path":124,"release_date":125,"vote_average":8,"backdrop_path":126,"original_title":120,"original_language":117},453933,"Tudo é Irrelevante. Hélio Jaguaribe","",[11],0.4639,"\u002F39JtJj8WitplOY0PHDlAxUnjzdW.jpg","2017-04-23","\u002Fu9Bp8T7knbybO0W9sJIuQ12sDnm.jpg",{"id":128,"adult":6,"title":129,"video":6,"overview":130,"softcore":6,"genre_ids":131,"popularity":132,"vote_count":116,"poster_path":133,"release_date":134,"vote_average":116,"backdrop_path":135,"original_title":129,"original_language":136},454646,"Messenger on a White Horse","Explores the life and work of English journalist Robert Cox, the former editor of \"The Buenos Aires Herald\" daily newspaper, whose investigative reporting in the late 1970s exposed the shocking human rights crimes of Argentina's military dictators.",[11],0.4138,"\u002Fi9Jy2f3PkYKI7OzxV8bTg0wIQeF.jpg","2017-10-12","\u002FwgYDWFEn1rvrFoZkyCo3mejhRqH.jpg","en",{"id":138,"adult":6,"title":139,"video":6,"overview":140,"softcore":6,"genre_ids":141,"popularity":142,"vote_count":143,"poster_path":144,"release_date":145,"vote_average":146,"backdrop_path":36,"original_title":147,"original_language":148},454593,"I Was, I Am, I Will Be","In the spring of 1974, a camera team from Studio H&S succeeded against the explicit orders of the Junta’s Chancellery, entered into two large concentration camps in the north of the country - Chacabuco and Pisagua - leaving with filmed sequences and sound recordings.",[11],0.3461,3,"\u002F45r8NWGLsYUA3lShunQzm19L8Ik.jpg","1974-09-10",7.5,"Ich war, ich bin, ich werde sein","de",{"id":150,"adult":6,"title":151,"video":6,"overview":152,"softcore":6,"genre_ids":153,"popularity":154,"vote_count":32,"poster_path":155,"release_date":156,"vote_average":157,"backdrop_path":36,"original_title":158,"original_language":117},258989,"Reparation","In 1968, Orlando Lovecchio was made victim of a guerilla's bomb terrorist attack, which main objective was to fight against the Military Regime. Orlando lost one leg after the world-reckoned attack against the U.S. Consulate in Sao Paulo.",[11],2.3793,"\u002F4tquADLb6vKlz8cfgfHXP4VzB4c.jpg","2010-03-12",4.5,"Reparação",{"id":160,"adult":6,"title":161,"video":6,"overview":162,"softcore":6,"genre_ids":163,"popularity":165,"vote_count":166,"poster_path":167,"release_date":168,"vote_average":169,"backdrop_path":170,"original_title":171,"original_language":172},441186,"Adriana's Pact","Lissette's favorite aunt Adriana, who lives in Australia, is arrested in 2007 while visiting her family in Chile and accused of having worked for dictator Pinochet's notorious secret police, the DINA, and of having participated in the commission of state crimes. When Adriana denies these accusations, Lissette begins to investigate her story in order to film a documentary about her.",[11,164],36,0.2821,14,"\u002Fd0ZBt9fmt5ECupXUe6hF0UHIB6I.jpg","2017-10-05",7.4,"\u002F3oGN8PMWCxePR6sT4gkOyvmIWHA.jpg","El pacto de Adriana","es",{"id":174,"adult":6,"title":175,"video":6,"overview":176,"softcore":6,"genre_ids":177,"popularity":179,"vote_count":23,"poster_path":180,"release_date":181,"vote_average":182,"backdrop_path":183,"original_title":175,"original_language":172},633221,"La parte por el todo","During the last argentine military dictatorship, the Army developed a systematic plan for the abduction of children, with maternity wards inside the clandestine detention centers. This film proposes itself as a trip to the truth \"to bring to light the places where lots of babies saw the light for the first time\"; Three restored children show the part for the whole :how a genocide was orchestrated,a scheme which planned the deprivation of identity of babies born in captivity, children of illegally kidnapped and detained women.",[11,178,164],16,0.1292,"\u002FcgwB8rb6vN8JcYUvKVl51nmYhDM.jpg","2015-10-08",5,"\u002FcAUW3ErwVH1F6txS4o8A3z45r5j.jpg",{"id":185,"adult":6,"title":186,"video":6,"overview":121,"softcore":6,"genre_ids":187,"popularity":188,"vote_count":8,"poster_path":189,"release_date":190,"vote_average":8,"backdrop_path":191,"original_title":186,"original_language":117},818977,"Manoel Lisboa: Herói da Resistência à Ditadura",[11],0.2204,"\u002Fjfuv202hEDOFKO3WtnJ7VEeTm5r.jpg","2016-09-29","\u002Fs5KsmkVIRxJlkEsLUHxrqmIPWY4.jpg",{"id":193,"adult":6,"title":194,"video":6,"overview":195,"softcore":6,"genre_ids":196,"popularity":197,"vote_count":198,"poster_path":199,"release_date":200,"vote_average":201,"backdrop_path":202,"original_title":203,"original_language":172},638623,"Revolution and Land","The long fight over the land, which demolished the wall between master and serf, continues to divide Peru to this day. But the 1969 agrarian reform marked a before and after in the country's story - a profound change that Peruvian cinema reflected and encapsulated, creating great imagination we continue to discover today. 