[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-477310-en-US":3},{"detail":4,"match":294,"insight":295,"providers":296,"providerLink":45,"trailer":45},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":64,"revenue":8,"runtime":65,"similar":66,"tagline":109,"homepage":267,"overview":268,"softcore":6,"popularity":269,"vote_count":31,"poster_path":270,"release_date":271,"vote_average":103,"backdrop_path":272,"origin_country":273,"original_title":7,"watch\u002Fproviders":275,"spoken_languages":277,"original_language":82,"production_companies":286,"production_countries":291,"belongs_to_collection":45},477310,false,"Abd El-Kader",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":37},[18,28],{"id":19,"name":20,"adult":6,"order":8,"gender":21,"cast_id":22,"character":23,"credit_id":24,"popularity":25,"profile_path":26,"original_name":20,"known_for_department":27},4049988,"Abdelkader ibn Muhieddine",2,5,"Self (archive footage)","64580069fe077a00ff93e353",0.2193,"\u002FvaM4s0VAha6aFMawmt9ItGfShrg.jpg","Acting",{"id":29,"name":30,"adult":6,"order":31,"gender":21,"cast_id":32,"character":33,"credit_id":34,"popularity":35,"profile_path":36,"original_name":30,"known_for_department":27},1751082,"Amazigh Kateb",1,6,"Narrator","6458f1916c849201433f976d",0.2677,"\u002FgWKqcPSgGUM9z46TNrQ7m26WwsI.jpg",[38,46,52,56],{"id":39,"job":40,"name":41,"adult":6,"gender":8,"credit_id":42,"department":43,"popularity":44,"profile_path":45,"original_name":41,"known_for_department":43},2650732,"Writer","Audrey Brasseur","5ec95ce0eb79c2001ea27d42","Writing",0.1025,null,{"id":47,"job":40,"name":48,"adult":6,"gender":8,"credit_id":49,"department":43,"popularity":50,"profile_path":45,"original_name":48,"known_for_department":51},1050961,"Salem Brahimi","5ec95cd77f1d830020dce172",0.2611,"Production",{"id":47,"job":53,"name":48,"adult":6,"gender":8,"credit_id":54,"department":55,"popularity":50,"profile_path":45,"original_name":48,"known_for_department":51},"Director","5ec95cd2140bad001b1ae8d0","Directing",{"id":57,"job":58,"name":59,"adult":6,"gender":21,"credit_id":60,"department":61,"popularity":62,"profile_path":63,"original_name":59,"known_for_department":61},1273514,"Editor","Yorgos Lamprinos","5ec95d00140bad001d1d9b55","Editing",0.2486,"\u002FhSoRxA16aG4Y4273sbbDAhpQsLK.jpg","tt4520270",93,{"page":31,"results":67,"total_pages":265,"total_results":266},[68,83,95,106,113,124,136,145,154,163,172,182,191,201,211,219,228,237,248,256],{"id":69,"adult":6,"title":70,"video":6,"overview":71,"softcore":6,"genre_ids":72,"popularity":75,"vote_count":76,"poster_path":77,"release_date":78,"vote_average":79,"backdrop_path":80,"original_title":81,"original_language":82},283013,"Dawn of the Damned","This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.",[11,73,74],36,18,0.6344,7,"\u002FlofBqYj9p4eefPAQlzrQ5d9SgHk.jpg","1965-07-05",7.429,"\u002FuXPBBQlKDXVx8apISYh9KdrTEoa.jpg","L'Aube des Damnés","fr",{"id":84,"adult":6,"title":85,"video":6,"overview":86,"softcore":6,"genre_ids":87,"popularity":89,"vote_count":21,"poster_path":90,"release_date":91,"vote_average":32,"backdrop_path":92,"original_title":93,"original_language":94},261007,"The Pan-african Festival in Algiers","Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.",[11,88],10402,0.4533,"\u002F7XEfX46KiuqTbdlYcdxBWuUo8oC.jpg","1969-01-01","\u002FlTtfjmpEnHYqAphGeYfGDd4NNgb.jpg","Festival Panafricain d'Alger","ar",{"id":96,"adult":6,"title":97,"video":6,"overview":98,"softcore":6,"genre_ids":99,"popularity":100,"vote_count":31,"poster_path":101,"release_date":102,"vote_average":103,"backdrop_path":104,"original_title":105,"original_language":82},620972,"Algeria, Year Zero","Documentary on the beginnings of Algerian independence filmed during the summer of 1962 in Algiers. The film was banned in France and Algeria but won the Grand Prize at the Leipzig International Film Festival in 1965. Out of friendship, the production company Images de France sent an operator, Bruno Muel, who later declared: \"For those who were called to Algeria (for me, 1956-58), participating in a film on independence was a victory over horror, lies and absurdity. It was also the beginning of my commitment to the cinema.