[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-648949-en-US":3},{"detail":4,"match":306,"insight":307,"providers":308,"providerLink":51,"trailer":51},{"id":5,"adult":6,"title":7,"video":8,"budget":9,"genres":10,"status":14,"videos":15,"credits":17,"imdb_id":51,"revenue":9,"runtime":99,"similar":100,"tagline":284,"homepage":284,"overview":285,"softcore":6,"popularity":286,"vote_count":23,"poster_path":287,"release_date":288,"vote_average":169,"backdrop_path":289,"origin_country":290,"original_title":7,"watch\u002Fproviders":292,"spoken_languages":294,"original_language":120,"production_companies":297,"production_countries":303,"belongs_to_collection":51},648949,false,"Rostropovich Life & Art",true,0,[11],{"id":12,"name":13},10402,"Music","Released",{"id":5,"results":16},[],{"cast":18,"crew":69},[19,30,38,45,52,60],{"id":20,"name":21,"adult":6,"order":9,"gender":22,"cast_id":23,"character":24,"credit_id":25,"popularity":26,"profile_path":27,"original_name":28,"known_for_department":29},1160304,"Mstislav Rostropovich",2,1,"Self","5dd1d934fd6fa100147ff6c8",0.7808,"\u002FricTUfQ80PtSGKyTZCfw9qINnNR.jpg","Мстислав Ростропович","Acting",{"id":31,"name":32,"adult":6,"order":23,"gender":22,"cast_id":22,"character":33,"credit_id":34,"popularity":35,"profile_path":36,"original_name":32,"known_for_department":37},9851,"Leonard Bernstein","Self - Conductor","5dd1d94657d3780013da2a4c",1.109,"\u002FQMmjkZVQcNboXp37UuSRijDd1c.jpg","Sound",{"id":39,"name":40,"adult":6,"order":22,"gender":22,"cast_id":41,"character":33,"credit_id":42,"popularity":43,"profile_path":44,"original_name":40,"known_for_department":29},129155,"Herbert von Karajan",3,"5dd1d95557d3780013da2a7a",0.722,"\u002Fx5BINmghy56Hibqxpq9SVkPZouQ.jpg",{"id":46,"name":47,"adult":6,"order":41,"gender":9,"cast_id":48,"character":24,"credit_id":49,"popularity":50,"profile_path":51,"original_name":47,"known_for_department":29},2460866,"Ulrich Koch",9,"5dd1dbdafd6fa100187ffc19",0.447,null,{"id":53,"name":54,"adult":6,"order":55,"gender":9,"cast_id":56,"character":57,"credit_id":58,"popularity":59,"profile_path":51,"original_name":54,"known_for_department":37},5213484,"Orchestre National de France",4,13,"Orchestra","68723a580ad7681110ed77e2",0.5952,{"id":61,"name":62,"adult":6,"order":63,"gender":9,"cast_id":64,"character":57,"credit_id":65,"popularity":66,"profile_path":67,"original_name":68,"known_for_department":37},2897270,"Berlin Philharmonic",5,14,"68723a69ee498f21056ea5df",0.8536,"\u002FzQuyxYFI3NzbZOuQhjQtyAnSqzT.jpg","Berliner Philharmoniker",[70,75,81,87,94],{"id":71,"job":13,"name":72,"adult":6,"gender":22,"credit_id":73,"department":37,"popularity":74,"profile_path":51,"original_name":72,"known_for_department":37},2460861,"Ernest Bloch","6387a1801b157d0082467ca3",0.7153,{"id":76,"job":13,"name":77,"adult":6,"gender":22,"credit_id":78,"department":37,"popularity":79,"profile_path":80,"original_name":77,"known_for_department":37},1116795,"Richard Strauss","6387a16b229ae21581183c2b",0.6049,"\u002FyMUgur4kSGUAkMV1ujDKZoJNDri.jpg",{"id":82,"job":13,"name":83,"adult":6,"gender":22,"credit_id":84,"department":37,"popularity":85,"profile_path":86,"original_name":83,"known_for_department":37},46872,"Robert Schumann","6387a1511b157d00c9fa5171",0.5664,"\u002F6mqSHpDkRfEjETSKlpfOmfrQ2Z.jpg",{"id":88,"job":89,"name":90,"adult":6,"gender":9,"credit_id":91,"department":92,"popularity":93,"profile_path":51,"original_name":90,"known_for_department":92},1093199,"Director","Yves-André