[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-455164-en-US":3},{"detail":4,"match":276,"insight":277,"providers":278,"providerLink":34,"trailer":34},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":47,"revenue":8,"runtime":48,"similar":49,"tagline":47,"homepage":47,"overview":251,"softcore":6,"popularity":252,"vote_count":8,"poster_path":253,"release_date":254,"vote_average":8,"backdrop_path":34,"origin_country":255,"original_title":259,"watch\u002Fproviders":260,"spoken_languages":262,"original_language":124,"production_companies":269,"production_countries":273,"belongs_to_collection":34},455164,false,"Ouaga, the Capital of Cinema",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":18},[],[19,27,35,42],{"id":20,"job":21,"name":22,"adult":6,"gender":8,"credit_id":23,"department":24,"popularity":25,"profile_path":26,"original_name":22,"known_for_department":24},1806990,"Director","Mohamed Challouf","5904e6c992514169d000fb58","Directing",0.2387,"\u002FkCFMxTomZopMhDuF4ksnRLiwZ8i.jpg",{"id":28,"job":29,"name":30,"adult":6,"gender":8,"credit_id":31,"department":32,"popularity":33,"profile_path":34,"original_name":30,"known_for_department":32},41032,"Director of Photography","Nara Keo Kosal","672f8a9f0d133cd473322c28","Camera",0.1457,null,{"id":36,"job":37,"name":38,"adult":6,"gender":8,"credit_id":39,"department":40,"popularity":41,"profile_path":34,"original_name":38,"known_for_department":40},5049178,"Editor","Dario Cavalleri","672f8ae259036d2bcf08f3c1","Editing",0.0757,{"id":43,"job":37,"name":44,"adult":6,"gender":8,"credit_id":45,"department":40,"popularity":46,"profile_path":34,"original_name":44,"known_for_department":40},5049180,"Mirka Fanti","672f8af249ad5afefc301c2c",0.1316,"",60,{"page":50,"results":51,"total_pages":249,"total_results":250},1,[52,63,77,88,99,107,115,125,134,144,156,164,171,180,190,199,210,220,229,239],{"id":53,"adult":6,"title":54,"video":6,"overview":55,"softcore":6,"genre_ids":56,"popularity":57,"vote_count":58,"poster_path":59,"release_date":60,"vote_average":61,"backdrop_path":34,"original_title":54,"original_language":62},439416,"In the Shadow of Hollywood: Race Movies and the Birth of Black Cinema","This documentary captures the sounds and images of a nearly forgotten era in film history when African American filmmakers and studios created “race movies” exclusively for black audiences. The best of these films attempted to counter the demeaning stereotypes of black Americans prevalent in the popular culture of the day. About 500 films were produced, yet only about 100 still exist. Filmmaking pioneers like Oscar Micheaux, the Noble brothers, and Spencer Williams, Jr. left a lasting influence on black filmmakers, and inspired generations of audiences who finally saw their own lives reflected on the silver screen.",[11],0.17,4,"\u002F6kMsQZqhnLEJscqvqbDBHXOpDLu.jpg","2007-09-15",6.5,"en",{"id":64,"adult":6,"title":65,"video":6,"overview":66,"softcore":6,"genre_ids":67,"popularity":69,"vote_count":70,"poster_path":71,"release_date":72,"vote_average":73,"backdrop_path":74,"original_title":75,"original_language":76},805101,"Handbook of Movie Theaters' History","Handbook of Movie Theaters' History is a documentary about the history, the development in the present days and the future of movie theaters in the city of Turin, Italy. It mixes the documentary language with comedy and fiction, and is enriched by interviews to some of the most important voices of Turin cinematography. The film follows the evolution of movie theaters by enlightening its main milestones: the pre-cinema experiences in the late 19th Century, the colossals and the movie cathedrals of the silent era, the arthouse theaters, the National Museum of Cinema, the Torino Film Festival, the movie theaters system today and the main hypothesis about its future. The mission of Handbook of Movie Theaters' History is to explore and give back to the audience a deep reflection about the identity and the value of movie theater, in its social and anthropological role and as a mass media, and to analyze the experience of the viewer.",[11,68],35,0.2532,3,"\u002Fjo5pe4TX1bPTcFmcRpFIIja3J0U.jpg","2021-03-11",7.5,"\u002F2WRWxMMv3tGpHgAGoKjc0dBpNlF.jpg","Manuale di Storie dei