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In the play, a grotesque old woman gives birth to a beautiful baby boy. The child's older sister is quick to exploit the situation, selling blessings from the baby, and even claiming she's the true mother by virgin birth. However, when she attempts to seduce the bishop's son, the Church exacts a terrible revenge.",[65,14],18,0.7791,112,"\u002FlYB5uF36JE61GMLInD3Gp7yCCyL.jpg","1993-09-17",6.888,"\u002FiHfVnZrb6w39x1KIcgTGNY7g0l1.jpg","en",{"id":74,"adult":6,"title":75,"video":6,"overview":76,"softcore":6,"genre_ids":77,"popularity":83,"vote_count":84,"poster_path":85,"release_date":86,"vote_average":87,"backdrop_path":88,"original_title":89,"original_language":72},464910,"60 Seconds of Solitude in Year Zero","An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.",[65,78,11,79,80,81,82],35,16,27,53,9648,0.9389,7,"\u002F9HcuU9JzCWTweaAL8KsCtTTWa4U.jpg","2011-12-22",4.214,"\u002FoqVGh3bliUZfDYsQRfgZDZkcKxC.jpg","60 Sekundit Üksindust Aastal Null",{"id":91,"adult":6,"title":92,"video":6,"overview":93,"softcore":6,"genre_ids":94,"popularity":95,"vote_count":96,"poster_path":97,"release_date":98,"vote_average":99,"backdrop_path":100,"original_title":92,"original_language":72},306208,"The Hedge Theater","Filmed in Rome in the 1980s, the work draws on Borromini’s Baroque architecture and Il Sassetta’s St. Martin and the Beggar. Beavers contrasts winter’s subdued light with the verdant growth of spring, constructing a precise montage in which image and sound form a poetic dialogue.",[11],0.1253,9,"\u002Fh8T8R5vGZAfkKfU30WrpVITntvW.jpg","2002-11-17",6.4,"\u002F8gICVmjnZ84jivHdQI491LWC5sa.jpg",{"id":102,"adult":6,"title":103,"video":6,"overview":104,"softcore":6,"genre_ids":105,"popularity":106,"vote_count":8,"poster_path":107,"release_date":108,"vote_average":8,"backdrop_path":109,"original_title":103,"original_language":72},485597,"Junior War","In Junior War, a throng of highschoolers congregate at night for a party in the woods sometime in the year 2000. A band plays, the kids get drunk, the boys and girls tepidly flirt, and groups deploy into cars for the purpose of destroying mailboxes, tee-peeing houses, breaking lawn ornaments, and sparring with the police. The film is composed entirely of footage Trecartin took during his senior year of high school in exurban Ohio; as such, it baits the viewer with genealogical significance.",[11],0.2202,"\u002F9hBqU8lEDOnwuz9hoMlzLOMYVvI.jpg","2013-11-02","\u002Fj94f1FNG5a4OLA3SSxIOHmqxh1E.jpg",{"id":111,"adult":6,"title":112,"video":6,"overview":113,"softcore":6,"genre_ids":114,"popularity":116,"vote_count":117,"poster_path":118,"release_date":119,"vote_average":120,"backdrop_path":121,"original_title":122,"original_language":72},485807,"Frank Zappa – Summer '82: When Zappa Came to Sicily","In the feature documentary, Summer 82 – When Zappa Came to Sicily, filmmaker and Zappa fan Salvo Cuccia tells the behind-the-scenes story of Frank Zappa's star-crossed concert in Palermo, Sicily, the wrap-up to a European tour that ended in public disturbances and police intervention. Cuccia had a ticket to the concert but never made it.  Thirty years later, collaborating with Zappa's family, he re-creates the events through a combination of rare concert and backstage footage; photographs; anecdotes from family, band members, and concertgoers; and insights from Zappa biographer and friend Massimo Bassoli. The story is also a personal one, as Cuccia interweaves the story of Zappa's trip to Sicily with his own memories from that summer.",[115,11],10402,0.3644,5,"\u002FxvHdkv6zOG0raF5OJhJfsoACdBD.jpg","2014-10-05",7.8,"\u002Fp9sLva1ocp9li0aICil8H5FHuCi.jpg","Frank Zappa - Summer '82 : When Zappa Came to