[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-482394-en-US":3},{"detail":4,"match":247,"insight":248,"providers":249,"providerLink":7,"trailer":7},{"adult":5,"backdrop_path":6,"belongs_to_collection":7,"budget":8,"genres":9,"homepage":13,"id":14,"imdb_id":7,"origin_country":15,"original_language":17,"original_title":18,"overview":19,"popularity":20,"poster_path":21,"production_companies":22,"production_countries":26,"release_date":29,"revenue":8,"runtime":30,"softcore":5,"spoken_languages":31,"status":35,"tagline":13,"title":36,"video":5,"vote_average":8,"vote_count":8,"credits":37,"similar":48,"watch\u002Fproviders":243,"videos":245},false,"\u002F7hNqvRh1T4K9piV8QtHWTxvPmmj.jpg",null,0,[10],{"id":11,"name":12},99,"Documentary","",482394,[16],"FR","fr","On vous parle de Flins","A group of leftist activists expose the exploitation of immigrant workers by a criminal network with connections to local government officials. The movie was produced by the group SLON (Société pour le Lancement des Oeuvres Nouvelles, also the Russian word for elephant). SLON was a film collective whose objectives were to make films and to encourage industrial workers to create film collectives of their own. Its members included Valerie Mayoux, Jean-Claude Lerner, Alain Adair and John Tooker, and Chris Marker.",0.4867,"\u002F1mUxEDvaoBtwOq02KFiWM21ONFU.jpg",[23],{"id":24,"logo_path":7,"name":25,"origin_country":16},70639,"Societe pour le Lancement des Oeuvres Nouvelles (SLON)",[27],{"iso_3166_1":16,"name":28},"France","1969-10-20",28,[32],{"english_name":33,"iso_639_1":17,"name":34},"French","Français","Released","You Speak of Flins",{"cast":38,"crew":39},[],[40],{"adult":5,"gender":41,"id":42,"known_for_department":43,"name":44,"original_name":44,"popularity":45,"profile_path":7,"credit_id":46,"department":43,"job":47},2,1336925,"Directing","Guy Devart",0.267,"59ec086c925141197d002d24","Director",{"page":49,"results":50,"total_pages":241,"total_results":242},1,[51,64,74,85,94,104,114,122,128,141,151,162,171,181,189,198,206,214,222,231],{"adult":5,"backdrop_path":52,"genre_ids":53,"id":54,"title":55,"original_language":56,"original_title":57,"overview":58,"popularity":59,"poster_path":60,"release_date":61,"softcore":5,"video":5,"vote_average":62,"vote_count":63},"\u002FlVnUdJ7nqho86UievvSr1LpfU6k.jpg",[11],222,"Berlin: Symphony of a Great City","de","Berlin, die Symphonie der Großstadt","A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.",1.7564,"\u002F1APQoI9PKgZtg6PWZjIbr0U7GvZ.jpg","1927-09-23",7.5,131,{"adult":5,"backdrop_path":7,"genre_ids":65,"id":67,"title":68,"original_language":69,"original_title":68,"overview":13,"popularity":70,"poster_path":71,"release_date":72,"softcore":5,"video":5,"vote_average":73,"vote_count":49},[66,11],18,447261,"Anônimo e incomum","pt",0.7616,"\u002Fy5b8jSOG2WNxa2lGMSF8JwuRXB5.jpg","1990-03-16",6,{"adult":5,"backdrop_path":7,"genre_ids":75,"id":77,"title":78,"original_language":79,"original_title":80,"overview":81,"popularity":82,"poster_path":83,"release_date":84,"softcore":5,"video":5,"vote_average":73,"vote_count":49},[11,76],16,264638,"Impressions from the Upper Atmosphere","es","Impresiones en la alta atmósfera","Sistiaga painted directly on 70mm film a circular (planetary?) form, around which dance shifting colours in a psychedelic acceleration matched by the soundtrack’s deep-space roar and howl. - Cinema Scope",1.5482,"\u002Fyn8D07RpJBHkNwLj3Lv3sGTmsuh.jpg","1989-01-01",{"adult":5,"backdrop_path":7,"genre_ids":86,"id":87,"title":88,"original_language":89,"original_title":88,"overview":90,"popularity":91,"poster_path":92,"release_date":93,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],1211044,"Strade perdute - Filmmaker 23","it","For Filmmaker Film Festival (2023), Fulvio Baglivi and Cristina Piccino asked some filmmakers (R. Beckermann, J. Bressane, D’Anolfi\u002FParenti, T. De Bernardi, L. Di Costanzo, A. Fasulo, F. Ferraro, M. Frammartino, S. George, ghezzi\u002FGagliardo, C. Hintermann, G. Maderna, A. Momo, A. Rossetto, M. Santini, C. Simon, S. Savona)  to give us their own \"lost road,\" that is, a sequence, scene or piece of editing that did not later find its way into the final version of one of their works.  