Cinema","it",{"id":78,"adult":6,"title":79,"video":6,"overview":80,"softcore":6,"genre_ids":81,"popularity":83,"vote_count":50,"poster_path":84,"release_date":85,"vote_average":86,"backdrop_path":87,"original_title":79,"original_language":62},1183836,"CATANAS POINT - A Surf Documentary","\"CATANAS POINT - A Surf Documentary\" portrays the reality of the sport of surfing in Angola and compares it with what surfing was like in Brazil from the 1980s to the present day.",[11,82],18,0.2875,"\u002FhVeq1aIDEeuU19ctkzIqbxCdvyP.jpg","2023-07-15",10,"\u002Fr1wiUdI3J7TqZwyL6WBLjbdbZAG.jpg",{"id":89,"adult":6,"title":90,"video":6,"overview":91,"softcore":6,"genre_ids":92,"popularity":93,"vote_count":50,"poster_path":94,"release_date":95,"vote_average":96,"backdrop_path":34,"original_title":97,"original_language":98},446687,"Andrés Caicedo: A Few Good Friends","Using the unfinished film, ANGELITA Y MIGUEL ÁNGEL, by Andrés Caicedo and Carlos Mayolo, as a structuring device, friends of prolific film critic and writer Andrés Caicedo, an unforgettable figure of the group of Cali in the 1970s who left an incredible amount of texts, reflect upon his life, his work, and his suicide at the age of 25, testify to his influence in the cultural life of Colombia, and remember his strong and touching personality.",[11],0.9831,"\u002Fmsj3PU9q2BW0OuakbffqfqfAZVc.jpg","1986-01-01",7,"Andrés Caicedo: Unos pocos buenos amigos","es",{"id":100,"adult":6,"title":101,"video":6,"overview":102,"softcore":6,"genre_ids":103,"popularity":104,"vote_count":8,"poster_path":105,"release_date":106,"vote_average":8,"backdrop_path":34,"original_title":101,"original_language":62},11108,"Back To Africa","An Austrian director followed five successful African music and dance artists with his camera and followed their lives for a year. The artists, from villages in Ghana, Gambia and Congo, were the subjects of Africa! Africa! touring across Europe, but they have unbreakable roots to their homeland and their families. Schmiderer lovingly portrays his heroes, who tell their stories about themselves, their art and what it means to them to be African with captivating honesty. The interviews are interwoven with dance scenes and colourful vignettes set to authentic music.",[11],0.3212,"\u002F3zq86BHwuekoY5jFiODpIy23wi1.jpg","2008-04-01",{"id":108,"adult":6,"title":109,"video":6,"overview":110,"softcore":6,"genre_ids":111,"popularity":112,"vote_count":8,"poster_path":113,"release_date":114,"vote_average":8,"backdrop_path":34,"original_title":109,"original_language":62},447214,"The Struggle Continues","A Luta Continua explains the military struggle of the Liberation Front of Mozambique (FRELIMO) against the Portuguese. Produced and narrated by American activists Robert Van Lierop, it details the relationship of the liberation to the wider regional and continental demands for self-determination against minority rule. It notes the complicit roles of foreign governments and companies in supporting Portugal against the African nationalists. Footage from the front lines of the struggle helps contextualize FRELIMO's African socialist ideology, specifically the role of the military in building the new nation, a commitment to education, demands for sexual equality, the introduction of medical aid into the countryside, and the role of culture in creating a single national identity.",[11],0.5858,"\u002Fa10kzZHujI1qUnUvOxs6q2b2fDs.jpg","1971-10-31",{"id":116,"adult":6,"title":117,"video":6,"overview":118,"softcore":6,"genre_ids":119,"popularity":120,"vote_count":121,"poster_path":34,"release_date":122,"vote_average":73,"backdrop_path":34,"original_title":123,"original_language":124},440152,"Thank You, Mr. Robertson","A glimpse of the pre-history of cinema starting with the projections of Etienne Gaspard Robert (also known as M. Robertson), who used magic lanterns and other optical illusions to develop the genre of the Gothic phantasmagoria in the late eighteenth century.",[11],0.5122,2,"1985-01-01","Merci Monsieur Robertson","fr",{"id":126,"adult":6,"title":127,"video":6,"overview":128,"softcore":6,"genre_ids":129,"popularity":130,"vote_count":58,"poster_path":34,"release_date":131,"vote_average":132,"backdrop_path":34,"original_title":133,"original_language":62},260647,"Si-Gueriki, Queen Mother","Si-Gueriki is the story of the confrontation of a young man with his history, his roots and culture.",[11],2.3812,"2002-03-08",6.25,"Si-Gueriki, la