[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-543418-en-US":3},{"detail":4,"match":251,"insight":252,"providers":253,"providerLink":28,"trailer":28},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":28,"revenue":8,"runtime":29,"similar":30,"tagline":233,"homepage":234,"overview":235,"softcore":6,"popularity":236,"vote_count":8,"poster_path":237,"release_date":238,"vote_average":8,"backdrop_path":28,"origin_country":239,"original_title":7,"watch\u002Fproviders":241,"spoken_languages":243,"original_language":51,"production_companies":244,"production_countries":248,"belongs_to_collection":28},543418,false,"Gems",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":18},[],[19],{"id":20,"job":21,"name":22,"adult":6,"gender":23,"credit_id":24,"department":25,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":25},1196705,"Director","Robert Todd",2,"5b7aa0b9925141295b040792","Directing",0.6953,"\u002FcuZKZxxq9qMoA8phahxJJ3PLMxe.jpg",null,12,{"page":31,"results":32,"total_pages":231,"total_results":232},1,[33,52,64,73,84,92,100,108,117,126,134,144,155,163,172,181,194,202,211,222],{"id":34,"adult":6,"title":35,"video":6,"overview":36,"softcore":6,"genre_ids":37,"popularity":44,"vote_count":45,"poster_path":46,"release_date":47,"vote_average":48,"backdrop_path":49,"original_title":50,"original_language":51},464910,"60 Seconds of Solitude in Year Zero","An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.",[38,39,11,40,41,42,43],18,35,16,27,53,9648,1.8691,7,"\u002F9HcuU9JzCWTweaAL8KsCtTTWa4U.jpg","2011-12-22",4.2,"\u002FoqVGh3bliUZfDYsQRfgZDZkcKxC.jpg","60 Sekundit Üksindust Aastal Null","en",{"id":53,"adult":6,"title":54,"video":6,"overview":55,"softcore":6,"genre_ids":56,"popularity":57,"vote_count":58,"poster_path":59,"release_date":60,"vote_average":61,"backdrop_path":62,"original_title":54,"original_language":63},465057,"In continuo","\"In continuo\" uses slaughterhouse imagery to present the warlike nature of man, first depicting the cleaning and mechanical preparations for the slaughterhouse and then the killing, however, the animal slaughter itself isn’t shown.",[11],1.6009,4,"\u002FaKMSMmM13nccZycgoyhrC0VwuZH.jpg","1971-01-26",6.8,"\u002F9oeZgBiADd5YbIaTIOzfsjqqcra.jpg","it",{"id":65,"adult":6,"title":66,"video":6,"overview":67,"softcore":6,"genre_ids":68,"popularity":69,"vote_count":31,"poster_path":70,"release_date":71,"vote_average":72,"backdrop_path":28,"original_title":66,"original_language":51},466101,"Age 12: Love with a Little L","This film is depicts early lesbian sexuality, using reenacted scenes from the experience of a 12-year old girl as the platform for a meditation on forbidden desire, transgression, and Lacanian psychoanalytic concepts of identity formation. Raw adolescent memories counterpoint staged scenes, exploring mechanisms of power and submission.",[11],0.7984,"\u002FwToB8c0VNZq811FIJ4agiZimvVC.jpg","1991-07-12",8,{"id":74,"adult":6,"title":75,"video":6,"overview":76,"softcore":6,"genre_ids":77,"popularity":78,"vote_count":31,"poster_path":79,"release_date":80,"vote_average":81,"backdrop_path":28,"original_title":82,"original_language":83},449521,"The Fish","\"A fisherman, dark-skinned and shirtless, sits in a boat on a quiet river and, before long, catches a fish. The fish gasps for air and the fisherman holds it to his chest until it dies. This sequence—performed by a series of fishermen, of various ages and using various styles of capture—is the spine of the work, interrupted by passages of quiet natural beauty; one shot is a steady, stately pan through scores of trees and empty air behind.