[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-495338-en-US":3},{"detail":4,"match":340,"insight":341,"providers":342,"providerLink":46,"trailer":46},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":109,"revenue":8,"runtime":110,"similar":111,"tagline":117,"homepage":117,"overview":324,"softcore":6,"popularity":325,"vote_count":43,"poster_path":326,"release_date":327,"vote_average":328,"backdrop_path":46,"origin_country":329,"original_title":7,"watch\u002Fproviders":331,"spoken_languages":333,"original_language":132,"production_companies":336,"production_countries":337,"belongs_to_collection":46},495338,false,"Underground Zero",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"id":5,"results":15},[],{"cast":17,"crew":18},[],[19,28,34,40,48,53,58,64,70,76,81,87,92,98,104],{"id":20,"job":21,"name":22,"adult":6,"gender":23,"credit_id":24,"department":25,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":25},1020635,"Director","Jay Rosenblatt",2,"5a4760c89251415794008f25","Directing",0.7897,"\u002FqNESyfOL9aeLLX0edjcGEfIP913.jpg",{"id":29,"job":21,"name":30,"adult":6,"gender":23,"credit_id":31,"department":25,"popularity":32,"profile_path":33,"original_name":30,"known_for_department":25},71660,"Caveh Zahedi","5a4760d2c3a368095e008d67",0.8673,"\u002FlT0XuaVmnAIx9JY30giirlKOTBn.jpg",{"id":35,"job":21,"name":36,"adult":6,"gender":23,"credit_id":37,"department":25,"popularity":38,"profile_path":39,"original_name":36,"known_for_department":25},1068115,"Frazer Bradshaw","5a4760dd0e0a2617150094f0",0.6016,"\u002F7ARBhtT1N8XaH4I95OZEZfva6Iz.jpg",{"id":41,"job":21,"name":42,"adult":6,"gender":43,"credit_id":44,"department":25,"popularity":45,"profile_path":46,"original_name":42,"known_for_department":47},103694,"Eva Ilona Brzeski",1,"5a4760e7c3a36809520098ed",0.4533,null,"Editing",{"id":49,"job":21,"name":50,"adult":6,"gender":8,"credit_id":51,"department":25,"popularity":52,"profile_path":46,"original_name":50,"known_for_department":25},1950320,"Norman Cowie","5a4760f20e0a2617150094fd",0.2836,{"id":54,"job":21,"name":55,"adult":6,"gender":8,"credit_id":56,"department":25,"popularity":57,"profile_path":46,"original_name":55,"known_for_department":47},1293037,"David Driver","5a4760fc0e0a26171b0098a7",0.581,{"id":59,"job":21,"name":60,"adult":6,"gender":23,"credit_id":61,"department":25,"popularity":62,"profile_path":46,"original_name":60,"known_for_department":63},1339342,"Robert Edwards","5a47610b925141579d008ce2",0.4724,"Writing",{"id":65,"job":21,"name":66,"adult":6,"gender":23,"credit_id":67,"department":25,"popularity":68,"profile_path":69,"original_name":66,"known_for_department":25},109402,"Rob Epstein","5a47611b925141579a0091a1",1.2583,"\u002F2Dt2pa7G45FOedK281eCplnLNOS.jpg",{"id":71,"job":21,"name":72,"adult":6,"gender":23,"credit_id":73,"department":25,"popularity":74,"profile_path":75,"original_name":72,"known_for_department":25},109403,"Jeffrey Friedman","5a4761390e0a26171e009862",0.8981,"\u002Fqv9iaUggDYIEZqDigUw2H2gWkdj.jpg",{"id":77,"job":21,"name":78,"adult":6,"gender":8,"credit_id":79,"department":25,"popularity":80,"profile_path":46,"original_name":78,"known_for_department":25},1202502,"John Haptas","5a476145925141578a008d3d",0.6513,{"id":82,"job":21,"name":83,"adult":6,"gender":8,"credit_id":84,"department":25,"popularity":85,"profile_path":86,"original_name":83,"known_for_department":63},1328180,"Paul Harrill","5a47614f92514157910095ca",0.4923,"\u002Fr4bZucGXZIhIAodeppoD7wazeHI.jpg",{"id":88,"job":21,"name":89,"adult":6,"gender":8,"credit_id":90,"department":25,"popularity":91,"profile_path":46,"original_name":89,"known_for_department":25},1950321,"Laura Plotkin","5a47615ac3a3680964008d24",0.3145,{"id":93,"job":21,"name":94,"adult":6,"gender":23,"credit_id":95,"department":25,"popularity":96,"profile_path":97,"original_name":94,"known_for_department":25},53708,"Ira