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This time the setting is the court of \"Timur the Tartar\", who has just defeated the Turkish Sultan Bajazet at the battle of Angora. There are, naturally enough, romantic complications when both Tamerlano and his ally, the Greek Prince Andronico, fall in love with Bajazet's daughter Asteria. She, however, has plans to revenge her father's defeat.\r This production was directed by Jonathan Miller and staged in the intimate surroundings of the Goethe Theatre of Bad Lauchstadt as part of the 2001 Halle Handel Festival.",1.4716,"\u002F9V88IS1HOwOaLK6jl3lg1R1C0Or.jpg","2002-04-02",{"adult":5,"backdrop_path":7,"genre_ids":167,"id":168,"title":169,"original_language":170,"original_title":169,"overview":171,"popularity":172,"poster_path":7,"release_date":173,"softcore":5,"video":174,"vote_average":37,"vote_count":46},[11],280835,"Don Giovanni","it","Live performance from Cologne Opera. Conlon conducts a skittishly dynamic performance of Don Giovanni. He relies on Thomas Allen’s tough Don to give the work much of its dark menace and on Holle’s terrifying Commendatore to provide the moral outrage – his job is to keep things moving, and he does. The exteriors – blank city spaces reminiscent of the paintings of Giorgio De Chirico – and moodily claustrophobic interiors mirror effectively the anguish of the orphaned Anna and the abandoned Elvira; this is a performance in which the two women victims of the Don function effectively as correctives to his libertine charm. Andrea Rost as Zerlina brings real delicacy to her role, reminding us that “La ci darem la mano” is a duet about her flirtation with Don Giovanni and not just a famous stand-alone moment. This is an admirable presentation of a fine performance.",0.6472,"1991-01-01",true,{"adult":5,"backdrop_path":176,"genre_ids":177,"id":178,"title":179,"original_language":18,"original_title":179,"overview":180,"popularity":181,"poster_path":182,"release_date":183,"softcore":5,"video":5,"vote_average":102,"vote_count":46},"\u002F1r4EI2F8wz01McFA0nhHZgjCjMT.jpg",[11],1039247,"Mefistofele","1989 recording of the San Francisco Opera production of Mefistofele: Boito's retelling of Goethe's Faust",0.7309,"\u002F3oEr7WpfXk2h6cb58wvdpw8PuCi.jpg","1989-01-01",{"adult":5,"backdrop_path":7,"genre_ids":185,"id":186,"title":187,"original_language":170,"original_title":188,"overview":189,"popularity":190,"poster_path":191,"release_date":192,"softcore":5,"video":5,"vote_average":85,"vote_count":46},[11],280448,"Mozart: Così Fan Tutte (Zurich Opera House)","Mozart: Così Fan Tutte","A production of Mozart's opera recorded live at Zurich Opera House in 2000. Cecilia Bartoli leads an all-star cast including Roberto Saccà, Liliana Nikiteanu, and Agnes Baltsa. The conductor is Nikolaus Harnoncourt.  Filmed live at the Zurich Opera House in February 2000 on a set which visualises the subtitle \"The School for Lovers\", the plot revolves around two army officers arguing about the fidelity of their brides, then setting out to test their chastity. Despite the often playful humour, this is not only psychologically telling music-making, but reveals Mozart exploring the structure of opera, discarding convention to mix large ensemble sections with arias for as many different combinations of singers as possible. With Liliana Nikiteanu attractively contrasted with Bartoli, and thoroughly convincing performances by Roberto Sacca (Ferrando) and Oliver Widmer (Guilelmo), this Così has a freshness and flow which, coupled with the timeless romantic themes, feels very contemporary.",3.2728,"\u002FxTri2OieefujGWeVwyHPlCEGH1g.jpg","2000-07-05",{"adult":5,"backdrop_path":7,"genre_ids":194,"id":195,"title":196,"original_language":18,"original_title":196,"overview":197,"popularity":198,"poster_path":199,"release_date":200,"softcore":5,"video":5,"vote_average":85,"vote_count":46},[11],280544,"Bartoli in Italy","In the awe-inspiring Teatro Olimpico,Vicenza, Cecilia Bartoli, recognised as one of the best singers of our time, gives the most outstanding recital of work from a variety of composers such as Caccini, Schubert, Handel, Vivaldi, Bellini, Donizetti,Mozart, Rossini, Viardot and