[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-500619-en-US":3},{"detail":4,"match":270,"insight":271,"providers":272,"providerLink":6,"trailer":6},{"adult":5,"backdrop_path":6,"belongs_to_collection":6,"budget":7,"genres":8,"homepage":12,"id":13,"imdb_id":14,"origin_country":15,"original_language":17,"original_title":18,"overview":19,"popularity":20,"poster_path":21,"production_companies":22,"production_countries":26,"release_date":29,"revenue":7,"runtime":30,"softcore":5,"spoken_languages":31,"status":35,"tagline":12,"title":18,"video":5,"vote_average":36,"vote_count":37,"credits":38,"similar":69,"watch\u002Fproviders":266,"videos":268},false,null,0,[9],{"id":10,"name":11},99,"Documentary","",500619,"tt32179148",[16],"PT","pt","Paredes Pintadas da Revolução Portuguesa","Following the Revolution of April 25, 1974, the walls of the city of Lisbon became a means of celebrating and transmitting revolutionary ideals and slogans. The text by painter António Domingues praises this plastic work initiated by the Plastic Artists Cell of the Portuguese Communist Party.",0.3493,"\u002Ffbzi9sVi6NyyaF2NPQEuM2ciEp6.jpg",[23],{"id":24,"logo_path":6,"name":25,"origin_country":16},227081,"Célula de Cinema do Partido Comunista Português",[27],{"iso_3166_1":16,"name":28},"Portugal","1976-01-01",10,[32],{"english_name":33,"iso_639_1":17,"name":34},"Portuguese","Português","Released",7,1,{"cast":39,"crew":40},[],[41,51,59,66],{"adult":5,"gender":42,"id":43,"known_for_department":44,"name":45,"original_name":45,"popularity":46,"profile_path":47,"credit_id":48,"department":49,"job":50},2,1306723,"Directing","António Campos",0.1477,"\u002F3jeha8Do4Ztc8p2VjNOXjGnM8ND.jpg","6626f8fe2e2b2c01876920e2","Camera","Director of Photography",{"adult":5,"gender":7,"id":52,"known_for_department":53,"name":54,"original_name":54,"popularity":55,"profile_path":6,"credit_id":56,"department":57,"job":58},2355966,"Acting","Fernando Lopes Graça",0.0682,"6626f90ee894a6017d3cabe9","Sound","Music",{"adult":5,"gender":42,"id":60,"known_for_department":61,"name":62,"original_name":62,"popularity":63,"profile_path":6,"credit_id":64,"department":61,"job":65},4679266,"Writing","António Domingues",0.0971,"662d74b0c3aa3f012bfceaae","Writer",{"adult":5,"gender":42,"id":43,"known_for_department":44,"name":45,"original_name":45,"popularity":46,"profile_path":47,"credit_id":67,"department":44,"job":68},"5a68b0289251411bb800cacb","Director",{"page":37,"results":70,"total_pages":264,"total_results":265},[71,82,90,100,112,123,132,144,154,163,172,182,190,199,207,220,232,241,249,257],{"adult":5,"backdrop_path":6,"genre_ids":72,"id":74,"title":75,"original_language":76,"original_title":75,"overview":77,"popularity":78,"poster_path":6,"release_date":79,"softcore":5,"video":5,"vote_average":80,"vote_count":81},[73,10],12,277765,"Art as a Weapon","en","Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand\u002FBurma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward \"artificial democracy.\" Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.",0.1996,"2014-06-12",6,3,{"adult":5,"backdrop_path":6,"genre_ids":83,"id":84,"title":85,"original_language":76,"original_title":85,"overview":86,"popularity":87,"poster_path":88,"release_date":89,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1264676,"Liberty in a Soup","Every New Year, and in celebration of their Independence, Haitian families gather together to feast in honor of a line of ancestors that fought for their freedom. The centerpiece of the festivity is the joumou soup—a traditional soup dating back centuries ago. The joumou soup is a concretization of war and victory, oppression and emancipation, and the deeply rooted celebratory traditions of the Haitian