reine-mère",{"id":135,"adult":6,"title":136,"video":6,"overview":137,"softcore":6,"genre_ids":138,"popularity":139,"vote_count":50,"poster_path":140,"release_date":141,"vote_average":86,"backdrop_path":142,"original_title":143,"original_language":124},804562,"Papa Césaire","Shortly after his death in 2008, Maldoror made this film about her longtime friend and collaborator, the Négritude poet Aimé Césaire. In this film, she retraces the steps of Césaire’s travels across the globe — particularly back to his hometown in Martinique, where Maldoror interviews his relatives about his life — and her working relationship with Césaire, including fragments of her previous films about him, Un homme, une terre (1976) and Le masque des mots (1987).",[11],0.5489,"\u002FysCpF5FYU9ZEfcf0Dvv3nzZ67xk.jpg","2009-11-19","\u002FhljIQsruB50hfBLWiZv7hZkT9s.jpg","Eia pour Césaire",{"id":145,"adult":6,"title":146,"video":6,"overview":147,"softcore":6,"genre_ids":148,"popularity":149,"vote_count":150,"poster_path":151,"release_date":152,"vote_average":153,"backdrop_path":154,"original_title":146,"original_language":155},438789,"Ôrí","A look at the Brazilian black movement between 1977 and 1988, going by the relationship between Brazil and Africa.",[11],3.2431,5,"\u002F9JZuBMQWHKD9xqHnKLa2Jak8vue.jpg","1989-09-28",8.6,"\u002F7p87NJG8ydXbUTpwGWRLDi3RGVx.jpg","pt",{"id":157,"adult":6,"title":158,"video":6,"overview":159,"softcore":6,"genre_ids":160,"popularity":161,"vote_count":8,"poster_path":162,"release_date":163,"vote_average":8,"backdrop_path":34,"original_title":158,"original_language":76},630871,"L'Ultimo Pizzaiolo","A journey through abandoned cinemas of Sardinia interspersed with memories of three senior projectionists, a profession now suppressed by technology.",[11],0.2003,"\u002Fib4TkE9WkNUHqyJGV6tTAPrFnWg.jpg","2019-01-01",{"id":165,"adult":6,"title":166,"video":6,"overview":47,"softcore":6,"genre_ids":167,"popularity":168,"vote_count":8,"poster_path":34,"release_date":169,"vote_average":8,"backdrop_path":34,"original_title":166,"original_language":170},440670,"Walter Mittelholzer - Eine Schweizer Pioniergeschichte",[11],0.2882,"2015-02-27","de",{"id":172,"adult":6,"title":173,"video":6,"overview":174,"softcore":6,"genre_ids":175,"popularity":176,"vote_count":8,"poster_path":177,"release_date":178,"vote_average":8,"backdrop_path":34,"original_title":179,"original_language":155},440326,"São Paulo, Cinemacity","Mixing new images to existing São Paulo movies takes, the documentary presents the city from the perspective of five main attributes: transformation, anonymity, crowd, precariousness and dimension.",[11],0.935,"\u002FwOBSGQykjXb3l3E92QM4BmiQotg.jpg","1994-06-06","São Paulo, Cinemacidade",{"id":181,"adult":6,"title":182,"video":6,"overview":183,"softcore":6,"genre_ids":184,"popularity":185,"vote_count":8,"poster_path":186,"release_date":187,"vote_average":8,"backdrop_path":188,"original_title":189,"original_language":76},806407,"Red Chairs - Parma and the Cinema","The relations between Parma and cinema were so strong for almost the whole of the twentieth century that this city became an early laboratory of ideas and theories on cinema and a set chosen by some of the greatest Italian authors and beyond. Furthermore, a considerable number of directors, actors, screenwriters and set designers were born in Parma who have made their way internationally, testifying to the fact that in this small city in Northern Italy there was a decidedly cinematic air. Red armchairs takes up the thread of this story, wondering why, unique among the Italian provincial cities, Parma has given so much to the cinema, accompanying the viewer on a journey backwards that from the first projections of the Lumière cinema reaches the ultramodern experience of new multiplexes. During this journey we will meet the characters who created the conditions for this diffusion of cinematographic culture in Parma.",[11],0.4025,"\u002FhT6gKcpv3nHSBkIqaQWivBqGVM0.jpg","2014-07-24","\u002Fw7BLyOnxUht8O97Ce8OisP6CF12.jpg","Poltrone Rosse - Parma e il cinema",{"id":191,"adult":6,"title":192,"video":6,"overview":47,"softcore":6,"genre_ids":193,"popularity":195,"vote_count":8,"poster_path":196,"release_date":197,"vote_average":8,"backdrop_path":198,"original_title":192,"original_language":155},1194957,"Razões