[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-528766-en-US":3},{"detail":4,"match":275,"insight":276,"providers":277,"providerLink":26,"trailer":26},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":26,"revenue":23,"runtime":49,"similar":50,"tagline":253,"homepage":254,"overview":255,"softcore":6,"popularity":256,"vote_count":23,"poster_path":257,"release_date":258,"vote_average":23,"backdrop_path":26,"origin_country":259,"original_title":7,"watch\u002Fproviders":261,"spoken_languages":263,"original_language":266,"production_companies":268,"production_countries":272,"belongs_to_collection":26},528766,false,"Howl of a Gypsy Sunflower",5,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":18},[],[19,27,35,41,45],{"id":20,"job":21,"name":22,"adult":6,"gender":23,"credit_id":24,"department":25,"popularity":23,"profile_path":26,"original_name":22,"known_for_department":25},2059156,"Original Music Composer","Pishach",0,"5b18fa25c3a36848f600608a","Sound",null,{"id":28,"job":29,"name":30,"adult":6,"gender":23,"credit_id":31,"department":32,"popularity":33,"profile_path":34,"original_name":30,"known_for_department":32},1885197,"Editor","Sabbir Parvez Shohan","5b18f9db9251414bc6005c1a","Editing",0.0478,"\u002FmFXoBDPrnEYIrSO5oAHLkGIkDbR.jpg",{"id":36,"job":37,"name":38,"adult":6,"gender":23,"credit_id":39,"department":25,"popularity":40,"profile_path":26,"original_name":38,"known_for_department":25},2059159,"Music Director","Shohan Hossain","5b18fa6a0e0a261f8d0051f2",0.0143,{"id":28,"job":42,"name":30,"adult":6,"gender":23,"credit_id":43,"department":44,"popularity":33,"profile_path":34,"original_name":30,"known_for_department":32},"Cinematography","5b18f9cac3a368490b0046af","Crew",{"id":28,"job":46,"name":30,"adult":6,"gender":23,"credit_id":47,"department":48,"popularity":33,"profile_path":34,"original_name":30,"known_for_department":32},"Director","5b18f9b4c3a3684907005b96","Directing",7,{"page":51,"results":52,"total_pages":251,"total_results":252},1,[53,64,76,87,98,109,119,127,137,147,157,168,181,190,198,207,216,223,231,242],{"id":54,"adult":6,"title":55,"video":6,"overview":56,"softcore":6,"genre_ids":57,"popularity":59,"vote_count":51,"poster_path":60,"release_date":61,"vote_average":62,"backdrop_path":26,"original_title":55,"original_language":63},260938,"One 11 and 103","Avant-garde composer John Cage is famous for his experimental pieces and \"chance music\" but temporarily branched into video in 1992 with this art film about meaningless activity. The work is composed of two segments that are supposed to be played simultaneously: \"One 11\" contains the artistic statement, and \"103\" is a 17-part orchestral piece. Also included is a revealing documentary about Cage and director Henning Lohner.",[58,11],10402,0.1499,"\u002FaMjYRZ0LLaWfKo1eMsVDxPLjOk7.jpg","1992-01-01",10,"en",{"id":65,"adult":6,"title":66,"video":6,"overview":67,"softcore":6,"genre_ids":68,"popularity":70,"vote_count":71,"poster_path":72,"release_date":73,"vote_average":74,"backdrop_path":75,"original_title":66,"original_language":63},260941,"Todo Todo Teros","Basically an artist is also a terrorist, the protagonist thinks in an unguarded moment. And if he is a terrorist after all, then he might just as well be one. Not an instant product, but an experimental feature in which diary material is brought together to form an intriguing puzzle.",[11,69],18,0.1714,2,"\u002F2944KMtNBfHcHAlITB3Xs1oqoh8.jpg","2006-08-18",5.2,"\u002Fzsk77c7Qr3nbIZ3sfJbSZK7crP5.jpg",{"id":77,"adult":6,"title":78,"video":6,"overview":79,"softcore":6,"genre_ids":80,"popularity":82,"vote_count":83,"poster_path":84,"release_date":85,"vote_average":49,"backdrop_path":86,"original_title":78,"original_language":63},440917,"The Bomb","Filmmakers use archival footage and animation to explore the culture surrounding nuclear weapons, the fascination they inspire and the perverse appeal they still exert.",[11,81],16,0.1922,15,"\u002F42tKG16xOL6yB4S2Vzp8IzBgktv.jpg","2017-06-10","\u002Fvm40HXBMPQmTXTSnYV1r1mO9DQA.jpg",{"id":88,"adult":6,"title":89,"video":6,"overview":90,"softcore":6,"genre_ids":91,"popularity":92,"vote_count":23,"poster_path":93,"release_date":94,"vote_average":23,"backdrop_path":95,"original_title":96,"original_language":97},620697,"OLO, the Boy from Tibet","A 6-year-old Tibetan boy leaves his family and flees to a