culture.",0.2786,"\u002Ftk4HS7L0gCi8hY3JJfsup6yRVqo.jpg","2015-10-05",{"adult":5,"backdrop_path":91,"genre_ids":92,"id":93,"title":94,"original_language":95,"original_title":94,"overview":96,"popularity":97,"poster_path":98,"release_date":99,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002F22KVBDAq09GRPwxiihqHS14i8n.jpg",[10],671484,"Oriana Fallaci intervista Ayatollah Khomeini","it","Oriana Fallaci, the Italian journalist who is noted for her provocative interviews, interviews the leader of the Islamic Revolution, the Ayatollah Ruhollah Khomeini, on Sept 12, 1979. For 10 days Oriana Fallaci waited in the holy city of Qum for her interview with the 79 year old Ayatollah, who is the de facto ruler of Iran. On Sept. 12, she was led into the Faizeyah religious school, where Khomeini holds his audiences. She was accompanied by two Iranians Nyho and Iran prime minster Banisadr who had helped set up the interview and who served as translators. Oriana Fallaci, barefoot, enveloped in a chador, the head to toe veil of the Moslem woman, was seated on a carpet, when the Ayatollah entered, and the recorded interview could begin.",0.4099,"\u002F1auwRfUddY59pfQvjVJw5rOxqdB.jpg","1979-09-26",{"adult":5,"backdrop_path":101,"genre_ids":102,"id":103,"title":104,"original_language":17,"original_title":105,"overview":106,"popularity":107,"poster_path":108,"release_date":109,"softcore":5,"video":5,"vote_average":110,"vote_count":111},"\u002FrBWlwTWRbQaJcfjajDhjHSugu8A.jpg",[10],327210,"The Guns and the People","As Armas e o Povo","Film directors with hand-held cameras went to the streets of Lisbon from April 25 to May 1, 1974, registering interviews and political events of the Portuguese \"Carnation Revolution\", as that period would be later known.",0.5566,"\u002FvLEHvpkkwXR30KZ8YSel6otLKZ9.jpg","1977-11-01",7.3,9,{"adult":5,"backdrop_path":113,"genre_ids":114,"id":115,"title":116,"original_language":117,"original_title":118,"overview":119,"popularity":120,"poster_path":121,"release_date":122,"softcore":5,"video":5,"vote_average":30,"vote_count":37},"\u002FjyMrZszXTKQfrGahAiLjyuT5LIc.jpg",[10],1495043,"Algiers, the Mecca of Revolutionaries (1962-1974)","fr","Alger, la Mecque des Révolutionnaires (1962-1974)","From the early 1960s to the mid-1970s, independent Algeria provided significant support to anti-colonial movements and revolutionaries worldwide. Successive presidents, Ahmed Ben Bella and then Houari Boumédiène, made Algiers a haven for activists fighting against colonial and racial oppression. Algiers the White became Algiers the Red. The internationalist Che Guevara established his base of operations there for his guerrilla activities in Africa. The African-American leader Eldridge Cleaver made it the international headquarters of the Black Panther Party. During this period, Algiers was known as \"The Mecca of Revolutionaries.\"",0.6111,"\u002F9kDzd9s0fluZlE4dfN36tva4ZoV.jpg","2016-01-01",{"adult":5,"backdrop_path":124,"genre_ids":125,"id":126,"title":127,"original_language":128,"original_title":127,"overview":129,"popularity":130,"poster_path":131,"release_date":12,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002FpWE8YFGYAG4b6bLEwzwn7SX0WVv.jpg",[10],1476067,"The Democratic Revolutionary Handbook","ru","The recent democratic revolutions throughout Eastern Europe—Serbia in 2000, Georgia in 2003, and the Ukraine in 2004—all seemed to follow a quick and easy pattern: the exposure of rigged elections, followed by massive street protests, and a regime that collapsed without a fight. But THE DEMOCRATIC REVOLUTIONARY HANDBOOK reveals the lengthy and meticulous preparations behind these seemingly spontaneous demonstrations, showing how modern marketing techniques have combined with revolutionary politics to transform the region's governments.",0.4296,"\u002F7jYQiJck8dHaQoa00Sex4fjGtBM.jpg",{"adult":5,"backdrop_path":133,"genre_ids":134,"id":136,"title":137,"original_language":138,"original_title":139,"overview":140,"popularity":141,"poster_path":142,"release_date":143,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002FniM5GCCrgIOMP7eT2cf6gpTkfhY.jpg",[10,135],36,1086159,"A Bridge at the Edge of the World","tr","Devrimci Gençlik Köprüsü","Year 1969 - in Turkey. 