[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-615804-en-US":3},{"detail":4,"match":268,"insight":269,"providers":270,"providerLink":6},{"adult":5,"backdrop_path":6,"belongs_to_collection":6,"budget":7,"genres":8,"homepage":12,"id":13,"imdb_id":6,"origin_country":14,"original_language":17,"original_title":18,"overview":19,"popularity":20,"poster_path":21,"production_companies":22,"production_countries":23,"release_date":26,"revenue":7,"runtime":27,"softcore":5,"spoken_languages":28,"status":33,"tagline":12,"title":34,"video":5,"vote_average":35,"vote_count":36,"credits":37,"similar":59,"watch\u002Fproviders":266},false,null,0,[9],{"id":10,"name":11},99,"Documentary","",615804,[15,16],"BR","US","en","Sempre Linda","Narratives are tales that unintentionally define our personality. In the case of women, being beautiful is the only way. The film shows how we learn to be obsessed by the visual itself, and how the highest compliment to a woman is always beauty.",0.106,"\u002F5V0FLsrAF0Pkn96w8JqLpkbKLMO.jpg",[],[24],{"iso_3166_1":15,"name":25},"Brazil","2019-07-01",4,[29],{"english_name":30,"iso_639_1":31,"name":32},"Portuguese","pt","Português","Released","Always Beautiful",10,1,{"cast":38,"crew":47},[39],{"adult":5,"gender":36,"id":40,"known_for_department":41,"name":42,"original_name":42,"popularity":43,"profile_path":44,"cast_id":45,"character":12,"credit_id":46,"order":7},2362560,"Directing","Catharina Felix",0.0311,"\u002FdNEfRRdAtnifeaBJH7f5Rl2CrIb.jpg",3,"6174e459a217c00043449c40",[48,52,56],{"adult":5,"gender":36,"id":40,"known_for_department":41,"name":42,"original_name":42,"popularity":43,"profile_path":44,"credit_id":49,"department":50,"job":51},"6174e4685bce9e008db3dcf3","Editing","Editor",{"adult":5,"gender":36,"id":40,"known_for_department":41,"name":42,"original_name":42,"popularity":43,"profile_path":44,"credit_id":53,"department":54,"job":55},"6174e479a097dc0065ef186f","Writing","Screenplay",{"adult":5,"gender":36,"id":40,"known_for_department":41,"name":42,"original_name":42,"popularity":43,"profile_path":44,"credit_id":57,"department":41,"job":58},"5d2cc09eb84f947f3b4c655a","Director",{"page":36,"results":60,"total_pages":264,"total_results":265},[61,70,81,93,103,115,125,135,144,156,165,174,184,195,207,215,226,234,245,254],{"adult":5,"backdrop_path":6,"genre_ids":62,"id":63,"title":64,"original_language":65,"original_title":64,"overview":66,"popularity":67,"poster_path":68,"release_date":69,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],631801,"Bruno & Bettina","de","Masao Adachi, the author and director of experimental works and pinku-eiga in the 1960s, was a member of the Japanese New Left that shifted from being a filmmaker to a guerrilla fighter. In 1974, he joined the Japanese Red Army in Lebanon, which worked closely with the Popular Front for the Liberation of Palestine. Filmmaker Lutz Dammbeck met Adachi in Tokyo in 2018 and talked with him about a wide range of topics, including art, revolution, the influence of western avant-garde art and American underground; the Japanese Red Army; collaboration with secret services; the role of the Left after 1968; and the reasons for failures of leftist ideas and strategies.",0.3056,"\u002Fl2IVuIqw1H0hxVtYMavKG700URx.jpg","2018-01-01",{"adult":5,"backdrop_path":71,"genre_ids":72,"id":74,"title":75,"original_language":17,"original_title":75,"overview":76,"popularity":77,"poster_path":78,"release_date":79,"softcore":5,"video":5,"vote_average":80,"vote_count":36},"\u002Fsr9quzQ85gKyoHlpJv40LvTlgb7.jpg",[10,73],36,799974,"Subjects of Desire","Subjects of Desire is a thought provoking film that examines the cultural shift in beauty standards towards embracing (or appropriating) Black aesthetics and features, deconstructing what we understand about race and the power behind beauty.",0.1712,"\u002FroqPCmLTHCIjCpFvl46tfP9rDYm.jpg","2021-03-17",6,{"adult":5,"backdrop_path":82,"genre_ids":83,"id":87,"title":88,"original_language":17,"original_title":88,"overview":89,"popularity":90,"poster_path":91,"release_date":92,"softcore":5,"video":5,"vote_average":35,"vote_count":36},"\u002Fc4LCcZrIqt24i4gqwbAgQOhnaV4.jpg",[10,84,85,86],35,18,9648,1361808,"Waiting Session (50$)","In an increasingly oppressive modern age, the characters of this film are subject to the alienation and meanness that characterizes today’s