[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-632945-en-US":3},{"detail":4,"match":251,"insight":252,"providers":253,"providerLink":23,"trailer":23},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":10,"videos":11,"credits":13,"imdb_id":23,"revenue":8,"runtime":34,"similar":35,"tagline":239,"homepage":239,"overview":240,"softcore":6,"popularity":241,"vote_count":8,"poster_path":242,"release_date":243,"vote_average":8,"backdrop_path":23,"origin_country":244,"original_title":7,"watch\u002Fproviders":246,"spoken_languages":248,"original_language":49,"production_companies":249,"production_countries":250,"belongs_to_collection":23},632945,false,"Now That the Buffalo's Gone",0,[],"Released",{"results":12},[],{"cast":14,"crew":15},[],[16,25,30],{"id":17,"job":18,"name":19,"adult":6,"gender":8,"credit_id":20,"department":21,"popularity":22,"profile_path":23,"original_name":19,"known_for_department":24},1315225,"Editor","Burton Gershfield","66a808dc9bd5275d00efd23d","Editing",0.4623,null,"Production",{"id":26,"job":18,"name":27,"adult":6,"gender":8,"credit_id":28,"department":21,"popularity":29,"profile_path":23,"original_name":27,"known_for_department":21},4856244,"David Lebrun","66a808b5c70d447da6efd23a",0.2759,{"id":17,"job":31,"name":19,"adult":6,"gender":8,"credit_id":32,"department":33,"popularity":22,"profile_path":23,"original_name":19,"known_for_department":24},"Director","5d8651d422f5d7000fa8b025","Directing",7,{"page":36,"results":37,"total_pages":237,"total_results":238},1,[38,50,64,75,87,100,110,119,128,140,151,159,167,174,183,193,204,212,221,228],{"id":39,"adult":6,"title":40,"video":6,"overview":41,"softcore":6,"genre_ids":42,"popularity":44,"vote_count":45,"poster_path":46,"release_date":47,"vote_average":48,"backdrop_path":23,"original_title":40,"original_language":49},266491,"The Town","The Town was a short propaganda film produced by the Office of War Information in 1945. 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Preserved by the Academy Film Archive in 2005.",[],0.6328,"1951-02-07",9,"de",{"id":129,"adult":6,"title":130,"video":6,"overview":131,"softcore":6,"genre_ids":132,"popularity":134,"vote_count":135,"poster_path":136,"release_date":137,"vote_average":138,"backdrop_path":139,"original_title":130,"original_language":49},11881,"Miracle on 34th Street","Kris Kringle, seemingly the embodiment of Santa Claus, is asked to portray the jolly old fellow at Macy's following his performance in the Thanksgiving Day parade. 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Preserved by the Academy Film Archive in 2014.",[],0.5265,"\u002Fs9SiimAARMGGlKQzoszxNnNCS5P.jpg","1968-01-01",{"id":160,"adult":6,"title":161,"video":6,"overview":162,"softcore":6,"genre_ids":163,"popularity":164,"vote_count":8,"poster_path":165,"release_date":166,"vote_average":8,"backdrop_path":23,"original_title":161,"original_language":49},650508,"Skyworks: \"Wind + Fire\"","Film of \"Dropped Objects\" falling from 8,000 ft. altitudes with skydivers as performers. This film of a conceptual artist's work is a document of Skyworks but also meant to be expressive as an art film. A film of meditation revealing the cosmic breath as Skyworks pieces fall at the rate of 120 to 135 miles per hour. A breathing language of light and knowledge. Performance-controlled flight. Gyres cycling in and out - the mystic spiral. A perception of light and space as energy lines alter the environment temporarily.  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Preserved by the Academy Film Archive in 2013.",[43],0.4039,"1966-01-01",{"id":175,"adult":6,"title":176,"video":6,"overview":177,"softcore":6,"genre_ids":178,"popularity":180,"vote_count":36,"poster_path":181,"release_date":182,"vote_average":48,"backdrop_path":23,"original_title":176,"original_language":49},637564,"Mutoscope Reels","An mutoscope motion picture installation commissioned for the 86th anniversary of the Guggenheim museum. Later preserved and turned into a short film.  