[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-467841-en-US":3},{"detail":4,"match":268,"insight":269,"providers":270,"providerLink":27,"trailer":27},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":54,"revenue":8,"runtime":55,"similar":56,"tagline":108,"homepage":108,"overview":247,"softcore":6,"popularity":248,"vote_count":232,"poster_path":249,"release_date":250,"vote_average":235,"backdrop_path":27,"origin_country":251,"original_title":254,"watch\u002Fproviders":255,"spoken_languages":257,"original_language":117,"production_companies":258,"production_countries":263,"belongs_to_collection":27},467841,false,"Fantastic Vision",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":18},[],[19,28,32,36,40,45,50],{"id":20,"job":21,"name":22,"adult":6,"gender":23,"credit_id":24,"department":25,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":25},1170774,"Director","Eugène Deslaw",2,"597689e79251417aa401782d","Directing",0.1958,null,{"id":20,"job":29,"name":22,"adult":6,"gender":23,"credit_id":30,"department":31,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":25},"Writer","5a0c5bc49251414da0012846","Writing",{"id":20,"job":33,"name":22,"adult":6,"gender":23,"credit_id":34,"department":35,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":25},"Cinematography","5a0c5bca9251414df3011f52","Crew",{"id":20,"job":37,"name":22,"adult":6,"gender":23,"credit_id":38,"department":39,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":25},"Editor","5a0c5bd3c3a368760b012bd9","Editing",{"id":41,"job":37,"name":42,"adult":6,"gender":8,"credit_id":43,"department":39,"popularity":44,"profile_path":27,"original_name":42,"known_for_department":39},1924242,"Rafael Simancas","5a0c5be89251414de8011e54",0.0314,{"id":46,"job":33,"name":47,"adult":6,"gender":8,"credit_id":48,"department":35,"popularity":49,"profile_path":27,"original_name":47,"known_for_department":35},1924243,"Andre Amster","5a0c5bfa9251414dd3011dbe",0.0795,{"id":20,"job":51,"name":22,"adult":6,"gender":23,"credit_id":52,"department":53,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":25},"Producer","5a0c5c139251414da00128b1","Production","tt0493077",66,{"page":57,"results":58,"total_pages":245,"total_results":246},1,[59,68,81,91,101,109,118,126,137,148,157,170,179,185,193,202,209,218,226,236],{"id":60,"adult":6,"title":61,"video":6,"overview":62,"softcore":6,"genre_ids":63,"popularity":64,"vote_count":8,"poster_path":65,"release_date":66,"vote_average":8,"backdrop_path":27,"original_title":61,"original_language":67},438909,"München, Raphaela","A film about a young woman's future plans in Munich, Germany. MUNCHEN, RAPHAELA (also known as RAPHAELA RING MUNCHEN) is part of Mike Plante's Lunchfilm series of commissioned shorts (made for the cost of a lunch between Plante and filmmaker Kevin Jerome Everson).",[11],2.1568,"\u002FpYvJLfzqrX7sERhT3IqxFNJNd3K.jpg","2006-02-01","en",{"id":69,"adult":6,"title":70,"video":6,"overview":71,"softcore":6,"genre_ids":72,"popularity":73,"vote_count":74,"poster_path":75,"release_date":76,"vote_average":77,"backdrop_path":78,"original_title":79,"original_language":80},222,"Berlin: Symphony of a Great City","A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.",[11],0.4848,128,"\u002F1APQoI9PKgZtg6PWZjIbr0U7GvZ.jpg","1927-09-23",7.523,"\u002FlVnUdJ7nqho86UievvSr1LpfU6k.jpg","Berlin, die Symphonie der Großstadt","de",{"id":82,"adult":6,"title":83,"video":6,"overview":84,"softcore":6,"genre_ids":85,"popularity":86,"vote_count":87,"poster_path":88,"release_date":89,"vote_average":90,"backdrop_path":27,"original_title":83,"original_language":67},259458,"New York Portrait, Chapter II","Chapter Two represents a continuation of daily observations from the environment of Manhattan compiled over a period from 1980-1981. This is the second part of an extended life's portrait of New York.",[11],0.1559,7,"\u002FemTOeOgYMkSJ2UZovoqo2T1nYtW.jpg","1981-01-01",7.1,{"id":92,"adult":6,"title":93,"video":6,"overview":94,"softcore":6,"genre_ids":95,"popularity":96,"vote_count":23,"poster_path":27,"release_date":97,"vote_average":98,"backdrop_path":27,"original_title":99,"original_language":100},438793,"Dreams of Ice","In 1992 the Universal Exhibition