[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-554656-en-US":3},{"detail":4,"match":227,"insight":228,"providers":229,"providerLink":26,"trailer":26},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":26,"revenue":8,"runtime":27,"similar":28,"tagline":211,"homepage":211,"overview":218,"softcore":6,"popularity":219,"vote_count":82,"poster_path":26,"release_date":211,"vote_average":132,"backdrop_path":26,"origin_country":220,"original_title":7,"watch\u002Fproviders":222,"spoken_languages":224,"original_language":40,"production_companies":225,"production_countries":226,"belongs_to_collection":26},554656,false,"Response to Envío 26",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":18},[],[19],{"id":20,"job":21,"name":22,"adult":6,"gender":8,"credit_id":23,"department":24,"popularity":25,"profile_path":26,"original_name":22,"known_for_department":24},2152974,"Director","Reinhardt Schulz","5bc754de0e0a26760500f2bf","Directing",0.25,null,4,{"page":29,"results":30,"total_pages":216,"total_results":217},1,[31,41,50,57,68,75,86,95,105,113,124,134,145,154,162,174,183,193,200,208],{"id":32,"adult":6,"title":33,"video":6,"overview":34,"softcore":6,"genre_ids":35,"popularity":36,"vote_count":37,"poster_path":26,"release_date":38,"vote_average":39,"backdrop_path":26,"original_title":33,"original_language":40},263841,"Daumë","Culled from four rolls of Super-8 film shot while the maker was a development worker in a small South American village, Daumë is at its center a film about ritual, power, and play. Daumë is both ethnography and critique; it is an interrogation into how to represent a place that can't be represented.",[11],1.3185,6,"2000-01-01",5.7,"en",{"id":42,"adult":6,"title":43,"video":6,"overview":44,"softcore":6,"genre_ids":45,"popularity":46,"vote_count":47,"poster_path":26,"release_date":48,"vote_average":49,"backdrop_path":26,"original_title":43,"original_language":40},263845,"Terra Incognita","Terra Incognita is a lensless film whose cloudy pinhole images create a memory of history. Ancient and modern explorer texts of Easter Island are garbled together by a computer narrator, resulting in a forever repeating narrative of discovery, colonialism, loss and departure.",[11],0.4338,5,"2002-01-01",5.8,{"id":51,"adult":6,"title":52,"video":6,"overview":53,"softcore":6,"genre_ids":54,"popularity":55,"vote_count":29,"poster_path":26,"release_date":56,"vote_average":27,"backdrop_path":26,"original_title":52,"original_language":40},263851,"The Red and the Blue Gods","An ethnographic field report in which the Anthropologist describes the mythic creation of an unnamed ‘sun-scraping structure’ through the ritualized actions of the Red and the Blue Gods.",[11],0.4171,"2005-01-01",{"id":58,"adult":6,"title":59,"video":6,"overview":60,"softcore":6,"genre_ids":61,"popularity":63,"vote_count":29,"poster_path":64,"release_date":65,"vote_average":37,"backdrop_path":26,"original_title":66,"original_language":67},264638,"Impressions from the Upper Atmosphere","Sistiaga painted directly on 70mm film a circular (planetary?) form, around which dance shifting colours in a psychedelic acceleration matched by the soundtrack’s deep-space roar and howl. - Cinema Scope",[11,62],16,1.9958,"\u002Fyn8D07RpJBHkNwLj3Lv3sGTmsuh.jpg","1989-01-01","Impresiones en la alta atmósfera","es",{"id":69,"adult":6,"title":70,"video":6,"overview":71,"softcore":6,"genre_ids":72,"popularity":73,"vote_count":8,"poster_path":26,"release_date":74,"vote_average":8,"backdrop_path":26,"original_title":70,"original_language":40},264970,"Clouds","Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.",[11],0.9334,"1969-12-19",{"id":76,"adult":6,"title":77,"video":6,"overview":78,"softcore":6,"genre_ids":79,"popularity":81,"vote_count":82,"poster_path":26,"release_date":83,"vote_average":84,"backdrop_path":26,"original_title":77,"original_language":85},441657,"Rytmus","An experimental film from Jirí Lehovec, mixing the sound process with animated rhythms.",[11,80],10402,1.5316,2,"1942-11-06",9,"cs",{"id":87,"adult":6,"title":88,"video":6,"overview":89,"softcore":6,"genre_ids":90,"popularity":91,"vote_count":8,"poster_path":92,"release_date":93,"vote_average":8,"backdrop_path":26,"original_title":88,"original_language":94},809419,"Une certaine histoire du cinéma expérimental français","Founded in the second half of the 1990s, the experimental film association L'Etna witnessed the transition from film to digital cinema. Its premises, located in the heart of Paris, were unable to withstand gentrification.",[11],0.6236,"\u002Fcf9AxfKFMSwmA13eyMf1df2l26X.jpg","2019-02-07","fr",{"id":96,"adult":6,"title":97,"video":6,"overview":98,"softcore":6,"genre_ids":99,"popularity":100,"vote_count":8,"poster_path":101,"release_date":102,"vote_average":8,"backdrop_path":26,"original_title":103,"original_language":104},623003,"2minutes40seconds","One