Each fragment has its own accomplished presence, often has a different title from the film it was made for, which is not necessary to have seen in order to find meaning; on the contrary, those who set out thinking they know the world they are walking through will find themselves displaced.",0.9721,"\u002FA8Jp9eGzx4Va37IZGPLtXFEsJVv.jpg","2023-11-20",{"adult":5,"backdrop_path":7,"genre_ids":95,"id":96,"title":97,"original_language":98,"original_title":99,"overview":100,"popularity":101,"poster_path":102,"release_date":103,"softcore":5,"video":5,"vote_average":73,"vote_count":41},[11],450693,"Bicycle","nl","Fietsen","Rhythmic composition of moving photographs of cyclists in Amsterdam, ‘set’ to Vivaldi’s The Four Seasons.",1.4754,"\u002F83WYvzhDPdrVdLv7v3LXubZnvEm.jpg","1965-01-01",{"adult":5,"backdrop_path":7,"genre_ids":105,"id":106,"title":107,"original_language":108,"original_title":109,"overview":110,"popularity":111,"poster_path":112,"release_date":113,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],827203,"Notes before the Wind","cn","風景","A loose collection of scenes in Hong Kong shot over a five-year period, this film begins with the Umbrella Movement in 2014 and ends right before the summer of 2019, when large-scale social unrest and violent resistance erupted. The everyday scenes capture the ambience and the landscape of change in the city, standing as a quiet prelude to the ensuing conflicts.",0.4181,"\u002Fx91OOGJIrUmC9dIkkXGSeb75xyK.jpg","2020-01-01",{"adult":5,"backdrop_path":7,"genre_ids":115,"id":116,"title":117,"original_language":69,"original_title":117,"overview":118,"popularity":119,"poster_path":120,"release_date":121,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],835813,"Cinetismo Luminoso","Experimental projects carried out during scientific initiation - 2002 \u002F UFRJ",0.5564,"\u002F9dLJDRMyFqRboLHhfaqzVgmjbcc.jpg","2002-02-02",{"adult":5,"backdrop_path":7,"genre_ids":123,"id":124,"title":125,"original_language":69,"original_title":125,"overview":118,"popularity":126,"poster_path":127,"release_date":121,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],835814,"Movimento Intrínseco",0.5859,"\u002Fakn621WpCP0kZ4X8gJk6TteH269.jpg",{"adult":5,"backdrop_path":129,"genre_ids":130,"id":131,"title":132,"original_language":133,"original_title":134,"overview":135,"popularity":136,"poster_path":137,"release_date":138,"softcore":5,"video":5,"vote_average":139,"vote_count":140},"\u002FcP31o6Ta11t4PFo7PYvtCOTJJhs.jpg",[11],12456,"The Five Obstructions","da","De fem benspænd","In 1967, experimental filmmaker Jorgen Leth created a striking short film, The Perfect Human, starring a man and women sitting in a box while a narrator poses questions about their relationship and humanity. Years later, Danish director Lars von Trier made a deal with Leth to remake his film five times, each under a different set of circumstances and with von Trier's strictly prescribed rules. As Leth completes each challenge, von Trier creates increasingly further elaborate stipulations.",1.9922,"\u002FxMcCmIdos88yd44xqCXj4NUWph3.jpg","2003-11-07",6.9,183,{"adult":5,"backdrop_path":7,"genre_ids":142,"id":143,"title":144,"original_language":17,"original_title":145,"overview":146,"popularity":147,"poster_path":148,"release_date":149,"softcore":5,"video":5,"vote_average":150,"vote_count":49},[11],457108,"Every Wall is a Door","Chaque mur est une porte","Drawing on VHS tapes of a programme hosted by her mother on Bulgaria’s national television, the filmmaker gives a pop-style and in-depth chronicle of the gentle – even “over-gentle” – 1989 revolution.",0.4893,"\u002FAvaTUw67Hu8Ts8BgyqCC0nU32uN.jpg","2017-03-25",5,{"adult":5,"backdrop_path":152,"genre_ids":153,"id":154,"title":155,"original_language":69,"original_title":156,"overview":157,"popularity":158,"poster_path":159,"release_date":160,"softcore":5,"video":5,"vote_average":73,"vote_count":161},"\u002F3Y6rLMpA6RjAjsyYqdw38YJWM12.jpg",[11],273320,"Chinese