Sachs","5a476165c3a368097c009783",1.4309,"\u002FxE8xFk677vCnpLBtuUTJleqMLWA.jpg",{"id":99,"job":21,"name":100,"adult":6,"gender":43,"credit_id":101,"department":25,"popularity":102,"profile_path":103,"original_name":100,"known_for_department":25},1202503,"Kristine Samuelson","5a47616f0e0a2617210094e5",0.603,"\u002F2maOexLFdsNBjdw7Pt14QQmqEVb.jpg",{"id":105,"job":21,"name":106,"adult":6,"gender":8,"credit_id":107,"department":25,"popularity":108,"profile_path":46,"original_name":106,"known_for_department":25},1638469,"Valerie Soe","5a476179c3a3680986009644",0.4478,"tt0324369",76,{"page":43,"results":112,"total_pages":322,"total_results":323},[113,124,133,143,152,164,176,187,196,209,221,229,242,253,262,275,285,296,304,312],{"id":114,"adult":6,"title":115,"video":116,"overview":117,"softcore":6,"genre_ids":118,"popularity":119,"vote_count":43,"poster_path":120,"release_date":121,"vote_average":122,"backdrop_path":46,"original_title":115,"original_language":123},451065,"Projektionen der Sehnsucht",true,"",[11],0.4939,"\u002FoZjR1pF6XbG4j7GDokMrBsNjXFv.jpg","1999-01-01",7,"de",{"id":125,"adult":6,"title":126,"video":6,"overview":127,"softcore":6,"genre_ids":128,"popularity":129,"vote_count":8,"poster_path":130,"release_date":131,"vote_average":8,"backdrop_path":46,"original_title":126,"original_language":132},463588,"In the Name of All Canadians","Hot Docs will commemorate Canada's 150th anniversary of Confederation with the commissioning of In the Name of All Canadians, a compilation of six short documentaries inspired by Canada’s Charter of Rights and Freedoms. From Indigenous rights to multiculturalism to the controversial ‘notwithstanding clause,’ participating filmmakers have each selected a specific aspect of the Charter to explore, looking at how it resonates in the stories of their fellow Canadians.",[11],1.0835,"\u002FA0FnobYsbfTOEm1DPgDR5j10ZXT.jpg","2017-06-30","en",{"id":134,"adult":6,"title":135,"video":6,"overview":136,"softcore":6,"genre_ids":137,"popularity":138,"vote_count":8,"poster_path":139,"release_date":140,"vote_average":8,"backdrop_path":46,"original_title":141,"original_language":142},1599049,"The Hundred Squares, the Blooming Equalities","The Hundred Squares: \"No more delays,\" the cry of citizens echoes from the lives of those barely holding out against discrimination and hatred. Struggling with diverse identities in their daily lives, citizens reflect on the meaning of \"discrimination\" through their own experiences and testimonies. They question and reflect on what is needed to eliminate it and speak out before the camera. The Blooming Equalities: discrimination law that has been on hold for 20 years. A lawyer, a researcher, a religious figure, a writer, and an activist stand in the square again after a year, and, in this time of rampant right-wing extremism and hate, they speak of an anti-discrimination law as \"the right answer to ending the insurrection, the last line of defense for human dignity, a current that can no longer be held back, a square that cannot at all harm families, churches, and the nation, and a place where the voices of the less fortunate can be heard.\"",[11],0.797,"\u002FljZuYVVwienT2VLtIXoAQsWzIql.jpg","2025-12-07","백개의 광장, 만개할 평등","ko",{"id":144,"adult":6,"title":145,"video":6,"overview":146,"softcore":6,"genre_ids":147,"popularity":148,"vote_count":8,"poster_path":149,"release_date":150,"vote_average":8,"backdrop_path":46,"original_title":151,"original_language":142},1599051,"Where We Become Us","Ep1. The Martyr and the Left: Under the Yoon Suk-yeol administration, construction workers were branded as “construction gangsters,” forced to endure a period of hardship. Ep2. Purple Ribbon: Wearing purple jackets and holding purple light sticks, the families of the victims of the October 29 Itaewon Disaster stand out on the street. Ep3. Dream, Breath: “I” keep waking up from dreams of being chased, a recurring cycle that haunts me day after day. Ep4. Breaking the Silence:  Chai-han, who once said their dream was to become a