[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-636913-en-US":3},{"detail":4,"match":245,"insight":246,"providers":247,"providerLink":26,"trailer":26},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":31,"revenue":8,"runtime":32,"similar":33,"tagline":225,"homepage":225,"overview":232,"softcore":6,"popularity":233,"vote_count":8,"poster_path":234,"release_date":225,"vote_average":8,"backdrop_path":26,"origin_country":235,"original_title":7,"watch\u002Fproviders":238,"spoken_languages":240,"original_language":99,"production_companies":241,"production_countries":242,"belongs_to_collection":26},636913,false,"New Woman",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":18},[],[19,27],{"id":20,"job":21,"name":22,"adult":6,"gender":8,"credit_id":23,"department":24,"popularity":25,"profile_path":26,"original_name":22,"known_for_department":24},2425546,"Director","Rita Tse","5d98bec88c40f7001179d38a","Directing",0.0714,null,{"id":20,"job":28,"name":22,"adult":6,"gender":8,"credit_id":29,"department":30,"popularity":25,"profile_path":26,"original_name":22,"known_for_department":24},"Writer","5d98beceaaec71002a68adef","Writing","tt7318866",26,{"page":34,"results":35,"total_pages":230,"total_results":231},1,[36,47,59,71,81,90,100,110,121,132,144,154,163,172,179,187,196,205,215,222],{"id":37,"adult":6,"title":38,"video":6,"overview":39,"softcore":6,"genre_ids":40,"popularity":42,"vote_count":43,"poster_path":26,"release_date":44,"vote_average":45,"backdrop_path":26,"original_title":38,"original_language":46},441657,"Rytmus","An experimental film from Jirí Lehovec, mixing the sound process with animated rhythms.",[11,41],10402,0.5381,2,"1942-11-06",9,"cs",{"id":48,"adult":6,"title":49,"video":6,"overview":50,"softcore":6,"genre_ids":51,"popularity":52,"vote_count":53,"poster_path":54,"release_date":55,"vote_average":56,"backdrop_path":26,"original_title":57,"original_language":58},262067,"On the Heights All Is Peace","Found footage anti-war film comprising film documents of the Austro-Hungarian and Italian army on the Alpine front, and from first generation picture material by war-film pioneer Luca Comerio.",[11],1.7275,4,"\u002Feed1jkEAL1wwehR6ZYRSHH52Btm.jpg","1998-01-01",6.75,"Su tutte le vette è pace","it",{"id":60,"adult":6,"title":61,"video":6,"overview":62,"softcore":6,"genre_ids":63,"popularity":65,"vote_count":43,"poster_path":66,"release_date":67,"vote_average":68,"backdrop_path":26,"original_title":69,"original_language":70},260944,"Refrains Happen Like Revolutions in a Song","Sarah is a debt collector who lives among the inhabitants of the village of Guimbal on the island of Panay. She wants to find the young man who appeared to her in a dream and goes to the island of Negros. Here, as she interacts with the inhabitants, Sarah continues her search, gathering memories of life and war, dreams, myths, legends, songs and stories that she takes part in and at times revolve around her. She is the daughter of an ancient mermaid, a revolutionary, a primordial element, a virgin who was kidnapped and hidden away from the sunlight.  “The film is a retelling of fragments of the American occupation. Dialogue, shot in the Hiligaynon language, is not translated but used as a tonal guide and a tool for narration. Using unscripted scenes shot where the main character was asked to merely interact with the villagers, I discard dialogue and draw meaning from peoples’ faces, voices, and actions, weaving an entirely different story through the use of subtitles and inter-titles.”",[11,64],18,1.1373,"\u002F5unW8oLPEaGzyQXQzyo1rt7wDpd.jpg","2010-07-12",6.5,"Ang Ninanais","tl",{"id":72,"adult":6,"title":73,"video":6,"overview":74,"softcore":6,"genre_ids":75,"popularity":76,"vote_count":8,"poster_path":77,"release_date":78,"vote_average":8,"backdrop_path":79,"original_title":73,"original_language":80},620306,"Artémis et la mort","During the Feria of Nîmes, a bullfight is filmed from the perspective of the animal, relegating the matador and public to off-screen spectators. A ritual at the frontiers of mysticism, carried by the sacrificial figure of the bull, revealer of our humanity.",[11],0.1539,"\u002FhzFQzUI4QuN12Zc909S57EPiM19.jpg","2017-10-08","\u002FsCbFj3iXRD3cOa7ujA0F7pJQFXc.jpg","fr",{"id":82,"adult":6,"title":83,"video":6,"overview":84,"softcore":6,"genre_ids":85,"popularity":86,"vote_count":8,"poster_path":26,"release_date":87,"vote_average":8,"backdrop_path":26,"original_title":88,"original_language":89},261158,"The Red Bank. James