refugee camp in northern India.",[11],1.183,"\u002Foz4Y5VohINAx4F5dwD4x4GsKqmS.jpg","2012-06-30","\u002Fsw45SjvdwTP5GwjDvNXr2eHKePN.jpg","オロ","ja",{"id":99,"adult":6,"title":100,"video":6,"overview":101,"softcore":6,"genre_ids":102,"popularity":103,"vote_count":71,"poster_path":104,"release_date":105,"vote_average":106,"backdrop_path":26,"original_title":107,"original_language":108},260944,"Refrains Happen Like Revolutions in a Song","Sarah is a debt collector who lives among the inhabitants of the village of Guimbal on the island of Panay. She wants to find the young man who appeared to her in a dream and goes to the island of Negros. Here, as she interacts with the inhabitants, Sarah continues her search, gathering memories of life and war, dreams, myths, legends, songs and stories that she takes part in and at times revolve around her. She is the daughter of an ancient mermaid, a revolutionary, a primordial element, a virgin who was kidnapped and hidden away from the sunlight.  “The film is a retelling of fragments of the American occupation. Dialogue, shot in the Hiligaynon language, is not translated but used as a tonal guide and a tool for narration. Using unscripted scenes shot where the main character was asked to merely interact with the villagers, I discard dialogue and draw meaning from peoples’ faces, voices, and actions, weaving an entirely different story through the use of subtitles and inter-titles.”",[11,69],1.3314,"\u002F5unW8oLPEaGzyQXQzyo1rt7wDpd.jpg","2010-07-12",6.5,"Ang Ninanais","tl",{"id":110,"adult":6,"title":111,"video":6,"overview":112,"softcore":6,"genre_ids":113,"popularity":114,"vote_count":71,"poster_path":26,"release_date":115,"vote_average":116,"backdrop_path":26,"original_title":117,"original_language":118},438793,"Dreams of Ice","In 1992 the Universal Exhibition in Seville was held in Spain. Chile participated in this exhibition by displaying in its pavilion an ice floe captured and brought especially by sea from Antarctica. In these true facts is based the fantasy narrated in Dreams of Ice. Filmed between November 1991 and May 1992 on board the ships Galvarino, Aconcagua and Maullín, in a voyage that goes from Antarctica to Spain, in this documentary film in which dreams, myths and facts converge towards a poetic tale turned into a seafaring saga, in the manner of the legends of the seafarers that populate the mythology of the American continent and universal literature.",[11],2.2882,"1994-11-15",8,"Sueños de hielo","es",{"id":120,"adult":6,"title":121,"video":6,"overview":122,"softcore":6,"genre_ids":123,"popularity":124,"vote_count":23,"poster_path":125,"release_date":126,"vote_average":23,"backdrop_path":26,"original_title":121,"original_language":63},438909,"München, Raphaela","A film about a young woman's future plans in Munich, Germany. MUNCHEN, RAPHAELA (also known as RAPHAELA RING MUNCHEN) is part of Mike Plante's Lunchfilm series of commissioned shorts (made for the cost of a lunch between Plante and filmmaker Kevin Jerome Everson).",[11],2.6358,"\u002FpYvJLfzqrX7sERhT3IqxFNJNd3K.jpg","2006-02-01",{"id":128,"adult":6,"title":129,"video":6,"overview":130,"softcore":6,"genre_ids":131,"popularity":132,"vote_count":133,"poster_path":134,"release_date":135,"vote_average":136,"backdrop_path":26,"original_title":129,"original_language":63},260403,"New York Portrait, Chapter III","\"[Hutton’s] latest urban film, New York Portrait, Chapter III, takes on a unique tone in relation to Hutton’s ongoing exploration of rural landscape. The very fact that Hutton is dealing with older footage, with archives of memory more than immediacy, gives it a different texture than his earlier New York films. Hutton always found the presence of nature in the city, not only in his many shots of sky and vegetation, but also in the geometry and texture of the city itself, which seemed to project an independence from the human.