60s youth were living the most excited days. There was a great effort to make a bridge in Istanbul, on the Bosphorus. Meanwhile, on the eastern border of Turkey, in a Kurdish city between the borders of Iran and Iraq that is left to its destiny, in Hakkari, Zap River was taking lives since there were no passage on it.",0.1328,"\u002FtZAsfasJPCF7J2cA9RgNhOFM5jk.jpg","2007-10-03",{"adult":5,"backdrop_path":145,"genre_ids":146,"id":148,"title":149,"original_language":76,"original_title":149,"overview":150,"popularity":151,"poster_path":152,"release_date":153,"softcore":5,"video":5,"vote_average":80,"vote_count":30},"\u002Fi6hMDtyfTqMyJaTL2kXipnF1rhD.jpg",[10,135,147],10402,50579,"The Singing Revolution","Most people don't think about singing when they think about revolutions. But song was the weapon of choice when, between 1986 and 1991, Estonians sought to free themselves from decades of Soviet occupation. During those years, hundreds of thousands gathered in public to sing forbidden patriotic songs and to rally for independence. \"The young people, without any political party, and without any politicians, just came together ... not only tens of thousands but hundreds of thousands ... to gather and to sing and to give this nation a new spirit,\" remarks Mart Laar, a Singing Revolution leader featured in the film and the first post-Soviet Prime Minister of Estonia. \"This was the idea of the Singing Revolution.\" James Tusty and Maureen Castle Tusty's \"The Singing Revolution\" tells the moving story of how the Estonian people peacefully regained their freedom--and helped topple an empire along the way.",0.4109,"\u002FqS3DK40XBP3WajlWLtGG2tOMvmi.jpg","2006-12-01",{"adult":5,"backdrop_path":155,"genre_ids":156,"id":157,"title":158,"original_language":95,"original_title":158,"overview":159,"popularity":160,"poster_path":161,"release_date":162,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002FoX67zLRjfrCpt41YiYjh9Hxm0Ds.jpg",[10],913677,"Do You Remember Revolution?","In Italy, in the mid-seventies, Adriana, Barbara, Nadia and Susanna were 20 years old when they decided to join the armed struggle and leave behind their social life and their families in order to make the revolution the center and the aim of their existence. Today they have returned after many years in prison, and they try, each one of them, to recount their own experiences. They speak about the political reasons which initially sustained them, the conflicts, the doubts, and the moments of being torn apart which market out their lives as women caught up in the vortex of war. A course of events which ended in the condemnation of the armed struggle and the pain of the lives that were destroyed – their victims’ lives and their own.",0.7273,"\u002FvoNc7YdslC0uB7EAmKk53Aubhas.jpg","1997-10-04",{"adult":5,"backdrop_path":164,"genre_ids":165,"id":166,"title":167,"original_language":117,"original_title":167,"overview":168,"popularity":169,"poster_path":170,"release_date":171,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002Fo5GtEGK3miiYtAuidXqAPbIc07P.jpg",[10],1101471,"Jeunesse Rouge: The Story of Young Communist Revolutionaries in France","\"Jeunesse Rouge\" is a documentary exploring young French Communist revolutionaries fighting for a just and equal society. The