Hubert","5dd1dba0b76cbb00117c8a48","Directing",0.6907,{"id":95,"job":89,"name":96,"adult":6,"gender":22,"credit_id":97,"department":92,"popularity":98,"profile_path":51,"original_name":96,"known_for_department":92},1242372,"Humphrey Burton","5dd1da41b76cbb00117c8968",0.8469,131,{"page":23,"results":101,"total_pages":282,"total_results":283},[102,112,121,130,141,151,161,171,179,187,196,205,214,225,233,241,249,257,265,274],{"id":103,"adult":6,"title":104,"video":6,"overview":105,"softcore":6,"genre_ids":106,"popularity":107,"vote_count":23,"poster_path":108,"release_date":109,"vote_average":48,"backdrop_path":110,"original_title":104,"original_language":111},1022936,"Carmina Burana - Carl Orff in Venedig","The Choir and Orchestra of the La Fenice Theatre, conducted by Fabio Luisi, take over Piazza San Marco in Venice for a grandiose concert. Facing the basilica, the musicians perform the famous cantata \"Carmina burana\", twenty-four medieval poems set to music by Carl Orff between 1935 and 1936.",[12],0.7108,"\u002FxaZXqvmAUku3IOPsxe7Qi45iF7t.jpg","2022-08-27","\u002FcGlUwhn54RmePEicCFgebsjvjVU.jpg","it",{"id":113,"adult":6,"title":114,"video":8,"overview":115,"softcore":6,"genre_ids":116,"popularity":117,"vote_count":9,"poster_path":118,"release_date":119,"vote_average":9,"backdrop_path":51,"original_title":114,"original_language":120},278578,"The Metropolitan Opera Centennial Gala","In celebration of its 100th anniversary in 1983, the Metropolitan Opera hosts a four-hour performance uniting some of the world's most spellbinding opera singers and conductors. The event includes a ballet from Samson et Dalila and boasts incredible classical performances from Kathleen Battle, Plácido Domingo, Jose Carerras, Leonard Bernstein, Marilyn Horne, Leona Mitchell, Luciano Pavarotti and many more.",[12],1.4154,"\u002FieryxlE3DZkqJ7nQ9yUQjFaGKmN.jpg","1983-01-01","en",{"id":122,"adult":6,"title":123,"video":8,"overview":124,"softcore":6,"genre_ids":125,"popularity":126,"vote_count":9,"poster_path":127,"release_date":128,"vote_average":9,"backdrop_path":129,"original_title":123,"original_language":120},649371,"Verdi Requiem","The production itself is quite beautiful: recorded in the Basilica di San Marco in Venice in November 2007, it highlights the cathedral's splendor, the reverent audience, the soloists, orchestra and chorus with near-perfect cinematography. The soundtrack is also acceptable, which may have been quite a task to achieve, given the Basilica's over-reverberant acoustics. Alas, the performance itself does not rise to the occasion. Despite the occasional minor insecurity in ensemble and a visible lack of joy, the Symphonica Toscanini musicians play well, the Coro del Maggio Musicale Fiorentino members sing equally well, and the soloists are more than adequate, almost tangibly trying to excel.",[12],0.6395,"\u002FtrEtYyUXgpKT9l33iKAfGFyjPtE.jpg","2007-12-01","\u002Fp6SqdsduluYCBnsdTGDFJKvRCp0.jpg",{"id":131,"adult":6,"title":132,"video":8,"overview":133,"softcore":6,"genre_ids":134,"popularity":135,"vote_count":9,"poster_path":136,"release_date":137,"vote_average":9,"backdrop_path":138,"original_title":139,"original_language":140},466766,"Waldbühne 2009 | Russian Rhythms","Every year, the Berliner Philharmoniker hold a kind of classical-music fête with a bright, cheerful concert to end the season. In 2009 about 22,000 people had come together at the Berlin Waldbühne to enjoy the traditional summer picnic concert. The theme of the evening was “Russian rhythms”, and star conductor Sir Simon Rattle, the Berliner Philharmoniker and Yefim Bronfman, one of the most famous pianists in the world today, presented a superb selection of Russian music.  