days.",0.2629,"\u002Fa9FuiJngDrlnyoQM7jLDc9hrLKP.jpg","2024-09-26",{"adult":5,"backdrop_path":6,"genre_ids":94,"id":95,"title":96,"original_language":65,"original_title":97,"overview":98,"popularity":99,"poster_path":100,"release_date":101,"softcore":5,"video":5,"vote_average":102,"vote_count":102},[10],464286,"Survival in Berlin-Neukölln","Überleben in Neukölln","About Stefan Stricker, who calls himself Juwelia and has been running a gallery on Sanderstraße in Berlin Neukölln for many years. Every weekend he invites guests to shamelessly recount from his life and to sing poetic songs written with his friend from Hollywood Jose Promis. Juwelia has been poor and sexy all her life, has always struggled for recognition, but only partially.",0.1801,"\u002FmT2K3Y2AN1egvAjtIKxe2frRn7G.jpg","2017-11-23",2,{"adult":5,"backdrop_path":104,"genre_ids":105,"id":107,"title":108,"original_language":109,"original_title":110,"overview":111,"popularity":112,"poster_path":113,"release_date":114,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002FhLDevq3JS7fKvvrZZsmdtT3Ydqz.jpg",[10,85,106],80,466839,"Yakuza and Constitution","ja","ヤクザと憲法","Since the enactment of the Anti-Boryokudan Act and Yakuza exclusion ordinances, the number of Yakuza members reduced to less than 60,000. In the past 3 years, about 20,000 members have left from Yakuza organizations.  However, just numbers can’t tell you the reality. What are they thinking, how are they living now?  The camera zooms in on the Yakuza world. Are there basic human rights for them?",0.245,"\u002Fk4xn9FnSQui1xioVIZPlStwRiDj.jpg","2016-01-02",{"adult":5,"backdrop_path":116,"genre_ids":117,"id":118,"title":119,"original_language":17,"original_title":119,"overview":120,"popularity":121,"poster_path":122,"release_date":123,"softcore":5,"video":5,"vote_average":124,"vote_count":45},"\u002Fl7jsfEpjVmDM9Lx2K5JhuDpYqcl.jpg",[10],1173510,"Cyborg Society","What does the looming A.I. revolution mean for us as individuals and as a society?",0.2601,"\u002F7SbjeOA4jhwNXBASQZAFOxae5gH.jpg","2023-09-19",7,{"adult":5,"backdrop_path":6,"genre_ids":126,"id":127,"title":128,"original_language":129,"original_title":130,"overview":131,"popularity":132,"poster_path":133,"release_date":134,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],9704,"Changes","is","Tímamót","Tímamót, or Changes in English. An upbeat, heartwarming story about Gudjon, Sigurbjorn and Steinthor who lived together for decades along with several other inhabitants in the Tjaldanes Institution, in a peaceful valley close to Reykjavik. When a decision is made to close down the institution, their life takes an unexpected turn and they discover a new side to life and to themselves.",0.1466,"\u002F3cOdUlAdyQ8sMNfnQHYRhe53Epj.jpg","2007-04-22",{"adult":5,"backdrop_path":136,"genre_ids":137,"id":138,"title":139,"original_language":17,"original_title":139,"overview":140,"popularity":141,"poster_path":142,"release_date":143,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002FupEvEPrAIX0Xyp6tUnGfRg6u4Ho.jpg",[10],1527958,"Light Upon Light: A Documentary On Hijab","Light Upon Light: A Documentary on Hijab is an intimate and deeply personal exploration of the diverse, raw, and untold stories of hijabi women. Through open and vulnerable conversations with 7 women, the film dismantles stereotypes, highlights the challenges imposed by society, and celebrates the profound beauty of the hijab beyond a mere clothing choice. It captures the individuality of each woman’s story—how they came to wear the hijab, the struggles they’ve faced, and the strength they’ve found in it. More than just fabric, the hijab is a journey, often misunderstood, and influenced by the way the world perceives it. By amplifying voices that are often unheard, the documentary creates a space for empathy, challenges misconceptions, and invites a deeper understanding of what it truly means to wear the hijab; inspiring everyone to see hijab in a new light.",0.1625,"\u002F4Ykxp4nSsWMEwrQRE3cE14FrrEO.jpg","2025-03-02",{"adult":5,"backdrop_path":145,"genre_ids":146,"id":147,"title":148,"original_language":149,"original_title":150,"overview":151,"popularity":152,"poster_path":153,"release_date":154,"softcore":5,"video":5,"vote_average":155,"vote_count":36},"\u002FlLuNst9Oejmkh1yg3bKEUH2rYFW.jpg",[10],1174463,"Such a Resounding