[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-468891-en-US":3},{"detail":4,"match":257,"insight":258,"providers":259,"providerLink":6,"trailer":6},{"adult":5,"backdrop_path":6,"belongs_to_collection":6,"budget":7,"genres":8,"homepage":12,"id":13,"imdb_id":6,"origin_country":14,"original_language":16,"original_title":17,"overview":18,"popularity":19,"poster_path":6,"production_companies":20,"production_countries":21,"release_date":24,"revenue":7,"runtime":25,"softcore":5,"spoken_languages":26,"status":29,"tagline":30,"title":17,"video":5,"vote_average":31,"vote_count":32,"credits":33,"similar":67,"watch\u002Fproviders":253,"videos":255},false,null,0,[9],{"id":10,"name":11},99,"Documentary","http:\u002F\u002Frhizome.org\u002Fart\u002Fartbase\u002Fartwork\u002Fman-with-a-movie-camerathe-global-remake\u002F",468891,[15],"US","en","Man with a Movie Camera: The Global Remake","Man With a Movie Camera: The Global Remake is a participatory video shot by people around the world who are invited to record images interpreting the original script of Vertov’s Man With A Movie Camera and upload them to this site. Software developed specifically for this project archives, sequences and streams the submissions as a film. Anyone can upload footage. When the work streams your contribution becomes part of a worldwide montage, in Vertov’s terms the “decoding of life as it is”.",1.208,[],[22],{"iso_3166_1":15,"name":23},"United States of America","2009-07-31",67,[27],{"english_name":28,"iso_639_1":16,"name":28},"English","Released","",10,1,{"cast":34,"crew":35},[],[36,44,47,51,58],{"adult":5,"gender":32,"id":37,"known_for_department":38,"name":39,"original_name":39,"popularity":40,"profile_path":6,"credit_id":41,"department":42,"job":43},1861599,"Directing","Perry Bard",0.4458,"597f88f6925141605f0076b6","Production","Producer",{"adult":5,"gender":32,"id":37,"known_for_department":38,"name":39,"original_name":39,"popularity":40,"profile_path":6,"credit_id":45,"department":38,"job":46},"597f88a69251415d8d035f39","Director",{"adult":5,"gender":32,"id":37,"known_for_department":38,"name":39,"original_name":39,"popularity":40,"profile_path":6,"credit_id":48,"department":49,"job":50},"597f89139251415d8d035fae","Writing","Screenplay",{"adult":5,"gender":7,"id":52,"known_for_department":53,"name":54,"original_name":54,"popularity":55,"profile_path":6,"credit_id":56,"department":53,"job":57},1861600,"Sound","Steven Baun",0.493,"597f89099251415db10375a9","Music",{"adult":5,"gender":59,"id":60,"known_for_department":38,"name":61,"original_name":62,"popularity":63,"profile_path":64,"credit_id":65,"department":49,"job":66},2,95111,"Dziga Vertov","Дзига Вертов",8.6685,"\u002F6CvXGGtNiF3ofSe1MFtGwgJnCVo.jpg","5fa118febdc34c00396c5f0d","Characters",{"page":32,"results":68,"total_pages":251,"total_results":252},[69,81,89,97,106,115,126,138,148,156,166,173,181,189,196,204,215,225,234,242],{"adult":5,"backdrop_path":70,"genre_ids":71,"id":75,"title":76,"original_language":16,"original_title":76,"overview":77,"popularity":78,"poster_path":79,"release_date":80,"softcore":5,"video":5,"vote_average":31,"vote_count":32},"\u002Fe5ex1bhMboOPMKZSremTjan9JeF.jpg",[72,10,73,74],37,10402,18,458886,"Every Ambulation a Betrayal","Return to 'burn' only to find out you're already in that urn.",0.5181,"\u002FiM8uySJH9uYHlq7wVMSrQ3Vpzsn.jpg","2017-05-23",{"adult":5,"backdrop_path":6,"genre_ids":82,"id":83,"title":84,"original_language":16,"original_title":84,"overview":85,"popularity":86,"poster_path":87,"release_date":88,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],452886,"I Have No Memory of My Direction","Ostensibly searching for an emotional connection with her aging father, the woman contemplates her own inherited culture and familial touchstones. Her North American pop culture sensibility fuses with a distorted Japanese