50 years after the social experiments of the revolution, we ask ourselves whether Peru really messed up or not with Juan Velasco Alvarado.",[11,164],0.6758,21,"\u002FpI8Fwx2CZhyApeMbbipoDiPO8VS.jpg","2019-10-10",8.2,"\u002FspWx0eGjdwhOg4lP9vKL2AWfXd6.jpg","La Revolución y la Tierra",{"id":205,"adult":6,"title":206,"video":6,"overview":207,"softcore":6,"genre_ids":208,"popularity":209,"vote_count":166,"poster_path":210,"release_date":211,"vote_average":212,"backdrop_path":213,"original_title":214,"original_language":117},445402,"Stories Our Cinema Did (Not) Tell","Filled with raunchy laughs, this documentary compiles outrageous scenes from sex-comedies that shaped Brazil's \"pornochanchada\" boom of the 1970s.",[11],0.3591,"\u002FlNp27hnq6cYTl6r8vkem0dIBYWf.jpg","2017-03-06",6.179,"\u002FiVCbXpCQM4BfkArsTzH2UjcfDJv.jpg","Histórias Que Nosso Cinema (Não) Contava",{"id":216,"adult":6,"title":217,"video":6,"overview":218,"softcore":6,"genre_ids":219,"popularity":221,"vote_count":182,"poster_path":222,"release_date":223,"vote_average":224,"backdrop_path":36,"original_title":217,"original_language":172},259882,"When the Mountains Tremble","A documentary on the war between the Guatemalan military and the Mayan population, with first hand accounts by Nobel Peace Prize winner Rigoberta Menchú.",[11,164,220],10752,0.6587,"\u002F1VqX91OVq8ObPQsMIe3CAixFJgz.jpg","1983-09-30",9,{"id":226,"adult":6,"title":227,"video":6,"overview":228,"softcore":6,"genre_ids":229,"popularity":230,"vote_count":8,"poster_path":231,"release_date":232,"vote_average":8,"backdrop_path":233,"original_title":227,"original_language":117},826493,"Inês","Triggered by congressman Jair Bolsonaro’s homage to the torturer Carlos Alberto Brilhante Ustra, during president Dilma Rousseff’s impeachment hearing in 2016, Inês, a 70 year-old actress, starts a fragmented narrative of her own history, transforming the memories of her youth as an artist and guerrilla fighter during the military dictatorship into performances. Using as a starting point her participation in Teatro Oficina's 1967 production of the play \"King of The Candle\", by Oswald de Andrade, Inês creates a manifesto in defense of art's political strength, intertwined with memories of lost love and resistance.",[11],1.1476,"\u002Fg5hzlSL4ONyFCGCDLGBiSZsO5us.jpg","2020-12-15","\u002FgPDhIKTeP1CBl63bGuNNm1gvo0h.jpg",{"id":235,"adult":6,"title":236,"video":6,"overview":237,"softcore":6,"genre_ids":238,"popularity":239,"vote_count":23,"poster_path":240,"release_date":241,"vote_average":224,"backdrop_path":242,"original_title":236,"original_language":117},1021326,"O Grande Irmão: O Dia que Durou 21 Anos 2","With confidential and unpublished documentation, the film shows the background and behind-the-scenes of the coup in Chile that took place on September 11, 1973 - and General Pinochet's dictatorship, which lasted 17 years.",[11],0.3758,"\u002FicqHxVObPHyo6N8Cn58EhQ1n5SX.jpg","2022-09-08","\u002Fm5zf96bZiOi77aJ9p1Xcw8jA7Rb.jpg",{"id":244,"adult":6,"title":245,"video":6,"overview":121,"softcore":6,"genre_ids":246,"popularity":247,"vote_count":8,"poster_path":248,"release_date":249,"vote_average":8,"backdrop_path":36,"original_title":245,"original_language":117},459997,"O Pasquim: A Subversão do Humor",[11],0.2133,"\u002Fwsc6avV64QaL452CTPyA0kYdGLG.jpg","2004-06-01",{"id":251,"adult":6,"title":252,"video":6,"overview":253,"softcore":6,"genre_ids":254,"popularity":255,"vote_count":8,"poster_path":256,"release_date":257,"vote_average":8,"backdrop_path":36,"original_title":258,"original_language":117},650755,"Stunned, I Remain Alert","Journalist Dermi Azevedo has never stopped fighting for human rights and now, three decades after the end of the military dictatorship in Brazil, he's witnessing