[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-500289-en-US":3},{"detail":4,"match":299,"insight":300,"providers":301,"providerLink":7,"trailer":7},{"adult":5,"backdrop_path":6,"belongs_to_collection":7,"budget":8,"genres":9,"homepage":16,"id":17,"imdb_id":18,"origin_country":19,"original_language":22,"original_title":23,"overview":24,"popularity":25,"poster_path":26,"production_companies":27,"production_countries":28,"release_date":31,"revenue":8,"runtime":32,"softcore":5,"spoken_languages":33,"status":36,"tagline":37,"title":23,"video":5,"vote_average":38,"vote_count":38,"credits":39,"similar":96,"watch\u002Fproviders":295,"videos":297},false,"\u002FrnSf3bKtr8upe8yi5m9uLO48pP0.jpg",null,0,[10,13],{"id":11,"name":12},18,"Drama",{"id":14,"name":15},99,"Documentary","https:\u002F\u002Ffortmason.org\u002Fevent\u002Fplaytime",500289,"tt6808782",[20,21],"US","GB","en","Playtime","Playtime’s cosmopolitan spectacle, presented in a kaleidoscopic montage across seven large screens, interconnects the lives of its archetypical characters—hedge fund managers and art world players in London; a photographer in Reykjavik; and a Filipina houseworker in Dubai—each of whom is based on a real-life individual directly affected by the market collapse.",1.5033,"\u002Fd9PhhVL4BHAQfp1H7pa3MsqyGAv.jpg",[],[29],{"iso_3166_1":21,"name":30},"United Kingdom","2013-11-07",67,[34],{"english_name":35,"iso_639_1":22,"name":35},"English","Released","",1,{"cast":40,"crew":73},[41,49,57,65],{"adult":5,"gender":38,"id":42,"known_for_department":43,"name":44,"original_name":44,"popularity":45,"profile_path":46,"cast_id":8,"character":47,"credit_id":48,"order":8},93255,"Acting","Mercedes Cabral",1.5128,"\u002F5qP4Zrd7iQwbfOPjun5QzvgeEg4.jpg","The House Worker","5a66319f9251415754000ff0",{"adult":5,"gender":38,"id":50,"known_for_department":43,"name":51,"original_name":52,"popularity":53,"profile_path":54,"cast_id":38,"character":55,"credit_id":56,"order":38},1338,"Maggie Cheung","張曼玉",5.3361,"\u002Fhre6xmoDbh67YN7wR5nhUazPTlb.jpg","The News Reporter","5a6631b50e0a26031b001115",{"adult":5,"gender":58,"id":59,"known_for_department":43,"name":60,"original_name":60,"popularity":61,"profile_path":62,"cast_id":58,"character":63,"credit_id":64,"order":58},2,17051,"James Franco",5.8184,"\u002FbjmAntHGiibLZixH8nTNVBzaFQn.jpg","The Art Dealer","5a6631c2c3a3685701000f44",{"adult":5,"gender":58,"id":66,"known_for_department":43,"name":67,"original_name":67,"popularity":68,"profile_path":69,"cast_id":70,"character":71,"credit_id":72,"order":70},55584,"Ingvar E. Sigurðsson",1.9494,"\u002Fm7pllSNc0HRorwZmT6flaR3LdRE.jpg",3,"The Artist","5a6631d7925141574b00105f",[74,81,89],{"adult":5,"gender":8,"id":75,"known_for_department":76,"name":77,"original_name":77,"popularity":78,"profile_path":7,"credit_id":79,"department":76,"job":80},111082,"Editing","Adam Finch",0.5609,"5a66328392514157480011fe","Editor",{"adult":5,"gender":58,"id":82,"known_for_department":83,"name":84,"original_name":84,"popularity":85,"profile_path":86,"credit_id":87,"department":83,"job":88},108464,"Directing","Isaac Julien",0.7273,"\u002F3I1Su7TgaUYy1tecYUHDqTrzR2F.jpg","5a66325a0e0a26031b0011d5","Director",{"adult":5,"gender":38,"id":90,"known_for_department":91,"name":92,"original_name":92,"popularity":93,"profile_path":7,"credit_id":94,"department":91,"job":95},2104864,"Production","Tina Pawlik",0.6639,"67b615873751180bfcdff8a6","Producer",{"page":38,"results":97,"total_pages":293,"total_results":294},[98,107,119,127,140,153,164,175,183,194,203,216,225,235,244,253,261,269,277,285],{"adult":5,"backdrop_path":7,"genre_ids":99,"id":100,"title":101,"original_language":102,"original_title":101,"overview":103,"popularity":104,"poster_path":105,"release_date":106,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[14],638517,"Carta al Interior de una botella","es","The meeting point between two comunication media: A letter written in 1929 -hidden inside the adobe walls of an old country house - and the shooting of the coutryside along the highway that connects two Chilean cities un 