Silence","fr","Un silence si bruyant","Through this documentary, Emmanuelle Béart aims to uncover the truth about incest. The actress, accompanied by director Anastasia Mikova, breaks her silence and confronts her reality with that of others, shedding light on a taboo subject.",0.4255,"\u002F8fYaXutjKJwm4iYs5tBcISKDZU5.jpg","2023-11-13",9,{"adult":5,"backdrop_path":6,"genre_ids":157,"id":159,"title":160,"original_language":17,"original_title":160,"overview":161,"popularity":162,"poster_path":6,"release_date":163,"softcore":5,"video":5,"vote_average":164,"vote_count":102},[10,158],12,29440,"Africa Light \u002F Gray Zone","\"Africa Light\" - as white local citizens call Namibia. The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. It fluctuates between socialism and cold calculated market economy.",0.2773,"2010-01-30",5.5,{"adult":5,"backdrop_path":6,"genre_ids":166,"id":167,"title":168,"original_language":169,"original_title":168,"overview":170,"popularity":171,"poster_path":172,"release_date":173,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],455140,"The Perfumed Garden","ar","THE PERFUMED GARDEN is an exploration of the myths and realities of sensuality and sexuality in Arab society, a world of taboos and of erotic literature. Through interviews with men and women of all ages, classes, and sexual orientation, the film lifts a corner of the veil that usually shrouds discussion of this subject in the Arab world.  Made by an Algerian-French woman director, the film begins by looking at the record of a more permissive history, and ends with the experiences of contemporary lovers from mixed backgrounds. It examines the personal issues raised by the desire for pleasure, amidst societal pressures for chastity and virginity.  The film discusses pre-marital sex, courtship and marriage, familial pressures, private vs. public spaces, social taboos (and the desire to break them), and issues of language.",0.4279,"\u002FtsO5BOKUXV33eSwdlVo1j1GhGkH.jpg","2000-04-29",{"adult":5,"backdrop_path":175,"genre_ids":176,"id":177,"title":178,"original_language":65,"original_title":178,"overview":179,"popularity":180,"poster_path":181,"release_date":182,"softcore":5,"video":5,"vote_average":183,"vote_count":80},"\u002FvpNV1TxSGEDTrFGnvONeUGOvrHR.jpg",[10],634283,"But Beautiful","In his new film, Erwin Wagenhofer is looking for the good and beautiful in this world.",0.6707,"\u002FltfgtvUAbTAVz3d0UGeRYbG2loA.jpg","2019-11-14",7.7,{"adult":5,"backdrop_path":185,"genre_ids":186,"id":187,"title":188,"original_language":17,"original_title":188,"overview":189,"popularity":190,"poster_path":191,"release_date":192,"softcore":5,"video":5,"vote_average":193,"vote_count":194},"\u002Fbt8HfEyj10p1ykfQGckP9aIwfv9.jpg",[10],273245,"DSKNECTD","As clichés go, in 1999 the World as we knew it was about to change - and we'd been expecting it. Since childhood we'd been promised that the 21st century would bring us dramatic new technologies like flying cars and Utopian cities. Instead it bought us the smart-phone, social media, and virtual societies. And as it turns out these technologies began to transform society almost as dramatically as the moon colonies we'd been expecting.  Now over a decade into the revolution, 'DSKNECTD' explores how digital communication technology is profoundly changing the way we interact and experience each other - for the good and for the bad.",0.2213,"\u002FkiQhdeiBGGFKoevvtF6EQMEAJyT.jpg","2013-10-11",6.9,11,{"adult":5,"backdrop_path":196,"genre_ids":197,"id":198,"title":199,"original_language":65,"original_title":200,"overview":201,"popularity":202,"poster_path":203,"release_date":204,"softcore":5,"video":5,"vote_average":205,"vote_count":206},"\u002F3vZiAjtpiUiupoi96PYANpqIo7u.jpg",[10,85],12578,"Germany in Autumn","Deutschland im Herbst","Nine fictitious documentaries and films reflect the mood of late 1970s Germany, particularly the two-month period in 1977 when a businessman was kidnapped by the RAF (Red Army Faction). The kidnap had been made to orchestrate the release of the original leaders of the RAF, aka the Baader-Meinhof.",0.4699,"\u002Fc647fe1s7gpjaHYY5ccl54K7mFA.jpg","1978-03-03",6.31,29,{"adult":5,"backdrop_path":6,"genre_ids":208,"id":209,"title":210,"original_language":17,"original_title":210,"overview":211,"popularity":212,"poster_path":213,"release_date":214,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],435281,"Mabel","Feisty, fiercely