[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-485685-en-US":3},{"detail":4,"match":280,"insight":281,"providers":282,"providerLink":6,"trailer":6},{"adult":5,"backdrop_path":6,"belongs_to_collection":6,"budget":7,"genres":8,"homepage":12,"id":13,"imdb_id":6,"origin_country":14,"original_language":16,"original_title":17,"overview":18,"popularity":19,"poster_path":6,"production_companies":20,"production_countries":21,"release_date":28,"revenue":7,"runtime":29,"softcore":5,"spoken_languages":30,"status":31,"tagline":12,"title":17,"video":5,"vote_average":7,"vote_count":7,"credits":32,"similar":71,"watch\u002Fproviders":276,"videos":278},false,null,0,[9],{"id":10,"name":11},99,"Documentary","",485685,[15],"US","en","Our Inflammable Film Heritage","Introduction to an extensive training program for everyone professionally involved in the process of film conservation and film restoration. The realization of this training program was initiated and coordinated by ECIPAR (Bologna-Italy) and the Cineteca del Comune di Bologna. It was produced in co-operation with eleven European film archives and film laboratories and co-financed by the FILM project - FORCE program of the European Community.",0.1535,[],[22,25],{"iso_3166_1":23,"name":24},"IT","Italy",{"iso_3166_1":26,"name":27},"NL","Netherlands","1994-01-01",22,[],"Released",{"cast":33,"crew":42},[34],{"adult":5,"gender":7,"id":35,"known_for_department":36,"name":37,"original_name":37,"popularity":38,"profile_path":6,"cast_id":39,"character":40,"credit_id":41,"order":7},1919253,"Acting","Robin Blackler",0.0071,1,"Voice","5a01cdc5c3a36806f601e4fb",[43,50,57,65],{"adult":5,"gender":7,"id":44,"known_for_department":45,"name":46,"original_name":46,"popularity":47,"profile_path":6,"credit_id":48,"department":45,"job":49},1919252,"Directing","Mark-Paul Meyer",0.0286,"5a01cdac925141573a01fcbc","Director",{"adult":5,"gender":7,"id":51,"known_for_department":52,"name":53,"original_name":53,"popularity":54,"profile_path":6,"credit_id":55,"department":52,"job":56},1291822,"Editing","Barbara Hin",0.1288,"5a01cdfc925141572e01e8a7","Editor",{"adult":5,"gender":58,"id":59,"known_for_department":60,"name":61,"original_name":61,"popularity":62,"profile_path":6,"credit_id":63,"department":60,"job":64},2,1200724,"Camera","Stef Tijdink",0.0873,"5a01cde0c3a36807b301c78b","Camera Operator",{"adult":5,"gender":7,"id":66,"known_for_department":67,"name":68,"original_name":68,"popularity":7,"profile_path":6,"credit_id":69,"department":67,"job":70},1544822,"Sound","Fokke van Saane","5a01ce11925141571801f4bf","Sound Director",{"page":39,"results":72,"total_pages":274,"total_results":275},[73,84,98,107,119,126,137,147,158,168,179,186,197,207,216,225,237,245,254,264],{"adult":5,"backdrop_path":74,"genre_ids":75,"id":76,"title":77,"original_language":16,"original_title":77,"overview":78,"popularity":79,"poster_path":80,"release_date":81,"softcore":5,"video":82,"vote_average":83,"vote_count":39},"\u002Fz8ibcERcZdd9b6q1OHJQ0R5fI88.jpg",[10],435718,"Afro Promo","Co-curated by Jenni Olson and the late Black gay activist Karl Knapper, this entertaining showcase of vintage movie trailers traces the evolution of African American cinema through its most crucial period, 1952-1976. Filled with insights on race and social dynamics, this fascinating compendium of coming attractions explores an extensive range of stylistic approaches—Blaxploitation, Comedy, Music Bio, Plantation Drama and more—offering an outrageous joyride through motion picture history. Beyond mere camp, these marvelously condensed gems crystallize a range of African American identities and personalities, tracking the meteoric careers of Sidney Poitier, James Earl Jones, Billy Dee Williams, Richard Pryor, Pam Grier and others through their bold performances in movies both hugely popular and practically forgotten. Afro Promo provides a compact glimpse at the representation of African Americans through twenty-five dynamic years of American cinema history.",0.3898,"\u002Fe8ttG5nKtd4qgsjpAIUej22s2bE.jpg","1997-01-31",true,8,{"adult":5,"backdrop_path":85,"genre_ids":86,"id":88,"title":89,"original_language":90,"original_title":91,"overview":92,"popularity":93,"poster_path":94,"release_date":95,"softcore":5,"video":5,"vote_average":96,"vote_count":97},"\u002FwNxy6Fqvjh0FsIuk7cgqNNq5PhP.jpg",[87,10],36,774,"Workers Leaving the Lumière Factory","fr","La Sortie de l'usine Lumière à Lyon","Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years.  Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.",1.0374,"\u002FcT2sefAXgEoICJUCEM6UfxXfuDM.jpg","1895-03-22",6.69,368,{"adult":5,"backdrop_path":99,"genre_ids":100,"id":101,"title":102,"original_language":16,"original_title":102,"overview":103,"popularity":104,"poster_path":105,"release_date":106,"softcore":5,"video":5,"vote_average":39,"vote_count":39},"\u002FqFdqGdvvQGiOWOBwWW8H5SaEKEF.jpg",[10],985771,"Senses of Cinema","As notions of civil rights transformed across the world, so was the screen landscape reformed by the ascension of grassroots film movements seeking to challenge the mainstream. Some aspired to push form to its limit; others worked to destabilise what they saw as a homogenous industry, or to provoke questions around gender, sexuality, migration and race.",0.227,"\u002Fyq8aSv8CSiwEzxJyMdMZ6hDwgZN.jpg","2022-11-17",{"adult":5,"backdrop_path":108,"genre_ids":109,"id":111,"title":112,"original_language":16,"original_title":112,"overview":113,"popularity":114,"poster_path":115,"release_date":116,"softcore":5,"video":5,"vote_average":117,"vote_count":118},"\u002FdPO2T03Kon37GXxudIhwZOBVDmP.jpg",[110,10],10770,257624,"Chaplin Today: The Kid","This documentary is featured on the two-disc Chaplin Collection DVD for \"The Kid\" (1921), released in 2004.",0.1271,"\u002F8LFNhJVkL2cFoI97o5AlUptxEo0.jpg","2003-03-02",6,11,{"adult":5,"backdrop_path":6,"genre_ids":120,"id":121,"title":122,"original_language":16,"original_title":122,"overview":123,"popularity":124,"poster_path":6,"release_date":125,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1358727,"[sound of subtitles]","Deaf artist Seo Hye Lee gives new subtitles to a selection of archive films about pottery, ones which playfully examine the disparity between how people with different levels of hearing experience art.",0.1157,"2021-10-14",{"adult":5,"backdrop_path":127,"genre_ids":128,"id":129,"title":130,"original_language":16,"original_title":130,"overview":131,"popularity":132,"poster_path":133,"release_date":134,"softcore":5,"video":5,"vote_average":135,"vote_count":136},"\u002FoLv68WHi1e3Qgz2ykpKjSjnkvGJ.jpg",[10],445669,"The Latino List","Documentary film interviews leading Latinos on race, identity, and achievement.",0.2479,"\u002Fohddw0sCiRSupRqoAK5dsPk5cKd.jpg","2011-09-29",7,3,{"adult":5,"backdrop_path":138,"genre_ids":139,"id":140,"title":141,"original_language":90,"original_title":141,"overview":142,"popularity":143,"poster_path":144,"release_date":145,"softcore":5,"video":5,"vote_average":146,"vote_count":39},"\u002FA2OBGjOot2y7dsRHzlHOrM2Cx7c.jpg",[10],619550,"Marilyn vs Marilyn","“Marilyn vs. Marilyn” tells the story of a little-known period of Marilyn’s life – the years she spent in New York, trying to became a ‘serious”’ actress, taking lessons with Lee Strasberg and setting up a production company with her photographer and trusted friend, Milton Green.  Based on hitherto unpublished – and magical - photos from the Greene archives, the film focuses on the photographic image of a woman who remains one of the greatest legends in the history of cinema… and an enduring enigma.",0.221,"\u002FA8QDwhZDdL8RvqGj2EroS2mMyzw.jpg","2002-08-01",10,{"adult":5,"backdrop_path":148,"genre_ids":149,"id":150,"title":151,"original_language":16,"original_title":151,"overview":152,"popularity":153,"poster_path":154,"release_date":155,"softcore":5,"video":5,"vote_average":156,"vote_count":157},"\u002F5IoSxJRrpQUgIXLTev6MET3R5fd.jpg",[10],14277,"Loose Change","2nd Edition of Loose Change documentary. What if...September 11th was not a surprise attack on America, but rather, a cold and calculated genocide by our own government?We were told that the twin towers were hit by commercial jetliners and subsequently brought down by jet fuel. We were told that the Pentagon was hit by a Boeing 757. We were told that flight 93 crashed in Shanksville, Pennsylvania. We were told that nineteen Arabs from halfway across the globe, acting under orders from Osama Bin Laden, were responsible. What you will see here will prove without a shadow of a doubt that everything you know about 9\u002F11 is a complete fabrication. Conspiracy theory? It's not a