\"",[11],0.57,"\u002FcFUGQ2pG8yWwhp0B8AD2eWC3mjg.jpg","1965-10-01",10,"\u002Fy98zc24lFqPjWhzxcqOvJQHZirw.jpg","Algérie, année zéro",{"id":107,"adult":6,"title":108,"video":6,"overview":109,"softcore":6,"genre_ids":110,"popularity":111,"vote_count":8,"poster_path":45,"release_date":112,"vote_average":8,"backdrop_path":45,"original_title":108,"original_language":82},822831,"La Langue de Zahra","",[11],0.3435,"2011-04-26",{"id":114,"adult":6,"title":115,"video":6,"overview":116,"softcore":6,"genre_ids":117,"popularity":118,"vote_count":31,"poster_path":119,"release_date":120,"vote_average":121,"backdrop_path":122,"original_title":123,"original_language":82},1564840,"Vichy in the Colonies","After the defeat of 1940, and faced with the unexpected collapse of French power, all eyes turned to a horizon of both hope and uncertainty: the colonies. France had suddenly become an empire without a metropolis, reduced to two-thirds of its former size. Pétain saw the colonies as a \"consoling myth\" after the defeat, while de Gaulle considered them essential strategic locations for the Resistance. The two clashed in a propaganda war.",[11,73],0.4865,"\u002FrWBVLfTbVYYmvDlqZJtVtVl7M7d.jpg","2023-06-01",8,"\u002FqZqDSnsrDJSpYwthWZK86ljREmK.jpg","Vichy dans les colonies",{"id":125,"adult":6,"title":126,"video":6,"overview":127,"softcore":6,"genre_ids":128,"popularity":129,"vote_count":130,"poster_path":131,"release_date":132,"vote_average":133,"backdrop_path":134,"original_title":126,"original_language":135},812942,"Aleph","Structured as a labyrinth-like game and inspired by Jorge Luis Borges, Aleph is a travelogue of experience, a dreamer's journey through the lives, experiences, stories and musings of protagonists spanning ten countries and five continents.",[11],0.4006,4,"\u002Fd3wL7lkSTz5UFJLKCXLQkxJqjdb.jpg","2021-04-30",7.25,"\u002FrodcCMleXFHPP6uVLxFRujGuIoF.jpg","es",{"id":137,"adult":6,"title":138,"video":6,"overview":139,"softcore":6,"genre_ids":140,"popularity":141,"vote_count":31,"poster_path":142,"release_date":143,"vote_average":103,"backdrop_path":144,"original_title":138,"original_language":94},1201301,"Mouloud Feraoun","Docufiction about Mouloud Feraoun, an author who upholds the great values ​​of the Universal Man. It is in the name of man that Feraoun stands up against injustice. It is in the name of man that he is tormented by war. Feraoun is a solitary creator who suffers to the point of wishing for liberating madness. It is through his work that the portrait of a humble and discreet author, a talented writer and convictions emerges. Most of the time, I let him talk about himself in simple and fair words. I compile his moments of hope, worry, dreams and fears. During all my research, a generous and good Mouloud Feraoun stood out to me who did not hesitate to expose an inhuman and shameful colonial system. His clear and straightforward voice echoes the cry of a people from whom he has never separated.",[11],0.4534,"\u002F4gNaiasO6meL5fruCpb3r3c8UQm.jpg","2009-01-01","\u002F31ga0vgXdH3Wu8c5xgndQfZgRn.jpg",{"id":146,"adult":6,"title":147,"video":6,"overview":148,"softcore":6,"genre_ids":149,"popularity":150,"vote_count":31,"poster_path":151,"release_date":152,"vote_average":103,"backdrop_path":153,"original_title":147,"original_language":82},1201249,"Da L'Mulud","An emblematic figure in the defense of Berber culture, Mouloud Mammeri (1917-1989) experienced numerous confrontations with the authorities in Algeria, including the suspension in 1973 of the teaching of Berber at university and the ban of the conference he was to deliver on March 10, 1980 at the University of Tizi Ouzou on ancient Kabyle poetry... which will be the detonator of the powerful and harshly repressed cultural demands movement of April 1980, also called the Berber Spring. Mouloud Mammeri is one of the \"historians\" of French-speaking Algerian literature from the middle of the last century who, through his pen, gave back the soul to a country by giving it back its voice.",[11],0.3137,"\u002FgfOrdIhJ4LCTpiXTVMrk1QFs4aO.jpg","1987-01-01","\u002F6bGTZHn0kO8VAsXZE2RWb45soOL.jpg",{"id":155,"adult":6,"title":156,"video":6,"overview":157,"softcore":6,"genre_ids":158,"popularity":159,"vote_count":31,"poster_path":160,"release_date":161,"vote_average":103,"backdrop_path":162,"original_title":156,"original_language":82},1186724,"Qui