human-rights activist, gradually grows distant from that dream after entering university. Ep5. Dancing Volunteer: After the December 3 martial law was declared, Park Pyeong-hwa felt compelled to return to the square. Ep6. Beyound the Impeachment: We interviewed a diverse group of people who came to the square after the December 3 uprising.",[11],0.8848,"\u002F5EiurtqVFYMMeHjyNLIYEezw5O6.jpg","2025-12-03","우리는 광장에서",{"id":153,"adult":6,"title":154,"video":6,"overview":155,"softcore":6,"genre_ids":156,"popularity":158,"vote_count":43,"poster_path":159,"release_date":160,"vote_average":161,"backdrop_path":46,"original_title":162,"original_language":163},273438,"The Gulf War... What Next?","The second Gulf War from 1990 to 1991 represents in the collective Arab memory a turning point in regards to the Arab nationalism’s self-perception as well as a moment of deep historical and existential insecurity. Five Arab directors discuss the events from their personal perspective.",[157,11],18,0.6758,"\u002FufhebNN0T4tvtwlucArWGGrhOZu.jpg","1993-01-02",9,"حرب الخليج... وبعد","ar",{"id":165,"adult":6,"title":166,"video":6,"overview":167,"softcore":6,"genre_ids":168,"popularity":170,"vote_count":8,"poster_path":171,"release_date":172,"vote_average":8,"backdrop_path":173,"original_title":174,"original_language":175},657432,"My Freedom","30 years of freedom = 30 authors = 30 minutes of films. A unique project of Reflex magazine and Czech Television, which in honor of the 30th anniversary of the Velvet Revolution reflects many forms and understanding of freedom. Various personalities of the Czech cultural sphere have made their minute films.",[11,157,169],16,1.3813,"\u002Fz4A3O9zZsL9oksYV4ukkQeR8DUF.jpg","2019-11-15","\u002FcDXEXnDgBqUAWEWBXqSwRC6eVtw.jpg","Moje svoboda","cs",{"id":177,"adult":6,"title":178,"video":6,"overview":179,"softcore":6,"genre_ids":180,"popularity":181,"vote_count":122,"poster_path":182,"release_date":183,"vote_average":184,"backdrop_path":185,"original_title":178,"original_language":186},287929,"Cinétracts","A series of 43 documentary shorts, directed (without credit) by several famous French filmmakers and each running between two and four minutes. Each \"tract\" espouses a leftist political viewpoint through the filmed depiction of real-life events, including workers' strikes and the events of Paris in May '68.",[11],1.0062,"\u002FbkjlTQF8ptOiUGRGjdkcZZZjl6E.jpg","1968-05-31",7.9,"\u002F8WrGWteMq8JrRu5gcDJv7XwxlR4.jpg","fr",{"id":188,"adult":6,"title":189,"video":116,"overview":190,"softcore":6,"genre_ids":191,"popularity":193,"vote_count":8,"poster_path":194,"release_date":195,"vote_average":8,"backdrop_path":46,"original_title":189,"original_language":175},1209852,"Začátky filmových hvězd","Eva Holubová, Tomáš Hanák, David Vávra, Milan Šteindler, Martin Dejdar, Jitka Asterová  have all starred in early short films by Tomáš Vorl. Nobody knew them at the time. And they themselves had no idea that they would one day shine in the Czech film sky.",[192,11],35,0.6289,"\u002F3TUtsDHDeVBjWE7WlnE9K9PVMl6.jpg","2006-11-05",{"id":197,"adult":6,"title":198,"video":6,"overview":199,"softcore":6,"genre_ids":200,"popularity":202,"vote_count":203,"poster_path":204,"release_date":205,"vote_average":122,"backdrop_path":206,"original_title":207,"original_language":208},1038132,"Region of Heroes","Film reconstruction of five real stories about the heroic deeds of the residents of Kyiv region during the Russian occupation. A story about those who heroically and selflessly saved tens of thousands of Ukrainian lives.",[201,157,11],10752,1.6221,3,"\u002F44oRxp1NfbsL7hgx3KOEodHBwJY.jpg","2022-11-24","\u002F5VLT5np1iqEUVqUiPuSTeKUS1M5.jpg","Область героїв","uk",{"id":210,"adult":6,"title":211,"video":6,"overview":212,"softcore":6,"genre_ids":213,"popularity":215,"vote_count":216,"poster_path":217,"release_date":218,"vote_average":219,"backdrop_path":220,"original_title":211,"original_language":132},832189,"The