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The chamber opera by the German-Baltic composer Boris Blacher, written in 1943, condenses Shakespeare’s famous tragedy to its essence: the fate of Romeo and Juliet. Scenic miniatures conjure a foggy world hostile to love. 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Its story centers on a magnificent masked ball, given by a Russian prince, that brings together all the main characters in various disguises. 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An Index of Metals bears vigorous witness to this determination to go beyond: sizzling orchestration, electric and psychedelic; a voice which plays on effects, murmurs with reverb, cackles into a megaphone, screams like a pop star; and an electric guitar score of a kind that no ‘serious’ composer has ever written, sliding across an infinite range of tones with a lightness of touch and blurring of contours.",[14],0.4542,"\u002F4WWDb2kqz9ARIFeQHM2WgQVMYjp.jpg","2003-10-03",{"id":317,"adult":6,"title":318,"video":6,"overview":319,"softcore":6,"genre_ids":320,"popularity":321,"vote_count":55,"poster_path":322,"release_date":323,"vote_average":324,"backdrop_path":31,"original_title":318,"original_language":217},267757,"La Traviata","La traviata (Italian: [la traˈviaːta], \"The Fallen Woman\"[1][2]) is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias (1852), a play adapted from the novel by Alexandre Dumas, fils. The opera was originally entitled Violetta, after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice.  Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, \"c. 1700\". 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