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From there, through quivering and percussive forms of direct and stop-motion animation, the eye begins to experience the scale of an image anew. At times segueing into a flicker, but maintaining a charmed form of attention to the marks of pencils and the channels dredged in emulsion by a paintbrush, all to a curious soundtrack of pulses and bleeps.",1.5959,"\u002F4rnNDIw5Ivm3myYqEHpJIiJ6L3C.jpg","2025-01-31",{"adult":5,"backdrop_path":6,"genre_ids":90,"id":91,"title":92,"original_language":16,"original_title":92,"overview":93,"popularity":94,"poster_path":95,"release_date":96,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],824926,"3\u002F78 (Objects and Transformations)","Sixteen 'objects', each consisting of one hundred points of light, perform a series of precisely choreographed rhythmic transformations. 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It imparts a sense of possibilities: that something simple can produce complex and unexpected patterns. As with an atom, the variety of possibilities from a base movement is potentially infinite.",1.4934,"\u002Ff3W014YRCHjEWe22hcYzLe6cPRx.jpg","2016-05-03",{"adult":5,"backdrop_path":6,"genre_ids":134,"id":135,"title":136,"original_language":16,"original_title":136,"overview":137,"popularity":138,"poster_path":6,"release_date":139,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1040681,"Pulse At The Centre Of Being","It is a 2D experimental animation which is accompanied by the music, “Pulse At The Centre Of Being” composed by Max Cooper. Beautiful things happened inside a human through different combinations of flowers, organs and body parts.",0.5272,"2021-10-07",{"adult":5,"backdrop_path":141,"genre_ids":142,"id":143,"title":144,"original_language":16,"original_title":144,"overview":145,"popularity":146,"poster_path":147,"release_date":148,"softcore":5,"video":5,"vote_average":149,"vote_count":32},"\u002F4FXYRL7lfwLz9tmaZJQOBhZdXkR.jpg",[10],466807,"Rectangle & Rectangles","This is a didactic film in disguise. A progression of brilliant geometric shapes bombard the screen to the insistent beat of drums. The filmmaker programmed a computer to coordinate a highly complex operation involving an electronic beam of light, colour filters and a camera. This animation film, without words, is designed to expose the power of the cinematic medium, and to illustrate the abstract nature of time.",0.4582,"\u002FwUcyK8b8n2MjfRFHj3L8lz6gPD.jpg","1984-01-01",10,{"adult":5,"backdrop_path":6,"genre_ids":151,"id":152,"title":153,"original_language":16,"original_title":153,"overview":154,"popularity":155,"poster_path":156,"release_date":157,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],654251,"Things to Come","A vibrant animation by Patricia Marx.  Preserved by the Academy Film Archive in 2000.",0.8783,"\u002F25C2UURUH9iMIgsySCIvyfKWAdJ.jpg","1953-03-03",{"adult":5,"backdrop_path":159,"genre_ids":160,"id":161,"title":162,"original_language":128,"original_title":163,"overview":164,"popularity":165,"poster_path":166,"release_date":167,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002F1X2qfvMoMbV0zROlR2wMfMOOSdo.jpg",[10],854822,"Colored Rhythm: Study for the Film","Rythme coloré","A film unmade-- That is, Survage's film was never realized in the traditional sense-- At the time, such a project was beyond technological possibility. His pioneering efforts to combine luminous, expressive painting and the moving picture were further curtailed by the outbreak of WWI. Some have taken it upon themselves to 'animate' his  watercolor plates in attempts to set his dream into motion.",0.574,"\u002FnDW9cWs5yChbejAFcZYA3bXGj0W.jpg","1913-01-01",{"adult":5,"backdrop_path":6,"genre_ids":169,"id":170,"title":171,"original_language":172,"original_title":173,"overview":174,"popularity":175,"poster_path":176,"release_date":177,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],864887,"François Couperin. The Alarm Clock","ru","Франсуа Куперен. Будильник","From the film-almanac on musical works of classics for children \"Children's Album\". 