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The spectacular shots of African lifestyles and nature, which in many respects were new to European viewers who were almost completely unfamiliar with Africa, were praised and appreciated precisely because of their supposed authenticity.",[11],0.45,"\u002FmiVqjDIuNqYegZHXnjdR2LupNCD.jpg","1939-04-24",8,{"id":202,"adult":6,"title":203,"video":6,"overview":204,"softcore":6,"genre_ids":205,"popularity":206,"vote_count":8,"poster_path":207,"release_date":208,"vote_average":8,"backdrop_path":51,"original_title":203,"original_language":23},1222058,"The Paradox of Norval Morrisseau","In this revealing study of Norval Morrisseau, filmed as he works among the lakes and woodlands of his ancestors, we see a remarkable Indigenous artist who emerged from a life of obscurity in the North American bush to become one of Canada's most renowned painters. 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These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people. Three versions of Algeria in Flames are produced: French, German and Arabic. From the end of the editing, the film circulates without any cuts throughout the world, except in France where the first screening takes place in the occupied Sorbonne in 1968. Certain images of the film have circulated and are found in films, in particular Algerian films. Because of the excitement caused by this film, he was forced to go into hiding for 25 months. After the declaration of independence, he founded the first Algerian Audiovisual Center.",[11,214],0.4092,"\u002Fvo4od9ntoAQMbpdunrXoSojYbsJ.jpg","1958-01-02",8.5,"\u002FwNl3mPa5aTBEvxQYxWUDWdbGGci.jpg","Algérie en flammes","ar",{"id":248,"adult":6,"title":249,"video":6,"overview":250,"softcore":6,"genre_ids":251,"popularity":252,"vote_count":129,"poster_path":253,"release_date":254,"vote_average":255,"backdrop_path":256,"original_title":257,"original_language":147},283013,"Dawn of the Damned","This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.",[11,163,126],0.8709,"\u002FlofBqYj9p4eefPAQlzrQ5d9SgHk.jpg","1965-07-05",7.429,"\u002FuXPBBQlKDXVx8apISYh9KdrTEoa.jpg","L'Aube des Damnés",{"id":259,"adult":6,"title":260,"video":6,"overview":261,"softcore":6,"genre_ids":262,"popularity":263,"vote_count":8,"poster_path":264,"release_date":265,"vote_average":8,"backdrop_path":266,"original_title":267,"original_language":130},1025048,"12th Warrior","A documentary that tries to explain the reason for the passion of the Mexican football fandom.",[11],1.0095,"\u002FjnsKPXw3cDKEuZGueMMJsqZ0N5H.jpg","2011-06-17","\u002Fqw6GReTj2ibRb7ftsMpjZNWdeZ0.jpg","Guerrero 12",{"id":269,"adult":6,"title":270,"video":6,"overview":271,"softcore":6,"genre_ids":272,"popularity":273,"vote_count":8,"poster_path":274,"release_date":275,"vote_average":8,"backdrop_path":276,"original_title":270,"original_language":23},483930,"Africa's Lost Eden","In the heart of Gorongosa National Park, Mozambique, the waters of Lake Urema explode with the thrashing of a giant crocodile tail. Gorongosa was once known as the place where Noah left his ark: 1,500 square miles of lush floodplains in central Mozambique, packed with wild animals. All around, enormous buffalo, soaring fish eagles, and countless antelopes roam freely. But on closer look, something strange is going on. Fifteen years of civil war has taken a heavy toll and many species have been almost completely wiped out. All the usual top predators and prey are virtually missing, except for one - giant crocodiles and thousands of them. Discover what is being done to bring this African oasis back to its former glory, including perhaps the most ambitious restoration effort ever attempted, with elephants, hippos and scores of zebra, wildebeest, impala and buffalo, being relocated into the park.",[11],1.2184,"\u002FzV3Mxj6VlZROA6UfZnkwlrzlHai.jpg","2010-04-12","\u002F3LgYevJF95Ce9alJ4XtDiT54yTT.jpg",{"id":278,"adult":6,"title":279,"video":6,"overview":280,"softcore":6,"genre_ids":281,"popularity":282,"vote_count":8,"poster_path":283,"release_date":284,"vote_average":8,"backdrop_path":285,"original_title":279,"original_language":23},1418658,"Kentridge and Dumas in Conversation","William Kentridge and Marlene Dumas – two of the most celebrated names in international contemporary