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Even though he is my son, I sometimes wonder what this small person is to me. Even though I see his joys and sadnesses and know the feel of his warmth on my skin when I hold him, there are moments when my feelings for him become vague and blank.\" - Takashi Ito",[11],0.3401,4,"\u002F5Vljlhq0TePsGVAaZkXJjryECeY.jpg","1993-07-29",5.2,"\u002FsqO0IIw9XVkQWZ3K2UaR8BNwLmk.jpg","１２月のかくれんぼ","ja",{"id":59,"adult":6,"title":60,"video":6,"overview":61,"softcore":6,"genre_ids":62,"popularity":63,"vote_count":23,"poster_path":64,"release_date":65,"vote_average":66,"backdrop_path":67,"original_title":60,"original_language":68},639718,"SP","The biggest, most populated, and frantic city in South America. While Cariocas are like tropical birds, Paulistas are like frenetic ants. Distances are longer and they're always in a hurry. 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A story about an extreme moment of crisis has turned into a documentary that deals not just with the subjective but with the important issue of spousal abuse.",[11],0.2164,"2019-11-09",{"id":112,"adult":6,"title":113,"video":6,"overview":114,"softcore":6,"genre_ids":115,"popularity":116,"vote_count":117,"poster_path":118,"release_date":119,"vote_average":120,"backdrop_path":121,"original_title":122,"original_language":123},26317,"Man with a Movie Camera","A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.",[11],2.0287,804,"\u002FvJgAdgJWX54v0oXfIvhwjlZnmgn.jpg","1929-05-12",7.8,"\u002FbyRNEm1QwfQC1Mn0K4gLM2fIfWO.jpg","Человек с киноаппаратом","ru",{"id":125,"adult":6,"title":126,"video":6,"overview":127,"softcore":6,"genre_ids":128,"popularity":129,"vote_count":8,"poster_path":130,"release_date":131,"vote_average":8,"backdrop_path":67,"original_title":132,"original_language":133},650755,"Stunned, I Remain Alert","Journalist Dermi Azevedo has never stopped fighting for human rights and now, three decades after the end of the military dictatorship in Brazil, he's witnessing the return of those same practices.",[11],0.2155,"\u002FexbM8qk6f6T44olJXcM8ix1sunL.jpg","2020-01-15","Atordoado, Eu Permaneço Atento","pt",{"id":135,"adult":6,"title":136,"video":6,"overview":137,"softcore":6,"genre_ids":138,"popularity":139,"vote_count":23,"poster_path":140,"release_date":141,"vote_average":142,"backdrop_path":67,"original_title":143,"original_language":144},461160,"Leonora Carrington or The Ironic Spell","Cinema and painting establish a fluid dialogue and begins with introspection in the themes and forms of the plastic work of a woman tormented by the elongated specters, originating from her obsessions and nightmares.",[11],0.2535,"\u002FfRr9wQkV7oIbgpNN0hwHm8KvF3B.jpg","1965-02-09",9.5,"Leonora Carrington o el sortilegio irónico","es",{"id":146,"adult":6,"title":147,"video":6,"overview":148,"softcore":6,"genre_ids":149,"popularity":150,"vote_count":51,"poster_path":151,"release_date":152,"vote_average":153,"backdrop_path":67,"original_title":147,"original_language":68},276124,"Congo","An experimental ethnographic documentary that criticizes the colonizer view of anthropology.",[11],0.1362,"\u002Fqyp6xQKp6niMHbJwZK9CASBVvfy.jpg","1972-01-01",5.8,{"id":155,"adult":6,"title":156,"video":6,"overview":157,"softcore":6,"genre_ids":158,"popularity":159,"vote_count":31,"poster_path":160,"release_date":161,"vote_average":86,"backdrop_path":162,"original_title":156,"original_language":68},644509,"Drug Porn","An experimental documentary about the spectacle of substance abuse on social media. More than 45 hours of footage, hundreds of pages of blog posts and interviews were distilled and remixed using glitch and cut-up techniques to insure anonymity, transcend the shock factor and unfold this complex, singular and stratified use of social media.",[11],0.1476,"\u002FgMTXZqqnchDPHaJx8Fqka0RJgM9.jpg","2019-05-30","\u002FddxoHgjafqcfWBRggcE2nvyQYFd.jpg",{"id":164,"adult":6,"title":165,"video":6,"overview":166,"softcore":6,"genre_ids":167,"popularity":169,"vote_count":8,"poster_path":67,"release_date":170,"vote_average":8,"backdrop_path":67,"original_title":165,"original_language":171},466528,"Adrift","\"Adrift\" is shot on the arctic island of Spitzbergen and in Norway. It combines time-lapse photography with stop-motion animation of the landscape. 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Thus the actors in the film, Jane Brakhage, Tom and Gloria Bartek, Williams Burroughs, Allen Ginsberg, Peter Olovsky and Phillip Whalen are figments of this 'Thought-Fallen Process', as are their images in the film to find themselves being photographed.