the return of those same practices.",[11],1.3125,"\u002FexbM8qk6f6T44olJXcM8ix1sunL.jpg","2020-01-15","Atordoado, Eu Permaneço Atento",{"id":260,"adult":6,"title":261,"video":6,"overview":121,"softcore":6,"genre_ids":262,"popularity":264,"vote_count":8,"poster_path":265,"release_date":266,"vote_average":8,"backdrop_path":36,"original_title":261,"original_language":117},660657,"Roda Viva Roda Brasil",[11,263,164],10402,0.2635,"\u002F8JiSEQM3JKfmmWDwpYJThjio7nR.jpg","2019-01-06",{"id":268,"adult":6,"title":269,"video":6,"overview":270,"softcore":6,"genre_ids":271,"popularity":272,"vote_count":8,"poster_path":273,"release_date":274,"vote_average":8,"backdrop_path":36,"original_title":269,"original_language":117},670012,"Subversivas","\"Subversivas\" is a documentary that reveals the brazilian military dictatorship from the perspective of women. Teresa Angelo, Gilse Cosenza, Thereza Vidigal, Angela Pezzuti and Delsy Gonçalves joined the resistance to the military regime in different ways.  Their memories bring out events that marked that time and their life. These statements reveal their effort for freedom and democracy not only in political actions, but also in their family, work and everyday relationships, imbued with a belief and search for a fair and free country.",[11],0.5729,"\u002F6p7asflpwvChe71YTNeiCtJD6qO.jpg","2013-10-01",{"id":276,"adult":6,"title":277,"video":6,"overview":121,"softcore":6,"genre_ids":278,"popularity":279,"vote_count":8,"poster_path":280,"release_date":281,"vote_average":8,"backdrop_path":282,"original_title":277,"original_language":117},1057049,"Ditadura Reservada",[11],0.1789,"\u002FdVxccOItn8150BikUXV1eKo8OmP.jpg","2012-11-06","\u002Fq68hThuv39qq4cdDDlnlfL2Xxx4.jpg",{"id":284,"adult":6,"title":285,"video":6,"overview":286,"softcore":6,"genre_ids":287,"popularity":288,"vote_count":289,"poster_path":290,"release_date":291,"vote_average":146,"backdrop_path":292,"original_title":293,"original_language":117},47411,"Citizen Boilesen","A documentary about the controversial businessman Henning Boilesen Jr. and his involvement with the military regime as one of its most enthusiastic supporters, financing it and participating in the tortures of political prisoners. Those actions later culminated in his assassination in 1971 by members of militant groups opposed to the regime.",[11],1.6572,8,"\u002FgxbLzVdaJugxTtLh2hx6Zd1HKf5.jpg","2009-11-27","\u002FzLR8V2bgKIIQxnRitE0pFxHgQyu.jpg","Cidadão Boilesen",{"id":295,"adult":6,"title":296,"video":6,"overview":297,"softcore":6,"genre_ids":298,"popularity":300,"vote_count":301,"poster_path":302,"release_date":303,"vote_average":304,"backdrop_path":305,"original_title":306,"original_language":148},499580,"Nazis in the CIA","Florian Hartung and Dirk Pohlmann have reconstructed a previously unknown dimension of the collaboration between Nazis and the CIA in the Cold War. Drawing upon recently released documents, the film exposes for the first time a perfidious, worldwide net that reaches deep into the power structures of the Federal Republic of Germany. Lending their authority to the fact-finders’ mission are high-ranking statesmen, journalists and historians.",[11,299],80,0.3102,12,"\u002Fs6ynt6LOQCMSl6W5fe938ar69EW.jpg","2013-10-15",6.5,"\u002F8HSH886wXwsD35W3EOXoK2547IY.jpg","Dienstbereit - Nazis und Faschisten im Auftrag der CIA",11632,232631,"Argentine filmmaker Andrés Habegger embarks on a deeply personal journey in this documentary, seeking to recover memories and information about his father, Norberto Habegger, a journalist and Montonero activist who disappeared in Brazil in 1978 during a joint operation between the Argentine and Brazilian military. Traveling to places that were part of his life and revisiting old photos and his childhood diaries, the director fills in the gaps in a family history that was interrupted.",0.8953,"\u002Ftdj2KhsS1xY8eqFrldZj3xjD8rQ.jpg","2016-11-10",10,[315,316,317],"AR","BR","MX",{"results":319},{},[321],{"name":322,"iso_639_1":172,"english_name":323},"Español","Spanish",[325],{"id":326,"name":327,"logo_path":36,"origin_country":315},39849,"CEPA Audiovisual",[329,331,333],{"name":330,"iso_3166_1":315},"Argentina",{"name":332,"iso_3166_1":316},"Brazil",{"name":334,"iso_3166_1":317},"Mexico",54,"A documentary story that tends to land well.",[]]