[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-458541-en-US":3},{"detail":4,"match":251,"insight":252,"providers":253,"providerLink":24,"trailer":24},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":10,"videos":11,"credits":13,"imdb_id":24,"revenue":8,"runtime":38,"similar":39,"tagline":106,"homepage":106,"overview":234,"softcore":6,"popularity":235,"vote_count":40,"poster_path":236,"release_date":237,"vote_average":112,"backdrop_path":24,"origin_country":238,"original_title":7,"watch\u002Fproviders":240,"spoken_languages":242,"original_language":93,"production_companies":246,"production_countries":247,"belongs_to_collection":24},458541,false,"Distorted \"Tele\" Vision",0,[],"Released",{"results":12},[],{"cast":14,"crew":15},[],[16,25,32],{"id":17,"job":18,"name":19,"adult":6,"gender":20,"credit_id":21,"department":22,"popularity":23,"profile_path":24,"original_name":19,"known_for_department":22},1821015,"Director","Yo Ota",2,"5921be4e9251414ab1058736","Directing",0.4021,null,{"id":26,"job":27,"name":28,"adult":6,"gender":20,"credit_id":29,"department":22,"popularity":30,"profile_path":31,"original_name":28,"known_for_department":22},2872123,"Assistant Director","Jun Miyazaki","6434237f1f98d102a62bee04",0.4466,"\u002F9yaY9pETcAj6Y0IXB8UFdYWyu6B.jpg",{"id":33,"job":34,"name":35,"adult":6,"gender":8,"credit_id":36,"department":34,"popularity":37,"profile_path":24,"original_name":35,"known_for_department":34},4003527,"Sound","Osamu Yamazaki","643423671f98d101cba75eaa",0.4106,11,{"page":40,"results":41,"total_pages":232,"total_results":233},1,[42,51,59,69,77,85,94,103,114,122,129,141,151,158,173,184,195,206,214,224],{"id":43,"adult":6,"title":44,"video":6,"overview":45,"softcore":6,"genre_ids":46,"popularity":47,"vote_count":8,"poster_path":48,"release_date":49,"vote_average":8,"backdrop_path":24,"original_title":44,"original_language":50},669729,"Bielefeld Lichtwerk","A found footage experiment made using an excerpt from the film Taranula! 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The artist and his family were some of the 250,000 people who inhabited the tiny island between 1978 and 1991; it was once one of the most densely populated places in the world. After the United Nations High Commissioner for Refugees shuttered the camp in 1991, Pulau Bidong became overgrown by jungle, filled with crumbling monuments and relics.  The film takes place in a dystopian future in which the last man on earth - having escaped forced repatriation to Vietnam - finds a United Nations scientists who has washed ashore after teh world’s last nuclear battle. By weaving together footage from Bidong’s past with a narrative set in its future, Nguyen questions the individual’s relationship to history, trauma, nationhood, and displacement.",[74],1.6369,"\u002Fui3oe32cv9LybXFlN0ZqDBMhkDB.jpg","2017-03-17",{"id":123,"adult":6,"title":124,"video":6,"overview":125,"softcore":6,"genre_ids":126,"popularity":127,"vote_count":8,"poster_path":24,"release_date":128,"vote_average":8,"backdrop_path":24,"original_title":124,"original_language":50},487107,"Celestial Candy","Fixed and symmetrical shots make up the world where a beast wanders into the\r different stages of a scientific testing that has been exposed to. Human figures appear\r in harmless and impersonal spaces where they modify the animal biologically, without\r uttering words. Nowadays, man only seems to move around a constant improvement, a\r search for improving the nature that surrounds us, thinking about the possibility to taste\r a celestial candy.",[74],0.4,"2016-10-13",{"id":130,"adult":6,"title":131,"video":6,"overview":132,"softcore":6,"genre_ids":133,"popularity":134,"vote_count":112,"poster_path":135,"release_date":136,"vote_average":137,"backdrop_path":138,"original_title":139,"original_language":140},303533,"Home Movie: On the Set of Philippe Garrel's 'Le lit de la vierge'","An experimental and poetic portrait of a woman.",[74],1.098,"\u002FldPo0LcpGRmuWsMBJAU9ZpNh64V.jpg","1968-12-31",8.1,"\u002FwzJyU6pm7wOuW4k0jfEURg1Fabg.jpg","Home Movie, autour du 'Lit de la vierge'","fr",{"id":142,"adult":6,"title":143,"video":6,"overview":144,"softcore":6,"genre_ids":145,"popularity":147,"vote_count":40,"poster_path":148,"release_date":149,"vote_average":150,"backdrop_path":24,"original_title":143,"original_language":50},488451,"Four Journeys Into Mystic Time: One Two Three","An abstract work featuring three dancers, the performers interact with large screens as well as each other. Included in Shirley Clarke’s Four Journeys Into Mystic Time, costuming and color play an integral role in this piece.",[146],14,0.8261,"\u002FmCg2S45xkihfhwM35iZD6XnPvIv.jpg","1978-01-01",9,{"id":152,"adult":6,"title":153,"video":6,"overview":154,"softcore":6,"genre_ids":155,"popularity":156,"vote_count":8,"poster_path":157,"release_date":66,"vote_average":8,"backdrop_path":24,"original_title":153,"original_language":93},488057,"Visual Logic (and Illogic)","Demonstrates the visual logic (and