\"",[11],0.2549,6,"\u002Fn9LX4cPOx67Sn1n1y3WGzgpR1V6.jpg","1978-06-27",5.667,{"id":183,"adult":6,"title":184,"video":6,"overview":185,"softcore":6,"genre_ids":186,"popularity":187,"vote_count":188,"poster_path":189,"release_date":190,"vote_average":191,"backdrop_path":192,"original_title":184,"original_language":68},44503,"Blow Job","Andy Warhol directs a single 35-minute shot of a man's face to capture his facial expressions as he receives the sexual act depicted in the title.",[11],0.237,55,"\u002FrbtmS87QC7vKr4kpIYV3R8rWuBa.jpg","1964-07-16",4.318,"\u002FprIJsrX5PE3UqsqjamA2kbypRLE.jpg",{"id":194,"adult":6,"title":195,"video":6,"overview":196,"softcore":6,"genre_ids":197,"popularity":201,"vote_count":8,"poster_path":202,"release_date":203,"vote_average":8,"backdrop_path":204,"original_title":195,"original_language":205},456796,"PLEH","An experimental journey through a year in the life of the director, using his always playing playlist to cross the boundaries of fiction and documentary. Through scenes of both comedy and tragedy, realistic documentary footage and experimental sequences of the director's environment and daily life we get a sometimes estranging image of a young man and also an intriguing insight in his mindset and how this translates to the imagery on screen.",[198,199,11,200],878,35,18,0.1829,"\u002FhSnLywSyX5KJ1lCHR65XgeOjlUu.jpg","2017-10-22","\u002FresQnCvm0PTJrqZctpPXJ8BG4nW.jpg","nl",{"id":207,"adult":6,"title":208,"video":6,"overview":209,"softcore":6,"genre_ids":210,"popularity":211,"vote_count":23,"poster_path":212,"release_date":213,"vote_average":214,"backdrop_path":215,"original_title":208,"original_language":216},262479,"Jeune femme à sa fenêtre lisant une lettre","Jean-Claude Rousseau's Jeune femme à sa fenêtre lisant une lettre is not only his first medium-length film, but a chance to discover this filmmaker whom Jean-Marie Straub has called, along with Frans Van de Staak and Peter Nestler, the greatest working in Europe. With this newly restored print there is also a possibility to discover the relationship between Rousseau's art of filming and Jan Vermeer's famous painting. As Prosper Hillairet wrote in 1988, four years after Rousseau had finished Jeune femme ... (for the first time as we know today): «Without adopting the usual systematic spirit and form of cinéma structurel, Rousseau presents us with simple images and leaves it at that. Keeps the image in hand. A minimalist and ascetic expression of cinema: a shot that lasts.»",[11],0.1627,"\u002FinDO19H3xXBvdUurUvPWGnE5a6E.jpg","1983-01-01",5.5,"\u002FweosAtrLFFvCGA48aFW8xVEPh2B.jpg","fr",{"id":218,"adult":6,"title":219,"video":6,"overview":220,"softcore":6,"genre_ids":221,"popularity":222,"vote_count":23,"poster_path":223,"release_date":224,"vote_average":225,"backdrop_path":67,"original_title":226,"original_language":123},439707,"Private Chronicles: Monologue","The collective life of the generation born as Jurij Gagarin became the first man in space. Vitaly Mansky has woven together a fictional biography – taken from over 5.000 hours of film material, and 20.000 still pictures made for home use. A moving document of the fictional, but nonetheless true life of the generation who grew up in this time of huge change and upheaval.",[11],0.1593,"\u002F3et6Yqj4E97hmzQcEeVHcsZK5Sz.jpg","1999-01-01",9,"Частные хроники. Монолог",{"id":228,"adult":6,"title":229,"video":6,"overview":230,"softcore":6,"genre_ids":231,"popularity":232,"vote_count":23,"poster_path":67,"release_date":233,"vote_average":103,"backdrop_path":67,"original_title":229,"original_language":234},445205,"Ich lebe in der Gegenwart - Versuch über Hans Richter","",[11],0.261,"1973-09-23","de",11519,230361,"\"Firstly, I revealed in salutary confession the secret filth of my misdeed, which had long been festering in stagnant silence; and I made it my custom to confess often, and thus to display the wounds of my blinded soul...\" (Petrarch, 1352, in a letter to his brother). I wish to avoid any \"classical\" misunderstandings of the above quote by stating clearly here that any sacrifice of love is, yes, \"filth\" or at the very least \"misdeed.\" An academic reading of Petrarch tends to bias thought that there are kinds of love which might be wrong: I do not believe this. 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