[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-480278-en-US":3},{"detail":4,"match":235,"insight":236,"providers":237,"providerLink":27,"trailer":27},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":27,"revenue":8,"runtime":36,"similar":37,"tagline":79,"homepage":217,"overview":218,"softcore":6,"popularity":219,"vote_count":8,"poster_path":220,"release_date":221,"vote_average":8,"backdrop_path":222,"origin_country":223,"original_title":7,"watch\u002Fproviders":225,"spoken_languages":227,"original_language":48,"production_companies":228,"production_countries":232,"belongs_to_collection":27},480278,false,"Velocity Into Execution",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":18},[],[19,29,32],{"id":20,"job":21,"name":22,"adult":6,"gender":23,"credit_id":24,"department":25,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":28},1902248,"Sound Designer","Aaron Dylan Kearns",2,"59db558dc3a36861a3058bd9","Sound",0.5415,null,"Directing",{"id":20,"job":30,"name":22,"adult":6,"gender":23,"credit_id":31,"department":28,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":28},"Director","59db557ec3a36861a3058bb3",{"id":20,"job":33,"name":22,"adult":6,"gender":23,"credit_id":34,"department":35,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":28},"Editor","59db559c9251412505058296","Editing",5,{"page":38,"results":39,"total_pages":215,"total_results":216},1,[40,49,61,72,80,89,97,104,115,122,130,138,149,157,164,171,178,186,194,207],{"id":41,"adult":6,"title":42,"video":6,"overview":43,"softcore":6,"genre_ids":44,"popularity":45,"vote_count":8,"poster_path":46,"release_date":47,"vote_average":8,"backdrop_path":27,"original_title":42,"original_language":48},827365,"Misty Picture","The television images of the collapse of the World Trade Center were preceded by manifold stagings of the building, either as a highly symbolic icon, a speculative destruction fantasy or merely as a spectacular backdrop. In Misty Picture, city symphony, disaster movie and media trauma therapy become one.",[11],1.596,"\u002Fod8E5UFl1pta73HZfsqe7MkWekq.jpg","2021-05-05","en",{"id":50,"adult":6,"title":51,"video":6,"overview":52,"softcore":6,"genre_ids":53,"popularity":54,"vote_count":55,"poster_path":56,"release_date":57,"vote_average":58,"backdrop_path":27,"original_title":59,"original_language":60},452181,"Homo Paradoksum I","An experimental film about life on earth as a cosmic experiment and the curiosity and naivete of reaching out to alien life.",[11],0.6878,4,"\u002FmiAx68Mr3kC09x39ihLTSjB7qc8.jpg","1989-01-01",4.8,"Гомо Парадоксум I","ru",{"id":62,"adult":6,"title":63,"video":6,"overview":64,"softcore":6,"genre_ids":65,"popularity":66,"vote_count":8,"poster_path":67,"release_date":68,"vote_average":8,"backdrop_path":69,"original_title":70,"original_language":71},636326,"A New Environment Heinrich Klotz on Architecture and New Media","The old world is gone. Our landscape bears scars. Entire cities have been levelled. Is it possible to regenerate the city without covering over the warnings of war’s aggressions? Or can these ruins provide a unique chance to reinvent the city thoroughly? The art historian Heinrich Klotz took precisely these questions, concerning the reconstruction of Germany’s historical districts after World War II, as the departure point of his practice.",[11],0.4257,"\u002F16pCASSYLERjfnmoIM39jOL6O9f.jpg","2019-10-18","\u002FfULiiYwBShfPx9HtuMV6yJloXbl.jpg","Eine neue Umwelt Heinrich Klotz über Architektur und Neue Medien","de",{"id":73,"adult":6,"title":74,"video":6,"overview":75,"softcore":6,"genre_ids":76,"popularity":77,"vote_count":8,"poster_path":78,"release_date":79,"vote_average":8,"backdrop_path":27,"original_title":74,"original_language":48},636913,"New Woman","A meditative journey, using and manipulating archival silent film footage, that investigates the look of the \"New Woman\" in Chinese silent screen.",[11],0.4463,"\u002Fsmmmv2v2xpyhRYMP9X5u7GnTTjv.jpg","",{"id":81,"adult":6,"title":82,"video":6,"overview":83,"softcore":6,"genre_ids":84,"popularity":85,"vote_count":86,"poster_path":27,"release_date":87,"vote_average":88,"backdrop_path":27,"original_title":82,"original_language":48},263841,"Daumë","Culled from four rolls of Super-8 film shot while the maker was a development worker in a small South American village, Daumë is at its center a film about ritual, power, and play. Daumë is both ethnography and critique; it is an interrogation into how to represent a place that can't be represented.",[11],1.5941,6,"2000-01-01",5.7,{"id":90,"adult":6,"title":91,"video":6,"overview":92,"softcore":6,"genre_ids":93,"popularity":94,"vote_count":36,"poster_path":27,"release_date":95,"vote_average":96,"backdrop_path":27,"original_title":91,"original_language":48},263845,"Terra