êtes vous Mr. Iguerbouchène ?","Mohamed Iguerbouchène was born on February 7, 1907 in Aït-Ouchen in Algeria. He left for England in 1923 where he studied music and harmony. Subsequently, he went to Vienna, Austria, to learn piano techniques where he won 1st prize in harmony and piano. Mohamed Iguerbouchen became a composer, he composed four symphonies and several film scores including the famous “Pépé le Moko” (1937) with Jean Gabin. Mohamed Iguerbouchène bowed out on August 21, 1966 following a long illness.",[11],0.4348,"\u002Ft9Wo7HooCUJuk1UIJwhysXHwAeG.jpg","2014-01-01","\u002FaE9u2m6SVSu8bPJwPIeZStDe7NC.jpg",{"id":164,"adult":6,"title":165,"video":6,"overview":166,"softcore":6,"genre_ids":167,"popularity":168,"vote_count":8,"poster_path":169,"release_date":170,"vote_average":8,"backdrop_path":171,"original_title":165,"original_language":82},1380521,"One, Two, Three – Viva l’Algérie !","“One, Two, Three, Viva l’Algérie!” is the main theme of our film. But it is first a slogan, a link that acts in space and time: a few words scanded, inseparable from the history of Algerian football and therefore the relationship between France and Algeria. These encouragements born with the FLN team during the Revolutionary War and later repeated in the Algerian epic at the 2010 World Cup were taken out of the stadiums in 2019 to call for change.",[11,73],0.515,"\u002F9Eq8d2Nzk9arqi4n0DeRdcE2bZa.jpg","2022-10-25","\u002F8t3OkI5aqqpqXfT67KKrtiCrzmb.jpg",{"id":173,"adult":6,"title":174,"video":6,"overview":175,"softcore":6,"genre_ids":176,"popularity":177,"vote_count":8,"poster_path":178,"release_date":179,"vote_average":8,"backdrop_path":180,"original_title":181,"original_language":82},1019629,"Dreams have no titles","Part of Zineb Sedira's art installation for the French Pavilion at the 59th Venice Biennale. A piece where Sedira explores her passion for the militant cinema of the 60s and 70s.",[11],0.3094,"\u002FgSqi3Epez0FaBMt8kytMr25Yf4m.jpg","2022-04-23","\u002FtU21UThAZCFm8JSFw4Crurr9vNH.jpg","Les rêves n'ont pas de titre",{"id":183,"adult":6,"title":184,"video":6,"overview":185,"softcore":6,"genre_ids":186,"popularity":187,"vote_count":31,"poster_path":188,"release_date":189,"vote_average":103,"backdrop_path":190,"original_title":184,"original_language":82},827535,"Les Mains Libres","In 1964, Algeria, just two years after the end of the war of independence, found itself catapulted into new contradictions, a still rural territory which responded to the modernity brought by the revolution. Filmed during the winter of 1964-1965 by the young director Ennio Lorenzini, it is the first international Algerian production which paints a rare portrait in color of a multifaceted nation, far from the simplistic vision created by the press and the French army. Produced by Casbah Film, Les Mains Libres (initially titled Tronc De Figuier) bears witness to the stigmata of colonization and the future of free Algeria throughout the Algerian territory and reveals the richness of its landscapes and the diversity of its traditions . The documentary, using the aesthetics of militant cinema of the time, is made up of four scenes: Sea and Desert, The Struggle, The Earth, Freedom.",[11,73],0.3573,"\u002Fcmz5Sv63zAJDtIUizhlZ8HWTCk1.jpg","1965-08-14","\u002Fu99vQyIe5zYV2esFauFEbzuTN8A.jpg",{"id":192,"adult":6,"title":193,"video":6,"overview":194,"softcore":6,"genre_ids":195,"popularity":197,"vote_count":8,"poster_path":198,"release_date":199,"vote_average":8,"backdrop_path":45,"original_title":200,"original_language":82},827539,"Surgeon during the Algerian War","Has everything really been said about the Algerian war? Although the archives are opening up, almost fifty years after the signing of the Evian Agreements (March 18, 1962), direct witnesses are beginning to disappear. They are, however, unique bearers of history, often the only ones able to illustrate the harsh reality of a long-hidden period. Gérard Zwang, surgeon of the contingent between May 1956 and June 1958, is one of these essential witnesses who help us discover an original history of the Algerian War. During his service, in charge of treating the most atrocious wounds of his fellow