[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-639850-en-US":3},{"detail":4,"match":258,"insight":259,"providers":260,"providerLink":6,"trailer":6},{"adult":5,"backdrop_path":6,"belongs_to_collection":6,"budget":7,"genres":8,"homepage":12,"id":13,"imdb_id":6,"origin_country":14,"original_language":16,"original_title":17,"overview":18,"popularity":19,"poster_path":6,"production_companies":20,"production_countries":21,"release_date":25,"revenue":7,"runtime":26,"softcore":5,"spoken_languages":27,"status":28,"tagline":12,"title":17,"video":5,"vote_average":7,"vote_count":7,"credits":29,"similar":54,"watch\u002Fproviders":254,"videos":256},false,null,0,[9],{"id":10,"name":11},99,"Documentary","",639850,[15],"US","en","Ñachi","The arrieros hold the lamb's body with their hands. 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Showing the filmmaker at various stages of her life, this short seeks to visualize the embarrassing ordeal of being known when you're at your most vulnerable.",0.2015,"\u002F5QuNrWwL4M864BYfVa15wHtVs5b.jpg","2021-03-25",{"adult":5,"backdrop_path":6,"genre_ids":66,"id":67,"title":68,"original_language":16,"original_title":68,"overview":69,"popularity":70,"poster_path":71,"release_date":72,"softcore":5,"video":5,"vote_average":73,"vote_count":55},[10],443015,"The Displaced View","The Displaced View traces a personal search for identity and pride, within the unique and suppressed history of the Japanese in Canada. Through an examination of the emotional and cultural links between the women of one family, the processes of the construction of memory and the re-construction of history, are revealed. Utilizing an innovative combination of experimental, dramatic and documentary forms, the film emerges as a deeply moving and compassionate love letter. Just as the official history of the Japanese Canadians has been thrown into question, so does the film’s fictionalized narrative, question documentary as truth.",0.3522,"\u002FBweOjlDlOpuutDjvNKhgJfqqOF.jpg","1988-01-01",8,{"adult":5,"backdrop_path":6,"genre_ids":75,"id":76,"title":77,"original_language":16,"original_title":77,"overview":78,"popularity":79,"poster_path":6,"release_date":80,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],264970,"Clouds","Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.",0.5729,"1969-12-19",{"adult":5,"backdrop_path":82,"genre_ids":83,"id":84,"title":85,"original_language":86,"original_title":87,"overview":88,"popularity":89,"poster_path":90,"release_date":91,"softcore":5,"video":5,"vote_average":92,"vote_count":93},"\u002FcP31o6Ta11t4PFo7PYvtCOTJJhs.jpg",[10],12456,"The Five Obstructions","da","De fem benspænd","In 1967, experimental filmmaker Jorgen Leth created a striking short film, The Perfect Human, starring a man and women sitting in a box while a narrator poses questions about their relationship and humanity. Years later, Danish director Lars von Trier made a deal with Leth to remake his film five times, each under a different set of circumstances and with von Trier's strictly prescribed rules. As Leth completes each challenge, von Trier creates increasingly further elaborate stipulations.",1.0163,"\u002FxMcCmIdos88yd44xqCXj4NUWph3.jpg","2003-11-07",7,179,{"adult":5,"backdrop_path":95,"genre_ids":96,"id":100,"title":101,"original_language":102,"original_title":101,"overview":103,"popularity":104,"poster_path":105,"release_date":106,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002FresQnCvm0PTJrqZctpPXJ8BG4nW.jpg",[97,98,10,99],878,35,18,456796,"PLEH","nl","An experimental journey through a year in the life of the director, using his always playing playlist to cross the boundaries of fiction and documentary. Through scenes of both comedy and tragedy, realistic documentary footage and experimental sequences of the director's environment and daily life we get a sometimes estranging image of a young man and also an intriguing insight in his mindset and how this translates to the imagery on screen.",0.9653,"\u002FhSnLywSyX5KJ1lCHR65XgeOjlUu.jpg","2017-10-22",{"adult":5,"backdrop_path":6,"genre_ids":108,"id":109,"title":110,"original_language":111,"original_title":112,"overview":113,"popularity":114,"poster_path":115,"release_date":116,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],829679,"-YAMASE-","ja","山瀬","Film by Kenji Onishi. With friends. Mr. Yamase as main character, Sasakubo and Shinojima. And the girls having a good time. The camera is all you need. Looking still at the Mt. Buko which is disappearing.",0.4334,"\u002F9q6ayXP0DxTGxd4BdbQzToGgUdF.jpg","2019-04-17",{"adult":5,"backdrop_path":6,"genre_ids":118,"id":119,"title":120,"original_language":121,"original_title":122,"overview":123,"popularity":124,"poster_path":125,"release_date":126,"softcore":5,"video":5,"vote_average":127,"vote_count":55},[10],457108,"Every Wall is