[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-616605-en-US":3},{"detail":4,"match":518,"insight":519,"providers":520,"providerLink":7,"trailer":7},{"adult":5,"backdrop_path":6,"belongs_to_collection":7,"budget":8,"genres":9,"homepage":13,"id":14,"imdb_id":15,"origin_country":16,"original_language":18,"original_title":19,"overview":20,"popularity":21,"poster_path":22,"production_companies":23,"production_countries":28,"release_date":31,"revenue":8,"runtime":32,"softcore":5,"spoken_languages":33,"status":37,"tagline":13,"title":38,"video":5,"vote_average":39,"vote_count":40,"credits":41,"similar":113,"watch\u002Fproviders":308,"videos":516},false,"\u002FkMdec6BCnWGEoOMqgfruxIv3fDG.jpg",null,0,[10],{"id":11,"name":12},99,"Documentary","",616605,"tt9313040",[17],"HU","hu","A létezés eufóriája","Alone, Eva Fahidi returned home to Hungary after WWII. At 20 years of age, she had survived Auschwitz Birkenau, while 49 members of her family were murdered, including her mother, father, and little sister. Today, at age 90, Eva is asked to participate in a dance theatre performance about her life's journey. This would be her first experience performing on a stage. Reka, the director, imagines a duet between Eva and a young, internationally acclaimed dancer, Emese. Reka wants to see these two women, young and old, interact on stage, to see how their bodies, and stories, can intertwine. Eva agrees immediately. Three women - three months - a story of crossing boundaries. Whilst the extraordinary moments of Eva's life are distilled into theater scenes, a truly wonderful and powerful relationship forms among the three women.",0.1353,"\u002FqXypwYMaLwvBbUfxAXBwK4xoUsz.jpg",[24],{"id":25,"logo_path":26,"name":27,"origin_country":17},40358,"\u002F21aGOJEjlY5YBZ5USpNdmD9iYKX.png","Campfilm",[29],{"iso_3166_1":17,"name":30},"Hungary","2019-08-12",84,[34],{"english_name":35,"iso_639_1":18,"name":36},"Hungarian","Magyar","Released","The Euphoria of Being",9,2,{"cast":42,"crew":63},[43,51,56],{"adult":5,"gender":8,"id":44,"known_for_department":45,"name":46,"original_name":46,"popularity":47,"profile_path":7,"cast_id":48,"character":49,"credit_id":50,"order":8},2472572,"Acting","Éva Pusztai-Fahidi",0.0143,3,"Herself","5de40dcaa7e36300146be162",{"adult":5,"gender":8,"id":52,"known_for_department":45,"name":53,"original_name":53,"popularity":47,"profile_path":7,"cast_id":40,"character":49,"credit_id":54,"order":55},2472571,"Emese Cuhorka","5de40dbaa7e36300166b6b09",1,{"adult":5,"gender":8,"id":57,"known_for_department":58,"name":59,"original_name":59,"popularity":60,"profile_path":7,"cast_id":61,"character":49,"credit_id":62,"order":40},2365042,"Directing","Réka Szabó",0.0218,4,"5de40ddd6782590018fe32f4",[64,71,74,81,88,93,97,103,107],{"adult":5,"gender":8,"id":65,"known_for_department":66,"name":67,"original_name":67,"popularity":68,"profile_path":7,"credit_id":69,"department":66,"job":70},1749343,"Camera","Claudia Kovács",0.0361,"60ff6ad92fdec6007f276097","Director of Photography",{"adult":5,"gender":8,"id":57,"known_for_department":58,"name":59,"original_name":59,"popularity":60,"profile_path":7,"credit_id":72,"department":58,"job":73},"5d30cee22f8d090010d48ea6","Director",{"adult":5,"gender":8,"id":75,"known_for_department":76,"name":77,"original_name":77,"popularity":47,"profile_path":7,"credit_id":78,"department":79,"job":80},1439048,"Editing","Balázs Barna","5de40e040cd4460019395ea0","Sound","Music",{"adult":5,"gender":55,"id":82,"known_for_department":76,"name":83,"original_name":83,"popularity":84,"profile_path":85,"credit_id":86,"department":76,"job":87},53618,"Sylvie Gadmer",0.1088,"\u002FnZDPpR2m350RCLtLcSbK2cHFMM3.jpg","5de40e280cd4460012399dc2","Editor",{"adult":5,"gender":8,"id":89,"known_for_department":76,"name":90,"original_name":90,"popularity":91,"profile_path":7,"credit_id":92,"department":76,"job":87},1207644,"Péter Sass",0.0765,"5de40e360cd4460019395f7f",{"adult":5,"gender":8,"id":57,"known_for_department":58,"name":59,"original_name":59,"popularity":60,"profile_path":7,"credit_id":94,"department":95,"job":96},"6868cdbeeb6de7aeae9a36a9","Production","Producer",{"adult":5,"gender":55,"id":98,"known_for_department":95,"name":99,"original_name":100,"popularity":101,"profile_path":7,"credit_id":102,"department":95,"job":96},1368461,"Sára László","László