in Seville was held in Spain. Chile participated in this exhibition by displaying in its pavilion an ice floe captured and brought especially by sea from Antarctica. In these true facts is based the fantasy narrated in Dreams of Ice. Filmed between November 1991 and May 1992 on board the ships Galvarino, Aconcagua and Maullín, in a voyage that goes from Antarctica to Spain, in this documentary film in which dreams, myths and facts converge towards a poetic tale turned into a seafaring saga, in the manner of the legends of the seafarers that populate the mythology of the American continent and universal literature.",[11],1.4903,"1994-11-15",8,"Sueños de hielo","es",{"id":102,"adult":6,"title":103,"video":6,"overview":104,"softcore":6,"genre_ids":105,"popularity":106,"vote_count":8,"poster_path":107,"release_date":108,"vote_average":8,"backdrop_path":27,"original_title":103,"original_language":67},1188046,"Arkadia","In a world where farming is mechanized and farm animals are fed with products coming from across the globe, a young shepherd is trying to keep his practice sustainable by using ancestral ways to raise his flock.",[11],0.381,"\u002F92lg5aCtZnm4lwsFOreYvg4fPKO.jpg","",{"id":110,"adult":6,"title":111,"video":6,"overview":112,"softcore":6,"genre_ids":113,"popularity":114,"vote_count":8,"poster_path":115,"release_date":116,"vote_average":8,"backdrop_path":27,"original_title":111,"original_language":117},809419,"Une certaine histoire du cinéma expérimental français","Founded in the second half of the 1990s, the experimental film association L'Etna witnessed the transition from film to digital cinema. Its premises, located in the heart of Paris, were unable to withstand gentrification.",[11],0.1271,"\u002Fcf9AxfKFMSwmA13eyMf1df2l26X.jpg","2019-02-07","fr",{"id":119,"adult":6,"title":120,"video":6,"overview":121,"softcore":6,"genre_ids":122,"popularity":123,"vote_count":57,"poster_path":124,"release_date":125,"vote_average":98,"backdrop_path":27,"original_title":120,"original_language":67},443015,"The Displaced View","The Displaced View traces a personal search for identity and pride, within the unique and suppressed history of the Japanese in Canada. Through an examination of the emotional and cultural links between the women of one family, the processes of the construction of memory and the re-construction of history, are revealed. Utilizing an innovative combination of experimental, dramatic and documentary forms, the film emerges as a deeply moving and compassionate love letter. Just as the official history of the Japanese Canadians has been thrown into question, so does the film’s fictionalized narrative, question documentary as truth.",[11],0.4496,"\u002FBweOjlDlOpuutDjvNKhgJfqqOF.jpg","1988-01-01",{"id":127,"adult":6,"title":128,"video":6,"overview":129,"softcore":6,"genre_ids":130,"popularity":132,"vote_count":57,"poster_path":133,"release_date":134,"vote_average":135,"backdrop_path":27,"original_title":136,"original_language":100},264638,"Impressions from the Upper Atmosphere","Sistiaga painted directly on 70mm film a circular (planetary?) form, around which dance shifting colours in a psychedelic acceleration matched by the soundtrack’s deep-space roar and howl. - Cinema Scope",[11,131],16,0.7675,"\u002Fyn8D07RpJBHkNwLj3Lv3sGTmsuh.jpg","1989-01-01",6,"Impresiones en la alta atmósfera",{"id":138,"adult":6,"title":139,"video":6,"overview":140,"softcore":6,"genre_ids":141,"popularity":143,"vote_count":8,"poster_path":144,"release_date":145,"vote_average":8,"backdrop_path":146,"original_title":139,"original_language":147},1199683,"Màqkina. Història d'una subcultura","An ardent musical, emotional and sociological vindication of Mákina music, from its roots in the eclectic and avant-garde Valencian scene to its emergence in the 90's in Catalonia.",[11,142],10402,0.148,"\u002Fkw5vJbxdAcANsqPrCbpGXMdLA7U.jpg","2023-10-27","\u002FfkyrRtHTkdI6uwLH7zUOnDd2a8b.jpg","ca",{"id":149,"adult":6,"title":150,"video":6,"overview":151,"softcore":6,"genre_ids":152,"popularity":153,"vote_count":8,"poster_path":154,"release_date":155,"vote_average":8,"backdrop_path":27,"original_title":150,"original_language":156},633565,"Magma (C)","Drops of fire that create a universe of magmatic asteroids. Liquid and gravitational reality. Cosmic energy. Atomized Rhythm.  