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Using source material from Emmanuelle 6, this DVD-R\u002FVHS further blurs the line between low and high art. Beautiful cinematography coupled with smut. Strategic pauses and tracking errors guides the viewer to discover the true depth and sadness of the seemingly one-dimensional Emmanuelle. Soaring arpeggio synths and pulsating rhythms by Rob Feulner. The utter destruction of arguably the most beautiful film never seen, lost and forgotten on the shelf of your local video store, behind the cowboy doors or dangling beads. Written off as pornography by most, written off as too soft by creeps. 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The film is silent but a series of stares, glances and winks between the protagonists creates an optical language of flirtation and threat.",[48],18,1.1835,6,"\u002FcNmyFK2C1xHMn0vF37tkWFeBbU1.jpg","1993-01-01",4.2,"\u002Fnbab38v78k36QsBUcwrloYerb5R.jpg","xx",{"id":57,"adult":6,"title":58,"video":6,"overview":59,"softcore":6,"genre_ids":60,"popularity":61,"vote_count":8,"poster_path":62,"release_date":63,"vote_average":8,"backdrop_path":29,"original_title":58,"original_language":42},452687,"Shape of a Surface","The ground holds accounts of once pagan, then christian and now muslim ruins of the city built for Aphrodite. As she takes revenge on Narcissus, mirrors reveal what is seen and surfaces, limbs dismantle and marble turns flesh.",[],0.5342,"\u002F1iFiNiipxQUGMuhb1EqpOSssm50.jpg","2017-04-17",{"id":65,"adult":6,"title":66,"video":6,"overview":67,"softcore":6,"genre_ids":68,"popularity":69,"vote_count":41,"poster_path":70,"release_date":71,"vote_average":72,"backdrop_path":73,"original_title":74,"original_language":75},268120,"Monday or Tuesday","A divorced journalist Marko Požgaj starts his working day by taking his son to the school. 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They start a philosophical discussion at her apartment, but they are interrupted by strange occurrences which reveal they are no longer in reality but an ominous dream world. 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Hand painted film, intense exposure, morphing textures and shapes into a seamless whole; geometrical games sabotaging themselves; and the incessant lure of the abstract paint drift. The soundscapes, of course, build up like fountains of picture, oscillating between contemplative sculptures with electronically manipulated strings and harsh noise attacks on our senses. Despite the use of sound as a central filmic element, Cyanonide stands as a proof of the enduring influence of Brakhage on american avant-film.",[129],0.4808,"2006-01-01",{"id":141,"adult":6,"title":142,"video":6,"overview":143,"softcore":6,"genre_ids":144,"popularity":146,"vote_count":19,"poster_path":147,"release_date":148,"vote_average":149,"backdrop_path":29,"original_title":142,"original_language":42},453164,"Tree of Knowledge","It started with filming the tree. Something was released in that manner of filming seemingly farthest removed from the procedure of the early films. I first thought a simple ordering of this rich material might be enough, something related to BARN RUSHES [...] But the film only came into its form-life with the idea of linking this deep-rooted and far-outreaching tree material with that film on paranoia that had fascinated me for many years. –L. G.",[145],99,0.6317,"\u002FcUg6CWBqFHwPeJ4PDLEDkRuFo0H.jpg","1981-01-01",8,{"id":151,"adult":6,"title":152,"video":6,"overview":153,"softcore":6,"genre_ids":154,"popularity":155,"vote_count":19,"poster_path":156,"release_date":157,"vote_average":50,"backdrop_path":29,"original_title":152,"original_language":42},453166,"Machete Gillette... Mama","\"With characteristic wit and rigor, experimental filmmaker Larry Gottheim here applies his impressionistic editing style to footage collected during his travels in the Dominican Republic. Gottheim’s formal emphasis on repetition and fissures between sound and image resonates here as a mode of sociological reflection (with the fragmentary montage mirroring elements of ritual while also destabilizing the ethnographic gaze). A largely overlooked antecedent to the contemporary blending of avant-garde and ethnographic filmmaking, MACHETTE GILLETTE… MAMA still poses a potent challenge to documentary convention.