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Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s \"Doorbell\" and \"Baby Blue\" by Shinichiro Watanabe use understated realism for very surreal purposes. 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Another undocumented film, recalled by cameraman Shiro Asano.",[11,114],0.1577,"\u002Fri0zQBey3Pn9wLBM3YgOFS7W9Gl.jpg","死人の蘇生",{"id":289,"adult":6,"title":290,"video":6,"overview":291,"softcore":6,"genre_ids":292,"popularity":293,"vote_count":294,"poster_path":295,"release_date":296,"vote_average":297,"backdrop_path":298,"original_title":290,"original_language":121},31160,"Alma","Amidst the chilly white winter, bright-eyed Alma, wanders through Barcelona’s cobblestone streets. Suddenly, she spots an unassuming toy shop. Her gaze is drawn to a nearly identical figure staring back at her from the storefront window. As if by magic, the shop’s door swings open. 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