[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-501831-en-US":3},{"detail":4,"match":284,"insight":285,"providers":286,"providerLink":27,"trailer":27},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":51,"revenue":8,"runtime":52,"similar":53,"tagline":183,"homepage":255,"overview":256,"softcore":6,"popularity":257,"vote_count":23,"poster_path":258,"release_date":259,"vote_average":119,"backdrop_path":260,"origin_country":261,"original_title":7,"watch\u002Fproviders":263,"spoken_languages":273,"original_language":66,"production_companies":276,"production_countries":281,"belongs_to_collection":27},501831,false,"Women Are Warriors",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":18},[],[19,28,32,36,43],{"id":20,"job":21,"name":22,"adult":6,"gender":23,"credit_id":24,"department":25,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":25},1969348,"Director","Jane Marsh",1,"5a7016b1c3a36847dd00ccb1","Directing",0.8167,null,{"id":20,"job":29,"name":22,"adult":6,"gender":23,"credit_id":30,"department":31,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":25},"Writer","685c18b52cbb852dbcafa747","Writing",{"id":20,"job":33,"name":22,"adult":6,"gender":23,"credit_id":34,"department":35,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":25},"Editor","685c18c0e6699cdfb50434d1","Editing",{"id":37,"job":38,"name":39,"adult":6,"gender":8,"credit_id":40,"department":41,"popularity":42,"profile_path":27,"original_name":39,"known_for_department":25},1490975,"Producer","Raymond Spottiswoode","685c18d2fa44b4b7e904354b","Production",0.5358,{"id":44,"job":45,"name":46,"adult":6,"gender":47,"credit_id":48,"department":41,"popularity":49,"profile_path":50,"original_name":46,"known_for_department":41},1287491,"Executive Producer","Stanley Hawes",2,"685c18e178e66b053a2ca9cf",0.3556,"\u002F1Eo0X3Pp7szHewOPWgCUPAjdKjN.jpg","tt0316901",17,{"page":23,"results":54,"total_pages":253,"total_results":254},[55,67,75,87,98,111,120,129,139,148,162,172,180,192,202,209,216,223,231,242],{"id":56,"adult":6,"title":57,"video":6,"overview":58,"softcore":6,"genre_ids":59,"popularity":60,"vote_count":61,"poster_path":62,"release_date":63,"vote_average":64,"backdrop_path":65,"original_title":57,"original_language":66},15302,"The Pixar Story","A look at the first years of Pixar Animation Studios - from the success of \"Toy Story\" and Pixar's promotion of talented people, to the building of its East Bay campus, the company's relationship with Disney, and its remarkable initial string of eight hits. The contributions of John Lasseter, Ed Catmull and Steve Jobs are profiled. The decline of two-dimensional animation is chronicled as three-dimensional animation rises. Hard work and creativity seem to share the screen in equal proportions.",[11],3.0433,246,"\u002FvhK51wJybwZTRCPVUOkGpSI4auN.jpg","2007-08-28",7.539,"\u002FjbdvzJvNu0swWURJp71Fxwd54Fm.jpg","en",{"id":68,"adult":6,"title":69,"video":6,"overview":70,"softcore":6,"genre_ids":71,"popularity":72,"vote_count":8,"poster_path":73,"release_date":74,"vote_average":8,"backdrop_path":27,"original_title":69,"original_language":66},273095,"In Free Fall","The space of the junkyard allows various ‘crash’ narratives to unfold, with the stories of actual crashes and the remnants and afterlife of these machines becoming metaphors for economic decline. This is an investigation of planes as they are parked during the economic downturn, stored and recycled, revealing unexpected connections between economy, violence and spectacle, finding perfect example in the form of the Boeing 4X-JYI, an aircraft first acquired by film director Howard Hughes for TWA, which was subsequently flown by the Israeli Airforce before finding its way to the Californian desert to be blown up for the Hollywood blockbuster Speed. Through intertwined narratives of people, planes and places Steyerl