soldiers, he sees the war from the side of its victims. He did not fight with a machine pistol in his hand, but behind the closed doors of an operating room where life gives way to death in a matter of seconds.",[11,73,196],10752,0.7441,"\u002F2HduU6vh8jgL379uFUgw0yzLvcq.jpg","2012-01-09","Chirurgien dans la guerre d'Algérie",{"id":202,"adult":6,"title":203,"video":6,"overview":204,"softcore":6,"genre_ids":205,"popularity":206,"vote_count":31,"poster_path":207,"release_date":208,"vote_average":103,"backdrop_path":209,"original_title":210,"original_language":94},644369,"How Much I Love You","Beginning with a promotional reel encouraging farming investments in Algeria and ending with the secret 1950s nuclear tests that France conducted using Algerian prisoners, How Much I Love You appropriates archival footage produced by the French colonial powers in Algeria. Meddour’s approach is disarmingly simple and yet awe-inspiring—his caustic undoing of colonial discourse is underscored by a liberating release of humor.",[11],0.3733,"\u002FhVS69fnRMUrcp0Zrr1rsP16bvxc.jpg","1985-05-05","\u002FtcUdvCChXJApLTcc7sgEyFCYt7M.jpg","Combien Je Vous Aime",{"id":212,"adult":6,"title":213,"video":6,"overview":214,"softcore":6,"genre_ids":215,"popularity":216,"vote_count":8,"poster_path":217,"release_date":109,"vote_average":8,"backdrop_path":218,"original_title":213,"original_language":82},1580276,"DOUBOUT OUBIEN MÔ","Since August 2024, in Martinique, a popular protest movement against the high cost of living has been reemerging under the leadership of the RPPRAC (Rassemblement Pour La Protection Des Peuples Et Des Ressources Afro-Caribéens – Gathering for the Protection of Afro-Caribbean Peoples and Resources). On the island, food prices are on average 54% higher than in mainland France.*  Through various cultural figures, the people of Martinique are expressing their anger and seeking concrete solutions.  *Source: Kiprix, Price comparison between supermarkets in the French overseas territories and mainland France.",[11],0.55,"\u002F10dlt6YCRu2DFh9rO70FHUeX5fM.jpg","\u002F4NpFhkTVGK7PJ3H316Go7JWlft5.jpg",{"id":220,"adult":6,"title":221,"video":6,"overview":109,"softcore":6,"genre_ids":222,"popularity":223,"vote_count":224,"poster_path":225,"release_date":226,"vote_average":121,"backdrop_path":227,"original_title":221,"original_language":82},1221793,"Congo-Océan, un chemin de fer et de sang",[11,73,74],0.3439,3,"\u002FetLkSubGR3FYRZ5QxLfyScOwA1V.jpg","2024-01-26","\u002FeSaqjdhdOkgVzUvgfkkkRRVN9wL.jpg",{"id":229,"adult":6,"title":230,"video":6,"overview":231,"softcore":6,"genre_ids":232,"popularity":233,"vote_count":31,"poster_path":234,"release_date":235,"vote_average":121,"backdrop_path":45,"original_title":230,"original_language":236},1221502,"AÏT ATTA: Nomads of the High Atlas","The Aït Atta tribe of the High Atlas mountain range in Morocco preserves their ancestral right of access to the agdal, a communal land management system that dates back hundreds of years. The film follows Ben Youssef family’s arduous transhumance journey from the desert-like landscape of Nkob to the green pastures of Agdal Igourdane, throughout uneven terrain of steep climbs and descents of these High Atlas mountains. They migrate each summer with their 800 goats, donkeys, mules, camels and dogs, as they embark on this formidable journey on foot.",[11],0.529,"\u002FrxfyX7PSJXKVzEVNX5ZImekwcMC.jpg","2020-09-24","en",{"id":238,"adult":6,"title":239,"video":6,"overview":240,"softcore":6,"genre_ids":241,"popularity":242,"vote_count":130,"poster_path":243,"release_date":244,"vote_average":245,"backdrop_path":246,"original_title":247,"original_language":82},467742,"CHoosing at Twenty","Between 1954-1962, one hundred to three hundred young French people refused to participate in the Algerian war. These rebels, soldiers or conscripts were non-violent or anti-colonialists. Some took refuge in Switzerland where Swiss citizens came to their aid, while in France they were condemned as traitors to the country. In 1962, a few months after Independence, Villi Hermann went to a region devastated by war near the Algerian-Moroccan border, to help rebuild a school. In 2016 he returned to Algeria and reunited with his former students. He