Sára",0.0239,"6868cdce8de47e8a7e702201",{"adult":5,"gender":8,"id":57,"known_for_department":58,"name":59,"original_name":59,"popularity":60,"profile_path":7,"credit_id":104,"department":105,"job":106},"6868cdee92bcc4bade6e78b1","Writing","Writer",{"adult":5,"gender":40,"id":108,"known_for_department":58,"name":109,"original_name":110,"popularity":111,"profile_path":7,"credit_id":112,"department":95,"job":96},1368460,"Marcell Gerő","Gerő Marcell",0.0429,"699cbc8fe69d9d92330e5ba4",{"page":55,"results":114,"total_pages":306,"total_results":307},[115,127,137,147,158,168,175,183,191,202,209,218,225,235,247,258,265,275,284,296],{"adult":5,"backdrop_path":116,"genre_ids":117,"id":119,"title":120,"original_language":121,"original_title":122,"overview":123,"popularity":124,"poster_path":125,"release_date":126,"softcore":5,"video":5,"vote_average":8,"vote_count":8},"\u002F7YUGHhRm1Q4wUY0BpgzkPhv0ldC.jpg",[11,118],10770,790507,"The Holocaust. 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There is a story of the mad woman, first outcast and ignored, at the end joins to the community through her dance. Inserted descriptions of Anma (The Masseurs) are made for the film by the filmmaker, but were not in the original Butoh. The film, the only document taken of the performance, must be seen for the understanding of Hijikata Butoh and the foundation of Butoh.",0.2401,"\u002F3E6xrTPfHYsYQdIT0WStQMSKZMI.jpg","1963-12-31",{"adult":5,"backdrop_path":138,"genre_ids":139,"id":140,"title":141,"original_language":142,"original_title":141,"overview":143,"popularity":144,"poster_path":145,"release_date":146,"softcore":5,"video":5,"vote_average":8,"vote_count":8},"\u002F4D3PDEUJFwxgJysJ3Ez6ngHyFGE.jpg",[11],1341109,"On Freedom of Movement (wi de muv)","en","The film considers what it means to be free to move, not as in leave or flee, but to move. It explores the ability of the environments we live in – especially cities – to create the space people need to move. 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Margot Friedländer","de","The documentary tells the life story of Margot Friedländer, a 101-year-old Berlin native who survived the Holocaust and was awarded the Federal Cross of Merit, First Class, in January of this year.",0.2494,"\u002FdTfzKtvQyXwHZXbHbqur2Drybf0.jpg","2023-11-07",5,{"adult":5,"backdrop_path":7,"genre_ids":203,"id":204,"title":205,"original_language":142,"original_title":205,"overview":206,"popularity":207,"poster_path":7,"release_date":208,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],1201118,"Moses Pendleton Presents Moses Pendleton","A profile on Moses Pendleton, the founder of the Pilobolus Dance Theater and MOMIX.",0.1423,"1982-06-12",{"adult":5,"backdrop_path":7,"genre_ids":210,"id":211,"title":212,"original_language":131,"original_title":213,"overview":214,"popularity":215,"poster_path":216,"release_date":217,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],468286,"Listen","LISTEN リッスン","Documentary without audio produced by deaf people. Music is depicted visually with the complete absence of musical instruments or voices. Directed by Makihara Eri and choreographer Dakei.  With a diverse lineup including ordinary deaf people with zero acting experience and a choreographer who performs in Japan and abroad, this film pulls out all the tops to give visual expression to music through the physical body. An aging man uses multiple sign language poems to convey the four seasons, and a girl expresses the wind amidst the rustling trees.",0.1361,"\u002Fn505jkPcUHXLKaXux9Mpo3TsoSI.jpg","2016-05-14",{"adult":5,"backdrop_path":7,"genre_ids":219,"id":220,"title":221,"original_language":142,"original_title":221,"overview":222,"popularity":223,"poster_path":7,"release_date":224,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],1529370,"Bumpa","This documentary will explore the Afro-Caribbean dance, ‘whining’ alongside the practice of twerking to analyze respectability politics, pressures to accommodate whiteness, and gendered criticism of sexual expression within the Black diaspora. Using archival footage of West African dance, expert opinion from dancing and gender studies professors, and the active participation of partygoers in a dance experiment, Watkins will paint the picture of the defiance, autonomy, and ancestral veneration intrinsic to these traditional movement styles.",0.1795,"2025-08-22",{"adult":5,"backdrop_path":226,"genre_ids":227,"id":228,"title":229,"original_language":142,"original_title":229,"overview":230,"popularity":231,"poster_path":232,"release_date":233,"softcore":5,"video":5,"vote_average":234,"vote_count":201},"\u002FiRzwsuNiS4IlI4ZAKYiOpBGS8Ns.jpg",[11],53910,"Dancing Across Borders","On a trip to Angkor Wat in Siem Reap, Cambodia in January 2000, filmmaker Anne Bass came across a sixteen-year-old boy who moved her immensely with his amazing natural charm and grace as a dancer. A longtime devotee of the world of dance, Bass felt compelled to give this young boy the opportunity to leave his home and follow a dream that he could not yet have fully imagined. 