\" - Vinson Cunningham",[11],1.2586,"\u002F4S52qq0a02BhVXU7Og8cUxa5tUD.jpg","2016-11-14",10,"O Peixe","pt",{"id":85,"adult":6,"title":86,"video":6,"overview":87,"softcore":6,"genre_ids":88,"popularity":89,"vote_count":8,"poster_path":90,"release_date":91,"vote_average":8,"backdrop_path":28,"original_title":86,"original_language":51},824993,"Hear Me Sometimes","Butterfly as verb. The monarch migration and an unearthed cassette tape correspondence form a storm speaking towards motherhood, loss, expectation, care and legacy. An elegy. An ode to uncertainty. A cry for radical optimism and a reordering of splendor.",[11],0.6538,"\u002FsyF0kroOHHB3JcrD8KYNgOvpmoT.jpg","2020-10-19",{"id":93,"adult":6,"title":94,"video":6,"overview":95,"softcore":6,"genre_ids":96,"popularity":97,"vote_count":8,"poster_path":98,"release_date":99,"vote_average":8,"backdrop_path":28,"original_title":94,"original_language":51},824994,"Giant Eagle, Four Stars","In an abandoned shopping center outside of Cleveland, the story of the last remaining grocery store is told through recent google reviews.",[11],0.4701,"\u002FimtY4oMlMP0X1hhX96zgnxBvypy.jpg","2021-04-30",{"id":101,"adult":6,"title":102,"video":6,"overview":103,"softcore":6,"genre_ids":104,"popularity":105,"vote_count":8,"poster_path":106,"release_date":107,"vote_average":8,"backdrop_path":28,"original_title":102,"original_language":51},824999,"Pride","Set in Charlottesville during the early 1990s, \"Pride\" follows an aspiring writer as she finalises stories for the latest issue of \"Pride\", a student run newspaper at the University of Virginia. Over a hectic two-day period, she puts the finishing touches on the upcoming issue. Despite the looming deadline, she moves with a calm confidence.",[11],1.5144,"\u002F2hRO2OBitq94nefwXgi75P4GADZ.jpg","2021-04-21",{"id":109,"adult":6,"title":110,"video":6,"overview":111,"softcore":6,"genre_ids":112,"popularity":113,"vote_count":8,"poster_path":114,"release_date":115,"vote_average":8,"backdrop_path":28,"original_title":110,"original_language":116},633565,"Magma (C)","Drops of fire that create a universe of magmatic asteroids. Liquid and gravitational reality. Cosmic energy. Atomized Rhythm.  Neurons of a liberated unconscious. Elimination of the idea of \"soul\" as \"everything\", reducing it to the condition of units of energy in perpetual process, elementary particles, without duration, that arise in perfect dependence. The \"I\" as a stream of units of force in ceaseless becoming that procures the illusion of an entity. Karmic chain. The idea that eternity resides in the transitory, the eternal belongs to it instantly. Eternity not as infinite duration but as absence of temporality. Universe of a mobile, procedural, relational and interactive nature of everything that exists. Here the \"object\" is conceived as something that is constituted, completed, lost and recovered with the vibrating rhythm of a universe in constant production.",[11],0.8749,"\u002Ff1M5zE0YITMaS3RnHpM5A4uWiys.jpg","2014-08-12","gl",{"id":118,"adult":6,"title":119,"video":6,"overview":120,"softcore":6,"genre_ids":121,"popularity":122,"vote_count":31,"poster_path":123,"release_date":124,"vote_average":81,"backdrop_path":125,"original_title":119,"original_language":51},825182,"Paleo Impulse","Paleo is a video clip shoot at the famous homonymous music festival in the French canton of Vaud in Switzerland, where many hippie-techno-pagans gather every summer since 1977. The editing style is a tribute to the reworking of psychedelic theories and the New Age proliferation within rave culture in the early 90s from the perspective of the late second decade of the new millennium. In the footage, the ritual ingestion of psychedelics is symbolically replaced by a liberating dance through a powerful fast montage that epitomizes the frenzy of intoxication achieved through psychedelic plants. A revival of a revival of a revival.",[11],0.5178,"\u002FplPo33WTKYG3qzoprgX6a1Hca3B.jpg","2018-07-13","\u002FwGWpeMsDyC3reBtCpKbrqBS3T3V.jpg",{"id":127,"adult":6,"title":128,"video":6,"overview":129,"softcore":6,"genre_ids":130,"popularity":131,"vote_count":8,"poster_path":132,"release_date":133,"vote_average":8,"backdrop_path":28,"original_title":128,"original_language":51},449815,"Spirit