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As much as its conflicted terms strive for balance and fusion, it is Blood of Two’s greater resistance to these impulses, its failure to surrender unconditionally to them that ultimately counts, as a network of overlaps and crisscrosses.",[11,57,58],12,36,0.9722,"\u002FleZENEJdZGo5aS1Pp2bEW1WheA9.jpg","2009-01-01","en",{"id":64,"adult":6,"title":65,"video":6,"overview":66,"softcore":6,"genre_ids":67,"popularity":68,"vote_count":57,"poster_path":69,"release_date":70,"vote_average":71,"backdrop_path":72,"original_title":65,"original_language":62},85822,"Free Radicals: A History of Experimental Film","Experimental filmmaker Pip Chodorov traces the course of experimental film in America, taking the very personal point of view of someone who grew up as part of the experimental film community.",[11],1.4622,"\u002FhGxn1l1XMR9x81STsd4oX16yjOD.jpg","2011-07-24",6.8,"\u002FaajwuhVG5N99xIYWnuFad6NsMD5.jpg",{"id":74,"adult":6,"title":75,"video":6,"overview":76,"softcore":6,"genre_ids":77,"popularity":79,"vote_count":80,"poster_path":81,"release_date":82,"vote_average":80,"backdrop_path":32,"original_title":83,"original_language":84},341301,"The Last Dream of Anatoly Vasilievich","The film in a metaphorical form demonstrates a model of self-devouring in a closed spiritual system, it explores intermediate state between a human and a non-human: a subhuman deprived of a divine spark.",[78,11],878,0.6567,4,"\u002Fa5zFet9O589bMqBWplyjiMdX2ZJ.jpg","1990-05-22","Последний сон Анатолия Васильевича","ru",{"id":86,"adult":6,"title":87,"video":6,"overview":88,"softcore":6,"genre_ids":89,"popularity":90,"vote_count":8,"poster_path":32,"release_date":91,"vote_average":8,"backdrop_path":32,"original_title":87,"original_language":62},341852,"VHS Dream Sequence","A further endulgance into analog media",[11],0.4597,"2016-01-01",{"id":93,"adult":6,"title":94,"video":6,"overview":95,"softcore":6,"genre_ids":96,"popularity":97,"vote_count":8,"poster_path":32,"release_date":21,"vote_average":8,"backdrop_path":32,"original_title":94,"original_language":62},721657,"Tender Images","Fifteen imaginative stable images in black, sepia, and white light. 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The love affairs are historically rooted in the political and technological developments 20th century, and are narratively based in a complex sound\u002Fimage structure. Interludes (silent optically printed film passages narrated with inter-titles excerpted from her diaries, and early childhood memories) formalistically refer to early cinema. 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Made in 1972 in the filmmaker's apartment, without documentary footage of the war, metaphors are created through the animation of images and objects, and through guerrilla skits. By rejecting the authority of traditional documentary footage, the anarchist spirit of individual responsibility is established. This is history from one person's point of view, rather than a definitive proclamation.",[11],0.5834,"\u002FhOxsDtKUCIF3czlCDOBfUu1SAWD.jpg","1974-11-26",{"id":137,"adult":6,"title":138,"video":6,"overview":139,"softcore":6,"genre_ids":140,"popularity":141,"vote_count":8,"poster_path":142,"release_date":143,"vote_average":8,"backdrop_path":32,"original_title":138,"original_language":62},747836,"Dear Friend","This film was created as a gift for our loved ones while we were all in isolation.  The sole utility of the piece is to brighten up your day and to bring you back to the little pleasures of childhood.  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Men was a Russian Orthodox priest, theologian and writer, whose influence is felt among Christians, both in Russia and abroad. 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The artist and his family were some of the 250,000 people who inhabited the tiny island between 1978 and 1991; it was once one of the most densely populated places in the world. After the United Nations High Commissioner for Refugees shuttered the camp in 1991, Pulau Bidong became overgrown by jungle, filled with crumbling monuments and relics.  The film takes place in a dystopian future in which the last man on earth - having escaped forced repatriation to Vietnam - finds a United Nations scientists who has washed ashore after teh world’s last nuclear battle. By weaving together footage from Bidong’s past with a narrative set in its future, Nguyen questions the individual’s relationship to history, trauma, nationhood, and displacement.",1.3892,"\u002Fui3oe32cv9LybXFlN0ZqDBMhkDB.jpg","2017-03-17",[251],"US",{"results":253},{},[],[],[],45,"A documentary story that tends to land well.",[]]