a Door","fr","Chaque mur est une porte","Drawing on VHS tapes of a programme hosted by her mother on Bulgaria’s national television, the filmmaker gives a pop-style and in-depth chronicle of the gentle – even “over-gentle” – 1989 revolution.",0.1742,"\u002FAvaTUw67Hu8Ts8BgyqCC0nU32uN.jpg","2017-03-25",5,{"adult":5,"backdrop_path":6,"genre_ids":129,"id":130,"title":131,"original_language":132,"original_title":133,"overview":134,"popularity":135,"poster_path":136,"release_date":137,"softcore":5,"video":5,"vote_average":92,"vote_count":55},[10],806780,"The Hole","ko","구멍","One of Han Ok-hee’s renowned pieces called The Hole uses the flicker, oblique angles, the cross-cutting of reality and fantasy to express inner entrapment and the desire for liberation. Han Ok-hee’s The Hole, The Rope and Untitled not only experimented with cinematic forms of expression, but also played an important role in the protest against forms of expression in experimental films and the artistic protest against the social suppression and censorship in 1970s Korea. (Art Cinema OFFoff)",0.1465,"\u002F49un7UGWcHy53bFoShqiNB5BnlA.jpg","1973-07-27",{"adult":5,"backdrop_path":6,"genre_ids":139,"id":140,"title":141,"original_language":16,"original_title":141,"overview":142,"popularity":143,"poster_path":144,"release_date":145,"softcore":5,"video":5,"vote_average":146,"vote_count":147},[10],261093,"Let Us Persevere in What We Have Resolved Before We Forget","On the island of Tanna, a part of Vanuatu, an archipelago in Melanesia, strange rites are enacted and time passes slowly while the inhabitants await the return of the mysterious John.",0.1754,"\u002FbaLht1AlAHBvFLCiJARzmochCTz.jpg","2013-07-04",7.3,9,{"adult":5,"backdrop_path":6,"genre_ids":149,"id":150,"title":151,"original_language":152,"original_title":153,"overview":154,"popularity":155,"poster_path":6,"release_date":156,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],261158,"The Red Bank. James Joyce: His Greek Notebooks","el","The Red Bank. James Joyce: Ta τετράδιά του, των Ελληνικών","This documentary aims to register this unknown side of James Joyce: His Greek Notebooks. Trieste. Bloomsday, 2013. Dance in slow motion, accompanied by text. By deconstructing the body, we turn it into a memory: of the body, of life, of texts. The biographical references to Joyce and Mando Aravantinou, combined with the diagonal slicing of the image, cancel the realism of the landscape, including that of the Narrator’s space\u002Fstudy. As a culmination, Joyce’s letter “A request for a loan in Greek” functions as a timely denunciation. Various routes through cities, such as Trieste, London, New York, and Athens; languages such as Greek and English. In addition to the primal myth of Ulysses, there is another issue: Greek is “the language of the subject of Ulysses”",1.5169,"2013-03-25",{"adult":5,"backdrop_path":6,"genre_ids":158,"id":159,"title":160,"original_language":161,"original_title":162,"overview":163,"popularity":164,"poster_path":165,"release_date":166,"softcore":5,"video":5,"vote_average":167,"vote_count":168},[10,99],260944,"Refrains Happen Like Revolutions in a Song","tl","Ang Ninanais","Sarah is a debt collector who lives among the inhabitants of the village of Guimbal on the island of Panay. She wants to find the young man who appeared to her in a dream and goes to the island of Negros. Here, as she interacts with the inhabitants, Sarah continues her search, gathering memories of life and war, dreams, myths, legends, songs and stories that she takes part in and at times revolve around her. She is the daughter of an ancient mermaid, a revolutionary, a primordial element, a virgin who was kidnapped and hidden away from the sunlight.  “The film is a retelling of fragments of the American occupation. Dialogue, shot in the Hiligaynon language, is not translated but used as a tonal guide and a tool for narration. Using unscripted scenes shot where the main character was asked to merely interact with the villagers, I discard dialogue and draw meaning from peoples’ faces, voices, and actions, weaving an entirely different story through the use of subtitles and inter-titles.”",1.4395,"\u002F5unW8oLPEaGzyQXQzyo1rt7wDpd.jpg","2010-07-12",6.5,2,{"adult":5,"backdrop_path":170,"genre_ids":171,"id":172,"title":173,"original_language":121,"original_title":173,"overview":174,"popularity":175,"poster_path":176,"release_date":177,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002FsCbFj3iXRD3cOa7ujA0F7pJQFXc.jpg",[10],620306,"Artémis et la mort","During the Feria of Nîmes, a bullfight is filmed from the perspective of the animal, relegating the matador and public to off-screen spectators. A ritual at the frontiers of mysticism, carried by the sacrificial figure of the bull, revealer of our