Incognita","Terra Incognita is a lensless film whose cloudy pinhole images create a memory of history. Ancient and modern explorer texts of Easter Island are garbled together by a computer narrator, resulting in a forever repeating narrative of discovery, colonialism, loss and departure.",[11],0.5451,"2002-01-01",5.8,{"id":98,"adult":6,"title":99,"video":6,"overview":100,"softcore":6,"genre_ids":101,"popularity":102,"vote_count":38,"poster_path":27,"release_date":103,"vote_average":55,"backdrop_path":27,"original_title":99,"original_language":48},263851,"The Red and the Blue Gods","An ethnographic field report in which the Anthropologist describes the mythic creation of an unnamed ‘sun-scraping structure’ through the ritualized actions of the Red and the Blue Gods.",[11],0.5443,"2005-01-01",{"id":105,"adult":6,"title":106,"video":6,"overview":107,"softcore":6,"genre_ids":108,"popularity":109,"vote_count":55,"poster_path":110,"release_date":111,"vote_average":112,"backdrop_path":27,"original_title":113,"original_language":114},467841,"Fantastic Vision","Footage filmed in Spain, subjected a new visual effects process. Deslaw devoted himself to the discovery of a new machine that enabled film to be developed while using a new method called solarisation.",[11],0.8358,"\u002F6KF023p8uuGcf4qRadXWiZBSGLV.jpg","1957-01-01",5.2,"Vision fantastique","fr",{"id":116,"adult":6,"title":117,"video":6,"overview":118,"softcore":6,"genre_ids":119,"popularity":120,"vote_count":8,"poster_path":27,"release_date":121,"vote_average":8,"backdrop_path":27,"original_title":117,"original_language":114},470779,"Série 7 (Éclatements de bulles de savon)","Lucien Bull was a pioneer in chronophotography. Chronophotography is defined as \"a set of photographs of a moving object, taken for the purpose of recording and exhibiting successive phases of motion.\"",[11],0.4826,"1907-01-01",{"id":123,"adult":6,"title":124,"video":6,"overview":125,"softcore":6,"genre_ids":126,"popularity":127,"vote_count":38,"poster_path":27,"release_date":128,"vote_average":129,"backdrop_path":27,"original_title":124,"original_language":48},468891,"Man with a Movie Camera: The Global Remake","Man With a Movie Camera: The Global Remake is a participatory video shot by people around the world who are invited to record images interpreting the original script of Vertov’s Man With A Movie Camera and upload them to this site. Software developed specifically for this project archives, sequences and streams the submissions as a film. Anyone can upload footage. When the work streams your contribution becomes part of a worldwide montage, in Vertov’s terms the “decoding of life as it is”.",[11],1.4374,"2009-07-31",10,{"id":131,"adult":6,"title":132,"video":6,"overview":133,"softcore":6,"genre_ids":134,"popularity":135,"vote_count":38,"poster_path":136,"release_date":137,"vote_average":86,"backdrop_path":27,"original_title":132,"original_language":48},468935,"The Sound of Seeing","Made on a wind-up Bolex camera, The Sound of Seeing announced the arrival of 21-year-old filmmaker Tony Williams. Based around a painter and a composer wandering the city (and beyond), the film meshes music and imagery to show the duo taking inspiration from their surroundings.",[11],0.6859,"\u002FoM1bO6JxnXQyLFLwLuXgtV3R4IA.jpg","1963-01-01",{"id":139,"adult":6,"title":140,"video":6,"overview":141,"softcore":6,"genre_ids":142,"popularity":143,"vote_count":144,"poster_path":145,"release_date":146,"vote_average":147,"backdrop_path":148,"original_title":140,"original_language":48},25621,"Decasia: The State of Decay","A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.",[11],1.4324,25,"\u002Ff8szza0KS8jJb2IlKZgeZ8vRsP9.jpg","2002-01-10",6.5,"\u002FjKBduDx6nv5EzTDMZqzgiLpTpOy.jpg",{"id":150,"adult":6,"title":151,"video":6,"overview":152,"softcore":6,"genre_ids":153,"popularity":154,"vote_count":8,"poster_path":155,"release_date":156,"vote_average":8,"backdrop_path":27,"original_title":151,"original_language":71},469994,"A Messenger from the Shadows (Notes on Film 06 A\u002FMonologue 01)","Thanks to his myriad film roles, Lon Chaney is known as “the man of a thousand faces,” and you could say that the early horror era never beheld a figure more intriguing. Yet because of his numerous transformations, his face never became as iconic as that of, say, Boris Karloff. Accompanied by a soundtrack from Bernhard Lang, this “re-imagination of shots” taken from Chaney´s forty-six surviving films offers a beguiling excursion into the history of film. The