Neurons of a liberated unconscious. Elimination of the idea of \"soul\" as \"everything\", reducing it to the condition of units of energy in perpetual process, elementary particles, without duration, that arise in perfect dependence. The \"I\" as a stream of units of force in ceaseless becoming that procures the illusion of an entity. Karmic chain. The idea that eternity resides in the transitory, the eternal belongs to it instantly. Eternity not as infinite duration but as absence of temporality. Universe of a mobile, procedural, relational and interactive nature of everything that exists. Here the \"object\" is conceived as something that is constituted, completed, lost and recovered with the vibrating rhythm of a universe in constant production.",[11],0.5781,"\u002Ff1M5zE0YITMaS3RnHpM5A4uWiys.jpg","2014-08-12","gl",{"id":158,"adult":6,"title":159,"video":6,"overview":160,"softcore":6,"genre_ids":161,"popularity":163,"vote_count":164,"poster_path":165,"release_date":166,"vote_average":167,"backdrop_path":168,"original_title":169,"original_language":100},287362,"You Alone","In their spare time, after their studies or their work, children and adolescents between the ages of eight and sixteen meet at the School of Bullfighting in Madrid to learn the Art of Cúchares: Torear. In their stomachs there is no hunger as in the past, their dreams do not lie in having a farmhouse and being famous. Their only dreams are to be in front of a bull, animal with which death goes, fact of which they are fully aware, as their teachers continually remind them. These, retired bullfighters, some by age, others by force and all with their bodies full of scars produced by the horns of a bull.  The nude bullfighting scene is fascinating without being exploitive, and it serves as an analogy for the vulnerability these young bullfighters have when in the ring with the bulls.",[162,11],18,1.886,10,"\u002Frte89UM79TrY7QDd64QEjlgzrhI.jpg","1984-09-01",6.3,"\u002F6OpRQQpvrs8wqrvajy8GltEqsQN.jpg","Tú solo",{"id":171,"adult":6,"title":172,"video":6,"overview":173,"softcore":6,"genre_ids":174,"popularity":175,"vote_count":8,"poster_path":176,"release_date":177,"vote_average":8,"backdrop_path":27,"original_title":172,"original_language":178},835813,"Cinetismo Luminoso","Experimental projects carried out during scientific initiation - 2002 \u002F UFRJ",[11],0.1821,"\u002F9dLJDRMyFqRboLHhfaqzVgmjbcc.jpg","2002-02-02","pt",{"id":180,"adult":6,"title":181,"video":6,"overview":173,"softcore":6,"genre_ids":182,"popularity":183,"vote_count":8,"poster_path":184,"release_date":177,"vote_average":8,"backdrop_path":27,"original_title":181,"original_language":178},835814,"Movimento Intrínseco",[11],0.3613,"\u002Fakn621WpCP0kZ4X8gJk6TteH269.jpg",{"id":186,"adult":6,"title":187,"video":6,"overview":188,"softcore":6,"genre_ids":189,"popularity":190,"vote_count":57,"poster_path":191,"release_date":192,"vote_average":98,"backdrop_path":27,"original_title":187,"original_language":67},466101,"Age 12: Love with a Little L","This film is depicts early lesbian sexuality, using reenacted scenes from the experience of a 12-year old girl as the platform for a meditation on forbidden desire, transgression, and Lacanian psychoanalytic concepts of identity formation. Raw adolescent memories counterpoint staged scenes, exploring mechanisms of power and submission.",[11],0.6473,"\u002FwToB8c0VNZq811FIJ4agiZimvVC.jpg","1991-07-12",{"id":194,"adult":6,"title":195,"video":6,"overview":196,"softcore":6,"genre_ids":197,"popularity":198,"vote_count":8,"poster_path":199,"release_date":200,"vote_average":8,"backdrop_path":27,"original_title":195,"original_language":201},466528,"Adrift","\"Adrift\" is shot on the arctic island of Spitzbergen and in Norway. It combines time-lapse photography with stop-motion animation of the landscape. Through camera-angles and framing the film gradually dislocates the viewer from a stable base where one loses the sense of scale and