art – come face to face in a series of frank, witty and intense discussions about their work and practice. The film follows them from the gentle ambience of a dinner conversation, to their studios – where we are given insight into the way that each artist works – to some of their finished works and installations. What emerges is how very differently these two highly successful South African artists approach image making. Dumas’ method is deeply intuitive – she often works on the floor as though embracing her paintings, pouring and dabbing paint to produce her remarkable portraits. Kentridge is intensely systematic, alternating gestural mark making with the repetitive action of drawing-filming-erasing for his animated films.",[11],0.4352,"\u002FoCLeiEOfpRzQEB14ZypZVHBCilf.jpg","","\u002FokjsmLFkGk28rw6fhnbxVlnOFiN.jpg",{"id":287,"adult":6,"title":288,"video":6,"overview":289,"softcore":6,"genre_ids":290,"popularity":291,"vote_count":47,"poster_path":51,"release_date":292,"vote_average":293,"backdrop_path":51,"original_title":288,"original_language":23},303973,"Land Rush","A partnership between the Government of Mali and an American agricultural investor may see 200-square kilometers of Malian land transformed into a large-scale sugar cane plantation. Land Rush documents the hopes, fears, wishes, and demands of small-scale subsistence farmers in the region who look to benefit, or lose out, from the deal.",[11],0.27,"2012-12-04",6,{"id":295,"adult":6,"title":296,"video":6,"overview":297,"softcore":6,"genre_ids":298,"popularity":299,"vote_count":39,"poster_path":300,"release_date":284,"vote_average":301,"backdrop_path":302,"original_title":296,"original_language":23},1011907,"Finding Hope Home","The story of Pastor Lucy and her husband Duncan Ndegwa, who began feeding and sheltering children from the streets of Nairobi, Kenya in 1996.",[11],0.1267,"\u002F2ncKq5uHTi1uPju02VZ3Z90qO7w.jpg",5.3,"\u002Fm2WWpT3XsfAk1zx2CLPLahp0uzG.jpg",{"id":304,"adult":6,"title":305,"video":6,"overview":306,"softcore":6,"genre_ids":307,"popularity":308,"vote_count":38,"poster_path":309,"release_date":310,"vote_average":311,"backdrop_path":312,"original_title":305,"original_language":23},452852,"Mining for God","America has long been called a Christian nation.  In fact, over 70% of adults in America identify themselves as Christian. Yet when filmmaker Brandon McGuire heads to the streets to ask a few clarifying questions about how Christianity is defined within our culture, he is shocked by the answers he finds.  This provocative documentary takes us deep within the American mind and brings to the surface the big ideas that have influenced the way we think about ourselves and about God.",[171,11],0.6662,"\u002F76p0Wy8sjw9kYs0U7nCkN8Qqq34.jpg","2015-08-10",9,"\u002FbTRlKjW0wEccg3HZvnQAIwykYz0.jpg",11663,233241,"https:\u002F\u002Fwww.endstreetafrica.com\u002Fblack-president","Exiled, yet internationally celebrated Zimbabwean artist Kudzanai Chiurai's demons come to life as he tries to flee South Africa following increasingly fractious experiences on the Johannesburg art scene.  His greatest demon “Black Guilt” is one he can never shake off, this burden of having to speak for his people. But Is this responsibility really a burden at all, or is it actually a superpower?  Either way, will Kudzi ever be President of His Own State of Being?",0.6855,"\u002Fi2LhEXRQRF0vgt4NLE0kxai0RQQ.jpg","2015-02-07","\u002F3dok5byFYyNqvkavhrkQ5AqTGtd.jpg",[322],"ZA",{"results":324},{},[326,328,331,334,337],{"name":327,"iso_639_1":23,"english_name":327},"English",{"name":329,"iso_639_1":147,"english_name":330},"Français","French",{"name":284,"iso_639_1":332,"english_name":333},"sn","Shona",{"name":284,"iso_639_1":335,"english_name":336},"xh","Xhosa",{"name":338,"iso_639_1":339,"english_name":340},"isiZulu","zu","Zulu",[342],{"id":343,"name":344,"logo_path":345,"origin_country":322},209724,"End Street Africa","\u002Fb8ysM3iYzaaX9Ct2oAps1IE6Qa0.png",[347,349,352],{"name":348,"iso_3166_1":322},"South Africa",{"name":350,"iso_3166_1":351},"United Kingdom","GB",{"name":353,"iso_3166_1":354},"Zimbabwe","ZW",45,"A documentary story that tends to land well.",[],{"id":17,"key":18,"name":19,"site":20,"size":21,"type":22,"official":6,"iso_639_1":23,"iso_3166_1":24,"published_at":25}]