Bizet.",0.6369,"\u002FkYuMrq78hbVIWFlQgvKYi4z1zpd.jpg","1998-01-01",{"adult":5,"backdrop_path":202,"genre_ids":203,"id":204,"title":205,"original_language":170,"original_title":205,"overview":206,"popularity":207,"poster_path":208,"release_date":209,"softcore":5,"video":5,"vote_average":210,"vote_count":49},"\u002FmHPDqApFR4SuvZxIkkGsxhwYDtM.jpg",[11],280672,"Viva Vivaldi","Viva Vivaldi! is a concert by the Italian mezzo-soprano Cecilia Bartoli interspersing arias from the 20 surviving operas of Vivaldi with two concertos. Given with the early music ensemble Il Giardino Armonico before a very appreciative audience in the Théâtre des Champs-Élysées, the performance is part of Bartoli's exploration of the Venetian composer's opera music which also includes The Vivaldi Album. There is a startling dynamic energy, which contrasts powerfully with the more restrained interpretations by singers such as Emma Kirkby. Bartoli's natural Italian and the live atmosphere of Maria Grazia d'Alessio's oboe gives her interpretation of the quietly haunting and melodically rich \"Non ti Lusinghi la Crudeltade\" from Tito Manlio a particular piquancy. The Flautino Concerto is a most attractive interlude, while the more famous Lute\u002FViolin Concerto beguiles with its exquisite lyricism.",0.647,"\u002FmRnGXzcadKdsdLPWyxckO4SQNQx.jpg","2000-09-26",8.5,{"adult":5,"backdrop_path":7,"genre_ids":212,"id":213,"title":214,"original_language":18,"original_title":214,"overview":215,"popularity":216,"poster_path":217,"release_date":218,"softcore":5,"video":5,"vote_average":219,"vote_count":49},[11],280682,"Cecilia & Bryn at Glyndebourne","The celebrated mezzo-soprano Cecilia Bartoli joins Bryn Terfel for a recital of arias and duets recorded at Glyndebourne Opera House in 1999. The programme features favourite pieces from Mozart, Rossini and Donizetti, with the London Philharmonic Orchestra conducted by Myung-Whun Chung.",1.2838,"\u002FcLB7WyHiYmiNOdo6SVSkknTtai7.jpg","1999-04-24",9.5,{"adult":5,"backdrop_path":221,"genre_ids":222,"id":223,"title":224,"original_language":18,"original_title":224,"overview":225,"popularity":226,"poster_path":227,"release_date":228,"softcore":5,"video":5,"vote_average":85,"vote_count":46},"\u002Fao8tEseFkEurwbofD2WjWrfTiTv.jpg",[11],280686,"Alceste","John Eliot Gardiner conducts Gluck’s 1776 French version of “Alceste” at the Théâtre du Châtelet in Paris. Soprano Anne Sofie von Otter takes the title role of Alceste, Queen of Thessaly, who offers to die at the hands of the gods in place of her husband, Admète (Paul Groves), so that the people will not lose their king. Alceste is then saved from the underworld by Hercule (Dietrich Henschel).",1.3546,"\u002Fb7KvxpeKAHEhpWFQxSuNJF5wllk.jpg","1999-12-31",{"adult":5,"backdrop_path":7,"genre_ids":230,"id":231,"title":232,"original_language":170,"original_title":232,"overview":233,"popularity":234,"poster_path":235,"release_date":236,"softcore":5,"video":174,"vote_average":102,"vote_count":46},[11],280580,"Orfeo Ed Euridice","Performed live at the Royal Opera House, Covent Garden, Gluck's opera in three acts is conducted by Hartmut Haenchen. Performers include Jochen Kowalski, Gillian Webster and Jeremy Budd, alongside the Royal Opera Chorus and Orchestra. When Orpheus mourns for his late wife Eurydice, the god Cupid offers him the chance to descend into the underworld and lead her back to the land of the living, on the condition that he does not look at her face. He sets out on his journey, but his path to the Elysian Fields is blocked by the fierce Furies.",0.7737,"\u002FsegUdMpoQKdkSOdcL4vb5mRRiVT.jpg","1991-07-06",{"adult":5,"backdrop_path":238,"genre_ids":239,"id":240,"title":241,"original_language":18,"original_title":241,"overview":242,"popularity":243,"poster_path":244,"release_date":245,"softcore":5,"video":5,"vote_average":8,"vote_count":8},"\u002Fqf5iorh2I8XYhjJ47FrGkONPzqr.jpg",[11],648839,"Cosi Fan Tutte","There are elements of Eurotrash in this outdoor Aix-en-Provence summer opera production. Nevertheless, the splendid singing and acting transform the story, normally treated as farce, into something considerably more serious. As many other critics have noted, the young lovers have not yet sorted everything out as this performance ends. Act One begins with the principal characters running around in the outdoor theater -- while the audience takes it in as if they had been advised to sit back and enjoy the novelty. Very likely they were also asked to