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Cowboy and Maria have independently landed in Port Moresby, negotiating ways to survive urban life in a city ranked as one of the most dangerous in the world. Cowboy is an ex-raskol (urban bandit) and Maria an inhabitant of a squatter settlement. Unemployed and with a jail record, Cowboy has constructed an electric guitar out of scrap materials and plays on street corners. Maria lives an equally precarious existence, cultivating a seasonal garden in an urban settlement inflamed by frustration and intertribal conflicts. Far from being third world victims, they go about their daily lives with humour and imagination, rising to the challenge of enormous cultural upheaval.",[11],0.3018,"1991-01-01",{"id":139,"adult":6,"title":140,"video":6,"overview":141,"softcore":6,"genre_ids":142,"popularity":144,"vote_count":8,"poster_path":145,"release_date":146,"vote_average":8,"backdrop_path":35,"original_title":147,"original_language":148},1595732,"Smoke and Rubber: Inside Modified Car Culture","Speed, emotion, dream. Smoke and Rubber follows the drivers of Istanbul who dedicate it all to modified car culture. Beyond the noise, it traces how speed, sound, and the performance of masculinity define a way of living, from the garage to the streets. 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The film features academics, activists and practitioners, and contains case studies of institutions that are deploying critical, self-reflective forms of curatorial practice. The Museum of London Docklands exhibition on slavery and the sugar industry is examined as an example of how an institution can decolonise the curatorial process, utilise the work of artists in a museum context, and critically examine East London's imperial history. The Pitt Rivers museum in Oxford, who are working with Maasai activists from Kenya and Tanzania on a project centred on repatriating the museum's collection of sacred Maasai artefacts, also features in the film.",[11],0.1464,"\u002FsKdKVJaenRvXT4iUjTjd9Iiw5jG.jpg","2020-12-01",{"id":169,"adult":6,"title":170,"video":6,"overview":171,"softcore":6,"genre_ids":172,"popularity":173,"vote_count":8,"poster_path":174,"release_date":175,"vote_average":8,"backdrop_path":176,"original_title":177,"original_language":159},1252416,"Live, song, live!","The film tells the story of ancient Ingush lullabies - Ingush women and men tell the lullabies of their families and the stories associated with them: love, friendship, blood feud.",[11],0.6299,"\u002FcSWeWiOykaF6NPcCrYzThCkycnl.jpg","2022-01-01","\u002FCkxdSWEb1FZitjYNYMMCR6DKuK.jpg","Даха, илли, даха!",{"id":179,"adult":6,"title":180,"video":6,"overview":181,"softcore":6,"genre_ids":182,"popularity":183,"vote_count":8,"poster_path":35,"release_date":184,"vote_average":8,"backdrop_path":35,"original_title":185,"original_language":186},491457,"The Turn","'Mod' is an attempt by the filmmaker at communicating with the young men who hang out at the ‘notorious’ water tank in her neighbourhood in Pratap Vihar, Ghaziabad. The water tank is a space that is frequented by the so-called ‘no-gooders’ of the locality, a place where they play cricket, play cards, drink and smoke up. When she enters the space with her camera, the boys are curious and at the same time wary of it and her. They sometimes resist, sometimes protest, and at times, open up. As the film unfolds we get a hint of the lives the boys lead and the fragile world they create for themselves at the water tank.",[11],0.3046,"2016-01-01","Mod","hi",{"id":188,"adult":6,"title":189,"video":6,"overview":190,"softcore":6,"genre_ids":191,"popularity":192,"vote_count":8,"poster_path":193,"release_date":194,"vote_average":8,"backdrop_path":35,"original_title":189,"original_language":195},327861,"Arba'een","Short ethnographic documentray about Arba'een, a Shia Muslim religious observance",[11],1.3559,"\u002FpDjFuNGPjK9JMCcPWryyG7FLO8y.jpg","1970-01-02","fa",{"id":197,"adult":6,"title":198,"video":6,"overview":199,"softcore":6,"genre_ids":200,"popularity":201,"vote_count":8,"poster_path":35,"release_date":202,"vote_average":8,"backdrop_path":35,"original_title":198,"original_language":67},859780,"Wheat Cycle","The people and their labor are bound to the land in the cycle of activities to the sowing to the harvesting of wheat. Without narration or subtitles, the film conveys a sense of unity between the people and the land. Filmed in the Balkh Province, an area inhabited by Tajik and other Central Asian peoples. The town of Aq Kupruk is approximately 320 miles northwest of Kabul.  The theme of the film focuses on rural economics. The film and accompaning instructor notes focus on herding, and fishing under diverse environmental conditions. The impact of technological change, human adaptation, and governmental extension of market systems are parallel themes.",[11],0.1357,"1975-01-01",{"id":204,"adult":6,"title":205,"video":6,"overview":206,"softcore":6,"genre_ids":207,"popularity":209,"vote_count":8,"poster_path":35,"release_date":210,"vote_average":8,"backdrop_path":35,"original_title":205,"original_language":211},331965,"Untitled","A revealing one-shot portrait of two Nepali newlyweds in a moment of rest and playful interaction, Stephanie Spray's Untitled challenges our perception of two themes at the very core of ethnographic filmmaking: human relationships and the ways in which they can be experienced by the viewer. Only fourteen minutes long, Untitled is uncut, rejecting the implications of edited sequences and also purposefully excluding subtitles over the couple's conversation. 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The film takes place in an unnamed country.",[11],1.5659,"\u002F8zeKOV6xcqWVom8McatadEjS3sK.jpg","1986-01-01",9,"es",{"id":223,"adult":6,"title":224,"video":6,"overview":225,"softcore":6,"genre_ids":226,"popularity":227,"vote_count":8,"poster_path":228,"release_date":229,"vote_average":8,"backdrop_path":35,"original_title":224,"original_language":67},500898,"La Nación Oculta","Ñaalec (Fabián Valdez) is a Moqoit college student disenchanted with formal ways of learning and embarrassed by his drunken classmates. He seeks to recover his people's culture by learning from elders who still remember the old ways. Ñaalec travels to the Nanaicalo Nqote (\"eye of the dragon\"), a sacred lake whose water gave people the power of the gods. This docudrama is part of a series of community-created films supported by CEFREC (led by Iván Sanjinés, son of legendary Bolivian filmmaker Jorge Sanjinés).",[11],0.4825,"\u002FjEvzhYlQZuWjWT9ZbNXNm3G6QsS.jpg","2011-01-01",{"id":231,"adult":6,"title":232,"video":6,"overview":233,"softcore":6,"genre_ids":234,"popularity":235,"vote_count":8,"poster_path":35,"release_date":236,"vote_average":8,"backdrop_path":35,"original_title":237,"original_language":238},1103390,"Burial among the Tetela","Short ethnographic documentary on the Tetela tribe in Congo based upon footage and commentary by director Luc de Heusch from 1953 reassembled by Damien Mottier (Université Paris Nanterre) and Grace Winter (CINEMATEK).",[11],0.1561,"2023-03-22","Enterrement chez les Tetela","fr",11648,232956,"A documentary about the daily life of a native Tzotzil community in southern Mexico, shot over a period of eight years.",0.4234,"\u002FoAAvFaC8aZ9Wx1C91S3D24DHL2z.jpg","1992-01-01",[246],"FR",{"results":248},{},[250],{"name":251,"iso_639_1":221,"english_name":252},"Español","Spanish",[254],{"id":255,"name":256,"logo_path":35,"origin_country":81},43640,"Zéno Films",[],45,"A documentary story that tends to land well.",[]]