House","A tale of 2 passages within the Spirit house. This is the first in a series that looks at the places we find our spiritual presence augmented, inflamed, or simply acknowledged.",[11],1.0673,"\u002FdgTf0N7xpqojQy5P3ekRREfIj1W.jpg","2008-06-22",{"id":135,"adult":6,"title":136,"video":6,"overview":137,"softcore":6,"genre_ids":138,"popularity":139,"vote_count":31,"poster_path":140,"release_date":141,"vote_average":81,"backdrop_path":142,"original_title":143,"original_language":51},825169,"Butterfly 360°","The 360° project tells the story of a peaceful environment featuring a rare case phenomena where a swarm of butterflies is nurturing itself by eating the nectar of flowers showing the beauty but also the fragility of a complex ecosystem. The video installation is configured to work as an interactive 360° experience where the spectator can view the untouched nature by moving \u002F grabbing \u002F touching the nature by his\u002Fher hands (mouse) but offers also the possibility to be screened large scale as a flat video loop on a wall, building or in cinema.",[11],0.5106,"\u002Fy6eUV4XMK0O655uBvTGoc0aKJuO.jpg","2020-11-27","\u002F4ImuXeIBAkn6CFG6GchzRZrBav1.jpg","Sfarfallii liberali 360°",{"id":145,"adult":6,"title":146,"video":6,"overview":147,"softcore":6,"genre_ids":148,"popularity":149,"vote_count":58,"poster_path":150,"release_date":151,"vote_average":152,"backdrop_path":28,"original_title":153,"original_language":154},449971,"Group Portrait as a Still Life","Documentary on the interdependence of the world of the living and the dead, and 'the infernal influence on the thoughts and actions of living people.",[11],0.783,"\u002FaNke4o9tyC70kdn9Em3Wf6yCobr.jpg","1993-03-30",5,"Групповой портрет в натюрморте","ru",{"id":156,"adult":6,"title":157,"video":6,"overview":158,"softcore":6,"genre_ids":159,"popularity":160,"vote_count":8,"poster_path":161,"release_date":162,"vote_average":8,"backdrop_path":28,"original_title":157,"original_language":51},825220,"(Always) Next To Me","(Always) Next to Me is a 16mm film that pairs abstract sequences of plants developed directly on the film emulsion with intertitles briefly describing what was going on for me personally at the moment the plants were collected.  I started the film at the beginning of the pandemic, just after I found out I was pregnant for the first time in April 2020 and finished it just before the birth of my baby in December of the same year.",[11],0.5578,"\u002F1PD3kgNzira3EWl6TqP3hc0IcM3.jpg","2021-05-01",{"id":164,"adult":6,"title":165,"video":6,"overview":166,"softcore":6,"genre_ids":167,"popularity":168,"vote_count":31,"poster_path":169,"release_date":170,"vote_average":81,"backdrop_path":171,"original_title":165,"original_language":51},825223,"Taxidrome","To fly a – way from\u002Fout of death, don’t hire a taxidermist but take a ride in this taxidrome!  Series of 41 Moving Images  - this analogy is possible being conservation at its core rescuing what really matters in the world, like nature, habitats, science and art. It is vital. Yet in a continuously changing environment, the flipside of conservation becomes and here it is where the vital feature of conservation becomes its lifelike trait, a fictive life, a fake life.  The embalming process consists of 1) imparting a balmy essence to the dead body, as in the ancient world, 2) by filling its blood vessels with formaldehyde to prevent putrification, as in the modern world, although recently with more regard towards more natural treatments, as for instance in bio-art. To embalm also means to “preserve from oblivion”, and “to cause to remain unchanged”, “to prevent the development of something”.",[11,40],0.4612,"\u002Fx9L0dvwRirXy1fMKH4KPaGMAcCG.jpg","2021-01-26","\u002F1Z9C1VnjoR2LAjgqRj4B8PuLlUG.jpg",{"id":173,"adult":6,"title":174,"video":6,"overview":175,"softcore":6,"genre_ids":176,"popularity":177,"vote_count":8,"poster_path":178,"release_date":179,"vote_average":8,"backdrop_path":180,"original_title":174,"original_language":51},825354,"A