Joyce: His Greek Notebooks","This documentary aims to register this unknown side of James Joyce: His Greek Notebooks. Trieste. Bloomsday, 2013. Dance in slow motion, accompanied by text. By deconstructing the body, we turn it into a memory: of the body, of life, of texts. The biographical references to Joyce and Mando Aravantinou, combined with the diagonal slicing of the image, cancel the realism of the landscape, including that of the Narrator’s space\u002Fstudy. As a culmination, Joyce’s letter “A request for a loan in Greek” functions as a timely denunciation. Various routes through cities, such as Trieste, London, New York, and Athens; languages such as Greek and English. In addition to the primal myth of Ulysses, there is another issue: Greek is “the language of the subject of Ulysses”",[11],1.7715,"2013-03-25","The Red Bank. 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With this newly restored print there is also a possibility to discover the relationship between Rousseau's art of filming and Jan Vermeer's famous painting. As Prosper Hillairet wrote in 1988, four years after Rousseau had finished Jeune femme ... (for the first time as we know today): «Without adopting the usual systematic spirit and form of cinéma structurel, Rousseau presents us with simple images and leaves it at that. Keeps the image in hand. A minimalist and ascetic expression of cinema: a shot that lasts.»",[11],2.1643,"\u002FinDO19H3xXBvdUurUvPWGnE5a6E.jpg","1983-01-01",5.5,"\u002FweosAtrLFFvCGA48aFW8xVEPh2B.jpg",{"id":111,"adult":6,"title":112,"video":6,"overview":113,"softcore":6,"genre_ids":114,"popularity":115,"vote_count":8,"poster_path":116,"release_date":117,"vote_average":8,"backdrop_path":118,"original_title":119,"original_language":120},620697,"OLO, the Boy from Tibet","A 6-year-old Tibetan boy leaves his family and flees to a refugee camp in northern India.",[11],0.9739,"\u002Foz4Y5VohINAx4F5dwD4x4GsKqmS.jpg","2012-06-30","\u002Fsw45SjvdwTP5GwjDvNXr2eHKePN.jpg","オロ","ja",{"id":122,"adult":6,"title":123,"video":6,"overview":124,"softcore":6,"genre_ids":125,"popularity":126,"vote_count":34,"poster_path":127,"release_date":128,"vote_average":129,"backdrop_path":26,"original_title":130,"original_language":131},806476,"The Middle Dog's Day","shows visual and metaphorical representation using rope as a motif through various rope images and meanings.",[11],0.1383,"\u002FfF1IoJToHu96SHJe8HLU4BfP2Bz.jpg","1974-07-27",6,"중복","xx",{"id":133,"adult":6,"title":134,"video":6,"overview":135,"softcore":6,"genre_ids":136,"popularity":138,"vote_count":139,"poster_path":140,"release_date":141,"vote_average":142,"backdrop_path":143,"original_title":134,"original_language":99},440917,"The Bomb","Filmmakers use archival footage and animation to explore the culture surrounding nuclear weapons, the fascination they inspire and the perverse appeal they still exert.",[11,137],16,0.2164,15,"\u002F42tKG16xOL6yB4S2Vzp8IzBgktv.jpg","2017-06-10",7,"\u002Fvm40HXBMPQmTXTSnYV1r1mO9DQA.jpg",{"id":145,"adult":6,"title":146,"video":6,"overview":147,"softcore":6,"genre_ids":148,"popularity":149,"vote_count":34,"poster_path":150,"release_date":151,"vote_average":142,"backdrop_path":26,"original_title":152,"original_language":153},806780,"The Hole","One of Han Ok-hee’s renowned pieces called The Hole uses the flicker, oblique angles, the cross-cutting of reality and fantasy to express inner entrapment and the desire for liberation. Han Ok-hee’s The Hole, The Rope and Untitled not only experimented with cinematic forms of expression, but also played an important role in the protest against forms of expression in experimental films and the artistic protest against the social suppression and censorship in 1970s Korea. (Art Cinema OFFoff)",[11],0.1328,"\u002F49un7UGWcHy53bFoShqiNB5BnlA.jpg","1973-07-27","구멍","ko",{"id":155,"adult":6,"title":156,"video":6,"overview":157,"softcore":6,"genre_ids":158,"popularity":159,"vote_count":43,"poster_path":160,"release_date":161,"vote_average":68,"backdrop_path":26,"original_title":162,"original_language":153},806477,"Color of Korea","It shows Korea’s traditional colors and culture through the use of superimposing. It is an experimental film, which not only tries to show Korean traditional culture through the use of color, but also tries to show the modern history of Korea.",[11],0.1244,"\u002Fs0e3tNZhpWhuwuNd5A14r2dGaQ9.jpg","1976-01-01","색동",{"id":164,"adult":6,"title":165,"video":6,"overview":166,"softcore":6,"genre_ids":167,"popularity":168,"vote_count":129,"poster_path":169,"release_date":170,"vote_average":108,"backdrop_path":171,"original_title":165,"original_language":99},442309,"Running