Repertoire  Tchaikovsky: The Nutcracker, op. 71, Overture, The Christmas Tree, March, Pas de deux (Intrada) Rachmaninoff: Piano Concerto No.3 in D minor, op. 30 Stravinsky: Le Sacre du printemps Lincke: Berliner Luft",[12],0.8269,"\u002Fo4riv33GyzKsC63s8cZ3F9CboPU.jpg","2009-06-21","\u002FuhbvDSL9oJ4Xh3w2H4GN6525yGO.jpg","Waldbühne 2009: Russische Rhythmen","de",{"id":142,"adult":6,"title":143,"video":8,"overview":144,"softcore":6,"genre_ids":145,"popularity":146,"vote_count":9,"poster_path":147,"release_date":148,"vote_average":9,"backdrop_path":149,"original_title":150,"original_language":140},466767,"Waldbühne 2010 | An Evening with Renée Fleming","Repertoire\r Modest Mussorgsky: Night on Bald Mountain; Antonín Dvořák: Song to the Moon from “Rusalka”, Op. 114; Aram Chatschaturjan: Adagio from “Spartacus”; Richard Strauss: Final Scene from “Capriccio”, Op. 85; Richard Wagner: Overture to “Rienzi, der Letzte der Tribunen”; E. W. Korngold: Mariettas Lied from “Die tote Stadt”; Richard Strauss: Zueignung, Op. 10 No. 1; Sir Edward Elgar: Salut d’amour; Giacomo Puccini: Donde lieta uscì from “La bohème”; Tu che di gel sei cinta from “Turandot”; Ruggero Leoncavallo: Musette svaria sulla bocca viva from “La bohème”; Mimì Pinson, la biondinetta from “La bohème”; Piotr Tchaikovsky: “Romeo and Juliet” (Fantasy Overture)",[12],2.5194,"\u002F750M8pq4aZQO0rqt4FUtb02z3WC.jpg","2010-06-27","\u002F6fbVgqokybPT8MZdGIzaTQbmOfG.jpg","Waldbühne 2010: Nacht der Liebe",{"id":152,"adult":6,"title":153,"video":6,"overview":154,"softcore":6,"genre_ids":155,"popularity":156,"vote_count":23,"poster_path":157,"release_date":158,"vote_average":159,"backdrop_path":160,"original_title":153,"original_language":140},466769,"Waldbühne 2011: Fellini, Jazz & Co","The Waldbühne in Berlin, one of the most appealing outdoor amphitheatres on the European continent, is the home of the Berliner Philharmoniker’s summer concerts. With audiences of more than 20,000, these are some of the most popular classical music concerts in the world. Riccardo Chailly is famous for having one of the broadest and most eclectic repertoires. Here, under his baton, the orchestra presents perennial favourites by Shostakovich, Rota and Respighi. Live recording from the Waldbühne, Berlin, 23 August 2011, directed by Kasten Henning, produced by Jan Bremme. TV Producer: Dorothea Diekmann, RBB.  Repertoire\r Dmitry Shostakovich: Suite No. 2 for Jazz Orchestra (Suite for Variety Orchestra), Lady Macbeth of Mtsensk Suite – Allegretto; Nino Rota: ‘La Strada’ Ballet Suite; Ottorino Respighi: Fountains of Rome • Pines of Rome • Danza gueresca ‘Belkis’; Paul Lincke: Berliner Luft",[12],1.0045,"\u002F4RCK8TmXxrfjSct5SAnKodRcc1r.jpg","2011-07-02",10,"\u002FvqT0qpIXt6LmWf1XOWwyiB5h0N7.jpg",{"id":162,"adult":6,"title":163,"video":8,"overview":164,"softcore":6,"genre_ids":165,"popularity":166,"vote_count":23,"poster_path":167,"release_date":168,"vote_average":169,"backdrop_path":170,"original_title":163,"original_language":120},649588,"Rubinstein in Concert","Live 1973 concert performances by celebrated Polish-American virtuoso concert pianist Arthur Rubinstein, with the Concertgebouw Orchestra under conductor Bernard