grounding.",[11,131],0.3027,"\u002FezoNM2AoTpZS39uinJnmDQIuJar.jpg","2004-01-01","no",{"id":203,"adult":6,"title":204,"video":6,"overview":205,"softcore":6,"genre_ids":206,"popularity":207,"vote_count":8,"poster_path":27,"release_date":208,"vote_average":8,"backdrop_path":27,"original_title":204,"original_language":67},289048,"Convalescing","“Convalescing, when you don't have to participate in the world. Time to read, to dream, to look - the blue, the light of the television, the blue, the book, the patterns the light, the blue. Time to appreciate how much that really is.”",[11],0.3137,"2000-08-27",{"id":210,"adult":6,"title":211,"video":6,"overview":212,"softcore":6,"genre_ids":213,"popularity":214,"vote_count":8,"poster_path":215,"release_date":216,"vote_average":8,"backdrop_path":27,"original_title":211,"original_language":217},289051,"Ariadne","The constant movement of the wheels, threads, sprockets, feet and hands suggests restlessness, and this is paralleled by the soundtrack. The unknown woman could be Gretchen from Faust, hopelessly in love or Ariadne who gave Theseus the thread to find his way out of labyrinth or perhaps she is one of the fates, weaving destiny… Enlarged from Super-8 to 35mm, the film is very grainy, in itself an homage to the medium of film which is also emphasized by the depiction of all kinds of turning machines, both in image and sound.",[11],0.4081,"\u002F3reJDo8mssRHECv8l2DZ9gOCNPX.jpg","2005-08-27","nl",{"id":219,"adult":6,"title":220,"video":6,"overview":221,"softcore":6,"genre_ids":222,"popularity":223,"vote_count":57,"poster_path":224,"release_date":225,"vote_average":98,"backdrop_path":27,"original_title":220,"original_language":67},466809,"Transitions","A look at the various modes of transportation made for the Expo '86 World Fair in Vancouver, Canada.",[11],0.8558,"\u002Fs4XeToT8FdK3z4QnaeRVUNv5yyP.jpg","1986-05-02",{"id":227,"adult":6,"title":228,"video":6,"overview":229,"softcore":6,"genre_ids":230,"popularity":231,"vote_count":232,"poster_path":233,"release_date":234,"vote_average":235,"backdrop_path":27,"original_title":228,"original_language":67},467027,"Like a Dream that Vanishes","\"Like a Dream That Vanishes\" continues Sternberg’s work in film both thematically and formally: the ephemerality of life echoed in the temporal nature of film, as the stuff of life echoed on the energy, life-force in rhythmic light pulses (Your life is like a candle burning). Imageless emulsion is inter-cut with brief shots of natural elements and mise-en-scene of the stages of human life: a little boy runs and falls; teens hang out together at night smoking; sun shines through tree branches; men pace, waiting; flashes of lightning; an elderly man speaks philosophically about miracles.",[11],0.3322,4,"\u002Fn92Ou73z2hYfHIg7XAipE9FoL6h.jpg","1999-10-01",5.25,{"id":237,"adult":6,"title":238,"video":6,"overview":239,"softcore":6,"genre_ids":240,"popularity":241,"vote_count":135,"poster_path":242,"release_date":243,"vote_average":244,"backdrop_path":27,"original_title":238,"original_language":67},278859,"Thot-Fal'N","This film describes a psychological state \"kin to moonstruck, its images emblems (not quite symbols) of suspension-of-self within consciousness and then that feeling of falling away from conscious thought. The film can only be said to describe or be emblematic of this state because I cannot imagine symbolizing or otherwise representing an equivalent of thoughtlessness itself. Thus the actors in the film, Jane Brakhage, Tom and Gloria Bartek, Williams Burroughs, Allen Ginsberg, Peter Olovsky and Phillip Whalen are figments of this 'Thought-Fallen Process', as are their images in the film to find themselves being photographed.\"",[11],0.2608,"\u002Fn9LX4cPOx67Sn1n1y3WGzgpR1V6.jpg","1978-06-27",5.667,11764,235274,"Footage filmed in Spain, subjected a new visual effects process. Deslaw devoted himself to the discovery of a new machine that enabled film to be developed while using a new method called solarisation.",0.5399,"\u002F6KF023p8uuGcf4qRadXWiZBSGLV.jpg","1957-01-01",[252,253],"FR","CH","Vision fantastique",{"results":256},{},[],[259],{"id":260,"name":261,"logo_path":27,"origin_country":262},97392,"No-Do","ES",[264,266],{"name":265,"iso_3166_1":253},"Switzerland",{"name":267,"iso_3166_1":262},"Spain",45,"A documentary story that tends to land well.",[]]