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Using Virginia Woolf's last letters as a base, this film is meditation on the power of the word and its undertsanding and the the last moments before saying \"goodbye\".",[40],1.7742,"\u002FmY7n6CP5in3nYWsmwh8hb6XBouQ.jpg","2015-10-14",{"id":185,"adult":6,"title":186,"video":6,"overview":187,"softcore":6,"genre_ids":188,"popularity":190,"vote_count":191,"poster_path":192,"release_date":193,"vote_average":194,"backdrop_path":195,"original_title":196,"original_language":197},277305,"Enigma: Nazo","Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and religious symbols) converging towards the centre of the screen.",[189],16,1.0129,4,"\u002FpdSiALlK5HL6AVseKUxGJrZ4tm7.jpg","1978-07-12",6.5,"\u002F1ffcLZHZZEwXecPvq4F9UgZtzj3.jpg","Enigma (謎)","ja",{"id":199,"adult":6,"title":200,"video":6,"overview":201,"softcore":6,"genre_ids":202,"popularity":203,"vote_count":8,"poster_path":204,"release_date":205,"vote_average":8,"backdrop_path":24,"original_title":200,"original_language":65},653047,"Ai Rotoli","A visit to the Rotoli cemetery in Palermo, while film director Carmelo Bene reads a fragment of Antonio Pizzuto's book \"Signorina Rosina\".",[],0.5859,"\u002FbdUXwFWf02FVTPAKecYJlHAwk5z.jpg","1996-01-01",{"id":207,"adult":6,"title":208,"video":6,"overview":209,"softcore":6,"genre_ids":210,"popularity":212,"vote_count":33,"poster_path":213,"release_date":214,"vote_average":117,"backdrop_path":215,"original_title":208,"original_language":65},1613690,"Vague Void","The world shifts subtly while silent watchers already understand.",[96,56,142,57,58,211],878,0.781,"\u002FxwoFsDidsFZqhZGTJ6aPwLkmSYw.jpg","2026-02-07","\u002FiwOSTXTCUxXPc78tWhcfYd2YM7R.jpg",{"id":217,"adult":6,"title":218,"video":6,"overview":219,"softcore":6,"genre_ids":220,"popularity":221,"vote_count":8,"poster_path":222,"release_date":223,"vote_average":8,"backdrop_path":24,"original_title":218,"original_language":65},470327,"19: Passage","19: Passage explores the dual possibilities of accentuating video flicker and video grain through rephotographing imagery off of a small portion of a cathode ray tube monitor.",[],0.4193,"\u002F8j8o5qj6xPQJTwlkmG1wTr09dQs.jpg","2006-01-01",{"id":225,"adult":6,"title":226,"video":6,"overview":227,"softcore":6,"genre_ids":228,"popularity":229,"vote_count":8,"poster_path":230,"release_date":231,"vote_average":8,"backdrop_path":24,"original_title":226,"original_language":232},469994,"A Messenger from the Shadows (Notes on Film 06 A\u002FMonologue 01)","Thanks to his myriad film roles, Lon Chaney is known as “the man of a thousand faces,” and you could say that the early horror era never beheld a figure more intriguing. Yet because of his numerous transformations, his face never became as iconic as that of, say, Boris Karloff. Accompanied by a soundtrack from Bernhard Lang, this “re-imagination of shots” taken from Chaney´s forty-six surviving films offers a beguiling excursion into the history of film. The director reveals surprising associations, while highlighting the enduring magic of works which are now more or less forgotten.",[40],0.666,"\u002FrAQTdjs8iW8EVqplsNYIBN3cSpY.jpg","2013-01-01","de",150,2982,"","“Sequences of space-time manipulation that raise the problem of continuity in the shot.” - Yo Ota",0.9525,"\u002FzQt51pnm3gGk8upwt2H4T7au1qd.jpg","1999-01-01",[241],"JP",{"results":243},{},[245],{"name":246,"iso_639_1":197,"english_name":247},"日本語","Japanese",[],[],45,"Incorrect Continuity sits in the sweet spot of what works for tonight.",[]]