Year of the Everlasting Storm","Featuring seven stories from seven auteurs from around the world, the film chronicles this unprecedented moment in time, and is a true love letter to the power of cinema and its storytellers.",[157,214,11],9648,2.3653,13,"\u002FlD4075iUBk23cr82Vn3gbQkxYF9.jpg","2021-09-03",6.4,"\u002Fw0CezlHlRZuWbcWNn703SnJaAwg.jpg",{"id":222,"adult":6,"title":223,"video":116,"overview":117,"softcore":6,"genre_ids":224,"popularity":225,"vote_count":8,"poster_path":226,"release_date":227,"vote_average":8,"backdrop_path":46,"original_title":223,"original_language":228},1236904,"Ottimismo democratico",[11],1.3435,"\u002F3PPAfGY3qQll3vLHZhWKVjaYZHy.jpg","2009-01-01","it",{"id":230,"adult":6,"title":231,"video":6,"overview":232,"softcore":6,"genre_ids":233,"popularity":236,"vote_count":122,"poster_path":237,"release_date":238,"vote_average":239,"backdrop_path":240,"original_title":241,"original_language":132},464910,"60 Seconds of Solitude in Year Zero","An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.",[157,192,11,169,234,235,214],27,53,2.4093,"\u002F9HcuU9JzCWTweaAL8KsCtTTWa4U.jpg","2011-12-22",4.2,"\u002FoqVGh3bliUZfDYsQRfgZDZkcKxC.jpg","60 Sekundit Üksindust Aastal Null",{"id":243,"adult":6,"title":244,"video":6,"overview":245,"softcore":6,"genre_ids":246,"popularity":247,"vote_count":8,"poster_path":248,"release_date":249,"vote_average":8,"backdrop_path":250,"original_title":251,"original_language":252},631516,"Slovakia 2.0","What is “Slovakia”? How to explain the notion of “Slovakia” of the past 20 years to an unknown stranger, a visitor from another planet? What is the genetic makeup or the software for “Slovakia”? How to use it? How does it change?  Slovakia 2.0 is a film about twenty years of independent Slovakia as seen from the perspective of ten film directors. It is composed of ten 10-minute films of different genres ranging from drama, through animation and documentaries, to experimental film. The ten recognised film directors who offer an answer to what is Slovakia include a wide range of generations, views and genres, namely Juraj Herz, Martin Šulík, Peter Kerekes, Zuzana Liová, Mišo Suchý, Ondrej Rudavský, Iveta Grófová, Peter Krištúfek, Viera Čákanyová, and Miro Jelok.",[157,11],0.6764,"\u002FcYW9TrczGeCHhyXJNzpe3167ywD.jpg","2014-04-10","\u002FnGSeERnONcKDc3aWVKgPaP8X00Z.jpg","Slovensko 2.0","sk",{"id":254,"adult":6,"title":255,"video":6,"overview":256,"softcore":6,"genre_ids":257,"popularity":258,"vote_count":8,"poster_path":259,"release_date":260,"vote_average":8,"backdrop_path":261,"original_title":255,"original_language":132},1034048,"Our Aotearoa","An animated documentary that speaks to immigrants' personal experiences living in Aotearoa, exploring themes of racism, discrimination, loss, loneliness, and maintaining cultural ties while living in another country.",[11,169],2.0379,"\u002FbdmGNsPK4bz0lKrfF8lZIiacuM7.jpg","2022-06-01","\u002F9qyBgYyrcpQPnTvQfRPqZGh95gI.jpg",{"id":263,"adult":6,"title":264,"video":6,"overview":265,"softcore":6,"genre_ids":266,"popularity":269,"vote_count":43,"poster_path":270,"release_date":271,"vote_average":272,"backdrop_path":273,"original_title":274,"original_language":142},1212102,"Songs of Love from Hawaii","Told in three unique stories, Songs of Love from Hawaii is a hybrid historical drama that uncovers the journeys of Hawaii's first Korean immigrants. From picture bride Lim Ok Soon to those isolated in Kalaupapa, their tales of love, sacrifice, and resilience come alive through stunning performances by world-class musicians and rare archival images against Hawaii's breathtaking landscapes.",[267,11,268,169,157],10402,36,0.9694,"\u002Fbxe3lP1NIYFmOaeg819sc6wh4K8.jpg","2024-10-30",5,"\u002FlNPfDzlx2m2ZlaEsfjYkUQEbZC.jpg","하와이 연가",{"id":276,"adult":6,"title":277,"video":6,"overview":278,"softcore":6,"genre_ids":279,"popularity":280,"vote_count":23,"poster_path":281,"release_date":282,"vote_average":283,"backdrop_path":284,"original_title":277,"original_language":186},478445,"Portraits: