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Taylor, a black Baptist minister from Memphis, Tennessee who was also an inspired filmmaker with an overwhelming interest in preserving the social and cultural fabric of his own community in the 1930′s and 40s. 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Besides review of movements and actions, which creates an independent story, it reveals interactions and interdependence of cinematic traditions of various authors, countries and periods",[11],0.2492,"\u002F2Es0VdehPB4PgIrGGuZZmh4Kp1t.jpg","2016-10-24","Історія рук",{"id":97,"adult":6,"title":98,"video":6,"overview":99,"softcore":6,"genre_ids":100,"popularity":101,"vote_count":8,"poster_path":102,"release_date":103,"vote_average":8,"backdrop_path":104,"original_title":105,"original_language":106},620697,"OLO, the Boy from Tibet","A 6-year-old Tibetan boy leaves his family and flees to a refugee camp in northern India.",[11],0.7164,"\u002Foz4Y5VohINAx4F5dwD4x4GsKqmS.jpg","2012-06-30","\u002Fsw45SjvdwTP5GwjDvNXr2eHKePN.jpg","オロ","ja",{"id":108,"adult":6,"title":109,"video":6,"overview":110,"softcore":6,"genre_ids":111,"popularity":112,"vote_count":8,"poster_path":113,"release_date":114,"vote_average":8,"backdrop_path":43,"original_title":109,"original_language":44},450952,"Robert Breer At Home","Burford met Breer in February 1992 and filmed his actions. Breer manipulates some of his mutoscopes: he leafs through some cards of his film in the making, Sparkill Ave! A dome-shaped sculpture slowly moves across the space.",[11],0.507,"\u002FiCC21A4KArbNOHDzyJFYvsJ2z0b.jpg","1992-01-01",{"id":116,"adult":6,"title":117,"video":6,"overview":118,"softcore":6,"genre_ids":119,"popularity":120,"vote_count":8,"poster_path":121,"release_date":122,"vote_average":8,"backdrop_path":43,"original_title":117,"original_language":44},451211,"If Not,","If Not is a meditation on love, inspired by If Not, Winter by Sappho, translated by Anne Carson. 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Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.",[11],0.5864,"1969-12-19",{"id":148,"adult":6,"title":149,"video":6,"overview":150,"softcore":6,"genre_ids":151,"popularity":152,"vote_count":71,"poster_path":153,"release_date":154,"vote_average":155,"backdrop_path":156,"original_title":149,"original_language":157},262479,"Jeune femme à sa fenêtre lisant une lettre","Jean-Claude Rousseau's Jeune femme à sa fenêtre lisant une lettre is not only his first medium-length film, but a chance to discover this filmmaker whom Jean-Marie Straub has called, along with Frans Van de Staak and Peter Nestler, the greatest working in Europe. With this newly restored print there is also a possibility to discover the relationship between Rousseau's art of filming and Jan Vermeer's famous painting. As Prosper Hillairet wrote in 1988, four years after Rousseau had finished Jeune femme ... (for the first time as we know today): «Without adopting the usual systematic spirit and form of cinéma structurel, Rousseau presents us with simple images and leaves it at that. Keeps the image in hand. 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She wants to find the young man who appeared to her in a dream and goes to the island of Negros. Here, as she interacts with the inhabitants, Sarah continues her search, gathering memories of life and war, dreams, myths, legends, songs and stories that she takes part in and at times revolve around her. She is the daughter of an ancient mermaid, a revolutionary, a primordial element, a virgin who was kidnapped and hidden away from the sunlight.  “The film is a retelling of fragments of the American occupation. Dialogue, shot in the Hiligaynon language, is not translated but used as a tonal guide and a tool for narration. Using unscripted scenes shot where the main character was asked to merely interact with the villagers, I discard dialogue and draw meaning from peoples’ faces, voices, and actions, weaving an entirely different story through the use of subtitles and inter-titles.”",[11,50],1.2098,"\u002F5unW8oLPEaGzyQXQzyo1rt7wDpd.jpg","2010-07-12",6.5,"Ang Ninanais","tl",{"id":207,"adult":6,"title":208,"video":6,"overview":209,"softcore":6,"genre_ids":210,"popularity":211,"vote_count":8,"poster_path":43,"release_date":212,"vote_average":8,"backdrop_path":43,"original_title":213,"original_language":214},261158,"The Red Bank. James Joyce: His Greek Notebooks","This documentary aims to register this unknown side of James Joyce: His Greek Notebooks. Trieste. Bloomsday, 2013. Dance in slow motion, accompanied by text. By deconstructing the body, we turn it into a memory: of the body, of life, of texts. The biographical references to Joyce and Mando Aravantinou, combined with the diagonal slicing of the image, cancel the realism of the landscape, including that of the Narrator’s space\u002Fstudy. As a culmination, Joyce’s letter “A request for a loan in Greek” functions as a timely denunciation. Various routes through cities, such as Trieste, London, New York, and Athens; languages such as Greek and English. In addition to the primal myth of Ulysses, there is another issue: Greek is “the language of the subject of Ulysses”",[11],2.0786,"2013-03-25","The Red Bank. James Joyce: Ta τετράδιά του, των Ελληνικών","el",{"id":216,"adult":6,"title":217,"video":6,"overview":218,"softcore":6,"genre_ids":219,"popularity":220,"vote_count":23,"poster_path":221,"release_date":222,"vote_average":54,"backdrop_path":43,"original_title":223,"original_language":224},806476,"The Middle Dog's Day","shows visual and metaphorical representation using rope as a motif through various rope images and meanings.",[11],0.1845,"\u002FfF1IoJToHu96SHJe8HLU4BfP2Bz.jpg","1974-07-27","중복","xx",11705,234099,"Turmoil of unsheltered childhood: The dwelling as self.",0.1254,"\u002FxFvITWhjTDopD4PbAf82aQ6zwtv.jpg","2000-07-11",[232],"CA",{"results":234},{},[236],{"name":237,"iso_639_1":224,"english_name":237},"No Language",[],[240],{"name":241,"iso_3166_1":232},"Canada",45,"A documentary story that tends to land well.",[]]