Haitink. Filmed in August 1973 at the Concertgebouw in Amsterdam, the performances include Beethoven's Third Piano Concerto, in C minor, op. 37; and Brahms's First Piano Concerto, in D minor, op. 15. These are followed by four short pieces for solo piano, by Schubert, Brahms, and Chopin. The 2008 DVD release by Deutsche Grammophon also includes a short documentary, \"Rubinstein at 90\", an interview with Robert MacNeil, filmed at Rubinstein's home in Paris in 1977.",[12],0.9109,"\u002F6zY6k4PcF5DMzsSTpdQO9XnCFiV.jpg","1973-06-01",7,"\u002F5KoeTuO4pN1zv1dXLMQfWsn8Hqr.jpg",{"id":172,"adult":6,"title":173,"video":8,"overview":174,"softcore":6,"genre_ids":175,"popularity":176,"vote_count":23,"poster_path":177,"release_date":178,"vote_average":159,"backdrop_path":51,"original_title":173,"original_language":120},649148,"Mahler - Symphonies Nos. 4, 5 & 6","For Mahlerites, his symphonies are much more than musical performances--they can be an emotional or spiritual journey through the struggles, fears, and triumphs of life.  This Sixth Symphony is a 1976 performance in the Vienna Musikvereinssaal with PCM stereo and DTS 5.1. The 2 dvd set also includes the 4th and 5th symphonies, which are performed as magnificently as the Sixth.",[12],0.8957,"\u002F9kosZ4KJp6RnBway7JpMN6JhYyk.jpg","1976-08-22",{"id":180,"adult":6,"title":181,"video":8,"overview":182,"softcore":6,"genre_ids":183,"popularity":184,"vote_count":23,"poster_path":185,"release_date":186,"vote_average":169,"backdrop_path":51,"original_title":181,"original_language":120},652959,"Mozart Symphonies Vol. I - Nos. 29,34,35,40,41 and Minuet K.409","There are only a couple of DVD recordings of Mozart's Symphony No. 40. Fortunately, this one by Karl Bohm, recorded live in Vienna's Musikvereinssaal, is excellent, as are the other Mozart symphonies on this DVD. Since this disc offers three of the big six last symphonies of Mozart, Nos. 35 (Haffner), 40, and 41 (Jupiter), plus two more, it is an outstanding value. Despite the age of the recordings (1973-74), both the sound and the video are quite good.",[12],1.2336,"\u002Fyo10XhBaKy7lUMcBlypZM0kiRO.jpg","1978-10-03",{"id":188,"adult":6,"title":189,"video":8,"overview":190,"softcore":6,"genre_ids":191,"popularity":192,"vote_count":22,"poster_path":193,"release_date":194,"vote_average":195,"backdrop_path":51,"original_title":189,"original_language":120},652923,"Mozart Symphonies Vol. II - Nos. 1,25,31,36,38 and \"Eine Kleine Nachtmusik\"","In the 1960s Karl Böhm (1894–1981) had made his mark as interpreter of Mozart with the the Berlin Philharmonic. Yet his recordings with the Vienna Symphony demonstrate a mutual sympathy and deep love for this timeless music. The musicians are razor-sharp in attack, harmony, and release. Böhm's style is minimalist: a firm downbeat, a ruffled hand here and there, a slight sway, no mugging. Occasionally, when quite excited, he gives a little hop but immediately pulls himself on a tight leash.",[12],1.1473,"\u002FgCG1gcVC56nkbVuQIiN2tsbmOnl.jpg","1978-07-12",8.2,{"id":197,"adult":6,"title":198,"video":6,"overview":199,"softcore":6,"genre_ids":200,"popularity":201,"vote_count":23,"poster_path":202,"release_date":203,"vote_average":159,"backdrop_path":204,"original_title":198,"original_language":140},1058744,"Teodor Currentzis: Utopia","Utopia, the new orchestra of conductor Teodor Currentzis, can be experienced for the first time in Vienna on its inaugural tour with the 1945 version