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This series features captured German and Russian film footage, much of which has never been seen before.",[11],0.3183,"\u002Fo3omO3j8g9lsPW9iuyPc60UAye2.jpg","1995-01-01",5.5,{"id":229,"adult":6,"title":230,"video":6,"overview":231,"softcore":6,"genre_ids":232,"popularity":233,"vote_count":234,"poster_path":235,"release_date":236,"vote_average":237,"backdrop_path":238,"original_title":239,"original_language":128},618389,"Andrey Tarkovsky. A Cinema Prayer","An account of the life and work of Russian filmmaker Andrey Tarkovsky (1932-86) in his own words: his memories, his vision of art and his reflections on the fate of the artist and the meaning of human existence; through extremely rare audio recordings that allow a complete understanding of his inner life and the mysterious world existing behind his complex cinematic imagery.",[11],0.5555,37,"\u002F8oYeR48zNnZfFtqidAlLQYNbB7w.jpg","2019-10-17",6.7,"\u002F8GrG6TtjWhgcxYT2IJM4RYEnNJ2.jpg","Андрей Тарковский. 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Soviet architecture of the 1960s and 70s was by and large utilitarian, regimented, and mass-produced. Yet the bus stops Herwig discovers on his journeys criss-crossing the vast former Soviet Bloc are something else entirely: whimsical, eccentric, flamboyantly artistic, audacious, colourful. They speak of individualism and locality, concepts anathema to the Communist doctrine. 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