Landscape to Be Invented","Other than the ocean, the rest of the planet was bathed in purple, which was due to the colour of the vegetation. The change in the sun’s radiation had probably caused the plants to evolve as they adapted to the new light.",[11],0.5453,"\u002Fl5gwgeQqFgT8aHJjOdgt3coa6h.jpg","2020-10-15","\u002Fo92ncb6A1O2zRLYasRorpxvVfaU.jpg",{"id":182,"adult":6,"title":183,"video":6,"overview":184,"softcore":6,"genre_ids":185,"popularity":186,"vote_count":187,"poster_path":188,"release_date":189,"vote_average":190,"backdrop_path":191,"original_title":192,"original_language":193},12456,"The Five Obstructions","In 1967, experimental filmmaker Jorgen Leth created a striking short film, The Perfect Human, starring a man and women sitting in a box while a narrator poses questions about their relationship and humanity. Years later, Danish director Lars von Trier made a deal with Leth to remake his film five times, each under a different set of circumstances and with von Trier's strictly prescribed rules. As Leth completes each challenge, von Trier creates increasingly further elaborate stipulations.",[11],1.9922,183,"\u002FxMcCmIdos88yd44xqCXj4NUWph3.jpg","2003-11-07",6.9,"\u002FcP31o6Ta11t4PFo7PYvtCOTJJhs.jpg","De fem benspænd","da",{"id":195,"adult":6,"title":196,"video":6,"overview":197,"softcore":6,"genre_ids":198,"popularity":199,"vote_count":8,"poster_path":200,"release_date":201,"vote_average":8,"backdrop_path":28,"original_title":196,"original_language":51},642367,"VISIONS_OF_NY","Experimental short film exploring New York City's multicultural history through the eyes of three chosen individuals.",[11,43],1.3859,"\u002F7YF0WSLT4mYp3TsBQVJG9wit2l5.jpg","2019-03-12",{"id":203,"adult":6,"title":204,"video":6,"overview":205,"softcore":6,"genre_ids":206,"popularity":207,"vote_count":8,"poster_path":208,"release_date":209,"vote_average":8,"backdrop_path":28,"original_title":204,"original_language":210},632477,"DIALOGUE","Emerging from a period of withdrawal, a social recluse or ‘hikikomori’ relates her inner experiences against the backdrop of an illuminated and restless urban environment that never sleeps.",[11],0.5985,"\u002F4F3LaaDqM9wzfTSpqMUVwTDJK5j.jpg","2018-01-01","ja",{"id":212,"adult":6,"title":213,"video":6,"overview":214,"softcore":6,"genre_ids":215,"popularity":216,"vote_count":31,"poster_path":217,"release_date":218,"vote_average":219,"backdrop_path":28,"original_title":220,"original_language":221},264638,"Impressions from the Upper Atmosphere","Sistiaga painted directly on 70mm film a circular (planetary?) form, around which dance shifting colours in a psychedelic acceleration matched by the soundtrack’s deep-space roar and howl. - Cinema Scope",[11,40],1.5482,"\u002Fyn8D07RpJBHkNwLj3Lv3sGTmsuh.jpg","1989-01-01",6,"Impresiones en la alta atmósfera","es",{"id":223,"adult":6,"title":224,"video":6,"overview":225,"softcore":6,"genre_ids":226,"popularity":227,"vote_count":8,"poster_path":228,"release_date":229,"vote_average":8,"backdrop_path":230,"original_title":224,"original_language":51},824057,"A Night of Soap Water","A watchman at an apartment complex in Assam, India, spends an ordinary evening. A surreal, expressionistic landscape unfolds.",[11],0.7609,"\u002FgF2rgudq0GREJ5KhplGvcWVhoUb.jpg","2021-02-24","\u002FyeR7uQP7q3ywShn6gXcq6t0JHPH.jpg",1001,20001,"","https:\u002F\u002Fvimeo.com\u002F259580461","\"as work in progress: treasures found in the streams around me.\"",0.7975,"\u002Fu8GYYhmHmjM72VphWxBXHFXx9W2.jpg","2018-07-31",[240],"US",{"results":242},{},[],[245],{"id":246,"name":247,"logo_path":28,"origin_country":233},51140,"Flappingbird",[249],{"name":250,"iso_3166_1":240},"United States of America",45,"A documentary story that tends to land well.",[]]