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For conductor Roberto Abbado, the transposition of the action to the present day releases the energy of Rossini's music. At his disposal is a cast of top-quality vocalists such as the “refined bel canto artist(Bresciaoggi) Sonia Ganassi as Elcia, and the “outstanding” Dmitry Korchak as the Pharaoh's son, two lovers fatefully drawn into the political turmoil and catastrophes of their time. Also among the protagonists are the “thoroughly brilliant” (DeutschlandRadio Kultur) baritone Alex Esposito as Faraone and, in his Rossini Festival debut, young, full-bodied bass Riccardo Zanellato as Moses. Conductor Roberto Abbado “inspired his musicians to deliver a spectacular performance” (Salzburger Nachrichten).",0.8824,"\u002FmUumjf4EcFoBM36dECjldl3waXg.jpg",[23],{"id":24,"logo_path":25,"name":26,"origin_country":16},4775,"\u002Fz1HSU7AQ04jeOICLE1mBzEJxiEJ.png","Opus Arte",[28],{"iso_3166_1":16,"name":29},"United Kingdom","2012-11-07",170,[33],{"english_name":34,"iso_639_1":35,"name":36},"Italian","it","Italiano","Released",10,1,{"cast":41,"crew":82},[42,50,58,66,74],{"adult":5,"gender":7,"id":43,"known_for_department":44,"name":45,"original_name":45,"popularity":46,"profile_path":47,"cast_id":39,"character":48,"credit_id":49,"order":7},1383469,"Acting","Riccardo Zanellato",0.508,"\u002FlL1cLRwiPNVPYaKXv4tyBP9Zk0i.jpg","Mose","5dce057379a1c300174838a0",{"adult":5,"gender":7,"id":51,"known_for_department":44,"name":52,"original_name":52,"popularity":53,"profile_path":54,"cast_id":55,"character":56,"credit_id":57,"order":39},1154138,"Alex Esposito",0.4365,"\u002FAbAWMb7rgmwwfaBSpztz5tNYsu4.jpg",2,"Faraone","5dce058f79a1c300174838c3",{"adult":5,"gender":39,"id":59,"known_for_department":44,"name":60,"original_name":60,"popularity":61,"profile_path":62,"cast_id":63,"character":64,"credit_id":65,"order":55},1202406,"Sonia Ganassi",0.6694,"\u002FAnBgLKGrOXqmYQCc6vCtrjVXUaN.jpg",3,"Elcia","5dce05b71d78f20014286468",{"adult":5,"gender":55,"id":67,"known_for_department":44,"name":68,"original_name":68,"popularity":69,"profile_path":70,"cast_id":71,"character":72,"credit_id":73,"order":63},1123922,"Dmitry Korchak",0.3369,"\u002FrqdJ7SmDU3hv0SitHW6FIkpXC8.jpg",4,"Osiride","5dce05cdcc277c0014e429cd",{"adult":5,"gender":55,"id":75,"known_for_department":76,"name":77,"original_name":77,"popularity":78,"profile_path":6,"cast_id":79,"character":80,"credit_id":81,"order":71},1421776,"Sound","Roberto Abbado",0.5087,5,"Conductor","5dce05e71d78f2001227c514",[83,90],{"adult":5,"gender":55,"id":84,"known_for_department":85,"name":86,"original_name":86,"popularity":87,"profile_path":6,"credit_id":88,"department":85,"job":89},1563712,"Directing","Graham Vick",0.6565,"5dce060279a1c3001748390a","Director",{"adult":5,"gender":7,"id":91,"known_for_department":92,"name":93,"original_name":93,"popularity":94,"profile_path":6,"credit_id":95,"department":92,"job":96},1389308,"Writing","Andrea Leone Tottola",0.4575,"5dce062be263bb0017747e4f","Writer",{"page":39,"results":98,"total_pages":273,"total_results":274},[99,114,123,132,140,148,157,167,174,182,189,199,208,215,221,231,238,247,255,265],{"adult":5,"backdrop_path":100,"genre_ids":101,"id":105,"title":106,"original_language":107,"original_title":108,"overview":109,"popularity":110,"poster_path":111,"release_date":112,"softcore":5,"video":5,"vote_average":113,"vote_count":39},"\u002FuvZtqbr8wzHuBr0QOPyVo4wqJuq.jpg",[102,103,10,104],18,35,10749,1399143,"The Tales of Hoffman - National Opera Company (INBAL)","fr","Los Cuentos de Hoffman - Compañía Nacional de Ópera (INBAL)","Opera in three acts, a prologue and an epilogue, by Jacques Offenbach (1819-1880), with a libretto in French by Jules Barbier (1825-1901), based on a work that Barbier himself and Michel Carré (1821-1872) had written based on stories by E.T.A. Hoffmann (1776-1822).  Approximate duration: 2 h 45 min  Recommended for those over 15 years old.  The young poet Hoffmann, accompanied by Nicklausse, his alter ego and confidant, is in a tavern next to the theatre where Mozart's Don Giovanni is being performed. During the opera's intermission, some diners arrive at the bar who, upon seeing the poet, encourage him to sing and tell them the story of his famous love affairs. Hoffmann finally gives in and shares with them the stories of Olympia, Antonia and Giulietta. 