\" (Tom Gunning)",[11],0.1442,3,"\u002Fo6LHFlah0QF6ZZRVO9dyTrhTBgl.jpg","1990-03-21",7.7,{"id":138,"adult":6,"title":139,"video":6,"overview":140,"softcore":6,"genre_ids":141,"popularity":142,"vote_count":23,"poster_path":143,"release_date":144,"vote_average":23,"backdrop_path":145,"original_title":139,"original_language":146},620306,"Artémis et la mort","During the Feria of Nîmes, a bullfight is filmed from the perspective of the animal, relegating the matador and public to off-screen spectators. A ritual at the frontiers of mysticism, carried by the sacrificial figure of the bull, revealer of our humanity.",[11],0.2097,"\u002FhzFQzUI4QuN12Zc909S57EPiM19.jpg","2017-10-08","\u002FsCbFj3iXRD3cOa7ujA0F7pJQFXc.jpg","fr",{"id":148,"adult":6,"title":149,"video":6,"overview":150,"softcore":6,"genre_ids":151,"popularity":152,"vote_count":71,"poster_path":153,"release_date":154,"vote_average":106,"backdrop_path":26,"original_title":155,"original_language":156},806477,"Color of Korea","It shows Korea’s traditional colors and culture through the use of superimposing. It is an experimental film, which not only tries to show Korean traditional culture through the use of color, but also tries to show the modern history of Korea.",[11],0.1853,"\u002Fs0e3tNZhpWhuwuNd5A14r2dGaQ9.jpg","1976-01-01","색동","ko",{"id":158,"adult":6,"title":159,"video":6,"overview":160,"softcore":6,"genre_ids":161,"popularity":162,"vote_count":71,"poster_path":163,"release_date":164,"vote_average":165,"backdrop_path":26,"original_title":166,"original_language":167},439707,"Private Chronicles: Monologue","The collective life of the generation born as Jurij Gagarin became the first man in space. Vitaly Mansky has woven together a fictional biography – taken from over 5.000 hours of film material, and 20.000 still pictures made for home use. A moving document of the fictional, but nonetheless true life of the generation who grew up in this time of huge change and upheaval.",[11],0.7816,"\u002F3et6Yqj4E97hmzQcEeVHcsZK5Sz.jpg","1999-01-01",9,"Частные хроники. Монолог","ru",{"id":169,"adult":6,"title":170,"video":6,"overview":171,"softcore":6,"genre_ids":172,"popularity":173,"vote_count":174,"poster_path":175,"release_date":176,"vote_average":177,"backdrop_path":178,"original_title":179,"original_language":180},222,"Berlin: Symphony of a Great City","A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.",[11],0.8942,128,"\u002F1APQoI9PKgZtg6PWZjIbr0U7GvZ.jpg","1927-09-23",7.523,"\u002FlVnUdJ7nqho86UievvSr1LpfU6k.jpg","Berlin, die Symphonie der Großstadt","de",{"id":182,"adult":6,"title":183,"video":6,"overview":184,"softcore":6,"genre_ids":185,"popularity":186,"vote_count":49,"poster_path":187,"release_date":188,"vote_average":189,"backdrop_path":26,"original_title":183,"original_language":63},259458,"New York Portrait, Chapter II","Chapter Two represents a continuation of daily observations from the environment of Manhattan compiled over a period from 1980-1981. This is the second part of an extended life's portrait of New York.",[11],0.1764,"\u002FemTOeOgYMkSJ2UZovoqo2T1nYtW.jpg","1981-01-01",7.1,{"id":191,"adult":6,"title":192,"video":6,"overview":193,"softcore":6,"genre_ids":194,"popularity":195,"vote_count":23,"poster_path":196,"release_date":197,"vote_average":23,"backdrop_path":26,"original_title":192,"original_language":146},1562273,"A Small Passage of Time","An experiment with three dimensions in a moment of clarity: the focus of the camera's lens towards the present, the speed of the train and the material world distorted by the movements of the train.",[11],0.2792,"\u002F9limKW5pitx2i20b617L0wfZDRy.jpg","2025-10-17",{"id":199,"adult":6,"title":200,"video":6,"overview":201,"softcore":6,"genre_ids":202,"popularity":203,"vote_count":204,"poster_path":205,"release_date":206,"vote_average":8,"backdrop_path":26,"original_title":200,"original_language":63},268367,"Heterodyne","“Geometric animation made entirely by sculptural methods: cutting, punching, welding colored leader. HETERODYNE is related to some of my other work as RNA to a protein or polypeptide. It was made in abject (if blissful) ignorance of Paul Sharits’ early work.” –Hollis Frampton",[11,81],1.0164,4,"\u002FvIv4hIO4pPpvxYMpxdBL2mt0EwY.jpg","1967-01-01",{"id":208,"adult":6,"title":209,"video":6,"overview":210,"softcore":6,"genre_ids":211,"popularity":212,"vote_count":23,"poster_path":213,"release_date":214,"vote_average":23,"backdrop_path":26,"original_title":209,"original_language":215},633565,"Magma (C)","Drops of fire that create a universe of magmatic asteroids. Liquid and gravitational reality. Cosmic energy. Atomized Rhythm.  