reveals cycles of capitalism incorporating and adapting to the changing status of the commodity, but also points at a horizon beyond this endless repetition.",[11],0.671,"\u002Fmd9Zkz1tciaU835bCUgrjseCgEN.jpg","2010-01-02",{"id":76,"adult":6,"title":77,"video":6,"overview":78,"softcore":6,"genre_ids":79,"popularity":80,"vote_count":23,"poster_path":81,"release_date":82,"vote_average":83,"backdrop_path":84,"original_title":85,"original_language":86},451933,"Greater Freedom Lesser Freedom","Two women fought with uncompromising conviction to change the world in the late 1960s - Inge Viett as a former member of the RAF in Germany, Maria Barhoum as former member of the FAU in Uruguay. In 1999, they met in Cuba, a country that seemed to mirror many of their questions, hopes and fears. The film looks at their real lives and different roads to exile; two utopian visions sought under very different conditions on separate continents. It is a double portrait of two extraordinary women that succeeds in avoiding the twin pitfalls of condemnation and glorification.",[11],1.0978,"\u002F49zflgOXqFBBuL90jFsHiv78CIg.jpg","2000-10-26",10,"\u002Fk364Zgwqy3ma8bDhYfwnNFjlN5g.jpg","Grosse Freiheit - Kleine Freiheit","de",{"id":88,"adult":6,"title":89,"video":6,"overview":90,"softcore":6,"genre_ids":91,"popularity":94,"vote_count":47,"poster_path":95,"release_date":96,"vote_average":97,"backdrop_path":27,"original_title":89,"original_language":66},452362,"Prisoners of Propaganda","In 1943, the Imperial Japanese Secret Service made a film called Calling Australia! to show the \"exemplary conditions\" under which prisoners of war were kept, and to \"soften up\" the Australian public for the anticipated occupation of their country by Japanese forces. Prisoners of Propaganda tells why the film was made, and how it came to be forgotten.",[11,92,93],36,10752,0.8342,"\u002FzeUlHYs2Qwoj2YM9QkuGQbKHgtc.jpg","1987-12-01",7,{"id":99,"adult":6,"title":100,"video":6,"overview":101,"softcore":6,"genre_ids":102,"popularity":103,"vote_count":104,"poster_path":105,"release_date":106,"vote_average":107,"backdrop_path":108,"original_title":109,"original_language":110},632919,"1944: Should We Bomb Auschwitz?","In 1944, two prisoners miraculously escaped from Auschwitz. They told the world of the horror of the Holocaust and raised one of the greatest moral questions of the 20th century.",[11,93,92],0.7005,5,"\u002F6H7nOw4ISYE4oSJnLyQDHtp55aa.jpg","2019-09-19",7.5,"\u002FuaVUJaTY8Gjp4pyxGGwi8IszPC2.jpg","Bombe su Auschwitz?","it",{"id":112,"adult":6,"title":113,"video":6,"overview":114,"softcore":6,"genre_ids":115,"popularity":116,"vote_count":23,"poster_path":117,"release_date":118,"vote_average":119,"backdrop_path":27,"original_title":113,"original_language":66},273444,"Britain's Greatest Pilot: The Extraordinary Story of Captain Winkle Brown","Captain Eric 'Winkle' Brown recounts his flying experiences, encounters with the Nazis and other adventures leading up to and during the Second World War. Illustrated with archive footage and Captain Brown's own photos.",[11],0.8496,"\u002F13KnVBwod33nGV8Jz3VKETXxMKn.jpg","2014-06-01",9,{"id":121,"adult":6,"title":122,"video":6,"overview":123,"softcore":6,"genre_ids":124,"popularity":125,"vote_count":126,"poster_path":27,"release_date":127,"vote_average":128,"backdrop_path":27,"original_title":122,"original_language":66},273459,"Safeguarding Military Information","World War II propaganda short which focuses on the dangers of inadvertent dispersal of military information.",[11],1.202,4,"1942-01-16",6,{"id":130,"adult":6,"title":131,"video":6,"overview":132,"softcore":6,"genre_ids":133,"popularity":134,"vote_count":97,"poster_path":135,"release_date":136,"vote_average":137,"backdrop_path":138,"original_title":131,"original_language":66},452230,"Sea Sorrow","A very personal and dynamic meditation