\" - Max Goldberg",[145],0.7138,"\u002FlGxDUwlsmTywbnTXWmTbE0PlEoc.jpg","1989-01-01",{"id":159,"adult":6,"title":160,"video":6,"overview":161,"softcore":6,"genre_ids":162,"popularity":163,"vote_count":164,"poster_path":29,"release_date":165,"vote_average":166,"backdrop_path":29,"original_title":167,"original_language":168},268617,"1\u002F57: Experiment with Synthetic Sound (Test)","Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a cactus. 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Her North American pop culture sensibility fuses with a distorted Japanese perspective to create a surreal interpretation of a “Japan of the imagination.” This fictional landscape is peppered with invented Japanese myths, ruminations on memory loss, the temporal space of digital photography and the ghosts of inherited imagination.",[145],0.7303,"\u002Fprqj4IqyW5VRvCWu3HO2QoKe0ia.jpg","2005-01-01",{"id":178,"adult":6,"title":179,"video":6,"overview":180,"softcore":6,"genre_ids":181,"popularity":182,"vote_count":19,"poster_path":183,"release_date":184,"vote_average":185,"backdrop_path":186,"original_title":179,"original_language":42},826991,"The Sarah Vaccine","The Sarah Vaccine is a technicolor COVID nightmare from the deranged mind of Sarah Squirm.  Your government has failed you...but SARAH never will!  CW: excessive gore, poop, vomit, blood",[94],0.8979,"\u002Fx5Yt0V0ZQ32cghLWJxvW16PdfB2.jpg","2021-05-07",10,"\u002FaQBKaZW7yu8eHMzGuFW8BldP44j.jpg",{"id":188,"adult":6,"title":189,"video":6,"overview":190,"softcore":6,"genre_ids":191,"popularity":192,"vote_count":8,"poster_path":193,"release_date":194,"vote_average":8,"backdrop_path":29,"original_title":195,"original_language":196},827203,"Notes before the Wind","A loose collection of scenes in Hong Kong shot over a five-year period, this film begins with the Umbrella Movement in 2014 and ends right before the summer of 2019, when large-scale social unrest and violent resistance erupted. The everyday scenes capture the ambience and the landscape of change in the city, standing as a quiet prelude to the ensuing conflicts.",[145],0.4648,"\u002Fx91OOGJIrUmC9dIkkXGSeb75xyK.jpg","2020-01-01","風景","cn",{"id":198,"adult":6,"title":199,"video":6,"overview":200,"softcore":6,"genre_ids":201,"popularity":202,"vote_count":50,"poster_path":203,"release_date":204,"vote_average":149,"backdrop_path":29,"original_title":199,"original_language":168},268537,"Alaska","Alaska is a wordless experimental film with a simple, droning soundtrack that sounds as if it is a piece for violin and refrigerator hum.",[],1.3022,"\u002FaMmct0xb8Lf4RNiPZw7ij3D8kdv.jpg","1968-11-12",{"id":206,"adult":6,"title":207,"video":6,"overview":208,"softcore":6,"genre_ids":209,"popularity":210,"vote_count":19,"poster_path":211,"release_date":176,"vote_average":50,"backdrop_path":29,"original_title":212,"original_language":55},453001,"Untitled #1","A young girl’s fiery dance, accidentally caught on 16 mm film in the street. The viewer is confronted by the sacrificial and the passionate, the strong and the fragile, the fleeting and the eternal. These are the faces of femininity.",[129],0.9278,"\u002FwkUKCs5KJkU7t6KmUu5g2fAWRdh.jpg","Без названия #1",{"id":214,"adult":6,"title":215,"video":6,"overview":216,"softcore":6,"genre_ids":217,"popularity":218,"vote_count":19,"poster_path":219,"release_date":220,"vote_average":149,"backdrop_path":29,"original_title":215,"original_language":221},450923,"Hjärtat brinner","A film that places the bright and dark sides of life close together. From an understatement beginning, the movie drives up to an ecstatic highlight with a love act between two young people. The orgasm becomes an enormous image flow into the crematorium's death machine.",[129],0.9343,"\u002FgCsykMk8KsNpkRBi9YZ9L0zsFuj.jpg","1967-01-01","sv",110,2186,"\"This is my only truly solo video project. The tape is an exploration of character and was done in direct reaction to my performance work at the time, which was characterless. Video seemed a good way, by virtue of it not operating in 'real' time, of dealing with character and psychological motivation. 'The Banana Man' was a minor figure on a children's television show I watched in my youth. I, myself, never saw this performer. Everything I know about him was told to me by my friends. The Banana Man is an attempt at constructing the psychology of the character — problematized by the fact that the character is already a fictional one, and by the fact that none of my observations were direct ones.\"",0.6313,"\u002Fx8eLIANHsRFccdg7Wm30UeJHiW7.jpg","1983-01-01",[229],"US",{"results":231},{},[],[],[235],{"name":236,"iso_3166_1":229},"United States of America",45,"The Banana Man sits in the sweet spot of what works for tonight.",[]]