theory if you can prove it.Written and narrated by Dylan Avery, this film presents a rebuttal to the official version of the September 11, 2001 terrorist attacks and the 9\u002F11 Commission Report.",0.2313,"\u002FqrXbySlCrL5ODrLckuOBBabh2AA.jpg","2005-12-11",6.8,55,{"adult":5,"backdrop_path":159,"genre_ids":160,"id":161,"title":162,"original_language":163,"original_title":162,"overview":164,"popularity":165,"poster_path":6,"release_date":166,"softcore":5,"video":5,"vote_average":167,"vote_count":136},"\u002Fz0Yx9vzKOZxp8l3h0Kydm1HegAD.jpg",[10],10902,"Auge in Auge - Eine deutsche Filmgeschichte","de","This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.",0.3947,"2008-07-03",6.3,{"adult":5,"backdrop_path":169,"genre_ids":170,"id":171,"title":172,"original_language":16,"original_title":172,"overview":173,"popularity":174,"poster_path":175,"release_date":176,"softcore":5,"video":5,"vote_average":177,"vote_count":178},"\u002FjbdvzJvNu0swWURJp71Fxwd54Fm.jpg",[10],15302,"The Pixar Story","A look at the first years of Pixar Animation Studios - from the success of \"Toy Story\" and Pixar's promotion of talented people, to the building of its East Bay campus, the company's relationship with Disney, and its remarkable initial string of eight hits. The contributions of John Lasseter, Ed Catmull and Steve Jobs are profiled. The decline of two-dimensional animation is chronicled as three-dimensional animation rises. Hard work and creativity seem to share the screen in equal proportions.",1.5107,"\u002FvhK51wJybwZTRCPVUOkGpSI4auN.jpg","2007-08-28",7.561,245,{"adult":5,"backdrop_path":6,"genre_ids":180,"id":181,"title":182,"original_language":16,"original_title":182,"overview":183,"popularity":184,"poster_path":6,"release_date":185,"softcore":5,"video":5,"vote_average":135,"vote_count":136},[10],272062,"Salò: Fade to Black","A short documentary exploring the ongoing relevance and power of 'Salò o le 120 giornate di Sodoma'.",0.183,"2001-01-01",{"adult":5,"backdrop_path":187,"genre_ids":188,"id":189,"title":190,"original_language":16,"original_title":190,"overview":191,"popularity":192,"poster_path":193,"release_date":194,"softcore":5,"video":5,"vote_average":195,"vote_count":196},"\u002FvwT0XdVPH8KHeotGYqQ7oG9LJS9.jpg",[10],16463,"Roundhay Garden Scene","The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.",2.892,"\u002FqI9eTP3NpJlxTk3oMBvfz8Awwkw.jpg","1888-10-14",6.459,243,{"adult":5,"backdrop_path":6,"genre_ids":198,"id":199,"title":200,"original_language":90,"original_title":201,"overview":202,"popularity":203,"poster_path":204,"release_date":205,"softcore":5,"video":5,"vote_average":206,"vote_count":117},[10],260599,"Cotton Mill, Treadmill","On est au coton","Director Denys Arcand made an inquiry on textile industry in Quebec, meeting employers and workers of that industry.",0.289,"\u002F2FLU9CM8aMlt4emrE0ePtPSbrg6.jpg","1970-10-13",6.5,{"adult":5,"backdrop_path":6,"genre_ids":208,"id":209,"title":210,"original_language":16,"original_title":210,"overview":211,"popularity":212,"poster_path":213,"release_date":214,"softcore":5,"video":5,"vote_average":156,"vote_count":215},[10],4297,"Monsieur Truffaut Meets Mr. Hitchcock","When Francois Truffaut approached Alfred Hitchcock in 1962 with the idea of having a long conversation with him about his work and publishing this in book form, he didn't imagine that more than four years would pass before Le Cinéma selon Hitchcock finally appeared in 1966. Not only in France but all over the world, Truffaut's Hitchcock interview developed over the years into a standard bible of film literature. In 1983, three years after Hitchcock's death, Truffaut decided to expand his by now legendary book to include a concluding chapter and have it published as the \"Edition définitive\". This film describes the genesis of the \"Hitchbook\" and throws light on the strange friendship between two completely different men. The centrepieces are the extracts from the original sound recordings of the interview with the voices of Alfred Hitchcock, Francois Truffaut, and Helen Scott – recordings which have never been heard in public before.",0.5199,"\u002Fy4vF1vFBicCSX4qw9m6eQ6sB0Bj.jpg","1999-08-05",5,{"adult":5,"backdrop_path":6,"genre_ids":217,"id":218,"title":219,"original_language":90,"original_title":219,"overview":220,"popularity":221,"poster_path":222,"release_date":223,"softcore":5,"video":5,"vote_average":224,"vote_count":58},[10],4033,"Vivement