[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-634714-en-US":3},{"detail":4,"match":231,"insight":232,"providers":233,"providerLink":6,"trailer":6},{"adult":5,"backdrop_path":6,"belongs_to_collection":6,"budget":7,"genres":8,"homepage":12,"id":13,"imdb_id":6,"origin_country":14,"original_language":16,"original_title":17,"overview":18,"popularity":19,"poster_path":20,"production_companies":21,"production_countries":22,"release_date":25,"revenue":7,"runtime":26,"softcore":5,"spoken_languages":27,"status":31,"tagline":12,"title":17,"video":5,"vote_average":7,"vote_count":7,"credits":32,"similar":43,"watch\u002Fproviders":227,"videos":229},false,null,0,[9],{"id":10,"name":11},16,"Animation","",634714,[15],"US","en","Sonoma","\"I relocated to the Redwoods of Sonoma County upon graduation and in that relocation process the animation for Sonoma began. The design was built around the concept of the long wide horizontal 'pan' shot to express the concept of a dynamic landscape that passes across the screen like a traditional Chinese Scroll Painting. The deep personal meaning relates to the 'relocation' that was occurring within my own being after having done 2½ terms of active combat in the jungle as a carrier enlisted with the 82nd Airborne Division of the Army\" -D. Pies.  Preserved by the Academy Film Archive in 2012.",0.5346,"\u002Fbvhs5gikXDISUD1XxWDk5LhFFwi.jpg",[],[23],{"iso_3166_1":15,"name":24},"United States of America","1977-01-01",7,[28],{"english_name":29,"iso_639_1":30,"name":29},"No Language","xx","Released",{"cast":33,"crew":34},[],[35],{"adult":5,"gender":7,"id":36,"known_for_department":37,"name":38,"original_name":38,"popularity":39,"profile_path":6,"credit_id":40,"department":41,"job":42},1991272,"Visual Effects","Sky-David",0.3214,"5d8ea15b109cd00021411b9c","Directing","Director",{"page":44,"results":45,"total_pages":225,"total_results":226},1,[46,59,66,73,82,90,98,106,118,128,139,148,156,164,172,181,189,196,208,216],{"adult":5,"backdrop_path":47,"genre_ids":48,"id":51,"title":52,"original_language":16,"original_title":52,"overview":53,"popularity":54,"poster_path":55,"release_date":56,"softcore":5,"video":5,"vote_average":57,"vote_count":58},"\u002Fju8NwbN3O2JK0fcOOcGNaWAROaj.jpg",[10,49,50],35,10402,41313,"The Tune","Del is a song writer for the obnoxious Mr. Mega, and in love with Didi, Mega's secretary. His quest to write a hit tune brings him to the wacky world of Flooby Nooby, where he just might learn to write songs from the heart.",1.1924,"\u002F4pheWWXiVMQ4zK6O9mm4YnSwZ6S.jpg","1992-09-04",6.591,33,{"adult":5,"backdrop_path":6,"genre_ids":60,"id":61,"title":62,"original_language":16,"original_title":62,"overview":63,"popularity":64,"poster_path":6,"release_date":65,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],888104,"The Shoemaker and the Hatter","The cartoon is one of the Marshall Plan's most popular films. A clash between a shoemaker and a hat maker illustrates the contrasts between protectionism and free trade.  Preserved by the Academy Film Archive in 2003.",0.6169,"1950-01-01",{"adult":5,"backdrop_path":6,"genre_ids":67,"id":68,"title":69,"original_language":16,"original_title":69,"overview":70,"popularity":71,"poster_path":6,"release_date":72,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],889921,"The Room","\"A destitute room, transmuted by the startling magic of stop-motion photography into a luxuriant explosion of color. A new work by D’Avino (THE BIG O).\" – Cinema 16 program notes, May 1959.  Preserved by the Academy Film Archive in 2007.",0.5616,"1959-01-01",{"adult":5,"backdrop_path":6,"genre_ids":74,"id":75,"title":76,"original_language":16,"original_title":76,"overview":77,"popularity":78,"poster_path":6,"release_date":79,"softcore":5,"video":5,"vote_average":80,"vote_count":81},[49,10],295951,"Why They Love Cavemen","An animated comedy short from the 1920s.  