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First performance in Naples, Teatro San Carlo, 26 September 1835  Recording: December 23 2015 - Gran Teatre del Liceu | Barcelona\r Director: Fabrice Castanier\r Conductor: Marco Armiliato  Orchestra & Chorus of the Gran Teatre del Liceu",0.8305,"\u002F67TtsEoG4C2lrN32yWe2Z0GKPb1.jpg","2015-12-23",{"adult":5,"backdrop_path":6,"genre_ids":124,"id":125,"title":126,"original_language":35,"original_title":126,"overview":127,"popularity":128,"poster_path":129,"release_date":130,"softcore":5,"video":5,"vote_average":131,"vote_count":39},[10],271138,"Madama Butterfly","Opera at La Scala Milan",0.8754,"\u002FtQO1CIPTkVUrRlwMx4GahMHHwml.jpg","1986-01-09",9,{"adult":5,"backdrop_path":6,"genre_ids":133,"id":134,"title":135,"original_language":17,"original_title":135,"overview":136,"popularity":137,"poster_path":138,"release_date":139,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1411392,"Eugene Onegin","Pyotr Ilyich Tchaikovsky's 1879 opera, adapted from Alexander Pushkin's novel. 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The musical part was entrusted to Maestro Diego Fasolis who, together with his Barocchisti ensemble, was involved in the project from the very beginning. Internationally renowned soloists such as Edgardo Rocha (who embodies the Count of Almaviva), Riccardo Novaro (Bartolo), Lucia Cirillo (Rosina), Giorgio Caoduro (Figaro), Ugo Guagliardo (Basilio) and Alessandra Palomba (Berta) performed on stage.",0.7212,"\u002FyVPgbpasdRop8AokMWikjZQHMD8.jpg","2018-09-03",{"adult":5,"backdrop_path":158,"genre_ids":159,"id":160,"title":161,"original_language":17,"original_title":161,"overview":162,"popularity":163,"poster_path":164,"release_date":165,"softcore":5,"video":5,"vote_average":166,"vote_count":39},"\u002FyybuyDWXVpJ5xhgNEIMYqZm8vie.jpg",[10,102],638007,"Claude Debussy - Pelléas et Mélisande","Drama lyrique in five acts, after the play by Maruice Maeterlink",1.261,"\u002FaPFZ8mB6cZGqG5cBItMRS6PbRJy.jpg","2012-01-01",8,{"adult":5,"backdrop_path":6,"genre_ids":168,"id":169,"title":170,"original_language":171,"original_title":170,"overview":12,"popularity":172,"poster_path":6,"release_date":173,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10,103],1020361,"Italka v Alžíru","cs",0.9415,"1972-07-13",{"adult":5,"backdrop_path":6,"genre_ids":175,"id":176,"title":177,"original_language":35,"original_title":177,"overview":178,"popularity":179,"poster_path":180,"release_date":181,"softcore":5,"video":5,"vote_average":166,"vote_count":39},[10,103],448890,"Rita","a film opera; music by: Gaetano Donizetti (Philharmonic Orchestra of Rome) Directed by Giuseppe Zedda.",2.25,"\u002F2IxmRe3qz84hnJjQi57vJeXK4C1.jpg","1962-01-01",{"adult":5,"backdrop_path":6,"genre_ids":183,"id":185,"title":186,"original_language":171,"original_title":186,"overview":12,"popularity":187,"poster_path":6,"release_date":188,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[184,10],10770,1587172,"Leoš Janáček: Osud",0.7782,"2020-05-18",{"adult":5,"backdrop_path":190,"genre_ids":191,"id":192,"title":193,"original_language":194,"original_title":193,"overview":195,"popularity":196,"poster_path":197,"release_date":198,"softcore":5,"video":5,"vote_average":38,"vote_count":39},"\u002FbcxklsTxW000WMwPcbeUZkCUjm1.jpg",[184,103,10,104],453464,"Die lustigen Weiber von Windsor","de","When Sir John Falstaff decides that he wants to have a little fun he writes two letters to a pair of Window wives: Mistress Ford and Mistress Page. When they put their heads together and compare missives, they plan a practical joke or two to teach the knight a lesson. But Mistress Ford's husband is a very jealous man and is pumping Falstaff for information of the affair. 