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On July 2, 2009 the Delhi High Court passed a landmark judgment scrapping this clause, thus fulfilling the most basic demand of the Indian LGBTQ community, which had been fighting this law for the past 10 years. Three characters, Beena, Pallav and Abheena travel through the city of Bombay heading to the celebrations for the first anniversary of the historic verdict. '365 without 377' is the story of their journey towards freedom.",[11,74],36,0.6675,"\u002F7payvCpmxW84sn8EO5Sb3aYIVUO.jpg","2011-05-01","\u002F8E4DO4SEwpaEgLYooHR5Bww7WUn.jpg","en",{"id":81,"adult":6,"title":82,"video":6,"overview":83,"softcore":6,"genre_ids":84,"popularity":85,"vote_count":8,"poster_path":86,"release_date":87,"vote_average":8,"backdrop_path":88,"original_title":89,"original_language":57},1019629,"Dreams have no titles","Part of Zineb Sedira's art installation for the French Pavilion at the 59th Venice Biennale. 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The film follows Peter and the NGO working with him to realise his project; to build contour trenches that capture and store rain water under the surface and replenish the desert land.",[11],0.6519,"\u002FldS5WxGNtdo6ue0Ou8I0A7zYRTi.jpg","2016-10-13",null,"nl",{"id":101,"adult":6,"title":102,"video":6,"overview":103,"softcore":6,"genre_ids":104,"popularity":105,"vote_count":8,"poster_path":106,"release_date":107,"vote_average":8,"backdrop_path":98,"original_title":102,"original_language":108},1585249,"The Stone That Remembers","The Stone That Remembers interprets the Durga Mahisas-uramardini statue’s journey from its home, the Singhasari Temple, to the hands of colonizers, and various museums. The film follow the patriarchal displacement of a woman that represents the Durga, exploring the parallels between the fate of the statue and many women today.",[11],0.6589,"\u002FnZK0tHMnM6zkNhVV0U2BlSzFjjG.jpg","2025-11-27","id",{"id":110,"adult":6,"title":111,"video":6,"overview":112,"softcore":6,"genre_ids":113,"popularity":114,"vote_count":8,"poster_path":115,"release_date":116,"vote_average":8,"backdrop_path":98,"original_title":111,"original_language":117},449143,"Hereros Angola","Hereros Angola is a documentary film on the ethnic group of the same name. Originated from Bantu peoples, they maintain their millennial culture which gains new senses through the camera.",[11],1.397,"\u002FovMuAHgwXEKnPWh7YbayXsHKFfZ.jpg","2013-09-20","pt",{"id":119,"adult":6,"title":120,"video":6,"overview":121,"softcore":6,"genre_ids":122,"popularity":123,"vote_count":8,"poster_path":98,"release_date":124,"vote_average":8,"backdrop_path":98,"original_title":120,"original_language":125},449281,"Tiroler Heldengedenk 84","Brown sauce spills onto the plate and table in Wolfram Kohler's collage-like exploration of politics in South Tyrol during the explosive and nationalist commemoration year of 1984.",[11],0.4949,"1985-02-02","de",{"id":127,"adult":6,"title":128,"video":6,"overview":129,"softcore":6,"genre_ids":130,"popularity":131,"vote_count":8,"poster_path":132,"release_date":133,"vote_average":8,"backdrop_path":98,"original_title":128,"original_language":79},451140,"Anna Pina Teresa","Anna, Pina, Teresa reinterprets the pivotal scene in Rossellini’s “Roma Città Aperta” where Anna Magnani, who plays the character Pina, (based on the story of Teresa Gullace,) is murdered on the streets of Rome by the Fascist police. This scene is characterized by three movements performed by Magnani — resistance, running and falling. Filmed in the Sala Scherma at Foro Italico in Rome (Mussolini’s fencing studio designed by Moretti) Anna, Pina, Teresa examines the contemporary and historical dynamics between an urban Fascist space and movements of resistance.",[11],0.7334,"\u002F1o77yqMkDKmGdhF0DBOiRxQC5QL.jpg","2015-04-08",{"id":135,"adult":6,"title":136,"video":6,"overview":137,"softcore":6,"genre_ids":138,"popularity":139,"vote_count":21,"poster_path":140,"release_date":141,"vote_average":142,"backdrop_path":98,"original_title":136,"original_language":143},451026,"Rif 1921, una historia olvidada","Manuel Horrillo has visited for 7 years the fields where the clashes between the Spanish troops and the rebels of the protectorate took place during the so-called Rif War, a forgotten war of the Spanish collective imaginary.",[11],1.2971,"\u002FamvZY0ykMcp1xsx4Lxgmr0hiVFs.jpg","2008-07-24",8.5,"es",{"id":145,"adult":6,"title":146,"video":6,"overview":147,"softcore":6,"genre_ids":148,"popularity":149,"vote_count":44,"poster_path":150,"release_date":151,"vote_average":54,"backdrop_path":152,"original_title":153,"original_language":57},1209496,"Algeria 1954, The Revolt Of A Colonized","This film presents the point of view of an Arab from Algeria who rebels against colonization. He analyzes the process of awareness, the transition to revolt, to armed insurrection. Algeria and the settlers are seen through this lens and not the way a Frenchman saw the country. He gives voice to the Arabs at a time when this word was not heard: sometimes it was not even produced, at least publicly. The testimonies are based on real propositions, most of them were made to the author during his stay in Algeria from 1948 to 1956, then in 1958 and 1959. The comments are borrowed from the texts of Arab theorists of the revolution Algerian. This film thus completely evacuates the point of view of those who are not insurgents; he does not give the opinion of the colonists. 