refrain from applauding at the end of arias and ensemble pieces, in which the three-hour opera abounds.",0.598,"\u002F6Qr8WeoiqZF0MmTO34k1RLSlRfB.jpg","2006-06-06",{"adult":5,"backdrop_path":247,"genre_ids":248,"id":249,"title":250,"original_language":170,"original_title":250,"overview":251,"popularity":252,"poster_path":253,"release_date":254,"softcore":5,"video":174,"vote_average":85,"vote_count":49},"\u002FzUmgFlb2qBaerwjQW5aU3R4qgw6.jpg",[11],465679,"Kaufmann's Otello at the Royal Opera House","On a June night in 2017, opera lovers thronged to the Royal Opera House in London to hear tenor Jonas Kaufmann, recently acclaimed by The Daily Telegraph as the world s greatest tenor, make his eagerly anticipated debut in the title role of Otello Verdi s greatest and most demanding role for tenor voice. As the New York Times wrote Mr. Kaufmann made his debut in the part, and he calmly, confidently sang it for the ages.",1.3792,"\u002Fns13ATUeC4X358molrfs9oSbHa2.jpg","2017-06-21",{"adult":5,"backdrop_path":256,"genre_ids":257,"id":259,"title":260,"original_language":18,"original_title":260,"overview":261,"popularity":262,"poster_path":263,"release_date":264,"softcore":5,"video":5,"vote_average":8,"vote_count":8},"\u002Fswx3HV5pp1JSuPLa9ZiMfVcjHV8.jpg",[258,11],99,1608697,"Benjamin Britten on Camera","BBC documentary exploring the dynamic relationship that developed between British composer Benjamin Britten and the BBC as they worked together to broadcast modern classical music further and wider. Through this collaboration, Britten's music reached television audiences, from elaborately staged studio operas to intimate duets featuring his partner Peter Pears to the massive Proms performance of his War Requiem. The programme features interviews with Britten's collaborators and singers as well as those working behind the scenes including Michael Crawford, David Attenborough, Humphrey Burton and soprano April Cantelo. James Naughtie narrates.",0.4118,"\u002F6lbVpRCYPaIGwcSnFtQoC1yM9fD.jpg","2013-11-16",{"adult":5,"backdrop_path":266,"genre_ids":267,"id":268,"title":269,"original_language":18,"original_title":269,"overview":270,"popularity":271,"poster_path":272,"release_date":273,"softcore":5,"video":174,"vote_average":274,"vote_count":49},"\u002FoBedkXKnZSeq4QuM7ngVm5E4ErY.jpg",[11],281318,"John Adams: Nixon in China","John Adams’s groundbreaking work vividly brings to life US President Nixon’s 1972 visit to the People’s Republic of China. Peter Sellars’s Metropolitan Opera production, based on his 1987 world-premiere staging, features choreography by Mark Morris and stars James Maddalena as Nixon, Robert Brubaker as Chairman Mao, Janis Kelly as First Lady Pat Nixon, Russell Braun as Chinese Premier Chou En-lai, and Kathleen Kim as Chiang Ch’ing, Mao’s wife. From the pomp of the public displays to the intimacy of the protagonists most private moments, Adams, Sellars and librettist Alice Goodman reveal the real characters behind the headlines in this landmark American opera.",1.1318,"\u002FlCBagXID5h75oxzZuvVBnNrq3H9.jpg","2011-02-12",7.5,{"adult":5,"backdrop_path":7,"genre_ids":276,"id":277,"title":278,"original_language":18,"original_title":279,"overview":280,"popularity":281,"poster_path":282,"release_date":283,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],648223,"The Bleeding Nun","La Nonne Sanglante","This Blu-ray is a splendid record of a creative production with terrific voices and direction, as good as the Met's videos any day. It also tends to be creepy and atmospheric, with music as good as anything Gounod wrote for his FAUST. Recommended to lovers of horror and opera!",0.4903,"\u002FewXcFegOF8XNB5viCYCdZAuyCdz.jpg","2019-09-04",{"adult":5,"backdrop_path":285,"genre_ids":286,"id":287,"title":288,"original_language":18,"original_title":288,"overview":289,"popularity":290,"poster_path":291,"release_date":292,"softcore":5,"video":5,"vote_average":37,"vote_count":46},"\u002Fm7bvPBFXegf8aNMHhr8tHyzhD6R.jpg",[11],647953,"Semele","Opera superstar Cecilia Bartoli offers her first operatic release on DVD in 12 years, and also her first opera in English. Bartoli stars as Semele (a role usually taken by a soprano) in Handel s late opera, which features such well-known arias as Endless pleasure, endless love, Myself I shall adore, and Oh sleep, why dost though leave me? Robert