independent and firmly rooted in place, 90 year-old Mabel Robinson broke barriers back in the 40s when she became the first woman in Hubbards, Nova Scotia, to launch her own business—a hairdressing salon where she still provides shampoo-n-sets over 70 years later. Weaving animation and archival imagery with intimate and laugh out loud moments in the salon, the film celebrates the power of friendship, doing what you love and staying active. With no desire to retire anytime soon, Mabel gives voice to a generation who are not front and center of cinema or the pop hairstyles of the day, and subtly shifts the lens on our perception of beauty and the elderly.",0.2676,"\u002FzepP6vOeLv4xuMVTPoWaUDWWoIW.jpg","2016-01-01",{"adult":5,"backdrop_path":216,"genre_ids":217,"id":219,"title":220,"original_language":221,"original_title":220,"overview":222,"popularity":223,"poster_path":224,"release_date":225,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002F7c8O8WrFoN0dwrtJX7MVLLkWfVl.jpg",[10,218],10402,613180,"Heavy Agger","da","A portrait of a group of youngsters in Agger at the west coast of Jutland. They listen to the raw metalrock. They dress in leather and rivets. And that doesn't exactly lessen the generational divide.",0.1487,"\u002FjQonCaPxKBoSxjESouFe7GVdgjr.jpg","1986-04-17",{"adult":5,"backdrop_path":6,"genre_ids":227,"id":228,"title":229,"original_language":17,"original_title":229,"overview":230,"popularity":231,"poster_path":6,"release_date":232,"softcore":5,"video":5,"vote_average":233,"vote_count":124},[10],254775,"The Codes of Gender","Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.",0.4364,"2010-10-13",6.5,{"adult":5,"backdrop_path":235,"genre_ids":236,"id":237,"title":238,"original_language":149,"original_title":239,"overview":240,"popularity":241,"poster_path":242,"release_date":243,"softcore":5,"video":5,"vote_average":244,"vote_count":102},"\u002Ftf7VeRtFVAabyKeF08YHalYZvUz.jpg",[10],1164678,"Stopping the Next Pandemic","Épidémies, l'empreinte de l'homme","How can we prevent epidemics? Why do viruses and bacteria move? Rather than trying to contain epidemics one after another, why not stop the processes that encourage their emergence? The challenges are enormous, but scientists argue that solutions exist. Because if emerging diseases are the collateral consequences of our lifestyles, our lifestyles are under our control.",0.1294,"\u002Fg8rhFe5MOCrH601R8P2fHpnVWgD.jpg","2023-04-17",8.5,{"adult":5,"backdrop_path":6,"genre_ids":246,"id":247,"title":248,"original_language":31,"original_title":249,"overview":250,"popularity":251,"poster_path":252,"release_date":253,"softcore":5,"video":5,"vote_average":244,"vote_count":27},[10],628845,"The Silence of Men","O Silêncio dos Homens","This film is part of a project that has listened to over 40,000 people on masculinity issues and has resulted in a documentary and a tool book based on this publicly available study through an agreement with the Social Information Consortium (CIS) of the University of São Paulo.",0.2253,"\u002Fez7rMQBQkBRlkzTYBLMD1qHMYlF.jpg","2019-08-29",{"adult":5,"backdrop_path":255,"genre_ids":256,"id":257,"title":258,"original_language":17,"original_title":258,"overview":259,"popularity":260,"poster_path":261,"release_date":262,"softcore":5,"video":5,"vote_average":263,"vote_count":45},"\u002Fy4fHUK6fEHDGQ5JjCieuwH6z487.jpg",[10,85],994679,"Ty-Peupe","The ideal of youth is at the centre of this eloquent film, mixing documentary and fiction, art and experimentation. Demonstrating both formal and narrative freedom, Bélanger weaves a deliberately loose weave in which the initiatory journey of two young people, wandering through Montreal in search of a job, unfolds. But not just any job. The two idealists want a job that will satisfy their desire for freedom, peace and respect. Of course, even though the breath of renewal from Expo 67 still floats here and there, the world they encounter does not correspond - by far - to their aspirations. Strangers in this country that tells them nothing, they come across brutally, materialism, violence, and egocentrism.",0.2911,"\u002FvDaiXCj4uwDTag6CfffT0OxS4xt.jpg","1971-10-26",7.167,11365,227295,{"results":267},{},54,"A documentary story that tends to land well.",[]]