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At its heart, an homage to Godard.",1.0054,"\u002FcGbdjoTzHwmzNI1AGQr9xtKSZGU.jpg","1997-01-01",7.333,3,{"adult":5,"backdrop_path":6,"genre_ids":90,"id":92,"title":93,"original_language":35,"original_title":94,"overview":95,"popularity":96,"poster_path":97,"release_date":98,"softcore":5,"video":5,"vote_average":31,"vote_count":43},[10,91],16,264638,"Impressions from the Upper Atmosphere","Impresiones en la alta atmósfera","Sistiaga painted directly on 70mm film a circular (planetary?) form, around which dance shifting colours in a psychedelic acceleration matched by the soundtrack’s deep-space roar and howl. - Cinema Scope",1.6789,"\u002Fyn8D07RpJBHkNwLj3Lv3sGTmsuh.jpg","1989-01-01",{"adult":5,"backdrop_path":6,"genre_ids":100,"id":101,"title":102,"original_language":17,"original_title":102,"overview":103,"popularity":104,"poster_path":105,"release_date":106,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],445805,"Depositions","The quietly insistent and critical DEPOSITIONS attempts to restore some dignity to images of the communities of the Scottish highlands taken from patronizing BBC documentaries and news features from the 70’s and 80’s. 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With this newly restored print there is also a possibility to discover the relationship between Rousseau's art of filming and Jan Vermeer's famous painting. As Prosper Hillairet wrote in 1988, four years after Rousseau had finished Jeune femme ... (for the first time as we know today): «Without adopting the usual systematic spirit and form of cinéma structurel, Rousseau presents us with simple images and leaves it at that. Keeps the image in hand. A minimalist and ascetic expression of cinema: a shot that lasts.»",1.3481,"\u002FinDO19H3xXBvdUurUvPWGnE5a6E.jpg","1983-01-01",5.5,{"adult":5,"backdrop_path":139,"genre_ids":140,"id":141,"title":142,"original_language":35,"original_title":142,"overview":143,"popularity":144,"poster_path":145,"release_date":146,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002F5SwnySiohiQN4JSDdKUTVxA4k2L.jpg",[10,119],628349,"Puenting (Leap of Faith)","A first feature based on sexual events. An actress undertakes her desire of directing her first movie, without a budget or any production company funding her project. She gathers a group of  professional actors and actresses, and proposes a project based on a very particular experience: stepping on their fears through a metaphorical 'leap of faith'. As the project advances, individual  conflicts will arise affecting the shoot, making the movie crew wonder whether or not they should go on. 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The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.",2.7266,"1969-12-19",{"adult":5,"backdrop_path":6,"genre_ids":184,"id":185,"title":186,"original_language":17,"original_title":186,"overview":187,"popularity":188,"poster_path":6,"release_date":189,"softcore":5,"video":5,"vote_average":190,"vote_count":31},[10],263841,"Daumë","Culled from four rolls of Super-8 film shot while the maker was a development worker in a small South American village, Daumë is at its center a film about ritual, power, and play. 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Ancient and modern explorer texts of Easter Island are garbled together by a computer narrator, resulting in a forever repeating narrative of discovery, colonialism, loss and departure.",0.4948,"2002-01-01",5.8,5,{"adult":5,"backdrop_path":6,"genre_ids":201,"id":202,"title":203,"original_language":17,"original_title":203,"overview":204,"popularity":205,"poster_path":6,"release_date":206,"softcore":5,"video":5,"vote_average":158,"vote_count":43},[10],263851,"The Red and the Blue Gods","An ethnographic field report in which the Anthropologist describes the mythic creation of an unnamed ‘sun-scraping structure’ through the ritualized actions of the Red and the Blue Gods.",0.5639,"2005-01-01",{"adult":5,"backdrop_path":6,"genre_ids":208,"id":209,"title":210,"original_language":123,"original_title":210,"overview":12,"popularity":211,"poster_path":212,"release_date":213,"softcore":5,"video":5,"vote_average":31,"vote_count":43},[119,10],447261,"Anônimo e incomum",1.113,"\u002Fy5b8jSOG2WNxa2lGMSF8JwuRXB5.jpg","1990-03-16",{"adult":5,"backdrop_path":215,"genre_ids":216,"id":217,"title":218,"original_language":17,"original_title":218,"overview":219,"popularity":220,"poster_path":221,"release_date":222,"softcore":5,"video":5,"vote_average":223,"vote_count":199},"\u002Fg6jaobhIUCwksmiX0v8IHWqFPX.jpg",[10],820479,"A Trans with a Movie Camera","A non-narrative cine-essay that collaboratively explores the potentials for trans feminine representation in film.",0.6762,"\u002FaxzoQio97yrgcLNot6eMiJbvvTV.jpg","2018-11-02",5.6,{"adult":5,"backdrop_path":6,"genre_ids":225,"id":226,"title":227,"original_language":17,"original_title":227,"overview":228,"popularity":229,"poster_path":230,"release_date":231,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],449815,"Spirit House","A tale of 2 passages within the Spirit house. This is the first in a series that looks at the places we find our spiritual presence augmented, inflamed, or simply acknowledged.",1.2785,"\u002FdgTf0N7xpqojQy5P3ekRREfIj1W.jpg","2008-06-22",{"adult":5,"backdrop_path":6,"genre_ids":233,"id":234,"title":235,"original_language":236,"original_title":235,"overview":237,"popularity":238,"poster_path":239,"release_date":240,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],632477,"DIALOGUE","ja","Emerging from a period of withdrawal, a social recluse or ‘hikikomori’ relates her inner experiences against the backdrop of an illuminated and restless urban environment that never sleeps.",1.0364,"\u002F4F3LaaDqM9wzfTSpqMUVwTDJK5j.jpg","2018-01-01",1001,20001,{"results":244},{},{"id":13,"results":246},[],45,"A documentary story that tends to land well.",[]]