Preserved by the Academy Film Archive in 2000.",[179],16,0.6461,"\u002FAjbc58eqSavlmoQvYpnkoc8Ko5B.jpg","1945-01-01",{"id":184,"adult":6,"title":185,"video":6,"overview":186,"softcore":6,"genre_ids":187,"popularity":188,"vote_count":189,"poster_path":190,"release_date":191,"vote_average":109,"backdrop_path":192,"original_title":185,"original_language":49},3171,"Bambi Meets Godzilla","A deer, disillusioned by the consumerism that defines his life. A lizard, ostracized from society, forever wandering. A chance meeting in the middle of a field. Who will survive? And who will transcend existence? Preserved by the Academy Film Archive in 2009.",[55,179],0.9833,182,"\u002FlJazOe53J7FPC2H2d6i64jFGNGC.jpg","1969-07-10","\u002Ftv7spvonDUQoIBoUCiGOIigqidW.jpg",{"id":194,"adult":6,"title":195,"video":6,"overview":196,"softcore":6,"genre_ids":197,"popularity":199,"vote_count":200,"poster_path":201,"release_date":202,"vote_average":203,"backdrop_path":23,"original_title":195,"original_language":49},267616,"The Sun's Gonna Shine","A lyrical recreation of Lightnin’ Hopkins’ decision at age eight to stop chopping cotton and start singing for a living.  Preserved by the Academy Film Archive in 2013.",[43,198],10402,0.9979,8,"\u002FeDKUNWVQNpSin7aLS9oMmeWbyC9.jpg","1969-01-02",6.9,{"id":205,"adult":6,"title":206,"video":6,"overview":207,"softcore":6,"genre_ids":208,"popularity":209,"vote_count":106,"poster_path":23,"release_date":210,"vote_average":211,"backdrop_path":23,"original_title":206,"original_language":49},267479,"Real Italian Pizza","\"Taken between September 1970 and May 1971, with the unmoving camera apparently bolted to the window ledge, this film, a ten-minute eternity, chronicles what takes place within view of the lens. The backdrop is a typical New York pizza stand, the actors are selected New Yorkers who happened to be there during the half year, the plot is the somewhat sinister aimlessness of life itself.\" - Donald Ritchie, Museum of Modern Art, NY.  Preserved by the Academy Film Archive in 2014.",[],0.6427,"1971-01-02",4.5,{"id":213,"adult":6,"title":214,"video":6,"overview":215,"softcore":6,"genre_ids":216,"popularity":217,"vote_count":45,"poster_path":218,"release_date":219,"vote_average":220,"backdrop_path":23,"original_title":214,"original_language":49},267577,"Surfacing on the Thames","‘A beautiful, mysterious yet satisfying optical illusion…celebrates the early passing of a steam on the Thames. Using freeze-frame techniques, elaborate dissolves, and most of the resources on the optical table, this picture is, amongst other things, a Turner come to life. Rimmer’s concern with the surface nature of the film is most evident in this work which, in spite of its filmic complexity, is incredibly simple.’ — Donald Richie.  Preserved by the Academy Film Archive in partnership with Pacific Cinematheque in 2013.",[],0.5812,"\u002FwtlZ2sJpokp4Vxqyj4KGZL1UKDX.jpg","1970-03-10",6.3,{"id":222,"adult":6,"title":223,"video":6,"overview":224,"softcore":6,"genre_ids":225,"popularity":226,"vote_count":8,"poster_path":227,"release_date":166,"vote_average":8,"backdrop_path":23,"original_title":223,"original_language":49},455183,"Kitsch in Synch","The animation, music, and optical printing of Kitsch in Synch was produced by Beckett and the students in two classes he was teaching at CalArts. Although a group project, it is clear that Beckett was the director. The playful, catchy soundtrack is used to create a cycle of building tension and release. The brightly colored shapes create approximate symmetrical formations and become more densely layered, with glimpses of iconographic objects and even live footage near the end. Preserved by the Academy Film Archive, in partnership with the iotaCenter, in 2007.",[179],0.5306,"\u002FxtJEqvajspa6KSnYkjWUcYttzes.jpg",{"id":229,"adult":6,"title":230,"video":6,"overview":231,"softcore":6,"genre_ids":232,"popularity":233,"vote_count":45,"poster_path":234,"release_date":235,"vote_average":236,"backdrop_path":23,"original_title":230,"original_language":49},270251,"Showman","Albert and David Maysles (Gimme Shelter) directed this 53-minute documentary about movie tycoon Joseph E. Levine (1963).",[43],0.6426,"\u002FsF5OBUYv9mOnjyukh8XRoCJc9L0.jpg","1963-01-02",6.7,36,711,"","Color UCLA Student Film, Preserved by the Academy Film Archive in 2012. The film melds still photos, Hollywood film, television footage, and speeches with a solarized color overlay to portray Plains Native American life during the period of the United States settler military occupation of the North West. 'Described by the filmmaker as 'an elegy to the lost heritage of the plains Indians,' this is a moving and intricately made work utilizing still photos, film clips, television footage, bits of old speeches, solarized color, and stroboscopic effects.' - Media & Methods.",0.604,"\u002Fuo2WO1jvrFmVInFtmFQjlY8jIfC.jpg","1967-01-01",[245],"US",{"results":247},{},[],[],[],45,"Now That the Buffalo's Gone sits in the sweet spot of what works for tonight.",[]]