of the major works by South Korean feminist film collective Kaidu Club, this short is a dynamic, idiosyncratic, and mosaic-like portrait of Korean life, culture, and people who dream of a unified North and South.",[11],0.6073,"\u002FnADUeTwzId4HHJhBBNdQh2Mnp2S.jpg","1975-12-01","2분 40초","ko",{"id":106,"adult":6,"title":107,"video":6,"overview":108,"softcore":6,"genre_ids":109,"popularity":110,"vote_count":8,"poster_path":26,"release_date":111,"vote_average":8,"backdrop_path":26,"original_title":112,"original_language":104},623126,"Approach the Truth_Superman","Time to Remove Superman  It is fragmentarily a story of death and it can also be connected to the opposite - birth. When I did research for this work, what was really interesting was an article read that 'We came from dirt and we go back to dirt' is everywhere in all religions and philosophies of all cultures. And I found that sentence and thought over different things and I reached it was meant to be only that way. Regardless of primitive or modern society, religions or philosophies couldn't help but think human body is rotten away and it is cremated and made dirt. We know the process but we haven't seen that. I thought it would be meaningful if I made that out to show. We've watched a mummy disappearing in a movie using CG but I thought I could visually display a message that things we cherished or in which knowledge was contained were made dirt or on the other way, they had been dirt before they came to us.",[11],0.4059,"2006-02-01","진실에 접근하기_슈퍼맨",{"id":114,"adult":6,"title":115,"video":6,"overview":116,"softcore":6,"genre_ids":117,"popularity":118,"vote_count":27,"poster_path":119,"release_date":120,"vote_average":121,"backdrop_path":26,"original_title":122,"original_language":123},262067,"On the Heights All Is Peace","Found footage anti-war film comprising film documents of the Austro-Hungarian and Italian army on the Alpine front, and from first generation picture material by war-film pioneer Luca Comerio.",[11],1.7687,"\u002Feed1jkEAL1wwehR6ZYRSHH52Btm.jpg","1998-01-01",6.75,"Su tutte le vette è pace","it",{"id":125,"adult":6,"title":126,"video":6,"overview":127,"softcore":6,"genre_ids":128,"popularity":129,"vote_count":37,"poster_path":130,"release_date":131,"vote_average":132,"backdrop_path":133,"original_title":126,"original_language":40},442309,"Running Shadow I","Rapidly changing images of natural objects, scenery, animals, plants, and people flicker, flash, tumble, and cascade across the screen.",[11],0.6685,"\u002FcJPzgK4VtGTqVicZgKXPzKc15X8.jpg","1971-12-31",5.5,"\u002Fg6u9BMTPH9b8xJy1fCbP60xzjuz.jpg",{"id":135,"adult":6,"title":136,"video":6,"overview":137,"softcore":6,"genre_ids":138,"popularity":139,"vote_count":140,"poster_path":141,"release_date":142,"vote_average":143,"backdrop_path":144,"original_title":136,"original_language":40},440917,"The Bomb","Filmmakers use archival footage and animation to explore the culture surrounding nuclear weapons, the fascination they inspire and the perverse appeal they still exert.",[11,62],0.732,15,"\u002F42tKG16xOL6yB4S2Vzp8IzBgktv.jpg","2017-06-10",7,"\u002Fvm40HXBMPQmTXTSnYV1r1mO9DQA.jpg",{"id":146,"adult":6,"title":147,"video":6,"overview":148,"softcore":6,"genre_ids":149,"popularity":150,"vote_count":8,"poster_path":26,"release_date":151,"vote_average":8,"backdrop_path":26,"original_title":152,"original_language":153},261158,"The Red Bank. James Joyce: His Greek Notebooks","This documentary aims to register this unknown side of James Joyce: His Greek Notebooks. Trieste. Bloomsday, 2013. Dance in slow motion, accompanied by text. By deconstructing the body, we turn it into a memory: of the body, of life, of texts. The biographical references to Joyce and Mando Aravantinou, combined with the diagonal slicing of the image, cancel the realism of the landscape, including that of the Narrator’s space\u002Fstudy. As a culmination, Joyce’s letter “A request for a loan in Greek” functions as a timely denunciation. Various routes through cities, such as Trieste, London, New York, and Athens; languages such as Greek and English. In addition to the primal myth of Ulysses, there is another issue: Greek is “the language of the subject of Ulysses”",[11],2.5969,"2013-03-25","The Red Bank. James Joyce: Ta τετράδιά του, των Ελληνικών","el",{"id":155,"adult":6,"title":156,"video":6,"overview":157,"softcore":6,"genre_ids":158,"popularity":159,"vote_count":8,"poster_path":160,"release_date":161,"vote_average":8,"backdrop_path":26,"original_title":156,"original_language":40},621733,"A Trip to the Seaside","Experimental short film on the excitement