2018.",0.7931,"\u002Fzffcg5FTng2ZqUE7KScxlvLKVVZ.jpg","2019-10-09",{"adult":5,"backdrop_path":108,"genre_ids":109,"id":112,"title":113,"original_language":114,"original_title":113,"overview":115,"popularity":116,"poster_path":117,"release_date":118,"softcore":5,"video":5,"vote_average":8,"vote_count":8},"\u002FresQnCvm0PTJrqZctpPXJ8BG4nW.jpg",[110,111,14,11],878,35,456796,"PLEH","nl","An experimental journey through a year in the life of the director, using his always playing playlist to cross the boundaries of fiction and documentary. Through scenes of both comedy and tragedy, realistic documentary footage and experimental sequences of the director's environment and daily life we get a sometimes estranging image of a young man and also an intriguing insight in his mindset and how this translates to the imagery on screen.",1.6336,"\u002FhSnLywSyX5KJ1lCHR65XgeOjlUu.jpg","2017-10-22",{"adult":5,"backdrop_path":7,"genre_ids":120,"id":121,"title":122,"original_language":22,"original_title":122,"overview":123,"popularity":124,"poster_path":125,"release_date":126,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[14],456802,"The Nature of Language","A creative documentary about personal experiences of abuse and of selfhood, of colors and words within the context of our lives.",0.607,"\u002Fa9ahwoZVAouVnkIGlnpC6nDLhOS.jpg","2017-05-09",{"adult":5,"backdrop_path":128,"genre_ids":129,"id":130,"title":131,"original_language":132,"original_title":133,"overview":134,"popularity":135,"poster_path":136,"release_date":137,"softcore":5,"video":5,"vote_average":138,"vote_count":139},"\u002FmaYcSBG4ISZpl6bqUe2YdWGJm7C.jpg",[14],271945,"Letter in Motion to Gilles Jacob and Thierry Fremaux","fr","Khan Khanne, sélection naturelle","Rather than writing a simple letter to explain his absence from the press conference for his latest Cannes entry, \"Goodbye to Language,\" at the Cannes Film Festival, instead, legendary filmmaker Jean-Luc Godard created a video \"Letter in motion to (Cannes president) Gilles Jacob and (artistic director) Thierry Fremaux.\" The video intercuts from Godard speaking cryptically about his \"path\" to key scenes from Godard classics such as \"Alphaville\" and \"King Lear\" with Burgess Meredith and Molly Ringwald, and quotes poet Jacques Prevert and philosopher Hannah Arendt.",1.4333,"\u002F1PDRFTDucTrz66N7CT7SLbjQiFf.jpg","2014-05-21",6.9,7,{"adult":5,"backdrop_path":141,"genre_ids":142,"id":143,"title":144,"original_language":145,"original_title":146,"overview":147,"popularity":148,"poster_path":149,"release_date":150,"softcore":5,"video":5,"vote_average":151,"vote_count":152},"\u002FsqO0IIw9XVkQWZ3K2UaR8BNwLmk.jpg",[14],284254,"December Hide-and-Go-Seek","ja","１２月のかくれんぼ","\"Ryuta is 5 years old. Even though he is my son, I sometimes wonder what this small person is to me. Even though I see his joys and sadnesses and know the feel of his warmth on my skin when I hold him, there are moments when my feelings for him become vague and blank.\" - Takashi Ito",0.717,"\u002F5Vljlhq0TePsGVAaZkXJjryECeY.jpg","1993-07-29",5.6,5,{"adult":5,"backdrop_path":7,"genre_ids":154,"id":155,"title":156,"original_language":145,"original_title":157,"overview":158,"popularity":159,"poster_path":160,"release_date":161,"softcore":5,"video":5,"vote_average":162,"vote_count":163},[14],284256,"Apparatus M","ギ・装置Ｍ","A work produced for the Morimura Yasumasa Exhibition at the Yokohama Museum of Art, (April 6 to June, 1996). It was shown in an old-style theater constructed within the exhibit space that featured photographs of Morimura playing famous foreign and Japanese actresses.",0.4237,"\u002F5uotJFxSsrzNtAAly5nG79k8yWz.jpg","1996-07-29",4.3,6,{"adult":5,"backdrop_path":7,"genre_ids":165,"id":166,"title":167,"original_language":168,"original_title":169,"overview":170,"popularity":171,"poster_path":172,"release_date":173,"softcore":5,"video":5,"vote_average":174,"vote_count":139},[14],283867,"Drill","xx","ドリル","\"The filming of the entrance to the company dormitory in which the film-maker was living. Centering the film on one pillar, he warps the spaces to the left and right and creates an unstable space similar to painting that employs anamorphosis. Made as were SPACY and BOX with a large number of photographs, the film ends with a violent movement, but is poetic for this.