perspective to create a surreal interpretation of a “Japan of the imagination.” This fictional landscape is peppered with invented Japanese myths, ruminations on memory loss, the temporal space of digital photography and the ghosts of inherited imagination.",0.6452,"\u002Fprqj4IqyW5VRvCWu3HO2QoKe0ia.jpg","2005-01-01",{"adult":5,"backdrop_path":6,"genre_ids":90,"id":91,"title":92,"original_language":16,"original_title":92,"overview":93,"popularity":94,"poster_path":95,"release_date":96,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],827365,"Misty Picture","The television images of the collapse of the World Trade Center were preceded by manifold stagings of the building, either as a highly symbolic icon, a speculative destruction fantasy or merely as a spectacular backdrop. 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G.",0.5945,"\u002FcUg6CWBqFHwPeJ4PDLEDkRuFo0H.jpg","1981-01-01",8,{"adult":5,"backdrop_path":6,"genre_ids":107,"id":108,"title":109,"original_language":16,"original_title":109,"overview":110,"popularity":111,"poster_path":112,"release_date":113,"softcore":5,"video":5,"vote_average":114,"vote_count":32},[10],453166,"Machete Gillette... Mama","\"With characteristic wit and rigor, experimental filmmaker Larry Gottheim here applies his impressionistic editing style to footage collected during his travels in the Dominican Republic. Gottheim’s formal emphasis on repetition and fissures between sound and image resonates here as a mode of sociological reflection (with the fragmentary montage mirroring elements of ritual while also destabilizing the ethnographic gaze). A largely overlooked antecedent to the contemporary blending of avant-garde and ethnographic filmmaking, MACHETTE GILLETTE… MAMA still poses a potent challenge to documentary convention.\" - Max Goldberg",0.6683,"\u002FlGxDUwlsmTywbnTXWmTbE0PlEoc.jpg","1989-01-01",6,{"adult":5,"backdrop_path":6,"genre_ids":116,"id":117,"title":118,"original_language":119,"original_title":120,"overview":121,"popularity":122,"poster_path":123,"release_date":124,"softcore":5,"video":5,"vote_average":125,"vote_count":32},[10],457108,"Every Wall is a Door","fr","Chaque mur est une porte","Drawing on VHS tapes of a programme hosted by her mother on Bulgaria’s national television, the filmmaker gives a pop-style and in-depth chronicle of the gentle – even “over-gentle” – 1989 revolution.",0.4693,"\u002FAvaTUw67Hu8Ts8BgyqCC0nU32uN.jpg","2017-03-25",5,{"adult":5,"backdrop_path":127,"genre_ids":128,"id":129,"title":130,"original_language":131,"original_title":132,"overview":133,"popularity":134,"poster_path":135,"release_date":136,"softcore":5,"video":5,"vote_average":114,"vote_count":137},"\u002F3Y6rLMpA6RjAjsyYqdw38YJWM12.jpg",[10],273320,"Chinese Viola","pt","Viola Chinesa","The rare short film presents a curious dialogue between filmmaker Julio Bressane and actor Grande Otelo, where, in a mixture of decorated and improvised text, we discover a little manifesto to the Brazilian experimental cinema. Also called \"Belair's last film,\" Chinese Viola reveals the first partnership between photographer Walter Carvalho and Bressane.",1.3602,"\u002FnuLdqSIUYePh1HnL0pXKTGRI5rm.jpg","1975-05-31",7,{"adult":5,"backdrop_path":6,"genre_ids":139,"id":140,"title":141,"original_language":142,"original_title":141,"overview":143,"popularity":144,"poster_path":145,"release_date":146,"softcore":5,"video":5,"vote_average":147,"vote_count":32},[10],454594,"La Mer","xx","The passing time is displayed as a series of still frames, or a rapid sequence of moments, ever flowing like the waves that break on the shore, like a repeated chant with no beginning, middle or end.",0.9749,"\u002FeGWT85SLvC0XciZFkDeyp7Za6Vi.jpg","1991-06-11",7.5,{"adult":5,"backdrop_path":6,"genre_ids":149,"id":151,"title":152,"original_language":16,"original_title":152,"overview":153,"popularity":154,"poster_path":6,"release_date":155,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10,150],36,829562,"Towards