and rush of a day trip",[11],0.434,"\u002FAuZVhpoJ4jm2LWDhoJKfxQfhDAi.jpg","2019-08-30",{"id":163,"adult":6,"title":164,"video":6,"overview":165,"softcore":6,"genre_ids":166,"popularity":168,"vote_count":82,"poster_path":169,"release_date":170,"vote_average":171,"backdrop_path":26,"original_title":172,"original_language":173},260944,"Refrains Happen Like Revolutions in a Song","Sarah is a debt collector who lives among the inhabitants of the village of Guimbal on the island of Panay. She wants to find the young man who appeared to her in a dream and goes to the island of Negros. Here, as she interacts with the inhabitants, Sarah continues her search, gathering memories of life and war, dreams, myths, legends, songs and stories that she takes part in and at times revolve around her. She is the daughter of an ancient mermaid, a revolutionary, a primordial element, a virgin who was kidnapped and hidden away from the sunlight.  “The film is a retelling of fragments of the American occupation. Dialogue, shot in the Hiligaynon language, is not translated but used as a tonal guide and a tool for narration. Using unscripted scenes shot where the main character was asked to merely interact with the villagers, I discard dialogue and draw meaning from peoples’ faces, voices, and actions, weaving an entirely different story through the use of subtitles and inter-titles.”",[11,167],18,1.5299,"\u002F5unW8oLPEaGzyQXQzyo1rt7wDpd.jpg","2010-07-12",6.5,"Ang Ninanais","tl",{"id":175,"adult":6,"title":176,"video":6,"overview":177,"softcore":6,"genre_ids":178,"popularity":179,"vote_count":84,"poster_path":180,"release_date":181,"vote_average":182,"backdrop_path":26,"original_title":176,"original_language":40},261093,"Let Us Persevere in What We Have Resolved Before We Forget","On the island of Tanna, a part of Vanuatu, an archipelago in Melanesia, strange rites are enacted and time passes slowly while the inhabitants await the return of the mysterious John.",[11],0.5623,"\u002FbaLht1AlAHBvFLCiJARzmochCTz.jpg","2013-07-04",7.3,{"id":184,"adult":6,"title":185,"video":6,"overview":186,"softcore":6,"genre_ids":187,"popularity":188,"vote_count":82,"poster_path":189,"release_date":190,"vote_average":132,"backdrop_path":191,"original_title":192,"original_language":94},262479,"Girl Reading a Letter by an Open Window","Jean-Claude Rousseau's Jeune femme à sa fenêtre lisant une lettre is not only his first medium-length film, but a chance to discover this filmmaker whom Jean-Marie Straub has called, along with Frans Van de Staak and Peter Nestler, the greatest working in Europe. With this newly restored print there is also a possibility to discover the relationship between Rousseau's art of filming and Jan Vermeer's famous painting. As Prosper Hillairet wrote in 1988, four years after Rousseau had finished Jeune femme ... (for the first time as we know today): «Without adopting the usual systematic spirit and form of cinéma structurel, Rousseau presents us with simple images and leaves it at that. Keeps the image in hand. A minimalist and ascetic expression of cinema: a shot that lasts.»",[11],2.5685,"\u002FinDO19H3xXBvdUurUvPWGnE5a6E.jpg","1983-01-01","\u002FweosAtrLFFvCGA48aFW8xVEPh2B.jpg","Jeune femme à sa fenêtre lisant une lettre",{"id":194,"adult":6,"title":195,"video":6,"overview":196,"softcore":6,"genre_ids":197,"popularity":198,"vote_count":8,"poster_path":26,"release_date":199,"vote_average":8,"backdrop_path":26,"original_title":195,"original_language":40},442791,"State of Rest and Motion","This cine-portrait of New York City uses digital effects to turn the countless riders of the subway system into living, breathing paintings.",[11],0.7632,"2017-02-19",{"id":201,"adult":6,"title":202,"video":6,"overview":203,"softcore":6,"genre_ids":204,"popularity":205,"vote_count":8,"poster_path":206,"release_date":207,"vote_average":8,"backdrop_path":26,"original_title":202,"original_language":40},442792,"Irradiant Field","In the Mojave Desert, fields of solar panels follow the sun’s daily journey in perfect synchronicity.",[11],1.0244,"\u002Fj1xz0VxyfzlVwLeJleQjGYV08UG.jpg","2016-01-01",{"id":209,"adult":6,"title":210,"video":6,"overview":211,"softcore":6,"genre_ids":212,"popularity":213,"vote_count":82,"poster_path":26,"release_date":214,"vote_average":143,"backdrop_path":26,"original_title":210,"original_language":215},445205,"Ich lebe in der Gegenwart - Versuch über Hans Richter","",[11],1.3176,"1973-09-23","de",11764,235280,"A response to Jeannette Muñoz' ENVÍO 26.  A little story about what happens by working with chemical reactions and light, to achieve the so-called, magic of photography.",0.4,[221],"US",{"results":223},{},[],[],[],45,"A documentary story that tends to land well.",[]]