on the current global refugee crisis through the eyes and voices of campaigners, specially children, where past and present establish a dialogue. A reflection on the importance of human rights.",[11],0.9927,"\u002FdB7pTdBe4EnOQWFjEzxf5mx89Vi.jpg","2017-11-08",5.3,"\u002F6TMCHxjXVpkRChiqWJqILI5vsmp.jpg",{"id":140,"adult":6,"title":141,"video":6,"overview":142,"softcore":6,"genre_ids":143,"popularity":144,"vote_count":23,"poster_path":145,"release_date":146,"vote_average":97,"backdrop_path":147,"original_title":141,"original_language":66},452240,"Churchill's Darkest Decision","The background to, events of and consequences of the Battle of Mers-El-Kebir on 3 July 1940. In that battle, Royal Navy ships fired on the French Fleet in order to prevent it from falling into German hands. A French battleship was sunk and several other ships damaged. 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Fifty years later, after the collapse of the Communist bloc, this newsreel was lost in the confusion of the fighting in Yugoslavia. In Journal No. 1 Hito Steyerl attempts to find out how the footage got lost and what was on this document from the Sutjeska studio. In the simultaneous projection of Journal No. 1 the ‘unattainability of an historical zero hour of the national identity’ takes concrete form: The lost newsreel reports on a literacy campaign as well as Muslim women confidently removing their headscarves. We listen however to eyewitnesses trying to recapture the lost content and we see the artist Arman Kulasic making a number of drawings that resemble the story-boards for the lost film. What appears to be moments of great change remain limited by subjective and uncertain memory.  The film was premiered at documenta 12.",[11],0.6206,"\u002FlMs4uVivvcmvICiJOkFC11DGtyZ.jpg","2007-06-01",{"id":181,"adult":6,"title":182,"video":6,"overview":183,"softcore":6,"genre_ids":184,"popularity":185,"vote_count":186,"poster_path":187,"release_date":188,"vote_average":189,"backdrop_path":190,"original_title":191,"original_language":110},632951,"Benito Mussolini: Anatomy of a Dictator","",[11,92,93],0.5647,13,"\u002Fw5aJiIRJpoUX4ZCssJYnvbIefiD.jpg","1962-01-20",6.423,"\u002FxRBk0mX84VGMa6hWY2otX8TJ7xO.jpg","Benito Mussolini, anatomia di un dittatore",{"id":193,"adult":6,"title":194,"video":6,"overview":195,"softcore":6,"genre_ids":196,"popularity":197,"vote_count":198,"poster_path":199,"release_date":200,"vote_average":201,"backdrop_path":27,"original_title":194,"original_language":66},16190,"Žižek!","ŽIŽEK! trails the thinker as he crisscrosses the globe, racing from New York City lecture halls, through the streets of Buenos Aires, and even stopping at home in Ljubljana, Slovenia. All the while Žižek obsessively reveals the invisible workings of ideology through his unique blend of Lacanian psychoanalysis, Marxism, and critique of pop culture.",[11],0.9992,37,"\u002FuInmp8gcdIZksJJMTPIGDOE5MIM.jpg","2005-11-18",6.811,{"id":203,"adult":6,"title":204,"video":6,"overview":205,"softcore":6,"genre_ids":206,"popularity":207,"vote_count":155,"poster_path":27,"release_date":208,"vote_average":104,"backdrop_path":27,"original_title":204,"original_language":66},452512,"Estados da Matéria","They thought life would be simple. All material problems would be overcome. Every morning it would be good to have breakfast together, the table laid. It would be the beginning of a long day at work.  