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Due to childhood malnutrition causing bone problems in her teen years, she was forced to give up the violin and moved to New York City in the mid 1920's where she met and became involved with Russian electronics genius Leon Theremin and helped him to refine and perfect his new instrument, giving advice from the standpoint of a musical performer to make the theremin more playable and developing her own hand techniques and exercises for playing the instrument.",[11,70],0.219,"\u002FdmC6fXtowv4eIl2N41e5BfA67hv.jpg",{"id":199,"adult":6,"title":200,"video":6,"overview":201,"softcore":6,"genre_ids":202,"popularity":203,"vote_count":204,"poster_path":205,"release_date":206,"vote_average":207,"backdrop_path":34,"original_title":200,"original_language":75},44621,"Speaking in Code","Shot in 11 cities and 5 countries, Speaking in Code provides a glimpse into the world of electronic dance music through the eyes of Modeselektor, the Wighnomy Brothers, Philip Sherburne, Monolake and David Day. 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Built from thousands of generated images, synthetic landscapes and references to 14th–16th century painting, the film stages a continuous conflict between historical visual culture and contemporary computational systems.  Fragments of obsolete video games, ruined architectures, military simulations and post-human figures circulate through increasingly unstable environments. Rather than telling a linear story, the film operates as an image system in which visual excess progressively erodes meaning. 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