Preserved by the Academy Film Archive in 2008.",0.4552,"1921-07-02",5.667,3,{"adult":5,"backdrop_path":6,"genre_ids":83,"id":84,"title":85,"original_language":16,"original_title":85,"overview":86,"popularity":87,"poster_path":88,"release_date":72,"softcore":5,"video":5,"vote_average":89,"vote_count":81},[10],296405,"Odds & Ends","Odds & Ends is a sly comment on the collage film and Beat culture. To discarded travel and advertising footage found at a local film laboratory, Belson Shimane added a mélange of animation—assemblages, cutouts, color fields, and line drawings—and faux hipster narration by Jacobs (credited via the anagram Rheny Bojacs) punctuated by a bongo backing. Strung together with doublespeak and non sequiturs, the monologue skirts the edge of nonsense as Jacobs waxes on about poetry, jazz, “reaching the public,” “having a good time,” and—although “money doesn’t count”—the “possibility of subsidy” through grants. Footage of champagne, tropical beaches, and exotic peoples intermingle with rhythmic drawings and stop-motion flights of fancy. The visuals race on through dazzling transformations, both amplifying and undercutting the patter. —National Film Preservation Foundation.  Preserved by the Academy Film Archive in partnership with Iota Center Collection in 2006.",0.5646,"\u002FzJooimlwur24hZVUFMLbTXDFZ6K.jpg",7.3,{"adult":5,"backdrop_path":6,"genre_ids":91,"id":92,"title":93,"original_language":16,"original_title":93,"overview":94,"popularity":95,"poster_path":6,"release_date":96,"softcore":5,"video":5,"vote_average":97,"vote_count":81},[10],295733,"Anijam","The bizarre adventures of the cartoon character Foska, drawn by 22 animators working in collaboration. Each animator worked on his or her own sequence only and did not know what action preceded or followed his or her sequence, except that the first drawing of a sequence is the last drawing from the previous sequence.  Preserved by the Academy Film Archive in 2010.",0.7894,"1984-01-01",6.667,{"adult":5,"backdrop_path":6,"genre_ids":99,"id":100,"title":101,"original_language":16,"original_title":101,"overview":102,"popularity":103,"poster_path":104,"release_date":105,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],654251,"Things to Come","A vibrant animation by Patricia Marx.  Preserved by the Academy Film Archive in 2000.",0.5959,"\u002F25C2UURUH9iMIgsySCIvyfKWAdJ.jpg","1953-03-03",{"adult":5,"backdrop_path":107,"genre_ids":108,"id":110,"title":111,"original_language":16,"original_title":111,"overview":112,"popularity":113,"poster_path":114,"release_date":115,"softcore":5,"video":5,"vote_average":116,"vote_count":117},"\u002F5RRxTaqdDKAmTJewqNTaeOTGlQH.jpg",[109,10],99,489179,"No No Nooky T.V.","NO NO NOOKY TV posits sexuality to be a social construct in a \"sex-text\" of satiric graphic representation of \"dirty pictures.\" Made on an Amiga Computer and shot in 16mm film, NO NO NOOKY TV confronts the feminist controversy around sexuality with electronic language, pixels and interface. Even the monitor is eroticized in this film\u002Fvideo hybrid that points fun at romance, sexuality, and love in our post-industrial age.  