Africanas",[11,194],10402,0.371,"\u002F3oLmWqzLCubNQhegVqe1XUHzGAN.jpg","2023-10-19","\u002FnomsPlOWSxrzJ7JtwRsa6go3KVS.jpg",{"id":200,"adult":6,"title":201,"video":6,"overview":202,"softcore":6,"genre_ids":203,"popularity":204,"vote_count":205,"poster_path":206,"release_date":207,"vote_average":208,"backdrop_path":209,"original_title":201,"original_language":62},15325,"God Grew Tired of Us","Filmmaker Christopher Quinn observes the ordeal of three Sudanese refugees -- Jon Bul Dau, Daniel Abul Pach and Panther Bior -- as they try to come to terms with the horrors they experienced in their homeland, while adjusting to their new lives in the United States.",[11],1.2162,47,"\u002FmrUCcDeCPW3d0s2VCgyTRVoxyKa.jpg","2006-12-31",7.287,"\u002Fw2RdgPaBWuPV98FQgGBTUZ8ef38.jpg",{"id":211,"adult":6,"title":212,"video":6,"overview":213,"softcore":6,"genre_ids":214,"popularity":215,"vote_count":121,"poster_path":216,"release_date":217,"vote_average":218,"backdrop_path":34,"original_title":219,"original_language":124},271688,"The Making of Yaaba","Djibril Diop Mambéty followed and filmed the shooting of Yaaba, Idrissa Ouédraogo's second feature film. A documentary full of humorous anecdotes regarding the dangers of shooting in Burkina Faso.",[11],0.6772,"\u002Fu8935PxMarv5kiPRjMXOtdiC2k5.jpg","1989-01-02",7.75,"Parlons grand-mère",{"id":221,"adult":6,"title":222,"video":6,"overview":223,"softcore":6,"genre_ids":224,"popularity":225,"vote_count":8,"poster_path":226,"release_date":227,"vote_average":8,"backdrop_path":34,"original_title":228,"original_language":62},8400,"Memory Books","In Uganda, AIDS-infected mothers have begun writing what they call Memory Books for their children. Aware of the illness, it is a way for the family to come to terms with the inevitable death that it faces. Hopelessness and desperation are confronted through the collaborative effort of remembering and recording, a process that inspires unexpected strength and even solace in the face of death.",[11],0.3776,"\u002F1E13cqdFK4nF46eXSoIffWPLnIE.jpg","2008-05-01","Memory Books - Damit du mich nie vergisst...",{"id":230,"adult":6,"title":231,"video":6,"overview":232,"softcore":6,"genre_ids":233,"popularity":234,"vote_count":50,"poster_path":235,"release_date":236,"vote_average":237,"backdrop_path":34,"original_title":238,"original_language":170},8959,"White Man with Black Bread","Christof Wackernagel, best known in Germany as an actor and former member of the Red Army Faction (\"RAF\") lives in Mali. In his compelling portrait, Jonas Grosch shows a man who simply cannot stand still if he senses injustice. The courage to stand up for one’s beliefs coupled with vanity? However one chooses to look at it, it is easy to imagine what made him connect with the \"RAF\". With his irrepressible will for freedom, Christof Wackernagel gets entangled in the horrors of day-to-day life in Africa.",[11],0.5308,"\u002F175Qgb77jbUDLJjW4VFdoDm1t2E.jpg","2007-01-13",8,"Der Weiße mit dem Schwarzbrot",{"id":240,"adult":6,"title":241,"video":6,"overview":242,"softcore":6,"genre_ids":243,"popularity":244,"vote_count":8,"poster_path":245,"release_date":246,"vote_average":8,"backdrop_path":34,"original_title":247,"original_language":248},444429,"Islands of Forgotten Cinemas","A poetic documentary about the lost film culture in the small villages on the Croatian islands during the SFR of Yugoslavia.",[11],1.1956,"\u002F3mvUmzBkFe48kV2G5U5nx4XYB1c.jpg","2016-03-03","Kino otok","hr",11662,233235,"Between 1983 and 1987, Ouagadougou, the capital of Burkina Faso and the home city of FESPACO, one of the most important Pan-African film festivals in the world, was the scene of an exciting cinema utopia. With the support of the young president Thomas Sankara, the festival became a symbol of the cultural renaissance of a whole continent. The assassination of Sankara stifled the hopes of millions of young Africans, but the dynamism of FESPACO and African cinema did not stop.",0.2884,"\u002FqaeO9DPthrJXqJYXyNrGpjYbDj5.jpg","2000-04-29",[256,257,258],"BF","IT","TN","Ouaga, Capitale du cinéma",{"results":261},{},[263,266],{"name":264,"iso_639_1":124,"english_name":265},"Français","French",{"name":267,"iso_639_1":268,"english_name":267},"Hausa","ha",[270],{"id":271,"name":272,"logo_path":34,"origin_country":47},100900,"Caravanes Productions",[274],{"name":275,"iso_3166_1":258},"Tunisia",45,"A documentary story that tends to land well.",[]]