The daily ritual of a house inhabited by a mother and the two-year-old daughter. The automatism of the gestures of material life and its suspension in small events.",[11],3.3285,"2005-01-01",{"id":210,"adult":6,"title":211,"video":6,"overview":212,"softcore":6,"genre_ids":213,"popularity":214,"vote_count":47,"poster_path":215,"release_date":208,"vote_average":126,"backdrop_path":27,"original_title":211,"original_language":66},452594,"Mohawk Girls","For three teenage girls growing up in Kahnawake — and indeed, all teenagers on the reserve — life can be quite confusing. If they want to move away to pursue new experiences — perhaps in nearby Montreal — they risk losing credibility, or worse yet, their rights as Mohawk women. Of course, if they stay, their opportunities in the tiny community are limited. With insight, humour and heart, director Tracey Deer (who left Kahnawake to attend school and pursue filmmaking) returns to her community to follow these Mohawk girls and tell their stories. Her deeply emotional documentary reveals the complex hope, heartache and promise of growing up Indigenous in the 21st century.",[11],1.037,"\u002FwvQTRja41NBAGDmlmLQId7mw7EJ.jpg",{"id":217,"adult":6,"title":218,"video":6,"overview":219,"softcore":6,"genre_ids":220,"popularity":221,"vote_count":8,"poster_path":27,"release_date":222,"vote_average":8,"backdrop_path":27,"original_title":218,"original_language":86},1391241,"Das Haus der Begierde","A documentary about retired art museum guards and their perception of life and art.",[11],0.6461,"1990-01-01",{"id":224,"adult":6,"title":225,"video":6,"overview":226,"softcore":6,"genre_ids":227,"popularity":228,"vote_count":155,"poster_path":27,"release_date":229,"vote_average":230,"backdrop_path":27,"original_title":225,"original_language":66},273781,"Chuck Close","Chuck Close, an astounding portrait of one of the world's leading contemporary painters, was one of two parting gifts (her second is a film on Louise Bourgeois) from Marion Cajori, a filmmaker who died recently, and before her time. With editing completed by filmmaker Ken Kobland, Chuck Close lives the life and work of a man who has reinvented portraiture. Close photographs his subjects, blows up the image to gigantic proportions, divides it into a detailed grid and then uses a complex set of colors and patterning to reconstruct each face.",[11],0.7711,"2007-01-01",5.7,{"id":232,"adult":6,"title":233,"video":6,"overview":234,"softcore":6,"genre_ids":235,"popularity":236,"vote_count":97,"poster_path":237,"release_date":238,"vote_average":239,"backdrop_path":240,"original_title":233,"original_language":241},16201,"Armbryterskan från Ensamheten","The tiny village in the far north of Sweden called Ensamheten (Solitude) has sixteen inhabitants. 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Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.",[153,11],0.402,"\u002FqSganVOBZRTxBMylm4ahR1JxVhW.jpg","1983-02-27",8.1,"\u002FrS4si2yd3olgcOPFhDSdZLYRMEJ.jpg","La Zerda ou les chants de l'oubli",12390,247799,"https:\u002F\u002Fwww.nfb.ca\u002Ffilm\u002Fwomen_are_warriors\u002F","Highlights the increasingly important roles women occupy on the various fronts of WW II. In England, their more active jobs include ferrying planes from factory to airfield and operating anti-aircraft guns. In Russia, they are fighting on the front lines as well as acting as parachute nurses, army doctors and technicians. In Canada women have joined active service auxiliaries, and thousands labour day and night in factories turning out the tools of war. From the Canada Carries On series.",1.1529,"\u002Fsco2byUuYZpILYOjT1W1IipfE4F.jpg","1942-07-15","\u002FlED0hBUZCyD7QlPZWg2RVUMXCWd.jpg",[262],"CA",{"results":264},{"CA":265},{"free":266,"link":272},[267],{"logo_path":268,"provider_id":269,"provider_name":270,"display_priority":271},"\u002FzwTo48JWc9FNCgJ1ADPAfkhYUuA.jpg",441,"NFB",49,"https:\u002F\u002Fwww.themoviedb.org\u002Fmovie\u002F501831-women-are-warriors\u002Fwatch?locale=CA",[274],{"name":275,"iso_639_1":66,"english_name":275},"English",[277],{"id":278,"name":279,"logo_path":280,"origin_country":262},10473,"ONF | NFB","\u002FlMUDQZVtg8On4PAW5XFQPaQy6UK.png",[282],{"name":283,"iso_3166_1":262},"Canada",45,"A documentary story that tends to land well.",[]]