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It’s when Giovanni tangles with Donna Anna (Hibla Gerzmava) that things start to unravel, aided by the reappearance of Donna Elvira (Malin Byström), who is determined not to let her seducer go. With Paul Appleby as Don Ottavio, Donna Anna’s eternally steadfast fiancé. Principal Conductor Fabio Luisi leads the Met Orchestra and Chorus.",[12],0.9397,"\u002FnmMDwkqxURQVtPWmXQPkSscT2i4.jpg","2016-10-22","\u002FmUOhASLAPuygz0x6Oa2FqpMfA3T.jpg",{"id":152,"adult":6,"title":153,"video":6,"overview":154,"softcore":6,"genre_ids":155,"popularity":156,"vote_count":9,"poster_path":157,"release_date":158,"vote_average":9,"backdrop_path":34,"original_title":153,"original_language":141},621622,"Royal Opera House: La Bohème","Richard Jones’ “La bohème” is an important weapon in the Royal Opera’s commercial arsenal. This is its second revival since Jones’ production hit the stage in autumn 2017, replacing John Copley’s beloved 40-year old staging, resplendent with period detail and resolutely naturalist. Jones brings a considerable break with the past in his approach, pointing the way towards thought-provoking possibilities for the work, though it is a clearly a show that defers to the need for regular revival and breadth of appeal.",[12],0.6244,"\u002F173rByXwzXJSotvobaGvq3KcQOF.jpg","2020-01-29",{"id":160,"adult":6,"title":161,"video":6,"overview":162,"softcore":6,"genre_ids":163,"popularity":164,"vote_count":23,"poster_path":165,"release_date":166,"vote_average":69,"backdrop_path":34,"original_title":161,"original_language":167},621627,"Royal Opera House: Fidelio","Beethoven’s only opera is a masterpiece, an uplifting story of risk and triumph. 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The story of the sorceress Alcina, an initially hedonistic, manipulative woman who later finds herself a victim of love, fits into the genre of the ‘magical opera’ with numerous magical elements, but Handel achieved considerable emotional authenticity in his characterisations. This makes Alcina one of the most deeply felt and multifaceted operas. ‘You may despise what you like ; but you cannot contradict Handel,’ said the Irish playwright George Bernard Shaw. As in Tamerlano, Pierre Audi based this production on the stage at the baroque theatre at Drottningholm, for which he originally developed the directing concept. His set is thus based on the principles of perspective, with wings in the form of painted panels. 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A regional (and mediocre) operatic troupe is rehearsing a new work and faces numerous obstacles. The prima donna acts every bit the diva, refusing to rehearse. The Tenor finds himself in the wrong production and quite out of his depth. The Seconda Donna’s mother (played by a baritone) demands that her daughter be given a more prominent role, before deciding to take on several roles herself. Not be outshone, the Prima Donna’s husband takes to the stage too.  When the show eventually collapses and the company tries to flee under cover of night, rather than pay back all the investors (whose money has already been spent), the Impresario has other plans…",[12],0.4749,"\u002Fcekg9qOiAJTRoqq3JjKM0D9m0Jo.jpg","2024-10-26","\u002FtCxkX9tMqHrenFjDB0qQc7eEgQE.jpg",{"id":242,"adult":6,"title":243,"video":6,"overview":244,"softcore":6,"genre_ids":245,"popularity":247,"vote_count":38,"poster_path":248,"release_date":249,"vote_average":250,"backdrop_path":251,"original_title":243,"original_language":141},259990,"Cavalleria rusticana","Franco Zeffirelli  directs these two legendary La Scala productions telling tragic tales of jealousy. Mascagni's Cavalleria Rusticana features performances by Elena Obraztsova, Plácido Domingo, and Renato Bruson. Leoncavallo's  I Pagliacci  stars Teresa Stratas, Plácido Domingo, and Juan Pons. Both are conducted by George Pretre. 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Along with these fine performances comes Giuseppe Sinopoli--before his untimely death at age 54--who was considered one of Europe's finest opera conductors, and, in the Dresden orchestra and chorus, performers who match his creative energy.",[12],"\u002FvclYtrr1t5WAvYER7c1qLb9yca9.jpg","1999-07-11",{"id":270,"adult":6,"title":271,"video":6,"overview":272,"softcore":6,"genre_ids":273,"popularity":274,"vote_count":23,"poster_path":275,"release_date":276,"vote_average":260,"backdrop_path":277,"original_title":271,"original_language":278},446729,"The Metropolitan Opera: Roméo et Juliette","Diana Damrau and Vittorio Grigolo are opera’s classic lovers in Gounod’s lush Shakespeare adaptation. Director Bartlett Sher’s “brilliant and inspired new production … is a revelation” (Huffington Post), and has already won acclaim for its vivid 18th-century milieu and stunning costumes during runs at Salzburg and La Scala. 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