director reveals surprising associations, while highlighting the enduring magic of works which are now more or less forgotten.",[11],0.666,"\u002FrAQTdjs8iW8EVqplsNYIBN3cSpY.jpg","2013-01-01",{"id":158,"adult":6,"title":159,"video":6,"overview":160,"softcore":6,"genre_ids":161,"popularity":162,"vote_count":8,"poster_path":27,"release_date":163,"vote_average":8,"backdrop_path":27,"original_title":159,"original_language":48},289048,"Convalescing","“Convalescing, when you don't have to participate in the world. Time to read, to dream, to look - the blue, the light of the television, the blue, the book, the patterns the light, the blue. Time to appreciate how much that really is.”",[11],1.2861,"2000-08-27",{"id":165,"adult":6,"title":166,"video":6,"overview":167,"softcore":6,"genre_ids":168,"popularity":169,"vote_count":8,"poster_path":27,"release_date":170,"vote_average":8,"backdrop_path":27,"original_title":166,"original_language":48},289054,"Portraits","Faces pass by in quickly edited, split-screen recordings. A 'structuralist' film in which the film material itself plays an important role. Grain, scratches and flickering give the film texture. The music is by Steve Reich.",[11],0.5783,"1972-08-27",{"id":172,"adult":6,"title":173,"video":6,"overview":79,"softcore":6,"genre_ids":174,"popularity":175,"vote_count":38,"poster_path":27,"release_date":176,"vote_average":129,"backdrop_path":27,"original_title":173,"original_language":177},473740,"El desastre de Annual",[11],1.1829,"1970-01-01","es",{"id":179,"adult":6,"title":180,"video":6,"overview":181,"softcore":6,"genre_ids":182,"popularity":183,"vote_count":38,"poster_path":184,"release_date":185,"vote_average":86,"backdrop_path":27,"original_title":180,"original_language":177},658158,"On Nation (and other dogmas)","From the re-appropriation of archive images with various contents (war images, soccer matches, social celebrations, religious rites, historical characters, etc.) and from different sources (including films by Chris Marker, Alain Resnais, Leni Riefenstahl or Gianikian and Ricci Lucchi, as well as images from ads and news...), together with reflections of Pierre Bourdieu, Zygmunt Bauman, Bertolt Brecht, Hannah Arendt, Stanley Milgram, Eric Hobsbawn, Amin Maalouf, Josep Fontana, etc., Zavan Films producer develops this complex and kaleidoscopic work on (national, religious, commercial...) identities and their relation with war, economic profit and \"legal crimes\".",[11],0.417,"\u002FbpA9wAz44de8dMGG5JLqhQaEJKS.jpg","2015-06-05",{"id":187,"adult":6,"title":188,"video":6,"overview":79,"softcore":6,"genre_ids":189,"popularity":190,"vote_count":8,"poster_path":191,"release_date":192,"vote_average":8,"backdrop_path":193,"original_title":188,"original_language":114},473520,"Stup DvD",[11],1.0796,"\u002FvGd0Qb5or8ashs9ZXe2tt9J9Xt8.jpg","2010-01-01","\u002Fci7tXV3iTPUf7RggfA3ylAwIfRU.jpg",{"id":195,"adult":6,"title":196,"video":6,"overview":197,"softcore":6,"genre_ids":198,"popularity":202,"vote_count":8,"poster_path":203,"release_date":204,"vote_average":8,"backdrop_path":205,"original_title":196,"original_language":206},456796,"PLEH","An experimental journey through a year in the life of the director, using his always playing playlist to cross the boundaries of fiction and documentary. Through scenes of both comedy and tragedy, realistic documentary footage and experimental sequences of the director's environment and daily life we get a sometimes estranging image of a young man and also an intriguing insight in his mindset and how this translates to the imagery on screen.",[199,200,11,201],878,35,18,1.7451,"\u002FhSnLywSyX5KJ1lCHR65XgeOjlUu.jpg","2017-10-22","\u002FresQnCvm0PTJrqZctpPXJ8BG4nW.jpg","nl",{"id":208,"adult":6,"title":209,"video":6,"overview":210,"softcore":6,"genre_ids":211,"popularity":212,"vote_count":8,"poster_path":213,"release_date":214,"vote_average":8,"backdrop_path":27,"original_title":209,"original_language":48},456802,"The Nature of Language","A creative documentary about personal experiences of abuse and of selfhood, of colors and words within the context of our lives.",[11],0.737,"\u002Fa9ahwoZVAouVnkIGlnpC6nDLhOS.jpg","2017-05-09",1001,20001,"http:\u002F\u002Fmutantfishproductions.com\u002Findex.htm","In continuous motion with no end or barrier in its way.",0.4682,"\u002FAhSEDJaJdaVbt6rPwEirNSmegCH.jpg","2017-08-01","\u002FskcLIj25P6SqcnbSRu8U3zZsi31.jpg",[224],"US",{"results":226},{},[],[229],{"id":230,"name":231,"logo_path":27,"origin_country":224},95914,"Mutant Fish Productions",[233],{"name":234,"iso_3166_1":224},"United States of America",45,"A documentary story that tends to land well.",[]]