Première Série","\"These portraits are encounters I wanted to be kept from oblivion, even if it is only while you are watching them. They are women who work, who have children, and who, at the same time, keep their independence of mind. I shot 24 portraits of 13 minutes each. I have chosen this short running time for several reasons: not becoming a bother, escape tv adds cuts, shoot the movie quickly, in one pace and without too many scratches. I am not a documentaries maker. I am more like a faces, hands and things lover. To show reality is not my goal. “Reality” is just a word, just like its twin sister “fiction”, which I practice as well, but with a different delight.\" (Alain Cavalier)",[11],1.1148,"\u002FSOmxvQhU1L6gTlfduUmS5Ule4g.jpg","1988-01-01",8,"\u002FA3omb8fivUxuDAWzWscQSm7wn3H.jpg",{"id":286,"adult":6,"title":287,"video":6,"overview":288,"softcore":6,"genre_ids":289,"popularity":290,"vote_count":203,"poster_path":291,"release_date":292,"vote_average":293,"backdrop_path":46,"original_title":294,"original_language":295},652147,"Memories to Choke On, Drinks to Wash Them Down","This anthology film, whose Chinese title begins with a romantic name for human excrement, premiered internationally at Rotterdam and won Best Screenplay from the Hong Kong Film Critics Society. A variety of Hong Kong people wrestle with nostalgia when facing an uncertain future. Their stories give way to a documentary featuring a young barista turned political candidate.",[157,11,192],0.8285,"\u002FrJHMJctBa3R2AAslxoiBUJAmRcw.jpg","2019-11-09",7.7,"夜香・鴛鴦・深水埗","cn",{"id":297,"adult":6,"title":298,"video":6,"overview":299,"softcore":6,"genre_ids":300,"popularity":301,"vote_count":8,"poster_path":302,"release_date":303,"vote_average":8,"backdrop_path":46,"original_title":298,"original_language":132},1649804,"Story Drive: Voices Unveiled","Story Drive: Voices Unveiled is a hybrid-documentary that showcases real-life anonymous LGBTQIA+ voicemails and adapts them into a cinematic experience contrasting personal, raw, and at times emotional testimonies with otherworldly, whimsical, and experimental animation.",[169,11],1.1094,"\u002FkOxijkBdNa0WgfP3nnEmTv9tIJ0.jpg","2026-04-08",{"id":305,"adult":6,"title":306,"video":6,"overview":307,"softcore":6,"genre_ids":308,"popularity":309,"vote_count":8,"poster_path":46,"release_date":310,"vote_average":8,"backdrop_path":46,"original_title":311,"original_language":228},518914,"The Only Country In The World","Anthology short film with segments by nine directors against Silvio Berlusconi and its Forza Italia party — released ahead of the 1994 Italian general elections, which Berlusconi nevertheless won in a landslide. In Nanni Moretti's segment, he and Silvio Orlando reprise their roles from The Yes Man (1991).",[11],1.3199,"1994-12-31","L'unico paese al mondo",{"id":313,"adult":6,"title":314,"video":6,"overview":315,"softcore":6,"genre_ids":316,"popularity":317,"vote_count":8,"poster_path":318,"release_date":319,"vote_average":8,"backdrop_path":320,"original_title":321,"original_language":142},1268819,"Three Sides to Every Story","This documentary tells the story of people who were at the scene of the 2014 Sewol Ferry disaster: journalists, bereaved families of the victims, and the survivors. Ten years after the disaster, what did it leave them? These are three omnibus documentaries with different perspectives.",[11],1.2386,"\u002FuYGHZOMshqmOhe2fxiE9HbVUUcC.jpg","2024-03-27","\u002Ff8omDXXoY5X4l1TKcTWc8YekqtJ.jpg","세 가지 안부",1001,20001,"A collection of shorts made by various directors in response to 9\u002F11.",0.8219,"\u002FyqNklsmWVOTYcJ1Arz4mWxYVX1f.jpg","2002-03-15",10,[330],"US",{"results":332},{},[334],{"name":335,"iso_639_1":132,"english_name":335},"English",[],[338],{"name":339,"iso_3166_1":330},"United States of America",48,"A documentary story that tends to land well.",[]]