\" - Takashi Nakajima",0.5597,"\u002FyDvwVlgVUjtqOmzXxmQBIqs7Suk.jpg","1983-07-26",5.9,{"adult":5,"backdrop_path":7,"genre_ids":176,"id":177,"title":178,"original_language":145,"original_title":179,"overview":180,"popularity":181,"poster_path":7,"release_date":182,"softcore":5,"video":5,"vote_average":152,"vote_count":152},[14],283870,"Photodiary","写真記","\"The majority of my 8-mm works were made for the three-minute \"Personal Focus\" film special put on in Fukuoka. This film is an animation of photographs I had taken on a regular basis as a sort of diary, and was made to have a rough feel to it.\" - Takashi Ito",0.4596,"1986-07-26",{"adult":5,"backdrop_path":184,"genre_ids":185,"id":187,"title":188,"original_language":145,"original_title":189,"overview":190,"popularity":191,"poster_path":192,"release_date":193,"softcore":5,"video":5,"vote_average":163,"vote_count":152},"\u002FfciAWXN46dDS13O3bhT1Oc0ZJUh.jpg",[186,14],16,283873,"Photodiary '87","写真記 '87","I turned my gaze to the various events in daily life and made this filmic diary in a manner as if confessing my feelings. Of course, since I was making the film, I wanted to depict these feelings and events with tricky techniques. I used various methods to shoot photographs of a relative's wedding, the landscape I see from window of my house, commemorative travel photographs and the like frame-by-frame.",0.4538,"\u002Fu2hlMybC4x5CWJnEeFo7AdRgOwr.jpg","1987-07-26",{"adult":5,"backdrop_path":7,"genre_ids":195,"id":197,"title":198,"original_language":22,"original_title":198,"overview":199,"popularity":200,"poster_path":7,"release_date":201,"softcore":5,"video":5,"vote_average":202,"vote_count":163},[11,196],27,283746,"Migrating Forms","A man and woman embark on a sexual journey to detach mind from body. The relationship slowly grows into one of emotional domination, physical disease, abandonment and the creation of personal pornography.",0.8882,"2000-03-03",6.7,{"adult":5,"backdrop_path":204,"genre_ids":205,"id":206,"title":207,"original_language":208,"original_title":209,"overview":210,"popularity":211,"poster_path":212,"release_date":213,"softcore":5,"video":5,"vote_average":214,"vote_count":215},"\u002FnQbEQuAXMN19WyXulb4Bu6rv6Ds.jpg",[11],283780,"Without a Word","sh","Bez reči","The main protagonist is a young fellow who tries to live his life within 30 frames. He's a person suitable for any atmosphere, which makes him different from the rest. He's like a plant that differs from others, an informer who wants to escape out from his skin. This man loves, hates, eats, drinks, lies ill, laughs, cries, kisses, plays... These are agonies of a contemporary man.",1.362,"\u002FktaFqk7HH4WiBVORofmqoEkLrhF.jpg","1972-01-01",6.5,4,{"adult":5,"backdrop_path":7,"genre_ids":217,"id":218,"title":219,"original_language":102,"original_title":220,"overview":221,"popularity":222,"poster_path":223,"release_date":224,"softcore":5,"video":5,"vote_average":152,"vote_count":215},[11],476650,"About Buenos Aires","A propósito de Buenos Aires","Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single \"story\": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each \"story\" had to be filled in by the audience.",1.0436,"\u002F9clPJss1NTR3zJsuKvBI3M1ybvR.jpg","2006-03-01",{"adult":5,"backdrop_path":226,"genre_ids":227,"id":229,"title":230,"original_language":22,"original_title":230,"overview":231,"popularity":232,"poster_path":233,"release_date":234,"softcore":5,"video":5,"vote_average":8,"vote_count":8},"\u002Fgc4DrHg4sTCIGFvvQA1wblzRlCr.jpg",[11,228,110],10402,476509,"The Astronaut","A short film recounting the travels of a lonely astronaut confronted by the unknown. Unfolding as a mystery, it becomes a carefully subtle, autobiographical examination of the feeling of loneliness and the existential issue of not understanding life on earth and ones place among