a Black Testimony: Prayer\u002FProtest\u002FPeace","Towards a Black Testimony: Prayer, Protest, Peace is a new work by Languid Hands that examines Black Testimony as obscured, ignored and undermined. Drawing on archival imagery, Black geographies, and the dying declarations of Black Martyrs, it explores the complexities of truth, empathy, justice, the law, life and death for the Black Mass.",0.495,"2019-10-02",{"adult":5,"backdrop_path":6,"genre_ids":157,"id":158,"title":159,"original_language":160,"original_title":161,"overview":162,"popularity":163,"poster_path":164,"release_date":165,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],829679,"-YAMASE-","ja","山瀬","Film by Kenji Onishi. With friends. Mr. Yamase as main character, Sasakubo and Shinojima. And the girls having a good time. The camera is all you need. Looking still at the Mt. Buko which is disappearing.",0.8931,"\u002F9q6ayXP0DxTGxd4BdbQzToGgUdF.jpg","2019-04-17",{"adult":5,"backdrop_path":6,"genre_ids":167,"id":168,"title":169,"original_language":131,"original_title":169,"overview":30,"popularity":170,"poster_path":171,"release_date":172,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],828281,"Solidão no Fundo da Agulha",0.9979,"\u002Fqq41IRxkyQkUa4IgKqcytVtotLP.jpg","2021-05-16",{"adult":5,"backdrop_path":6,"genre_ids":174,"id":175,"title":176,"original_language":16,"original_title":176,"overview":177,"popularity":178,"poster_path":6,"release_date":179,"softcore":5,"video":5,"vote_average":180,"vote_count":114},[10],263841,"Daumë","Culled from four rolls of Super-8 film shot while the maker was a development worker in a small South American village, Daumë is at its center a film about ritual, power, and play. Daumë is both ethnography and critique; it is an interrogation into how to represent a place that can't be represented.",1.6576,"2000-01-01",5.7,{"adult":5,"backdrop_path":6,"genre_ids":182,"id":183,"title":184,"original_language":16,"original_title":184,"overview":185,"popularity":186,"poster_path":6,"release_date":187,"softcore":5,"video":5,"vote_average":188,"vote_count":125},[10],263845,"Terra Incognita","Terra Incognita is a lensless film whose cloudy pinhole images create a memory of history. Ancient and modern explorer texts of Easter Island are garbled together by a computer narrator, resulting in a forever repeating narrative of discovery, colonialism, loss and departure.",0.528,"2002-01-01",5.8,{"adult":5,"backdrop_path":6,"genre_ids":190,"id":191,"title":192,"original_language":16,"original_title":192,"overview":193,"popularity":194,"poster_path":6,"release_date":88,"softcore":5,"video":5,"vote_average":195,"vote_count":32},[10],263851,"The Red and the Blue Gods","An ethnographic field report in which the Anthropologist describes the mythic creation of an unnamed ‘sun-scraping structure’ through the ritualized actions of the Red and the Blue Gods.",0.4968,4,{"adult":5,"backdrop_path":6,"genre_ids":197,"id":198,"title":199,"original_language":16,"original_title":199,"overview":200,"popularity":201,"poster_path":202,"release_date":203,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],451825,"Rumstick Road","A video reconstruction of the 1977 Wooster Group production Rumstick Road, an experimental theater performance created by Spalding Gray and Elizabeth LeCompte after the suicide of Gray's mother. Archival recordings are combined with photographs, slides, and other materials to recreate the original production.",1.6066,"\u002Fx1o2sDZmTFUiIKWfvz9Sm3ayz6u.jpg","2014-05-01",{"adult":5,"backdrop_path":6,"genre_ids":205,"id":206,"title":207,"original_language":208,"original_title":209,"overview":210,"popularity":211,"poster_path":212,"release_date":213,"softcore":5,"video":5,"vote_average":214,"vote_count":137},[10],451798,"Everyday