of Igor Stravinsky’s ‘The Firebird’ and Maurice Ravel’s Suite No. 2 of ‘Daphnis et Chloé’, ‘La Valse’ and ‘Boléro’.",[12],0.9454,"\u002F310xoECaEehjyt1MyJ8gPJKeBiV.jpg","2022-10-21","\u002Fe5gUeTnmPgGjkE1vZ52haneNspz.jpg",{"id":206,"adult":6,"title":207,"video":8,"overview":208,"softcore":6,"genre_ids":209,"popularity":210,"vote_count":9,"poster_path":211,"release_date":212,"vote_average":9,"backdrop_path":213,"original_title":207,"original_language":120},655703,"Beethoven: Piano Concertos 1-5 - Uchida, Rattle","There is hardly a better way to approach Ludwig van Beethoven than through his piano concertos. Beethoven’s own instrument was the piano, and in his improvisations – which made him the darling of the Viennese salons – he merged virtuosity and unbridled expression. The piano concertos give a clear idea of these performances. At the same time, they are prime examples of Beethoven’s ability to create large orchestral works with seemingly endless arcs of tension.  The complete recording of all five works with Mitsuko Uchida and Sir Simon Rattle was one of the most spectacular projects of the Berliner Philharmoniker during the Rattle era – and at the same time the highlight of the collaboration between the orchestra and the pianist, which began in 1984.",[12],1.0842,"\u002FtAVA1QmKoPppLibIEvgFoe0TCAe.jpg","2018-12-07","\u002F6bJcbTMs0YCO0ek7PIMjdE3D0CA.jpg",{"id":215,"adult":6,"title":216,"video":8,"overview":217,"softcore":6,"genre_ids":218,"popularity":219,"vote_count":23,"poster_path":220,"release_date":221,"vote_average":222,"backdrop_path":223,"original_title":224,"original_language":140},473143,"Waldbühne 2017 | Legends of the Rhine","For their annual season end concert, the Berliner Philharmoniker take the audience on a dreamy, magically journey through the river Rhine with Schumann’s beloved 3rd Symphony Rhenish. Pieces from Wagner’s Der Ring des Nibelungen under the baton of dynamic conductor Gustavo Dudamel complete this evening.",[12],0.6659,"\u002F6AqdRCCNsZGz4NNeaT1wxKTMeVO.jpg","2017-10-20",8,"\u002F8g8uTIJyLrAAXjGaLqNB0H1jWCy.jpg","Rheinlegenden",{"id":226,"adult":6,"title":227,"video":6,"overview":228,"softcore":6,"genre_ids":229,"popularity":230,"vote_count":23,"poster_path":231,"release_date":232,"vote_average":159,"backdrop_path":51,"original_title":227,"original_language":120},652144,"Mahler - Symphonies Nos. 9 & 10 \u002F Das Lied von der Erde","Filmed on tour at Berlin's Philharmonie, this account of the valedictory Ninth Symphony is an intense interpretation, expressing Bernstein's conviction that modern man had at last caught up with the message encoded in Mahler's last completed work. Having made his famous 1966 studio recording of \"Das Lied von der Erde\" in Vienna, Bernstein re-recorded this in Israel with the same searing subjectivity. René Kollo draws on the voice of a great Wagner tenor, while Christa Ludwig, the greatest exponent of the contralto songs at the time, is unbearably poignant in the final movement's fusion of elation and sadness.",[12],1.5461,"\u002FhWOSgpudGmt3yi82Bzv4pQ7fyeq.jpg","2005-11-22",{"id":234,"adult":6,"title":235,"video":8,"overview":236,"softcore":6,"genre_ids":237,"popularity":238,"vote_count":9,"poster_path":239,"release_date":240,"vote_average":9,"backdrop_path":51,"original_title":235,"original_language":120},653290,"Mozart Symphonies Vol. III - Nos. 28, 33, 39, \"Serenata Notturna\" and Karl Böhm documentary","Almost any recording of a Mozart symphony by Austrian conductor Karl Bohm (1894-1981) is a sure thing: excellent sound, and sensible, solid, non-sentimental interpretation.  