Truffaut","A tribute to the late, great French director Francois Truffaut, this documentary was undoubtedly named after his last movie, Vivement Dimanche!, released in 1983. Included in this overview of Truffaut's contribution to filmmaking are clips from 14 of his movies arranged according to the themes he favored. These include childhood, literature, the cinema itself, romance, marriage, and death.",0.3508,"\u002FaWYe58XwzNe45p1qRjEhGHbAbou.jpg","1985-07-12",7.5,{"adult":5,"backdrop_path":226,"genre_ids":227,"id":228,"title":229,"original_language":90,"original_title":230,"overview":231,"popularity":232,"poster_path":233,"release_date":234,"softcore":5,"video":5,"vote_average":235,"vote_count":236},"\u002FvivfCzWiGSnbrnPpuZnXrKKceVD.jpg",[10,110],451946,"Alain Delon, a unique portrait","Alain Delon, cet inconnu","Biography of a star and figure study : This fascinating portrait is for anyone who wants to know more about the man behind the mask. By the end of the film, you will view this famous French icon in a totally different light. Delon speaks in a series of surprising interviews, spanning nearly 50 years.",0.2708,"\u002FoI3aSATx7RW54L8WTeVSt8mOteA.jpg","2015-11-02",7.2,4,{"adult":5,"backdrop_path":6,"genre_ids":238,"id":239,"title":240,"original_language":16,"original_title":240,"overview":241,"popularity":242,"poster_path":243,"release_date":244,"softcore":5,"video":5,"vote_average":206,"vote_count":236},[10],264017,"30 Years of James Bond","An examination of why the James Bond films have proved so popular including a discussion between the four actors who have played Bond, an interview with Cubby Broccoli and contributions from the directors, production designers, special effects and stuntmen.",0.3966,"\u002FnNSkinqAnUdOlbHG8EG3fWloSsf.jpg","1992-10-03",{"adult":5,"backdrop_path":6,"genre_ids":246,"id":247,"title":248,"original_language":16,"original_title":248,"overview":249,"popularity":250,"poster_path":251,"release_date":252,"softcore":5,"video":5,"vote_average":253,"vote_count":136},[10],264022,"In Search of James Bond with Jonathan Ross","Jonathan Ross delves into the world of James Bond and meets with new and former cast members who reveal humorous stories and anecdotes in a series of interviews. All the 5 Bonds at the time are featured, though only Lazenby (reflecting in the usual frank, self criticizing manner), Moore and Brosnan granted an interview. Connery and Dalton are featured through some unused footage from LWT's 30 years of James Bond program. The ever faithful Desmond Llewelyn turns up in character as well as some other less related peeps like Christopher Lee, Paul McCartney and the ultimate playboy: Hugh Hefner -- who all give an interesting perspective on the worlds most famous spy.",0.4757,"\u002Fd416YCqX42GzWaX6uzRe8iCnGtd.jpg","1995-12-10",4.667,{"adult":5,"backdrop_path":255,"genre_ids":256,"id":257,"title":258,"original_language":16,"original_title":258,"overview":259,"popularity":260,"poster_path":261,"release_date":262,"softcore":5,"video":5,"vote_average":263,"vote_count":117},"\u002FgYg0j3zZYAD1SKEuJLhs5vhKaTV.jpg",[10,87],636474,"Going Attractions: The Definitive Story of the Movie Palace","Celebrating the splendor and grandeur of the great cinemas of the United States, built when movies were the acme of entertainment and the stories were larger than life, as were the venues designed to show them. The film also tracks the eventual decline of the palaces, through to today’s current preservation efforts. A tribute to America’s great art form and the great monuments created for audiences to enjoy them in.",0.2225,"\u002FfkBuSxWXc54u2Obhl064Qkuz0dS.jpg","2019-10-25",6.333,{"adult":5,"backdrop_path":265,"genre_ids":266,"id":267,"title":268,"original_language":16,"original_title":268,"overview":269,"popularity":270,"poster_path":271,"release_date":272,"softcore":5,"video":5,"vote_average":206,"vote_count":273},"\u002FjKBduDx6nv5EzTDMZqzgiLpTpOy.jpg",[10],25621,"Decasia: The State of Decay","A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.",0.1397,"\u002Ff8szza0KS8jJb2IlKZgeZ8vRsP9.jpg","2002-01-10",25,11479,229578,{"results":277},{},{"results":279},[],45,"A documentary story that tends to land well.",[]]