Sicily",{"id":124,"adult":6,"title":125,"video":126,"overview":25,"softcore":6,"genre_ids":127,"popularity":129,"vote_count":8,"poster_path":130,"release_date":131,"vote_average":8,"backdrop_path":132,"original_title":125,"original_language":133},650275,"Cóndor",true,[11,128,14,115],10749,0.2848,"\u002FgaQcOdIgfDVV3ogh9ct8ML6cfW6.jpg","2016-11-03","\u002FvQG2k45i3OfyIdijqXE0XXY3FCL.jpg","es",{"id":135,"adult":6,"title":136,"video":6,"overview":137,"softcore":6,"genre_ids":138,"popularity":139,"vote_count":140,"poster_path":141,"release_date":142,"vote_average":143,"backdrop_path":144,"original_title":136,"original_language":145},55624,"Fata Morgana","Shot under extreme conditions and inspired by Mayan creation theory, the film contemplates the illusion of reality and the possibility of capturing for the camera something which is not there. 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Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.",[115,161,162,11,14],10752,14,2.1518,"\u002FjYt6l9hGmZlAWFYoeC9GT5JdWmU.jpg","2019-08-09",{"id":167,"adult":6,"title":168,"video":6,"overview":169,"softcore":6,"genre_ids":170,"popularity":171,"vote_count":172,"poster_path":173,"release_date":174,"vote_average":175,"backdrop_path":176,"original_title":168,"original_language":72},44783,"Symbiopsychotaxiplasm: Take One","In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?",[11],0.4516,57,"\u002Fa8INKiTZWT6DBkpIRVtv85tKunh.jpg","1968-10-28",6.947,"\u002FuYo84MtnPcECYvmNUtEBv2wUrE0.jpg",{"id":178,"adult":6,"title":179,"video":6,"overview":180,"softcore":6,"genre_ids":181,"popularity":182,"vote_count":183,"poster_path":184,"release_date":185,"vote_average":186,"backdrop_path":187,"original_title":188,"original_language":155},49836,"Taris","Short documentary directed by Jean Vigo about the French swimmer Jean Taris. The film is notable for the many innovative techniques that Vigo uses, including close ups and freeze frames of the swimmer's body.",[11],0.277,81,"\u002Fg9OzBiszO12SIosmxPlTfY7po40.jpg","1931-01-01",6.253,"\u002FpsP9k4MFQIsHLtQM5iupOlDElp1.jpg","Taris, roi de l'eau",{"id":190,"adult":6,"title":191,"video":6,"overview":192,"softcore":6,"genre_ids":193,"popularity":194,"vote_count":8,"poster_path":195,"release_date":196,"vote_average":8,"backdrop_path":154,"original_title":191,"original_language":72},1378922,"Running Fields","Three images of a person running in the void through the movement of speed and abstract images",[11],0.2288,"\u002Fhq9RhxqXTHjEJW2wIMKWvsMpKlJ.jpg","2024-10-30",{"id":198,"adult":6,"title":199,"video":6,"overview":200,"softcore":6,"genre_ids":201,"popularity":202,"vote_count":8,"poster_path":203,"release_date":204,"vote_average":8,"backdrop_path":205,"original_title":199,"original_language":72},651330,"Kill Your TV: Jim Moir’s Weird World of Video Art","Jim Moir (aka Vic Reeves) explores Video Art, revealing how different generations ‘hacked’ the tools of television to pioneer new ways of creating art that can be beautiful, bewildering and wildly experimental.",[11],0.2645,"\u002Fv0rca7GMZnorrFolEGmZbtF1pR8.jpg","2019-11-24","\u002FYGJqS9ML1S7MGcG0G7DFJcPaQj.jpg",{"id":207,"adult":6,"title":208,"video":6,"overview":209,"softcore":6,"genre_ids":210,"popularity":211,"vote_count":8,"poster_path":212,"release_date":213,"vote_average":8,"backdrop_path":154,"original_title":208,"original_language":72},1394611,"Running Fields III","Twenty images of a camera running next to a chemical platform and capturing abstract light throught improvised gestures and asymmetrical motion",[11],0.3467,"\u002FfBZPvK6GcZwMfT87WPy69TDeV2Y.jpg","2024-11-29",{"id":215,"adult":6,"title":216,"video":6,"overview":217,"softcore":6,"genre_ids":218,"popularity":219,"vote_count":24,"poster_path":220,"release_date":221,"vote_average":96,"backdrop_path":222,"original_title":216,"original_language":72},999444,"Projections","The innovative and influential British filmmaker Derek Jarman was invited to direct the Pet Shop Boys' 1989 tour. This film is a series of iconoclastic images he created for the background projections. Stunning, specially shot sequences (featuring actors, the Pet Shop Boys, and friends of Jarman) contrast with documentary montages of nature, all