Life","pl","Życie codzienne","Dialogue-free short detailing the daily tasks of a man and his wife.",1.5846,"\u002Fq6Z9smTZV39prbRgXH2JbClqmtW.jpg","1976-10-05",5.2,{"adult":5,"backdrop_path":216,"genre_ids":217,"id":219,"title":220,"original_language":16,"original_title":220,"overview":221,"popularity":222,"poster_path":223,"release_date":224,"softcore":5,"video":5,"vote_average":31,"vote_count":32},"\u002FzAWc2LOevgt6QO2wlB4eTWD8l45.jpg",[73,218,10],16,824186,"welcome_home.exe","As technology accelerates, our species' collective imagination of the future grows ever more kaleidoscopic. We are all haunted by temporal distortion, perhaps no more than when we attempt to remember what the future looked like to our younger selves. As the mist of time devours our memories, the future recedes; each of us burdened by the gaping mouth of entropy. Yet, emerging technology provides a glimmer of hope; transhumanism promises a future free from mortality, disease and pain. Does our salvation lie in digital simulacra? We're here to sell you the answer to that question, for the low, low price of four hundred and seventy seconds.",0.6925,"\u002Fa5DE4owZPRePeBQVCygRzmwPtvM.jpg","2021-04-29",{"adult":5,"backdrop_path":6,"genre_ids":226,"id":227,"title":228,"original_language":131,"original_title":229,"overview":230,"popularity":231,"poster_path":232,"release_date":233,"softcore":5,"video":5,"vote_average":31,"vote_count":32},[10],449521,"The Fish","O Peixe","\"A fisherman, dark-skinned and shirtless, sits in a boat on a quiet river and, before long, catches a fish. The fish gasps for air and the fisherman holds it to his chest until it dies. This sequence—performed by a series of fishermen, of various ages and using various styles of capture—is the spine of the work, interrupted by passages of quiet natural beauty; one shot is a steady, stately pan through scores of trees and empty air behind.\" - Vinson Cunningham",0.8815,"\u002F4S52qq0a02BhVXU7Og8cUxa5tUD.jpg","2016-11-14",{"adult":5,"backdrop_path":6,"genre_ids":235,"id":236,"title":237,"original_language":16,"original_title":237,"overview":238,"popularity":239,"poster_path":240,"release_date":241,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],449815,"Spirit House","A tale of 2 passages within the Spirit house. This is the first in a series that looks at the places we find our spiritual presence augmented, inflamed, or simply acknowledged.",1.6011,"\u002FdgTf0N7xpqojQy5P3ekRREfIj1W.jpg","2008-06-22",{"adult":5,"backdrop_path":6,"genre_ids":243,"id":244,"title":245,"original_language":246,"original_title":245,"overview":247,"popularity":248,"poster_path":249,"release_date":250,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],633565,"Magma (C)","gl","Drops of fire that create a universe of magmatic asteroids. Liquid and gravitational reality. Cosmic energy. Atomized Rhythm.  Neurons of a liberated unconscious. Elimination of the idea of \"soul\" as \"everything\", reducing it to the condition of units of energy in perpetual process, elementary particles, without duration, that arise in perfect dependence. The \"I\" as a stream of units of force in ceaseless becoming that procures the illusion of an entity. Karmic chain. The idea that eternity resides in the transitory, the eternal belongs to it instantly. Eternity not as infinite duration but as absence of temporality. Universe of a mobile, procedural, relational and interactive nature of everything that exists. Here the \"object\" is conceived as something that is constituted, completed, lost and recovered with the vibrating rhythm of a universe in constant production.",0.9168,"\u002Ff1M5zE0YITMaS3RnHpM5A4uWiys.jpg","2014-08-12",1001,20001,{"results":254},{},{"results":256},[],51,"A documentary story that tends to land well.",[]]