Viola","Viola Chinesa","The rare short film presents a curious dialogue between filmmaker Julio Bressane and actor Grande Otelo, where, in a mixture of decorated and improvised text, we discover a little manifesto to the Brazilian experimental cinema. Also called \"Belair's last film,\" Chinese Viola reveals the first partnership between photographer Walter Carvalho and Bressane.",1.3553,"\u002FnuLdqSIUYePh1HnL0pXKTGRI5rm.jpg","1975-05-31",7,{"adult":5,"backdrop_path":7,"genre_ids":163,"id":164,"title":165,"original_language":166,"original_title":165,"overview":167,"popularity":168,"poster_path":169,"release_date":170,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],825220,"(Always) Next To Me","en","(Always) Next to Me is a 16mm film that pairs abstract sequences of plants developed directly on the film emulsion with intertitles briefly describing what was going on for me personally at the moment the plants were collected.  I started the film at the beginning of the pandemic, just after I found out I was pregnant for the first time in April 2020 and finished it just before the birth of my baby in December of the same year.",0.5578,"\u002F1PD3kgNzira3EWl6TqP3hc0IcM3.jpg","2021-05-01",{"adult":5,"backdrop_path":172,"genre_ids":173,"id":174,"title":175,"original_language":166,"original_title":175,"overview":176,"popularity":177,"poster_path":178,"release_date":179,"softcore":5,"video":5,"vote_average":180,"vote_count":49},"\u002F1Z9C1VnjoR2LAjgqRj4B8PuLlUG.jpg",[11,76],825223,"Taxidrome","To fly a – way from\u002Fout of death, don’t hire a taxidermist but take a ride in this taxidrome!  Series of 41 Moving Images  - this analogy is possible being conservation at its core rescuing what really matters in the world, like nature, habitats, science and art. It is vital. Yet in a continuously changing environment, the flipside of conservation becomes and here it is where the vital feature of conservation becomes its lifelike trait, a fictive life, a fake life.  The embalming process consists of 1) imparting a balmy essence to the dead body, as in the ancient world, 2) by filling its blood vessels with formaldehyde to prevent putrification, as in the modern world, although recently with more regard towards more natural treatments, as for instance in bio-art. To embalm also means to “preserve from oblivion”, and “to cause to remain unchanged”, “to prevent the development of something”.",0.4612,"\u002Fx9L0dvwRirXy1fMKH4KPaGMAcCG.jpg","2021-01-26",10,{"adult":5,"backdrop_path":7,"genre_ids":182,"id":183,"title":184,"original_language":166,"original_title":184,"overview":185,"popularity":186,"poster_path":187,"release_date":188,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],449311,"Joseph Cornell: Worlds in a Box","This is a 1991 documentary film about the legendary artist and filmmaker, Joseph Cornell, who made those magnificent and strange collage boxes. He was also one of our great experimental filmmakers and once apparently made Salvador Dali extremely jealous at a screening of his masterpiece, Rose Hobart.  In this film we get to hear people like Susan Sontag, Stan Brakhage, and Tony Curtis talk about their friendships with the artist. It turns out that Curtis was quite a collector and he seemed to have a very deep understanding of what Cornell was doing in his work.",1.6584,"\u002FawqxrLsNATJPBEm4lzlOhUZvl91.jpg","1991-11-29",{"adult":5,"backdrop_path":190,"genre_ids":191,"id":192,"title":193,"original_language":166,"original_title":193,"overview":194,"popularity":195,"poster_path":196,"release_date":197,"softcore":5,"video":5,"vote_average":8,"vote_count":8},"\u002Fo92ncb6A1O2zRLYasRorpxvVfaU.jpg",[11],825354,"A Landscape to Be Invented","Other than the ocean, the rest of the planet was bathed in purple, which was due to the colour of the vegetation. The change in the sun’s radiation had probably caused the plants to evolve as they adapted to the new