Neurons of a liberated unconscious. Elimination of the idea of \"soul\" as \"everything\", reducing it to the condition of units of energy in perpetual process, elementary particles, without duration, that arise in perfect dependence. The \"I\" as a stream of units of force in ceaseless becoming that procures the illusion of an entity. Karmic chain. The idea that eternity resides in the transitory, the eternal belongs to it instantly. Eternity not as infinite duration but as absence of temporality. Universe of a mobile, procedural, relational and interactive nature of everything that exists. Here the \"object\" is conceived as something that is constituted, completed, lost and recovered with the vibrating rhythm of a universe in constant production.",[11],0.403,"\u002Ff1M5zE0YITMaS3RnHpM5A4uWiys.jpg","2014-08-12","gl",{"id":217,"adult":6,"title":218,"video":6,"overview":219,"softcore":6,"genre_ids":220,"popularity":221,"vote_count":51,"poster_path":222,"release_date":188,"vote_average":116,"backdrop_path":26,"original_title":218,"original_language":63},453164,"Tree of Knowledge","It started with filming the tree. Something was released in that manner of filming seemingly farthest removed from the procedure of the early films. I first thought a simple ordering of this rich material might be enough, something related to BARN RUSHES [...] But the film only came into its form-life with the idea of linking this deep-rooted and far-outreaching tree material with that film on paranoia that had fascinated me for many years. –L. G.",[11],0.1834,"\u002FcUg6CWBqFHwPeJ4PDLEDkRuFo0H.jpg",{"id":224,"adult":6,"title":225,"video":6,"overview":226,"softcore":6,"genre_ids":227,"popularity":228,"vote_count":23,"poster_path":229,"release_date":230,"vote_average":23,"backdrop_path":26,"original_title":225,"original_language":63},452886,"I Have No Memory of My Direction","Ostensibly searching for an emotional connection with her aging father, the woman contemplates her own inherited culture and familial touchstones. Her North American pop culture sensibility fuses with a distorted Japanese perspective to create a surreal interpretation of a “Japan of the imagination.” This fictional landscape is peppered with invented Japanese myths, ruminations on memory loss, the temporal space of digital photography and the ghosts of inherited imagination.",[11],0.1369,"\u002Fprqj4IqyW5VRvCWu3HO2QoKe0ia.jpg","2005-01-01",{"id":232,"adult":6,"title":233,"video":6,"overview":234,"softcore":6,"genre_ids":235,"popularity":236,"vote_count":49,"poster_path":237,"release_date":238,"vote_average":239,"backdrop_path":240,"original_title":241,"original_language":146},271945,"Letter in Motion to Gilles Jacob and Thierry Fremaux","Rather than writing a simple letter to explain his absence from the press conference for his latest Cannes entry, \"Goodbye to Language,\" at the Cannes Film Festival, instead, legendary filmmaker Jean-Luc Godard created a video \"Letter in motion to (Cannes president) Gilles Jacob and (artistic director) Thierry Fremaux.\" The video intercuts from Godard speaking cryptically about his \"path\" to key scenes from Godard classics such as \"Alphaville\" and \"King Lear\" with Burgess Meredith and Molly Ringwald, and quotes poet Jacques Prevert and philosopher Hannah Arendt.",[11],1.1029,"\u002F1PDRFTDucTrz66N7CT7SLbjQiFf.jpg","2014-05-21",6.9,"\u002FmaYcSBG4ISZpl6bqUe2YdWGJm7C.jpg","Khan Khanne, sélection naturelle",{"id":243,"adult":6,"title":244,"video":6,"overview":245,"softcore":6,"genre_ids":246,"popularity":247,"vote_count":23,"poster_path":248,"release_date":249,"vote_average":23,"backdrop_path":250,"original_title":244,"original_language":63},824057,"A Night of Soap Water","A watchman at an apartment complex in Assam, India, spends an ordinary evening. A surreal, expressionistic landscape unfolds.",[11],0.2757,"\u002FgF2rgudq0GREJ5KhplGvcWVhoUb.jpg","2021-02-24","\u002FyeR7uQP7q3ywShn6gXcq6t0JHPH.jpg",11760,235193,"CRY OF A PALINDROMIC WOMB","","A dark and visceral journey. A language that tears apart the morbid nature of the dead-old primal human eyes. No warning was given. No mercy was shown.",0.1974,"\u002FqPzqJHyz9d8KQWznRDuaUu4Yi72.jpg","2018-06-07",[260],"BD",{"results":262},{},[264],{"name":265,"iso_639_1":266,"english_name":267},"বাংলা","bn","Bengali",[269],{"id":270,"name":271,"logo_path":26,"origin_country":254},94711,"After Hours Film",[273],{"name":274,"iso_3166_1":260},"Bangladesh",45,"A documentary story that tends to land well.",[]]