humanity.",0.1585,"\u002FhzFQzUI4QuN12Zc909S57EPiM19.jpg","2017-10-08",{"adult":5,"backdrop_path":6,"genre_ids":179,"id":180,"title":181,"original_language":182,"original_title":183,"overview":184,"popularity":185,"poster_path":186,"release_date":187,"softcore":5,"video":5,"vote_average":188,"vote_count":26},[10],262067,"On the Heights All Is Peace","it","Su tutte le vette è pace","Found footage anti-war film comprising film documents of the Austro-Hungarian and Italian army on the Alpine front, and from first generation picture material by war-film pioneer Luca Comerio.",1.6098,"\u002Feed1jkEAL1wwehR6ZYRSHH52Btm.jpg","1998-01-01",6.75,{"adult":5,"backdrop_path":190,"genre_ids":191,"id":192,"title":193,"original_language":121,"original_title":193,"overview":194,"popularity":195,"poster_path":196,"release_date":197,"softcore":5,"video":5,"vote_average":198,"vote_count":168},"\u002FweosAtrLFFvCGA48aFW8xVEPh2B.jpg",[10],262479,"Jeune femme à sa fenêtre lisant une lettre","Jean-Claude Rousseau's Jeune femme à sa fenêtre lisant une lettre is not only his first medium-length film, but a chance to discover this filmmaker whom Jean-Marie Straub has called, along with Frans Van de Staak and Peter Nestler, the greatest working in Europe. With this newly restored print there is also a possibility to discover the relationship between Rousseau's art of filming and Jan Vermeer's famous painting. As Prosper Hillairet wrote in 1988, four years after Rousseau had finished Jeune femme ... (for the first time as we know today): «Without adopting the usual systematic spirit and form of cinéma structurel, Rousseau presents us with simple images and leaves it at that. Keeps the image in hand. A minimalist and ascetic expression of cinema: a shot that lasts.»",2.1219,"\u002FinDO19H3xXBvdUurUvPWGnE5a6E.jpg","1983-01-01",5.5,{"adult":5,"backdrop_path":6,"genre_ids":200,"id":201,"title":202,"original_language":16,"original_title":202,"overview":203,"popularity":204,"poster_path":6,"release_date":205,"softcore":5,"video":5,"vote_average":206,"vote_count":207},[10],263841,"Daumë","Culled from four rolls of Super-8 film shot while the maker was a development worker in a small South American village, Daumë is at its center a film about ritual, power, and play. Daumë is both ethnography and critique; it is an interrogation into how to represent a place that can't be represented.",1.199,"2000-01-01",5.7,6,{"adult":5,"backdrop_path":6,"genre_ids":209,"id":210,"title":211,"original_language":16,"original_title":211,"overview":212,"popularity":213,"poster_path":6,"release_date":214,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],442791,"State of Rest and Motion","This cine-portrait of New York City uses digital effects to turn the countless riders of the subway system into living, breathing paintings.",0.345,"2017-02-19",{"adult":5,"backdrop_path":6,"genre_ids":216,"id":217,"title":218,"original_language":16,"original_title":218,"overview":219,"popularity":220,"poster_path":221,"release_date":222,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],442792,"Irradiant Field","In the Mojave Desert, fields of solar panels follow the sun’s daily journey in perfect synchronicity.",0.3165,"\u002Fj1xz0VxyfzlVwLeJleQjGYV08UG.jpg","2016-01-01",{"adult":5,"backdrop_path":224,"genre_ids":225,"id":226,"title":227,"original_language":228,"original_title":227,"overview":229,"popularity":230,"poster_path":231,"release_date":232,"softcore":5,"video":5,"vote_average":207,"vote_count":55},"\u002FjJwtyOXbeUvrSkMRtta1FtxVnd4.jpg",[10],810466,"Grid","pt","A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).",0.2098,"\u002Fpnty2w8uVVDF6jN0nW5uQimwibh.jpg","2021-10-22",{"adult":5,"backdrop_path":6,"genre_ids":234,"id":236,"title":237,"original_language":238,"original_title":239,"overview":240,"popularity":241,"poster_path":242,"release_date":243,"softcore":5,"video":5,"vote_average":207,"vote_count":55},[10,235],16,264638,"Impressions from the Upper Atmosphere","es","Impresiones en la alta atmósfera","Sistiaga painted directly on 70mm film a circular (planetary?) form, around which dance shifting colours in a psychedelic acceleration matched by the soundtrack’s deep-space roar and howl. - Cinema Scope",0.887,"\u002Fyn8D07RpJBHkNwLj3Lv3sGTmsuh.jpg","1989-01-01",{"adult":5,"backdrop_path":6,"genre_ids":245,"id":246,"title":247,"original_language":16,"original_title":247,"overview":248,"popularity":249,"poster_path":250,"release_date":251,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],451207,"White Sands","White Sands is a 3 screen projection 16mm film installation which reflects on the visible and invisible manifestations of the nuclear fuel chain on the land, air, water and people of New Mexico.",0.214,"\u002FiM88NPipMTOYMC0istj2rx5nxks.jpg","2014-04-08",11729,234566,{"results":255},{},{"results":257},[],45,"A documentary story that tends to land well.",[]]