Carsen s stylish modern dress production hints at parallels with the problematic relationship between the late Princess Diana and the British Royal Family. Recorded live at the Zurich Opera House in January, 2007.",0.7819,"\u002FbZ8QLDL9snqjpzBtkzOIH94Auqx.jpg","2007-11-03",{"adult":5,"backdrop_path":7,"genre_ids":294,"id":295,"title":241,"original_language":170,"original_title":241,"overview":296,"popularity":297,"poster_path":298,"release_date":299,"softcore":5,"video":5,"vote_average":37,"vote_count":46},[11],280250,"Officers Ferrando and Guglielmo are certain that their lovers Dorabella and Fiordiligi are faithful to them, but the cynical Don Alfonso challenges them to a bet that the women will be unfaithful given the chance. The officers thus pretend to go off to war, and return in disguise as Albanian strangers, to woo Dorabella and Fiordiligi incognito. The ladies are initially frosty, but soon warm to their new suitors, spurred on by their maid Despina. Performed at the La Scala Theatre in Milan.",0.696,"\u002FiWZVOLjPfnsK70Sr2CsbSvqPzyh.jpg","1989-07-04",{"adult":5,"backdrop_path":7,"genre_ids":301,"id":302,"title":303,"original_language":18,"original_title":303,"overview":304,"popularity":305,"poster_path":306,"release_date":307,"softcore":5,"video":5,"vote_average":102,"vote_count":46},[11],648262,"Mose in Egitto","This thought-provoking, modern-day interpretation of Rossini's 'Mosè in Egitto' sets the scene for superior music-making at the prestigious Rossini Festival in Pesaro. For conductor Roberto Abbado, the transposition of the action to the present day releases the energy of Rossini's music. At his disposal is a cast of top-quality vocalists such as the “refined bel canto artist(Bresciaoggi) Sonia Ganassi as Elcia, and the “outstanding” Dmitry Korchak as the Pharaoh's son, two lovers fatefully drawn into the political turmoil and catastrophes of their time. Also among the protagonists are the “thoroughly brilliant” (DeutschlandRadio Kultur) baritone Alex Esposito as Faraone and, in his Rossini Festival debut, young, full-bodied bass Riccardo Zanellato as Moses. Conductor Roberto Abbado “inspired his musicians to deliver a spectacular performance” (Salzburger Nachrichten).",0.7747,"\u002FmUumjf4EcFoBM36dECjldl3waXg.jpg","2012-11-07",{"adult":5,"backdrop_path":309,"genre_ids":310,"id":311,"title":312,"original_language":170,"original_title":312,"overview":313,"popularity":314,"poster_path":315,"release_date":316,"softcore":5,"video":5,"vote_average":85,"vote_count":46},"\u002FaM3yb2fjPhuJW4qE4BF5Uuwo4nD.jpg",[11],648281,"Turandot - Teatro alla Scala","Visually this is a gripping production which captures the drama of this opera perfectly. It's downright exciting! and I found the singing, acting, and orchestral playing reasonably fine. I found only one major problem with it, a problem that kept Puccini for quite a few years. Turandot has been looking for an opportunity to kill Calif and Calif has singlemindedly tried to get Turandot to love and wed him focusing on her and ignoring a better looking girl who loves him truly. The problem is how to get the audience to applaud the match once Calif gets his wish. Puccini couldn't figure out how to do it. The traditional quick ending doesn't do it, and Berio's attempt is longer , tries its best, but ends up making it plain this is one wierd couple.",2.1899,"\u002F6NrVj6K28dIepN0ySmDrBGelC5V.jpg","2015-05-01",{"adult":5,"backdrop_path":7,"genre_ids":318,"id":319,"title":320,"original_language":18,"original_title":320,"overview":321,"popularity":322,"poster_path":323,"release_date":324,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],648109,"Meyerbeer: Les Huguenots","Joan Sutherland's farewell performance to the operatic stage offsets this story of the St. Bartholomew's Day massacre and the magnificence of 16th century France.",0.7508,"\u002FmpM4ODZb8YPUJ25rJys2tl2ud3S.jpg","1990-10-01",{"adult":5,"backdrop_path":7,"genre_ids":326,"id":327,"title":328,"original_language":18,"original_title":328,"overview":329,"popularity":330,"poster_path":331,"release_date":332,"softcore":5,"video":5,"vote_average":72,"vote_count":46},[11],647974,"Don Carlos","The production by Deutsche Oper Berlin achieves a beautiful balance between the stage drama and the music. 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