Preserved by the Academy Film Archive in 2017.",0.9833,"\u002FdaKbDINQjn0zNZETozps3TeyDaB.jpg","1987-01-01",6.8,6,{"adult":5,"backdrop_path":6,"genre_ids":119,"id":120,"title":121,"original_language":16,"original_title":121,"overview":122,"popularity":123,"poster_path":124,"release_date":125,"softcore":5,"video":5,"vote_average":126,"vote_count":127},[10],489583,"Frannie's Christmas","As Christmas approaches, Frannie Stein learns from her snide friend Gloria Oestriger that there is no Santa Claus. Frannie's disbelieving, but her father confirms the horrible truth. Frannie enlists the help of her younger brother, Kenny, and they go to a graveyard to dig up some parts, which they assemble in the Stein basement. Soon, they've finished their creation and are ready for revenge on Gloria. Who says there's no Santa?  Preserved by the Academy Film Archive in 2012.",0.7374,"\u002FlWEKpoTx8mWM9VNhwtuKX4IRMSF.jpg","1993-03-26",9,2,{"adult":5,"backdrop_path":129,"genre_ids":130,"id":131,"title":132,"original_language":30,"original_title":132,"overview":133,"popularity":134,"poster_path":135,"release_date":136,"softcore":5,"video":5,"vote_average":137,"vote_count":138},"\u002FqKFRjZG8lRYEX9XiaubsepCxepp.jpg",[49,10],54821,"Adam","When The Hand of God creates Adam, he must learn the ways of the world, and can only hope for company.",1.9035,"\u002FrHrvgiLi5DjS7FrtKohUIFyk3wR.jpg","1992-10-05",6.3,30,{"adult":5,"backdrop_path":6,"genre_ids":140,"id":142,"title":143,"original_language":16,"original_title":143,"overview":144,"popularity":145,"poster_path":6,"release_date":146,"softcore":5,"video":5,"vote_average":147,"vote_count":44},[10,141],10752,657665,"How to Bridge a Gorge","An instructional video that teaches, through stop-motion animation, how to build a bridge over a gorge that can hold heavy military equipment.  Preserved by the Academy Film Archive in 2004.",0.8056,"1942-01-02",10,{"adult":5,"backdrop_path":6,"genre_ids":149,"id":150,"title":151,"original_language":16,"original_title":151,"overview":152,"popularity":153,"poster_path":154,"release_date":155,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],285539,"Odalisque","\"I think of Odalisque as my first film. It was completed after film school and I worked with just a graphite pencil, a small group of colored pencils and animation bond. It is a trilogy of amorous dreams coming from the imagination of a woman recalling her childhood, her beloved twin so difficult to separate from and becoming an adult sexual person. The aria Sempre Libera from La Triviata by Verdi opens the film and the poem Leda and the Swan by WB Yeats ends it. It was great to work with Michael Riesman who created the sound track. I loved working in NYC in those days with Robin McDaniel, Rebecca High and others.\"  Preserved by the Academy Film Archive in 2017.",1.109,"\u002F7OgjyaPCBNeVLa1V1Cq9AkEYohF.jpg","1980-01-02",{"adult":5,"backdrop_path":6,"genre_ids":157,"id":158,"title":159,"original_language":16,"original_title":159,"overview":160,"popularity":161,"poster_path":162,"release_date":163,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],473662,"Dear Janice","Beckett cycles through a limited number of drawings, but adds new information to each drawing every time we see it, giving the sense of a world that is infinitely rich and also obviously contained tightly within the edges of the paper.  Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2007.",0.6073,"\u002F3HMbPLCzP3aXSQRhmqSNblEaqIK.jpg","1972-09-01",{"adult":5,"backdrop_path":6,"genre_ids":165,"id":166,"title":167,"original_language":16,"original_title":167,"overview":168,"popularity":169,"poster_path":170,"release_date":171,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],473664,"Flesh Flows","In Flesh Flows we see a balance of Beckett’s keen drawing ability, in the probing erotic forms, and his technical acuity, which transforms the carnal images into a compelling, transcendent experience. Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2007.",1.5108,"\u002FrNCkWIwNxQapL1EMeft14CTjtBy.jpg","1974-09-01",{"adult":5,"backdrop_path":6,"genre_ids":173,"id":174,"title":175,"original_language":16,"original_title":175,"overview":176,"popularity":177,"poster_path":178,"release_date":179,"softcore":5,"video":5,"vote_average":180,"vote_count":44},[10],664791,"Logos","Jane Conger Belson Shimane's first film, Logos, premiered in 1957 and was screened at festivals in North America, Europe, and Latin America. The animated film featured an electronic score by Henry Jacobs.  Preserved by the Academy Film Archive in 2001.",0.5102,"\u002Fug53HeoolrcGHrTf6t0ZPVduIEw.jpg","1957-07-07",5,{"adult":5,"backdrop_path":6,"genre_ids":182,"id":183,"title":184,"original_language":16,"original_title":184,"overview":185,"popularity":186,"poster_path":187,"release_date":188,"softcore":5,"video":5,"vote_average":80,"vote_count":81},[10],692066,"The Hypnotist","After becoming hypnotised Felix decides to try hypnotism himself. After he is successful a couple of times he decides to hypnotise his wife. The plan backfires and Felix is kicked out of his house again.  Preserved by the Academy Film Archive in 2010.",0.6213,"\u002FjWhYsLYkUkpS1YE11iNcRWXq9IY.jpg","1921-04-13",{"adult":5,"backdrop_path":6,"genre_ids":190,"id":191,"title":192,"original_language":16,"original_title":192,"overview":193,"popularity":194,"poster_path":6,"release_date":195,"softcore":5,"video":5,"vote_average":117,"vote_count":180},[10],318780,"An American March","Stars and stripes forever and ever and ever.  Preserved by the Academy Film Archive in 2000.",0.6511,"1941-01-01",{"adult":5,"backdrop_path":197,"genre_ids":198,"id":201,"title":202,"original_language":16,"original_title":202,"overview":203,"popularity":204,"poster_path":205,"release_date":206,"softcore":5,"video":5,"vote_average":207,"vote_count":138},"\u002Fc5JDuoxqdyKNw2q95WQI5M7eS5b.jpg",[10,199,200],10751,14,71255,"Moonbird","Two boys go outside at night to capture a bird.  Preserved by the Academy Film Archive in 2003.",1.8304,"\u002Fb47WcPTRG4Qa6507jRzm2weXrUN.jpg","1959-01-29",5.433,{"adult":5,"backdrop_path":6,"genre_ids":209,"id":210,"title":211,"original_language":16,"original_title":211,"overview":212,"popularity":213,"poster_path":214,"release_date":215,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],455183,"Kitsch in Synch","The animation, music, and optical printing of Kitsch in Synch was produced by Beckett and the students in two classes he was teaching at CalArts. Although a group project, it is clear that Beckett was the director. The playful, catchy soundtrack is used to create a cycle of building tension and release. The brightly colored shapes create approximate symmetrical formations and become more densely layered, with glimpses of iconographic objects and even live footage near the end. Preserved by the Academy Film Archive, in partnership with the iotaCenter, in 2007.",0.8275,"\u002FxtJEqvajspa6KSnYkjWUcYttzes.jpg","1975-01-01",{"adult":5,"backdrop_path":6,"genre_ids":217,"id":219,"title":220,"original_language":16,"original_title":220,"overview":221,"popularity":222,"poster_path":223,"release_date":224,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10,218],36,831082,"Legacy: A Very Short History of Natural Resources","Legacy takes the audience on a rapid-fire journey through the evolution of the world, starting with a cosmic bang, evolving through billions of years of plants, animals and the creation of natural resources, ending with man and his bounty – “sitting on his world contemplating his coconut”.  Preserved by the Academy Film Archive in 2012.",0.6082,"\u002FmNMNLb51Vj1PhwzHE8y0cXDnWxz.jpg","1979-12-17",1001,20001,{"results":228},{},{"results":230},[],45,"A animation story that tends to land well.",[]]