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Be it Bilel, a grocer by default exposed to his customers’ political babbling, or the more politically-charged comments of Younes, a militant FM radio journalist opposed to President Bouteflika’s fourth term, the variety of conversational scenes in no way changes the determination not to vote for an old man who has been invisible for almost two years. The rappers Omar and Brahim are as bereft of hope and voter’s cards as the Tellek webradio DJ, since “the match is fixed”. Moving away from his focus on this subject to film their daily life, the filmmaker draws the portrait of a generation who, as Bilal says with poignant simplicity, “just wants to live",[11],0.9105,"\u002Fm2DoXNoLdFCsBEroKjllPyhd5fM.jpg","2017-03-24",{"id":170,"adult":6,"title":171,"video":6,"overview":172,"softcore":6,"genre_ids":173,"popularity":174,"vote_count":8,"poster_path":175,"release_date":176,"vote_average":8,"backdrop_path":98,"original_title":177,"original_language":79},8400,"Memory Books","In Uganda, AIDS-infected mothers have begun writing what they call Memory Books for their children. Aware of the illness, it is a way for the family to come to terms with the inevitable death that it faces. 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In fact, over 70% of adults in America identify themselves as Christian. Yet when filmmaker Brandon McGuire heads to the streets to ask a few clarifying questions about how Christianity is defined within our culture, he is shocked by the answers he finds.  This provocative documentary takes us deep within the American mind and brings to the surface the big ideas that have influenced the way we think about ourselves and about God.",[192,11],10751,0.9651,"\u002F76p0Wy8sjw9kYs0U7nCkN8Qqq34.jpg","2015-08-10",9,"\u002FbTRlKjW0wEccg3HZvnQAIwykYz0.jpg",{"id":199,"adult":6,"title":200,"video":6,"overview":201,"softcore":6,"genre_ids":202,"popularity":203,"vote_count":44,"poster_path":204,"release_date":205,"vote_average":206,"backdrop_path":98,"original_title":207,"original_language":125},8959,"White Man with Black Bread","Christof Wackernagel, best known in Germany as an actor and former member of the Red Army Faction (\"RAF\") lives in Mali. In his compelling portrait, Jonas Grosch shows a man who simply cannot stand still if he senses injustice. The courage to stand up for one’s beliefs coupled with vanity? However one chooses to look at it, it is easy to imagine what made him connect with the \"RAF\". With his irrepressible will for freedom, Christof Wackernagel gets entangled in the horrors of day-to-day life in Africa.",[11],0.9891,"\u002F175Qgb77jbUDLJjW4VFdoDm1t2E.jpg","2007-01-13",8,"Der Weiße mit dem Schwarzbrot",{"id":209,"adult":6,"title":210,"video":6,"overview":211,"softcore":6,"genre_ids":212,"popularity":213,"vote_count":8,"poster_path":214,"release_date":61,"vote_average":8,"backdrop_path":98,"original_title":210,"original_language":79},635369,"Gorillas: From the Heart of Darkness","Rwanda was once a country of peace, beauty and fabulous wildlife. Romain Baertsoen arrived there in 1966 and started to film two of Rwanda's secrets, the Bahima tribe and rare mountain gorillas. The Rwandan Civil War shattered the peace in 1994, as warring factions pillaged towns and plundered the forests. Remarkably, the gorillas survived, but the world around them is increasingly uncertain.",[11],0.7268,"\u002F21q4r2L8D4iMUgIkvWfr9RtHsEU.jpg",{"id":216,"adult":6,"title":217,"video":6,"overview":218,"softcore":6,"genre_ids":219,"popularity":220,"vote_count":8,"poster_path":98,"release_date":221,"vote_average":8,"backdrop_path":98,"original_title":217,"original_language":143},262888,"Una identidad en absurdo Vol. 1","Guillermo Gómez Álvarez explores the identity politics of Puerto Rico via archival footage from various sources that clash with nine original songs from local independent musicians and a thematic analysis from a psychoanalyst and a historian. From the juxtaposition the absurd becomes coherent and the coherent becomes absurd as Puerto Rican identity is defined and rejected almost simultaneously.",[11],1.0751,"2011-04-05",{"id":223,"adult":6,"title":224,"video":6,"overview":225,"softcore":6,"genre_ids":226,"popularity":227,"vote_count":22,"poster_path":228,"release_date":229,"vote_average":230,"backdrop_path":231,"original_title":224,"original_language":79},262668,"Montezuma","Montezuma is a 2009 BBC Television documentary film in which Dan Snow examines the reign of the Aztec Emperor Moctezuma II.",[11],1.137,"\u002FmeeLBldqwzRRSxGsiAohU4gVKYm.jpg","2009-09-19",6.333,"\u002FcX1uaFUL0oGMUfVGY9uN7cweFJz.jpg",1001,20001,"The essay by René Vautier, \"Déjà le sang de Mai ensemençait Novembre\", starts with the recapitulation of the representations of Algeria throughout the history of visual arts in France in an effort to explore the causes for the quest for independence.",0.845,"\u002FhTXtuHzl07Rh3BblkRsZMFgQ0Cf.jpg","1982-01-01","\u002FvMxiSAj0qKIsCrRS9d6zFvotOmE.jpg",[240,241],"DZ","FR",{"results":243},{},[245,248],{"name":246,"iso_639_1":68,"english_name":247},"العربية","Arabic",{"name":249,"iso_639_1":57,"english_name":250},"Français","French",[252],{"id":253,"name":254,"logo_path":255,"origin_country":241},140089,"Unité Production Cinématographique Bretagne","\u002FfEjC87IgRvCNYsEBxemmjP5gTIp.png",[257],{"name":258,"iso_3166_1":240},"Algeria",49,"A documentary story that tends to land well.",[]]