light.",0.5453,"\u002Fl5gwgeQqFgT8aHJjOdgt3coa6h.jpg","2020-10-15",{"adult":5,"backdrop_path":7,"genre_ids":199,"id":200,"title":201,"original_language":166,"original_title":201,"overview":202,"popularity":203,"poster_path":204,"release_date":205,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],824993,"Hear Me Sometimes","Butterfly as verb. The monarch migration and an unearthed cassette tape correspondence form a storm speaking towards motherhood, loss, expectation, care and legacy. An elegy. An ode to uncertainty. A cry for radical optimism and a reordering of splendor.",0.6538,"\u002FsyF0kroOHHB3JcrD8KYNgOvpmoT.jpg","2020-10-19",{"adult":5,"backdrop_path":7,"genre_ids":207,"id":208,"title":209,"original_language":166,"original_title":209,"overview":210,"popularity":211,"poster_path":212,"release_date":213,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],824994,"Giant Eagle, Four Stars","In an abandoned shopping center outside of Cleveland, the story of the last remaining grocery store is told through recent google reviews.",0.4701,"\u002FimtY4oMlMP0X1hhX96zgnxBvypy.jpg","2021-04-30",{"adult":5,"backdrop_path":7,"genre_ids":215,"id":216,"title":217,"original_language":166,"original_title":217,"overview":218,"popularity":219,"poster_path":220,"release_date":221,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],824999,"Pride","Set in Charlottesville during the early 1990s, \"Pride\" follows an aspiring writer as she finalises stories for the latest issue of \"Pride\", a student run newspaper at the University of Virginia. Over a hectic two-day period, she puts the finishing touches on the upcoming issue. Despite the looming deadline, she moves with a calm confidence.",1.5144,"\u002F2hRO2OBitq94nefwXgi75P4GADZ.jpg","2021-04-21",{"adult":5,"backdrop_path":7,"genre_ids":223,"id":224,"title":225,"original_language":226,"original_title":225,"overview":227,"popularity":228,"poster_path":229,"release_date":230,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],633565,"Magma (C)","gl","Drops of fire that create a universe of magmatic asteroids. Liquid and gravitational reality. Cosmic energy. Atomized Rhythm.  Neurons of a liberated unconscious. Elimination of the idea of \"soul\" as \"everything\", reducing it to the condition of units of energy in perpetual process, elementary particles, without duration, that arise in perfect dependence. The \"I\" as a stream of units of force in ceaseless becoming that procures the illusion of an entity. Karmic chain. The idea that eternity resides in the transitory, the eternal belongs to it instantly. Eternity not as infinite duration but as absence of temporality. Universe of a mobile, procedural, relational and interactive nature of everything that exists. Here the \"object\" is conceived as something that is constituted, completed, lost and recovered with the vibrating rhythm of a universe in constant production.",0.8749,"\u002Ff1M5zE0YITMaS3RnHpM5A4uWiys.jpg","2014-08-12",{"adult":5,"backdrop_path":232,"genre_ids":233,"id":234,"title":235,"original_language":166,"original_title":236,"overview":237,"popularity":238,"poster_path":239,"release_date":240,"softcore":5,"video":5,"vote_average":180,"vote_count":49},"\u002F4ImuXeIBAkn6CFG6GchzRZrBav1.jpg",[11],825169,"Butterfly 360°","Sfarfallii liberali 360°","The 360° project tells the story of a peaceful environment featuring a rare case phenomena where a swarm of butterflies is nurturing itself by eating the nectar of flowers showing the beauty but also the fragility of a complex ecosystem. The video installation is configured to work as an interactive 360° experience where the spectator can view the untouched nature by moving \u002F grabbing \u002F touching the nature by his\u002Fher hands (mouse) but offers also the possibility to be screened large scale as a flat video loop on a wall, building or in cinema.",0.5106,"\u002Fy6eUV4XMK0O655uBvTGoc0aKJuO.jpg","2020-11-27",1001,20001,{"results":244},{},{"results":246},[],45,"A documentary story that tends to land well.",[]]