skillfully edited to music tracks.",[115,11],0.2084,"\u002F7l05LFVnfE6Fh30ffMpvWEkQLZ0.jpg","1993-11-29","\u002FtirZ9YLj0jHrwbfks4EXaPkCTWE.jpg",{"id":224,"adult":6,"title":225,"video":6,"overview":226,"softcore":6,"genre_ids":227,"popularity":228,"vote_count":229,"poster_path":230,"release_date":231,"vote_average":96,"backdrop_path":232,"original_title":225,"original_language":72},478619,"Baa Baa Land","An eight-hour contemplative epic, entirely starring sheep.",[11],0.4118,4,"\u002FhECbY0ZxQbQPF5Wdqr9B7wXe2hN.jpg","2017-09-27","\u002F2GX3M4Hw677jEScpVPWrdxAIz5u.jpg",{"id":234,"adult":6,"title":235,"video":6,"overview":236,"softcore":6,"genre_ids":237,"popularity":238,"vote_count":8,"poster_path":239,"release_date":240,"vote_average":8,"backdrop_path":154,"original_title":235,"original_language":72},1392679,"Douglas Gordon sings the best of Lou Reed & The Velvet Underground (For Bas Jan Ader)","In the present work, the artists appears lying on his back, his eyes mostly closed, dreamingly listening to a walkman that plays, a recording of 'The Best of Lou Reed and the Velvet Underground'. The artist can hear the music through his earphones, but as viewers we are only privy to the sound of his voice that whispers the melody. As we listen to the hypnotic interpretion of the familiar songs - as emblematic for pop music history as 'Psycho' is for film - we are forced to mentally 'reconstruct' the remaining orchestration, instrumentation and vocals. We must attempt to reassemble something we already know to be a fact by negotiating the sticky mess of interpretation, meaning, and memory.",[11],0.2715,"\u002Fm1EfnnziFM2B1Wrymxj9Muw4JoK.jpg","1993-11-19",{"id":242,"adult":6,"title":243,"video":6,"overview":244,"softcore":6,"genre_ids":245,"popularity":246,"vote_count":8,"poster_path":247,"release_date":248,"vote_average":8,"backdrop_path":154,"original_title":243,"original_language":72},1400387,"Running Fields IV","Twenty-four images of a camera running in the woods, a moonlight and a cemetery through improvised gestures, mechanical abstraction and saturated colors",[11],0.1399,"\u002FfoU1PQZ64h5vvvA6eh5UvQwMCMT.jpg","2024-12-13",{"id":250,"adult":6,"title":251,"video":6,"overview":252,"softcore":6,"genre_ids":253,"popularity":254,"vote_count":229,"poster_path":255,"release_date":256,"vote_average":257,"backdrop_path":258,"original_title":259,"original_language":260},284254,"December Hide-and-Go-Seek","\"Ryuta is 5 years old. Even though he is my son, I sometimes wonder what this small person is to me. Even though I see his joys and sadnesses and know the feel of his warmth on my skin when I hold him, there are moments when my feelings for him become vague and blank.\" - Takashi Ito",[11],0.4095,"\u002F5Vljlhq0TePsGVAaZkXJjryECeY.jpg","1993-07-29",5.2,"\u002FsqO0IIw9XVkQWZ3K2UaR8BNwLmk.jpg","１２月のかくれんぼ","ja",{"id":262,"adult":6,"title":263,"video":6,"overview":264,"softcore":6,"genre_ids":265,"popularity":266,"vote_count":8,"poster_path":267,"release_date":268,"vote_average":8,"backdrop_path":269,"original_title":263,"original_language":72},1180773,"The Afterlife","A young adult's first-hand account of \"accidentally becoming human again\" after, and with, trauma induced depression. Lo-fi, vulnerable, and uniquely youthful, \"The Afterlife\" is a melancholic affirmation of life after death.",[11],0.1377,"\u002FyQUMsZfpxaJYNruNR0XhtY7J62r.jpg","2023-08-15","\u002Ff0x3Ii2HdwJ8nZLD1BSZ4WCFPQ8.jpg",12148,242941,"One of Paik’s most overtly political and poignant statements, Guadalcanal Requiem is a performance\u002Fdocumentary collage that confronts history, time, cultural memory and mythology on the site of one of World War II’s most devastating battles.",0.1417,"\u002FaSkPq3yTK3sFNAM5gNwB58kq4vy.jpg","1977-01-01",[277],"US",{"results":279},{},[281],{"name":282,"iso_639_1":72,"english_name":282},"English",[],[285],{"name":286,"iso_3166_1":277},"United States of America",45,"A documentary story that tends to land well.",[]]