This DVD has 3 Mozart Symphonies, all conducted by Bohm: Nos. 33 and 39 with the Vienna Symphony, recorded in Studio-Wien in 1969, and a live 1970 performance of Symphony 28 with the Vienna Philharmonic, filmed in the Musikvereinsalle in Vienna.  All 3 symphonies have excellent film quality and sound, although some viewers may prefer Symphony 28, as the presence of a live audience really brings out the best in the Vienna Philharmonic.",[12],0.7165,"\u002Fp9fkTO9eDDg8PmYsMoMGMItuwpO.jpg","1978-10-31",{"id":242,"adult":6,"title":243,"video":8,"overview":244,"softcore":6,"genre_ids":245,"popularity":246,"vote_count":9,"poster_path":247,"release_date":248,"vote_average":9,"backdrop_path":51,"original_title":243,"original_language":120},654247,"Bruckner: Symphony No. 5","The Süddeutsche Zeitung summed up this highly acclaimed performance of Bruckner's monumental Fifth Symphony by saying: Both Bruckners belief in God, as it majestically wells up out of the chorale of the Fifth, and his deeply tragic world view, collide with one another in Barenboims interpretation. The operatic experience of the conductor was almost tangible, revealing the sheer dramatic instrumental battle between Bruckners God and the Devil between heaven and hell without betraying Bruckners unerring sense of striking proportions. The release of this contrapuntal masterpiece (as Bruckner, not without pride, referred to this work) is part of Daniel Barenboims Bruckner cycle with the renowned Staatskapelle Berlin.",[12],0.9543,"\u002Foyh3aqJOX8sbvKWh5Ddf8JDuKsJ.jpg","2010-06-15",{"id":250,"adult":6,"title":251,"video":6,"overview":252,"softcore":6,"genre_ids":253,"popularity":254,"vote_count":9,"poster_path":255,"release_date":256,"vote_average":9,"backdrop_path":51,"original_title":251,"original_language":120},654640,"Bruckner: Symphony No. 6","Anton Bruckner’s 6th Symphony was written between 1879 and 1881: a very happy time in his life. Unlike most of Bruckner’s symphonies, the 6th was not revised. Of all his works, this one seems to come from a single source of inspiration. Bruckner himself called it his “boldest” symphony – probably due to its extreme degree of motivic, rhythmic and harmonic originality. This live recording of the seldom-performed 6th Symphony is the next instalment of the acclaimed Bruckner cycle by the Staatskapelle Berlin and Daniel Barenboim.  Anton Bruckner Symphony No. 6 in A major  (original version)  Daniel Barenboim, Conductor  Staatskapelle Berlin  Recorded live at the Philharmonie Berlin, 22 June 2010",[12],1.2083,"\u002FnIakcecG7VfxgZCBwDc2dQQB2sm.jpg","2014-01-06",{"id":258,"adult":6,"title":259,"video":6,"overview":260,"softcore":6,"genre_ids":261,"popularity":262,"vote_count":9,"poster_path":263,"release_date":264,"vote_average":9,"backdrop_path":51,"original_title":259,"original_language":120},654642,"Bruckner: Symphony No. 8","“Clarity was one thing that made this performance a marvel. Another was the flexibility of Barenboim’s speeds…. The flexibility of Barenboim’s tempi meant that Bruckner’s charm – an often overlooked aspect of his genius – shone through, especially in the genial Trio.” (The Telegraph) Bruckner’s 8th is the last symphony completed by the Austrian composer. Many of his contemporaries regarded the symphony as “the pinnacle of 19th century music”. Even today, this monumental work fascinates listeners with its virtuoso orchestral technique, its immensity of sound, and its inexhaustible richness of detail.  