it.",1.2045,"\u002F1tI4tcWI4RL59Dv1mDYkxentNza.jpg","2017-09-19",{"adult":5,"backdrop_path":7,"genre_ids":236,"id":237,"title":238,"original_language":208,"original_title":239,"overview":240,"popularity":241,"poster_path":242,"release_date":243,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[14],476836,"The Earth","Zemlja","Short experimental 16mm film.",1.1807,"\u002FpzAlHNWiaZWW1L1LwkWxrlTjD6H.jpg","1961-12-27",{"adult":5,"backdrop_path":245,"genre_ids":246,"id":247,"title":248,"original_language":208,"original_title":249,"overview":240,"popularity":250,"poster_path":251,"release_date":252,"softcore":5,"video":5,"vote_average":139,"vote_count":38},"\u002Fzqkk4Twykdp2ue332CRUnchmlPg.jpg",[14],476837,"Roundabout","Rondo",1.046,"\u002F2jaUG1kZ7nGCsRiO57cIw9TrF8B.jpg","1962-01-01",{"adult":5,"backdrop_path":254,"genre_ids":255,"id":256,"title":257,"original_language":208,"original_title":258,"overview":240,"popularity":259,"poster_path":260,"release_date":252,"softcore":5,"video":5,"vote_average":8,"vote_count":8},"\u002Fn59AdjyNhjczzkiZQe8J36hNB8.jpg",[14],476838,"Ahasverus","Ahasver",0.9868,"\u002FIwlh0CHEZmVCgbK3duEDN8tSOf.jpg",{"adult":5,"backdrop_path":7,"genre_ids":262,"id":263,"title":264,"original_language":22,"original_title":264,"overview":265,"popularity":266,"poster_path":267,"release_date":268,"softcore":5,"video":5,"vote_average":152,"vote_count":58},[14],476868,"The End of Time","An experimental film about that one hypnotic moment on a regular, unassuming Tuesday when one realizes that time has stopped and the universe has been sucked into a single smile.",0.8538,"\u002FsCEO4LZDbGWoNKoZyftDghMJLpR.jpg","2017-04-05",{"adult":5,"backdrop_path":270,"genre_ids":271,"id":272,"title":273,"original_language":132,"original_title":273,"overview":274,"popularity":275,"poster_path":7,"release_date":276,"softcore":5,"video":5,"vote_average":152,"vote_count":215},"\u002FiueWOcwJRZn2Bofjc3inSWm4iJ0.jpg",[11],458866,"Les hommes sans gravité","Alban lives in a castle that he has just inherited in a small village in Charente-Maritime. Inside, the dilapidation has long since taken hold. He meets Jérôme, a young gypsy from the neighbouring town, with whom he has a sexual relationship. In this space that is impossible to rebuild, a strange intimacy is gradually invented, barely disturbed by the interruption of a young woman who has come to spend a few days in this residence.",0.6039,"2008-01-01",{"adult":5,"backdrop_path":7,"genre_ids":278,"id":279,"title":280,"original_language":22,"original_title":280,"overview":281,"popularity":282,"poster_path":283,"release_date":284,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[14],459453,"Stratigraphies","Sytratigraphies is a hyper kinetic masterpiece of a travelogue offering glimpses of scenes shot in your native Columbia, New York, Toronto and beyond. A female fantastic (Alexandra Gelis) knitting on the fly (subways, bankomats, beaches) and making audio recordings provides a throughline of sorts, as queer marriages give way to videogame palm trees, warm gatherings of friends are interwoven with public noticings, workers mostly, street hawkers and construction zones of the self. These lyrical interludes (in this movie the in-between is at the heart of the matter) are punctuated by rescanned YouTube interviews with authors\u002Fphilosophers\u002Fscientists Jorge Luis Borges, Francisco Varela, Julio Cortazar, Beatriz Preciado and Gilles Deleuze. They muse briefly on creativity, exile, the biopolitics of the birth control pill, and the necessity of making mistakes in philosophy.",1.2224,"\u002FiJKWVyB8nV93wRTHJdjaZ57ZW2c.jpg","2015-01-19",{"adult":5,"backdrop_path":7,"genre_ids":286,"id":287,"title":288,"original_language":168,"original_title":288,"overview":289,"popularity":290,"poster_path":291,"release_date":292,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[14],459456,"VORTEX TEMPORUM","VORTEX TEMPORUM sinks into the temporality of an image, the one from an American university campus filmed by a webcam. These images from the University of Oregon were collected between August 2009 and June 2010.",1.1378,"\u002FoI5iFte3nTmozvi4jtp2rNvC9JI.jpg","2016-02-10",1001,20001,{"results":296},{},{"results":298},[],45,"A drama story that tends to land well.",[]]