also met French refractories, now living in France or Switzerland.",[11],0.2397,"\u002FoG9JP76zG7QWEY2OaV8Kgj5WtZx.jpg","2017-08-24",6.8,"\u002FzaMncrBrFhZuEsMVHYMk6JakXTA.jpg","CHoisir à vingt ans",{"id":249,"adult":6,"title":250,"video":6,"overview":251,"softcore":6,"genre_ids":252,"popularity":25,"vote_count":31,"poster_path":253,"release_date":254,"vote_average":103,"backdrop_path":255,"original_title":250,"original_language":82},1203696,"L'Algérie de Gustave Guillaumet (1840-1887)","Born on March 25, 1840, Gustave Guillaumet discovered Algeria by chance when he was about to embark for Italy. Over the course of his ten or eleven trips and extended stays, he established a familiarity with this space. Traveling through the different regions from north to south, he never ceases to note the differences. He is also the first artist, apart from Delacroix's Women of Algiers, to penetrate into female interiors and reveal the reality, far removed from the harem fantasies that reigned in his time. Fascinated by the country, its deserts and its inhabitants , going so far as to live like the Algerians, Gustave Guillaumet devoted his life and his painting to this country, breaking with the colorful and exotic representations of the time. The painting The Famine in Algeria, restored thanks to exceptional fundraising, was dictated by the events of the years 1865-1868, and well illustrates his knowledge of the country, in a manner that is at once demanding, sensitive and serious.",[11],"\u002Fe7tTC97VWXUFNw4E8hMZeIEEiqW.jpg","2018-10-17","\u002F1w9pkOvkuxi9Idspym3vrhI4HRd.jpg",{"id":257,"adult":6,"title":258,"video":6,"overview":259,"softcore":6,"genre_ids":260,"popularity":261,"vote_count":31,"poster_path":262,"release_date":263,"vote_average":103,"backdrop_path":264,"original_title":258,"original_language":82},1203614,"L'Orientalisme","Orientalism is a literary and artistic movement born in Western Europe in the 18th century. Through its scale and popularity, throughout the 19th century, it marked the interest and curiosity of artists and writers for the countries of the West (the Maghreb) or the Levant (the Middle East). Orientalism was born from the fascination of the Ottoman Empire and followed its slow disintegration and the progression of European colonizations. This exotic trend is associated with all the artistic movements of the 19th century, academic, romantic, realistic or even impressionist. It is present in architecture, music, painting, literature, poetry... Picturesque aesthetics, confusing styles, civilizations and eras, orientalism has created numerous clichés and clichés that we still find today in literature or cinema.",[11],0.7654,"\u002Fp2tjlERPCwo3d9ry5lTM6iKypPE.jpg","2019-08-27","\u002FeG3zbmRv2AE23LO84ueTkdw1TR8.jpg",11666,233301,"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=lwQhFyQk0lk","Illustrated with archival photographs, animations and live action, this film explores the history and historical and spiritual heritage of Emir Abd El-Kader. Algerian leader of the 19th century, was admired by Abraham Lincoln and celebrated to this day by the Red Cross as a great humanitarian. Emir Abd el-Kader, the man who challenged the French armies from 1832 to 1847 before creating the bases of a real Algerian state, is today considered by independent Algeria as one of the most outstanding figures. of its history. The nobility of his attitude after his capture and the very effective protection he brought to the Christians of Damascus at the end of his life also earned him great prestige among his former adversaries. A documentary told in dialectal Arabic by the voice of Amazigh Kateb.",0.6003,"\u002F2msUUIumBHzlbxcMTE6D7jp1RYt.jpg","2014-01-14","\u002FetMo4IxNMH9ZOYFOTtUPFBMEexf.jpg",[274],"DZ",{"results":276},{},[278,281,284],{"name":279,"iso_639_1":94,"english_name":280},"العربية","Arabic",{"name":282,"iso_639_1":82,"english_name":283},"Français","French",{"name":285,"iso_639_1":236,"english_name":285},"English",[287],{"id":288,"name":289,"logo_path":290,"origin_country":274},7461,"Agence Algérienne pour le Rayonnement Culturel","\u002FwBP6cqL8BV2Fhe8KEVpnytwjoTf.png",[292],{"name":293,"iso_3166_1":274},"Algeria",47,"A documentary story that tends to land well.",[]]