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Filmed in Italy with major opera stars, and accompanied by English narration.",0.8478,"1948-05-15",{"adult":5,"backdrop_path":6,"genre_ids":216,"id":217,"title":218,"original_language":194,"original_title":218,"overview":12,"popularity":219,"poster_path":220,"release_date":112,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],821223,"Giuseppe Verdi: Aida",0.547,"\u002FnWffhTFYXFTmc9WHs9ZaBPKnVh9.jpg",{"adult":5,"backdrop_path":6,"genre_ids":222,"id":223,"title":224,"original_language":225,"original_title":226,"overview":227,"popularity":228,"poster_path":229,"release_date":230,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1207724,"The Queen of Spades","ru","Пиковая дама","\"The Queen of Spades\" is considered Tchaikovsky's best creation by the world-famous conductor, People's Artist of the USSR Vladimir Ivanovich Fedoseev. He took over the leadership of the musical process of recreating the production at Helikon Opera. The original reading, modern stage language, love for Tchaikovsky's music, which became the hallmarks of Helikon's \"Queen of Spades,\" are preserved in the new version. To this were added the thoughtful gaze of maestro Fedoseev, the stunning stage capabilities of the new hall and the artistic talent of the Helikon troupe.",1.0669,"\u002FpwIHQdziuxEjklH0wVJNjbp60d4.jpg","2023-11-12",{"adult":5,"backdrop_path":6,"genre_ids":232,"id":233,"title":234,"original_language":17,"original_title":234,"overview":235,"popularity":236,"poster_path":6,"release_date":237,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],447406,"Rigoletto","Rigoletto is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the play Le roi s'amuse by Victor Hugo. Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851.  This 1994 recording, directed by Riccardo Muti, stars Roberto Alagna, Renato Bruson and Andrea Rost.",0.8391,"1994-01-01",{"adult":5,"backdrop_path":6,"genre_ids":239,"id":241,"title":242,"original_language":17,"original_title":242,"overview":243,"popularity":244,"poster_path":245,"release_date":246,"softcore":5,"video":5,"vote_average":131,"vote_count":39},[10,240],99,630827,"Rusalka","Dvořák's \"Rusalka\" in a production by David Pountney at the English National Opera in 1986. Mark Elder conducts the orchestra, accompanied by the English National Opera Chorus in English.",0.5627,"\u002F7qucCcaF03TnDebuISA5YN4EY79.jpg","1986-01-01",{"adult":5,"backdrop_path":248,"genre_ids":249,"id":250,"title":251,"original_language":194,"original_title":251,"overview":12,"popularity":252,"poster_path":253,"release_date":254,"softcore":5,"video":5,"vote_average":166,"vote_count":39},"\u002FwgDWFEGm1tRoNNEBYiwV9p5gJ5z.jpg",[10],821238,"Der Rosenkavalier - Bayerische Staatsoper",1.6596,"\u002Fif9hCtAN1y02vH1SKRID6xrMbkn.jpg","2021-03-21",{"adult":5,"backdrop_path":256,"genre_ids":257,"id":258,"title":259,"original_language":194,"original_title":259,"overview":260,"popularity":261,"poster_path":262,"release_date":263,"softcore":5,"video":5,"vote_average":264,"vote_count":63},"\u002F9fUl3O0EaFJjiLj8vgQ4jl5cAIc.jpg",[102,10,184],450458,"Salome","This filmed version of Strauss' shocker features Teresa Stratas as opera's most depraved teenager, and she's as perfect a Salome as one would ever hope to see or hear. Stratas inhabits the role, exploring the character's sensuousness as she vainly woos Jochanaan, her venomous hatred when she's rejected, the crazed look in her eyes when she demands his head--on a silver platter, no less. Such complete identification with a role, especially of a character so malignant helps make this 1974 Salome stand out among the many fine DVDs of the opera.",1.1082,"\u002FtQAurwmskqiYd4nKgAyAqCdYycj.jpg","1974-04-10",6.5,{"adult":5,"backdrop_path":6,"genre_ids":266,"id":267,"title":268,"original_language":107,"original_title":268,"overview":269,"popularity":270,"poster_path":271,"release_date":272,"softcore":5,"video":5,"vote_average":166,"vote_count":39},[102,10],450460,"Médée","A lonely mother and her son go to the opera where a performance of Cherubini’s opera Medea is given. It is the mother’s birthday and she wanted to surprise her son by inviting him to the opera. But, the son’s plan were different and he is quite upset about it. His mother tries to break the silent barrier behind which he hides. A semblance of discussion begins, not without humour. Tension is present but, as the performance goes on, both find themselves astounded, captured, alone in the opera house.",2.1751,"\u002Foyb3VtmfqsgH25YCfcI8orIFDYa.jpg","2017-04-17",1001,20001,{"results":276},{},{"id":13,"results":278},[],46,"A music story that tends to land well.",[]]