Symphony No. 8 in C minor  (second version 1887-90, Robert Haas Edition)  Daniel Barenboim, Conductor  Staatskapelle Berlin  Recorded live at the Philharmonie Berlin, 26 June 2010",[12],1.672,"\u002F9VCTThtQb7zCuftlYAHmy7AqA2R.jpg","2014-11-03",{"id":266,"adult":6,"title":267,"video":8,"overview":268,"softcore":6,"genre_ids":269,"popularity":270,"vote_count":23,"poster_path":271,"release_date":272,"vote_average":273,"backdrop_path":51,"original_title":267,"original_language":120},654196,"Bruckner: Symphony No. 4","Daniel Barenboim is an expert in exploiting the impact of cyclical performances of composers works: This time he focuses his sharp intellect on all six of Anton Bruckners mature symphonies. Der Tagesspiegel described Barenboim's performance of the works with the Staatskapelle Berlin on six nearly consecutive evenings in June 2010 as a superhuman accomplishment and went on to praise how: His Bruckner is conceived and performed very theatrically, like an opera without words. Bruckners famous Romantic Symphony No. 4 forms the prelude to a spectacular DVD series from Accentus Music and Unitel Classica, exploring Bruckners symphonic cosmos.",[12],1.4388,"\u002FoGizfJGEyq6boXYT5U7hdt8jz1w.jpg","2010-02-16",6,{"id":275,"adult":6,"title":276,"video":8,"overview":277,"softcore":6,"genre_ids":278,"popularity":279,"vote_count":9,"poster_path":280,"release_date":281,"vote_average":9,"backdrop_path":51,"original_title":276,"original_language":120},654201,"Brahms The Piano Concertos","Between 1981 and 1984 Leonard Bernstein recorded nearly all of Brahmss orchestral works with the Wiener Philharmoniker to honor the 150th anniversary of the composer's birth in 1983. For the concertos, Bernstein enlisted the services of some of the finest Brahms interpreters of the time: the violoninst Gidon Kremer, the cellist Mischa Maisky and the pianist Krystian Zimerman. Leonard Bernstein, Krystian Zimerman, and the Wiener Philharmoniker, it's very hard to get a better group of musicians for these masterpieces. Mr. Zimerman and Mr. Wolfgang Herzer's piano cello duets in the third movement of Brahms' second is simply tearful.",[12],1.0116,"\u002FmrB6HYz0IMhee7ZBWjhxiKf1iuw.jpg","1984-12-11",1001,20001,"","Released as a memorial for the great Russian cellist Mstislav Rostropovich, who passed away on 27 April 2007, this DVD contains one bonafide cello concerto, the Schumann Cello Concerto in A minor, and two tone poems with prominent cello parts, Ernest Bloch's Schelomo and Richard Strauss' Don Quixote. Rostropovich mastered the Schumann in several famous recordings. Here, conducted by Leonard Bernstein, he provides a splendid performance. Featuring his trademark powerful technique, smooth legato and crisp vibrato, the Romantic roots of the concerto are never hidden for long, despite the relatively cool playing of the Orchestre National de France.",1.016,"\u002F8rUkTa1umXQ9b8h0WEOUYOBizCb.jpg","2007-02-05","\u002F1UfxfPMftaNLXFrcLzAffi0CE5O.jpg",[291],"US",{"results":293},{},[295],{"name":296,"iso_639_1":120,"english_name":296},"English",[298],{"id":299,"name":300,"logo_path":301,"origin_country":302},10707,"Deutsche Grammophon","\u002FcxWvdB6JoV1YVNno4VCg3yceoXG.png","DE",[304],{"name":305,"iso_3166_1":302},"Germany",45,"A music story that tends to land well.",[]]