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All his doubts and insecurities in collaborating with the crew and actors - especially actresses - are exposed. The biggest drama started when Björk walked off the set. Nobody knew whether she would be back or not. Admitting that he feels threatened by women, who can ‘make him feel embarrassed’, the director gives this documentary the nature of a personal diary. When he discusses the importance, purpose and beauty of the use of a hundred cameras in a certain sequence or the meaning of the Dogma 95 rules, the audience is witnessing the process of the artist’s search. Is the pain that the director went through during the shooting really visible in the final result, as Lars von Trier claims in this film? (from: http:\u002F\u002Fwww.idfa.nl\u002F)",0.6118,"\u002F9lGQhLJfqmsgyYZeaqREfwZbTb2.jpg","2000-12-02",7.444,{"adult":5,"backdrop_path":7,"genre_ids":259,"id":260,"title":261,"original_language":142,"original_title":261,"overview":262,"popularity":263,"poster_path":7,"release_date":264,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],831336,"The Easiest Targets","Five women – Palestinian, American, Muslim, Christian, and Jewish – tell stories of humiliation and harassment by Israeli border guards and airport security officials.",0.1376,"2007-02-28",{"adult":5,"backdrop_path":7,"genre_ids":266,"id":267,"title":268,"original_language":269,"original_title":268,"overview":270,"popularity":271,"poster_path":272,"release_date":273,"softcore":5,"video":5,"vote_average":274,"vote_count":40},[11],454555,"Antonio Gades, la ética de la danza","es","Documentary that reconstructs the professional life of the dancer through the thread of his own voice. A work that travels to the fundamental landscapes of the personal history of Gades with unpublished documents and the testimony of those who shared with him many pages of the book of his life and the history of Spanish dance in recent decades.",0.2405,"\u002Fid2pkbdt65TtEHQQsGhA62OCEE9.jpg","2007-03-18",6,{"adult":5,"backdrop_path":7,"genre_ids":276,"id":278,"title":279,"original_language":142,"original_title":280,"overview":281,"popularity":282,"poster_path":7,"release_date":283,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[277,11],16,1203791,"My Good Fortune in Auschwitz","Mijn Geluk in Auschwitz","A film about friendship in difficult times, Auschwitz.",0.2067,"2012-05-02",{"adult":5,"backdrop_path":285,"genre_ids":286,"id":288,"title":289,"original_language":269,"original_title":290,"overview":291,"popularity":292,"poster_path":293,"release_date":294,"softcore":5,"video":5,"vote_average":295,"vote_count":201},"\u002FqP3V5wsabE6JikNhOoeBprE66No.jpg",[11,287,118],36,459297,"Francisco Boix: A Photographer in Hell","Francisco Boix: un fotógrafo en el infierno","In 1939, just finished the Spanish Civil War, Spanish republican photographer Francesc Boix escapes from Spain; but is captured by the Nazis in 1940 and imprisoned in the Mauthausen concentration camp, in Austria, a year later. There, he works as a prisoner in the SS Photographic Service, hiding, between 1943 and 1945, around 20,000 negatives that later will be presented as evidence during several trials conducted against Nazi war criminals after World War II.",0.3706,"\u002FwXQLqP5r4taTzgedQ8snOJ1AfZ5.jpg","2000-01-01",5.6,{"adult":5,"backdrop_path":297,"genre_ids":298,"id":299,"title":300,"original_language":142,"original_title":300,"overview":301,"popularity":302,"poster_path":303,"release_date":304,"softcore":5,"video":5,"vote_average":305,"vote_count":55},"\u002F8TF3lYDXqFPv95lRvonXFJAuGsq.jpg",[11],459038,"Raised by Krump","“Raised by Krump” explores the LA-born dance movement “krumping,” and how the dance has helped the lives of some of the area’s most influential 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