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Making of the project carried out by the producer ALVOROÇO FILMES with the support of the MUNICIPAL MUNICIPAL DE ALVORADA and SMED.",[11],0.5964,"\u002F2H9nRzRvWtftWdfZbOsqVufwGhm.jpg","2009-05-01","pt",{"id":90,"adult":6,"title":91,"video":6,"overview":92,"softcore":6,"genre_ids":93,"popularity":94,"vote_count":8,"poster_path":27,"release_date":95,"vote_average":8,"backdrop_path":27,"original_title":91,"original_language":67},360401,"Consumers","Sammy is a 14 year old girl who makes YouTube videos. Robby just moved to New York City after college. Jerry is a single 34 year old network administrator living in the suburbs. 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Super 8, silent, non-narrative.",[11],0.8906,9,"\u002F6BoFaDjlp1oXaHHtkhVLt0cvhFa.jpg","1978-01-01",6.3,{"id":107,"adult":6,"title":108,"video":6,"overview":109,"softcore":6,"genre_ids":110,"popularity":111,"vote_count":112,"poster_path":113,"release_date":114,"vote_average":115,"backdrop_path":116,"original_title":108,"original_language":67},115022,"Film in Which There Appear Edge Lettering, Sprocket Holes, Dirt Particles, Etc.","Film in Which There Appear... is a six-minute loop of the double-printed image of a \"China girl\" or \"Shirley card\", her image off-center, making visible the sprocket holes and edge lettering on the film. According to Land, within the loop, \"no development in the dramatic or musical sense\" occurs. Fred Camper described Film in Which There Appear... as \"a kind of Duchampian found object, a [...] film that focuses attention on the medium and the viewer.\" There also exists a 20-minute \"widescreen version\" involving two prints of the film projected side-by-side, with the left print flipped horizontally so that the \"China girl\" forms an almost complete face in the center.",[11],0.633,25,"\u002FeP3CXdZrqggV9zx50jtINGelR2c.jpg","1966-11-11",4.5,"\u002Fc3GyWBJOrwCaVaTNJuWeLUoMjQE.jpg",{"id":118,"adult":6,"title":119,"video":6,"overview":120,"softcore":6,"genre_ids":121,"popularity":122,"vote_count":39,"poster_path":27,"release_date":123,"vote_average":124,"backdrop_path":27,"original_title":119,"original_language":125},734105,"Carnet de identidad","",[11],0.5796,"1970-05-12",7.5,"es",{"id":127,"adult":6,"title":128,"video":6,"overview":129,"softcore":6,"genre_ids":130,"popularity":132,"vote_count":133,"poster_path":134,"release_date":135,"vote_average":136,"backdrop_path":137,"original_title":138,"original_language":139},114982,"Goodbye to Language","\"The idea is simple \u002F A married woman and a single man meet \u002F They love, they argue, fists fly \u002F A dog strays between town and country \u002F The seasons pass \u002F The man and woman meet again \u002F The dog finds itself between them \u002F The other is in one, \u002F the one is in the other \u002F and they are three \u002F The former husband shatters everything \u002F A second film begins: \u002F the same as the first, \u002F and yet not \u002F From the human race we pass to metaphor \u002F This ends in barking \u002F and a baby's cries \u002F In the meantime, we will have seen people talking of the demise of the dollar, of truth in mathematics and of the death of a robin.\" -JLG",[131,14],18,2.019,196,"\u002FdQ0qBocOIz5VgoEPQDptOXRwWEv.jpg","2014-05-28",5.954,"\u002FbOHq7n79I3gNDI3yMGidlLadJGA.jpg","Adieu au langage","fr",{"id":141,"adult":6,"title":142,"video":6,"overview":143,"softcore":6,"genre_ids":144,"popularity":145,"vote_count":32,"poster_path":27,"release_date":146,"vote_average":102,"backdrop_path":27,"original_title":142,"original_language":67},361000,"The Falconer","Chris Petit & Iain Sinclair's liminal, laminal tribute to underground filmmaker Peter Whitehead, featuring image manipulation by Dave Mckean & reminiscences from various countercultural characters. A fitting epitaph for an English margin walker.",[11],0.6571,"1998-01-01",{"id":148,"adult":6,"title":149,"video":6,"overview":150,"softcore":6,"genre_ids":151,"popularity":152,"vote_count":8,"poster_path":153,"release_date":154,"vote_average":8,"backdrop_path":155,"original_title":156,"original_language":157},734595,"Death of a Reader","A confession from a filmmaker, who is not able to read books anymore. 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Living near the remains of a fu-go launch site in Fukushima Prefecture, Takeuchi mimics their flight take-off using a drone camera, and, traveling to North America, follows their arrival across the shoreline and rural landscapes, using a bat’s echolocation as narrative device to place fu-go and Fukushima as echos across history.",[182,11],36,0.6117,"\u002F8TvC0JSAxHB6Hi0SvhTZs3ywodP.jpg","2020-04-28","ja",{"id":188,"adult":6,"title":189,"video":6,"overview":190,"softcore":6,"genre_ids":191,"popularity":192,"vote_count":39,"poster_path":193,"release_date":194,"vote_average":175,"backdrop_path":195,"original_title":189,"original_language":67},346599,"A Study in Wet","Montage of water related subjects.",[11],0.5807,"\u002FmDggIaGTI2putxT2ncQUQlmBxdY.jpg","1964-12-31","\u002F8W7tLPuJSGnqkEn9mgSifGJTPeH.jpg",{"id":197,"adult":6,"title":198,"video":6,"overview":199,"softcore":6,"genre_ids":200,"popularity":201,"vote_count":32,"poster_path":27,"release_date":202,"vote_average":203,"backdrop_path":27,"original_title":198,"original_language":67},346610,"Memento","Experimental short film about car wreckage and automobile safety.",[11],0.6824,"1968-12-31",8,{"id":205,"adult":6,"title":206,"video":6,"overview":207,"softcore":6,"genre_ids":208,"popularity":209,"vote_count":32,"poster_path":210,"release_date":211,"vote_average":212,"backdrop_path":27,"original_title":213,"original_language":214},355672,"Hands","Handen (Hands) is an experimental documentary film by Dutch photographer and filmmaker Ed van der Elsken. the film is a moving and poetic observation of how hands play an integral part in human life, from birth to death.",[11],0.972,"\u002FoHB7CoUghpPaXdmTCbRrso8eIqD.jpg","1960-08-23",6,"Handen","nl",{"id":216,"adult":6,"title":217,"video":6,"overview":218,"softcore":6,"genre_ids":219,"popularity":220,"vote_count":221,"poster_path":222,"release_date":223,"vote_average":224,"backdrop_path":225,"original_title":217,"original_language":67},107551,"Chumlum","Ron Rice's Chumlum is one of those films in which the conditions of its construction are integral to the experience of watching it. 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