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Internationally renowned soloists such as Edgardo Rocha (who embodies the Count of Almaviva), Riccardo Novaro (Bartolo), Lucia Cirillo (Rosina), Giorgio Caoduro (Figaro), Ugo Guagliardo (Basilio) and Alessandra Palomba (Berta) performed on stage.",[17],0.8123,"\u002FyVPgbpasdRop8AokMWikjZQHMD8.jpg","2018-09-03","\u002F4pBOQr7Ldc3Wzn0uTuINKXMmks2.jpg","it",{"id":178,"adult":6,"title":179,"video":6,"overview":180,"softcore":6,"genre_ids":181,"popularity":182,"vote_count":8,"poster_path":183,"release_date":184,"vote_average":8,"backdrop_path":185,"original_title":179,"original_language":176},829198,"Donizetti: Lucia di Lammermoor","Lucia di Lammermoor, dramma tragico in three acts by Gaetano Donizetti (1797 - 1848). Libretto by Salvadore Cammarano, after Walter Scott's 'The Bride of Lammermoor'. 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Filmed in Italy with major opera stars, and accompanied by English narration.",[17],0.7629,"1948-05-15",{"id":210,"adult":6,"title":211,"video":6,"overview":212,"softcore":6,"genre_ids":213,"popularity":214,"vote_count":39,"poster_path":215,"release_date":216,"vote_average":86,"backdrop_path":217,"original_title":211,"original_language":176},458972,"Manon Lescaut - Metropolitan Opera","Kristine Opolais is the young woman whose conflicting desires for love and luxury lead to her tragic end, and Roberto Alagna plays the man who falls for her in Puccini’s early hit. Richard Eyre’s elegant production, which sets the action in 1940s occupied France, was one of the highlights of the Met’s 2015–16 season. Massimo Cavalletti as Manon’s brother and Brindley Sherratt as her aging admirer co-star, and Principal Conductor Fabio Luisi is on the podium.",[17],3.0644,"\u002FqLaWOTorCBGbbcQNVN1hXs0HtxG.jpg","2016-03-05","\u002FoEuZu30WLE8km9eHvgqFa2NOODm.jpg",{"id":219,"adult":6,"title":220,"video":221,"overview":222,"softcore":6,"genre_ids":223,"popularity":224,"vote_count":8,"poster_path":225,"release_date":226,"vote_average":8,"backdrop_path":227,"original_title":220,"original_language":87},642145,"Benvenuto Cellini",true,"With his affinity for the 16th-century sculptor Benvenuto Cellini's advocacy of artistic and personal freedom, Hector Berlioz went straight for the grand gesture with his first completed opera. Returning to it years after initial production debacles, Berlioz stated that he would 'never again find such verve and Cellinian impetuosity, nor such a variety of ideas.' 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The principals are superb, especially the sisters. Bruscantini as Don Alfonso is past his prime, but he knows and understands the role inside out, so one does not even notice his vocal limitations. Araiza is in top form as Ferrando, and Morris makes virile Guglielmo. The only disappointment is Battle as Despina. Unlike her partners, she does not have feel for the Mozart ensemble, and her vocal mannerisms are totally unbecoming. How the producers allowed that to happen is a mystery. Muti's conducting is terrific, much better than on his La Scala video, where he is uninvolved.",[17],0.7298,"\u002Fo36KwQmJQPxjPuIU9hGNLoYhgiw.jpg","1983-01-01","\u002FqNYgpDghcKApYXWNtXkMcpjmQO.jpg",{"id":251,"adult":6,"title":252,"video":6,"overview":253,"softcore":6,"genre_ids":254,"popularity":255,"vote_count":8,"poster_path":256,"release_date":257,"vote_average":8,"backdrop_path":43,"original_title":258,"original_language":87},272186,"Handel: Admeto","Axel Kohler, the internationally renowned countertenor has brought Admeto into the modern era in timeless style by the skillful application of imaginative theatrical digressions. 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It unfolds from the perspective of an African-American male who feels circumstantially slighted by society, and because of that, takes the law into his own hands and goes on a rampage which erupts into a war in the process.",0.9681,"2018-12-21",[266],"US",{"results":268},{},[270],{"name":271,"iso_639_1":87,"english_name":271},"English",[273],{"id":274,"name":275,"logo_path":43,"origin_country":74},97928,"Link Egglepple Starbureiy",[277],{"name":278,"iso_3166_1":266},"United States of America",45,"A war story that tends to land well.",[]]