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Gamelan music from the classical tradition of Java adds to the mesmerizing effect.",0.9996,"\u002F3a6CUacwEvfMxBM5BmI5wZkYaBk.jpg","1979-01-02",{"adult":5,"backdrop_path":6,"genre_ids":187,"id":188,"title":189,"original_language":16,"original_title":189,"overview":190,"popularity":191,"poster_path":192,"release_date":193,"softcore":5,"video":5,"vote_average":194,"vote_count":32},[10],664791,"Logos","Jane Conger Belson Shimane's first film, Logos, premiered in 1957 and was screened at festivals in North America, Europe, and Latin America. The animated film featured an electronic score by Henry Jacobs.  Preserved by the Academy Film Archive in 2001.",0.4658,"\u002Fug53HeoolrcGHrTf6t0ZPVduIEw.jpg","1957-07-07",5,{"adult":5,"backdrop_path":6,"genre_ids":196,"id":198,"title":199,"original_language":16,"original_title":199,"overview":200,"popularity":201,"poster_path":202,"release_date":203,"softcore":5,"video":5,"vote_average":204,"vote_count":37},[197,10],10402,302575,"All Souls Carnival","Len Lye usually timed his films with great care to match their soundtracks, but for All Souls Carnival, he and composer Henry Brant worked separately, preferring to see if the score and visual track would synchronise by chance. Lye also experimented with a new Direct Film technique, drenching the filmstrip in colourful paint and marker pen.",0.6535,"\u002Fl4s18023tWhkOwJFxtTqXbPdlD9.jpg","1957-03-03",4.5,{"adult":5,"backdrop_path":206,"genre_ids":207,"id":209,"title":210,"original_language":211,"original_title":212,"overview":213,"popularity":214,"poster_path":215,"release_date":216,"softcore":5,"video":5,"vote_average":217,"vote_count":218},"\u002FnV5bIMguQKNVmuO9NGvZcInjcul.jpg",[208,10,117],12,41077,"Son of the White Mare","hu","Fehérlófia","A horse goddess gives birth to three powerful brothers who set out into the Underworld to save three princesses from three evil dragons and reclaim their ancestors' lost kingdom.",2.9054,"\u002FcYYYIfBFG5nszjDk5xea4MQHyDS.jpg","1981-10-22",7.6,97,{"adult":5,"backdrop_path":220,"genre_ids":221,"id":222,"title":223,"original_language":128,"original_title":223,"overview":224,"popularity":225,"poster_path":226,"release_date":227,"softcore":5,"video":5,"vote_average":228,"vote_count":194},"\u002Ftv5mL5OXQRKfmxAy0MCGfNpFYT.jpg",[10,197],485546,"Shearing Animation","An abstract animated film inspired by the work of jazz musician Chico Hamilton.",1.3111,"\u002Fnt7UkTOdOCSMMvHrR7cXTLEyQlU.jpg","1962-01-01",6.8,{"adult":5,"backdrop_path":230,"genre_ids":231,"id":232,"title":233,"original_language":16,"original_title":233,"overview":234,"popularity":235,"poster_path":236,"release_date":237,"softcore":5,"video":5,"vote_average":238,"vote_count":71},"\u002F4w3R0PQCankSIZ5BnG48rnIgN8T.jpg",[10,197],485401,"Drums West","This newly rediscovered short was created in Jim's home studio in Bethesda, MD around 1961. It is one of several experimental shorts inspired by the music of jazz great Chico Hamilton. At the end, in footage probably shot by Jerry Juhl, Jim demonstrates his working method.",1.6397,"\u002F5eNWwWOJgSKTZCTZ1zTPezZkveF.jpg","1961-12-31",7.2,{"adult":5,"backdrop_path":6,"genre_ids":240,"id":241,"title":242,"original_language":16,"original_title":242,"overview":243,"popularity":244,"poster_path":245,"release_date":246,"softcore":5,"video":5,"vote_average":31,"vote_count":32},[10,197],299663,"Barcode III.0","A unique journey across a topography created entirely from a form of digital light and shadow—a bristling terrain of poles bending the light in every direction. This film is the remake of Barcode, an abstract road-movie about light and shadows.",0.7746,"\u002FAhMpAJPSSEqkTFmqnhDdRNlC9Yp.jpg","2013-01-01",1001,20001,{"results":250},{},{"results":252},[],45,"A animation story that tends to land well.",[]]