film follows their organizing and mobilizing, while delving into the history of the Communist movement in France. Archival footage and interviews with activists show their passionate commitment, from protests and strikes to political education. It highlights the power of youth activism and their potential to bring about change in the face of systemic inequality.",0.5824,"\u002FpobebT8q7jYwXesOPews6c1eNca.jpg","2023-03-17",{"adult":5,"backdrop_path":6,"genre_ids":173,"id":174,"title":175,"original_language":176,"original_title":177,"overview":178,"popularity":179,"poster_path":6,"release_date":180,"softcore":5,"video":5,"vote_average":181,"vote_count":42},[10],307674,"Stolen Kosovo","cs","Uloupené Kosovo","Stolen Kosovo is a Czech language documentary by director Václav Dvořák (b. 1948), about the Serbian–Albanian conflict in Kosovo. The documentary describes the situation, first in a short overview of the history of the area, followed by the 1990s conflicts and bombing of Serbia by NATO forces in 1999 and ending with the situation after the Kosovo War. The documentary focuses on the 1990s in the time of Slobodan Milošević's rule as well as on numerous interviews of Serbian civilians and, less, of Albanian insurgents against the Milošević regime.",0.2108,"2008-03-17",8.5,{"adult":5,"backdrop_path":6,"genre_ids":183,"id":184,"title":185,"original_language":76,"original_title":185,"overview":186,"popularity":187,"poster_path":188,"release_date":189,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],888016,"Padauk: Myanmar Spring","Padauk: Myanmar Spring takes the viewer to the streets of Myanmar during the heady days following the February 2021 military coup. Through Nant, a young, first-time protester, we meet three human rights activists whose lives have been turned upside down by the coup. As the protests continue, Nant comes to understand the truth of a brutal regime that has continued to wage war against its own people for decades. Against a foreboding backdrop, Nant’s political awakening regarding the plight of others in her ethnically diverse country gives hope for the future.  Beautifully augmented by poetry and art, Padauk: Myanmar Spring shows the resilience and determination of the people of Myanmar, and the sacrifices they've made.",0.3515,"\u002F44t0yy958tOl1t0sbQYNIZdTp7X.jpg","2021-10-22",{"adult":5,"backdrop_path":191,"genre_ids":192,"id":193,"title":194,"original_language":76,"original_title":194,"overview":195,"popularity":196,"poster_path":197,"release_date":198,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002Feu8Xu0x13PC5UhDOK8OOmtR2VJh.jpg",[10],1679087,"Thabyay: Creative Resistance in Myanmar","What happens when non-violent leaders are pushed to support armed struggle against a brutal regime in a forgotten war?  Thabyay: Creative Resistance in Myanmar follows four democracy revolutionaries who are finding creative means to fight against the military junta.  Some take up arms while struggling to stay true to their commitment to non-violence, while others engage in “artivism,” using music, poetry and art to bring about a peaceful, free, democratic and truly inclusive future for all people in Myanmar.",0.4281,"\u002FzfzqQnzYlXUDUsqG9aZtHjFOpNJ.jpg","2025-09-25",{"adult":5,"backdrop_path":200,"genre_ids":201,"id":202,"title":203,"original_language":204,"original_title":203,"overview":12,"popularity":205,"poster_path":206,"release_date":12,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002FylcVZf6I5qQyjBDCEr69dIVRAPN.jpg",[10],1287164,"La última muñeca","es",0.2645,"\u002Fxe3JdZjHbkzlMRkAgE4i9ebzrOw.jpg",{"adult":5,"backdrop_path":208,"genre_ids":209,"id":211,"title":212,"original_language":213,"original_title":214,"overview":215,"popularity":216,"poster_path":217,"release_date":218,"softcore":5,"video":5,"vote_average":219,"vote_count":42},"\u002FaSKVgibQuXWnd8FmMmOi34GoEmj.jpg",[10,135,210],10770,1275707,"Portugal: Carnations Against Dictatorship","de","Portugal – Mit Nelken gegen die Diktatur","In Portugal, during the night of April 24-25, 1974, a peaceful uprising put an end to the last government of the Estado Novo, the authoritarian regime established in 1933 by dictator António de Oliveira Salazar (1889-1970), paving the way for full democracy: a chronicle of the Carnation Revolution.",0.631,"\u002F83ni1GwXzvAqGhQcidTsPPaxBfD.jpg","2024-04-16",6.5,{"adult":5,"backdrop_path":221,"genre_ids":222,"id":223,"title":224,"original_language":117,"original_title":225,"overview":226,"popularity":227,"poster_path":228,"release_date":229,"softcore":5,"video":5,"vote_average":230,"vote_count":231},"\u002FspTsqIs74Oc9SCahgEBsPAiyybV.jpg",[10,135],887057,"1917: One Year, Two Revolutions","1917 : Il était une fois, la Révolution","In February 1917, Imperial Russia plunges into revolution. Nine months of unrest before a coup brought about an upheaval that changed the course of history and profoundly altered the future of civilisation.",0.7005,"\u002Fg0QgFZBLdKweZkkqII5qLj4QN6w.jpg","2017-10-22",7.6,5,{"adult":5,"backdrop_path":233,"genre_ids":234,"id":235,"title":236,"original_language":204,"original_title":236,"overview":237,"popularity":238,"poster_path":239,"release_date":240,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002F2iRs9b9C3jHn5IPGcb4pYzQ8Oa9.jpg",[10],696449,"Landfall","Hurricane María abated, the news crews packed up and left Puerto Rico, and the interest of the international community turned elsewhere. What happened next?",0.3544,"\u002FujQ5B3jNqzfB9D0LAOmr3i6z7XR.jpg","2020-04-15",{"adult":5,"backdrop_path":6,"genre_ids":242,"id":243,"title":244,"original_language":76,"original_title":244,"overview":245,"popularity":246,"poster_path":247,"release_date":248,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1089626,"Nicaragua Part 1: Voyages","Composed of stills by renowned Magnum photographer Susan Meiselas taken in 1978 and 1979 during the overthrow of the fifty-year dictatorship of the Somoza family. Written in the form of a letter from Meiselas to Karlin, it is a ruminative and often profound exploration of the ethics of witnessing, the responsibilities of war photography and the politics of the still image.",0.249,"\u002FyMHTrtCf8QpQ5756kEvmbryLYfj.jpg","1985-10-14",{"adult":5,"backdrop_path":6,"genre_ids":250,"id":251,"title":252,"original_language":76,"original_title":252,"overview":253,"popularity":254,"poster_path":255,"release_date":256,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1089632,"Nicaragua Part 2: The Making of a Nation","Shot in 1983–84 and focusing on the work of the Historical Institute, this film witnesses how Nicaraguans are recovering their history, the memory of Sandino’s struggle, to transform their sense of identity.",0.3267,"\u002FmkMJvThAFRhhvce9sugDIg3YgtR.jpg","1985-10-21",{"adult":5,"backdrop_path":6,"genre_ids":258,"id":259,"title":260,"original_language":76,"original_title":260,"overview":261,"popularity":187,"poster_path":262,"release_date":263,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1089634,"Nicaragua Part 3: In Their Time","Through the eyes of journalists and photographers working at Barricada, the official publication of the FSLN, the film observes the problems of putting socialism into practice, with reports on the war, the economy, the prison system and the political process leading up to the 1984 elections.","\u002F4CGBaAU7S8wFrRk9dM9tkHb95Nv.jpg","1985-10-28",1001,20001,{"results":267},{},{"results":269},[],45,"A documentary story that tends to land well.",[]]