illogic) of sign combining with limited movements of camera for panning and zooming.",[],0.6951,"\u002FA4eSwERi8Hls38Z39MX2k0gAzVP.jpg",{"id":159,"adult":6,"title":160,"video":6,"overview":161,"softcore":6,"genre_ids":162,"popularity":167,"vote_count":168,"poster_path":169,"release_date":170,"vote_average":171,"backdrop_path":172,"original_title":160,"original_language":50},44351,"Rabbits","A story of a group of humanoid rabbits and their depressive, daily life. The plot includes Suzie ironing, Jane sitting on a couch, Jack walking in and out of the apartment, and the occasional solo singing number by Suzie or Jane. At one point the rabbits also make contact with their “leader”.",[163,164,165,108,166,99],27,9648,80,53,1.8585,289,"\u002F8LHeas839avkylUmw1Q4uutZeR4.jpg","2002-06-09",6.702,"\u002FwAsE7lf0ggmLgtGJUegAUA3E5Pf.jpg",{"id":174,"adult":6,"title":175,"video":6,"overview":176,"softcore":6,"genre_ids":177,"popularity":179,"vote_count":8,"poster_path":180,"release_date":181,"vote_average":8,"backdrop_path":24,"original_title":182,"original_language":183},488195,"When I Looked at Myself from Above","The film takes us through the working day of protagonists, factory workers. Their basic working tool is their body, ready to execute strenuous manual tasks. Day after day the same story, the  same faces, the same spaces, the same tasks. Feeling confined, they seek a sheet anchor, a way out, an escape. They venture into the unknown, dance, drift and float in the air.",[178,74],10402,0.728,"\u002FtR7FgUyXgxZIoDUbYbDBZzptdmf.jpg","2017-11-20","Ko sem se pogledala navzdol","sl",{"id":185,"adult":6,"title":186,"video":6,"overview":187,"softcore":6,"genre_ids":188,"popularity":189,"vote_count":190,"poster_path":191,"release_date":192,"vote_average":193,"backdrop_path":194,"original_title":186,"original_language":50},44445,"At Land","A woman washes up on a beach and embarks on a surreal journey, encountering others and fragmented versions of herself in a quest for identity.",[146],1.0671,112,"\u002F97g5V60msJWADVBJyJMpzmRZAnd.jpg","1944-01-01",7.2,"\u002FxzB03JHelRW7t03irCgyLgdheAx.jpg",{"id":196,"adult":6,"title":197,"video":6,"overview":198,"softcore":6,"genre_ids":199,"popularity":200,"vote_count":201,"poster_path":202,"release_date":203,"vote_average":204,"backdrop_path":205,"original_title":197,"original_language":50},44503,"Blow Job","Andy Warhol directs a single 35-minute shot of a man's face to capture his facial expressions as he receives the sexual act depicted in the title.",[74],0.7259,56,"\u002FrbtmS87QC7vKr4kpIYV3R8rWuBa.jpg","1964-07-16",4.4,"\u002FprIJsrX5PE3UqsqjamA2kbypRLE.jpg",{"id":207,"adult":6,"title":208,"video":6,"overview":209,"softcore":6,"genre_ids":210,"popularity":211,"vote_count":40,"poster_path":212,"release_date":213,"vote_average":67,"backdrop_path":24,"original_title":208,"original_language":50},1445885,"Swinging Light","An experience of a camera swinging in different gestures facing the optical distortion of the Sun. The last appearance of the smudge.",[74],1.0821,"\u002FvdOMxrTVq3HBu5tJDCjck2xe8qH.jpg","2025-03-21",{"id":215,"adult":6,"title":216,"video":6,"overview":217,"softcore":6,"genre_ids":218,"popularity":219,"vote_count":8,"poster_path":220,"release_date":221,"vote_average":8,"backdrop_path":222,"original_title":223,"original_language":93},883371,"Tokyo","A short film spelling Tokyo in hiragana.",[99],0.6441,"\u002FoX7Zv98HEQO9sPDcnxkJ6Kib2vQ.jpg","2017-10-05","\u002F59DGKdNX7w0w1zd2RMuASSr6I25.jpg","とうきょう",{"id":225,"adult":6,"title":226,"video":6,"overview":227,"softcore":6,"genre_ids":228,"popularity":229,"vote_count":8,"poster_path":230,"release_date":231,"vote_average":8,"backdrop_path":24,"original_title":226,"original_language":50},686693,"Memoirs","We live with stories. And it's hard for us to give up on these stories, which provide us our identity, a way of understanding ourselves. Reflections from three successive generations are dusted off and presented as remaining fragments. An attempt to archive thoughts on familial history, narrative traditions, human perception and \"the story\" from known and unknown sources.  \"There is history behind it and the history becomes the story and the story becomes the pattern and the pattern becomes rigidity.\"",[74],1.8708,"\u002FkPxL3EcOf2Lv2dseziWP2jVaYVA.jpg","2019-07-10",150,2982,"“The visual harmony of the landscape is disturbed by a screen that allows us to see into the distance (television). The film is composed of six scenes that feature a television in the landscape. The speed of the television (in NTSC) is 30 frames per second, and never changes in this film. But the landscape views pass at different speeds.” - Yo Ota",0.6076,"\u002FkiEI1LtuaItKq9Kb4TK97rcrFDl.jpg","1997-01-01",[239],"JP",{"results":241},{},[243],{"name":244,"iso_639_1":93,"english_name":245},"日本語","Japanese",[],[248],{"name":249,"iso_3166_1":250},"United States of America","US",45,"Distorted \"Tele\" Vision sits in the sweet spot of what works for tonight.",[]]