Shadow I","Rapidly changing images of natural objects, scenery, animals, plants, and people flicker, flash, tumble, and cascade across the screen.",[11],0.4086,"\u002FcJPzgK4VtGTqVicZgKXPzKc15X8.jpg","1971-12-31","\u002Fg6u9BMTPH9b8xJy1fCbP60xzjuz.jpg",{"id":173,"adult":6,"title":174,"video":6,"overview":175,"softcore":6,"genre_ids":176,"popularity":177,"vote_count":8,"poster_path":26,"release_date":178,"vote_average":8,"backdrop_path":26,"original_title":174,"original_language":99},442791,"State of Rest and Motion","This cine-portrait of New York City uses digital effects to turn the countless riders of the subway system into living, breathing paintings.",[11],0.3206,"2017-02-19",{"id":180,"adult":6,"title":181,"video":6,"overview":182,"softcore":6,"genre_ids":183,"popularity":184,"vote_count":8,"poster_path":185,"release_date":186,"vote_average":8,"backdrop_path":26,"original_title":181,"original_language":99},442792,"Irradiant Field","In the Mojave Desert, fields of solar panels follow the sun’s daily journey in perfect synchronicity.",[11],0.3622,"\u002Fj1xz0VxyfzlVwLeJleQjGYV08UG.jpg","2016-01-01",{"id":188,"adult":6,"title":189,"video":6,"overview":190,"softcore":6,"genre_ids":191,"popularity":192,"vote_count":8,"poster_path":193,"release_date":194,"vote_average":8,"backdrop_path":26,"original_title":195,"original_language":153},623003,"2minutes40seconds","One of the major works by South Korean feminist film collective Kaidu Club, this short is a dynamic, idiosyncratic, and mosaic-like portrait of Korean life, culture, and people who dream of a unified North and South.",[11],0.187,"\u002FnADUeTwzId4HHJhBBNdQh2Mnp2S.jpg","1975-12-01","2분 40초",{"id":197,"adult":6,"title":198,"video":6,"overview":199,"softcore":6,"genre_ids":200,"popularity":201,"vote_count":34,"poster_path":202,"release_date":203,"vote_average":204,"backdrop_path":26,"original_title":198,"original_language":99},443015,"The Displaced View","The Displaced View traces a personal search for identity and pride, within the unique and suppressed history of the Japanese in Canada. Through an examination of the emotional and cultural links between the women of one family, the processes of the construction of memory and the re-construction of history, are revealed. Utilizing an innovative combination of experimental, dramatic and documentary forms, the film emerges as a deeply moving and compassionate love letter. Just as the official history of the Japanese Canadians has been thrown into question, so does the film’s fictionalized narrative, question documentary as truth.",[11],0.4496,"\u002FBweOjlDlOpuutDjvNKhgJfqqOF.jpg","1988-01-01",8,{"id":206,"adult":6,"title":207,"video":6,"overview":208,"softcore":6,"genre_ids":209,"popularity":210,"vote_count":211,"poster_path":212,"release_date":213,"vote_average":214,"backdrop_path":26,"original_title":207,"original_language":99},443017,"Keep That Dream Burning","Rainer Kohlberger applied various algorithms to extract the noise from a vast number of action films and used this to reduce the dramaturgy of the narrative to its essence. keep that dream burning oscillates between maximum abstraction and pure blur. Within the blurriness, objects form and disappear. The surface allows the space to be conceived.",[11],0.1189,3,"\u002F2aNqa7joq2qWxxtRsEKkHIdvR5l.jpg","2017-02-10",5.7,{"id":216,"adult":6,"title":217,"video":6,"overview":218,"softcore":6,"genre_ids":219,"popularity":220,"vote_count":8,"poster_path":26,"release_date":221,"vote_average":8,"backdrop_path":26,"original_title":217,"original_language":99},264970,"Clouds","Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.",[11],0.4308,"1969-12-19",{"id":223,"adult":6,"title":224,"video":6,"overview":225,"softcore":6,"genre_ids":226,"popularity":227,"vote_count":43,"poster_path":26,"release_date":228,"vote_average":142,"backdrop_path":26,"original_title":224,"original_language":229},445205,"Ich lebe in der Gegenwart - Versuch über Hans Richter","",[11],1.0101,"1973-09-23","de",11720,234392,"A meditative journey, using and manipulating archival silent film footage, that investigates the look of the \"New Woman\" in Chinese silent screen.",0.0071,"\u002Fsmmmv2v2xpyhRYMP9X5u7GnTTjv.jpg",[236,237],"US","CA",{"results":239},{},[],[],[243],{"name":244,"iso_3166_1":237},"Canada",45,"A documentary story that tends to land well.",[]]