[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-650932-en-US":3},{"detail":4,"match":247,"insight":248,"providers":249,"providerLink":26,"trailer":26},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":32,"revenue":8,"runtime":33,"similar":34,"tagline":229,"homepage":229,"overview":230,"softcore":6,"popularity":231,"vote_count":8,"poster_path":232,"release_date":233,"vote_average":8,"backdrop_path":26,"origin_country":234,"original_title":236,"watch\u002Fproviders":237,"spoken_languages":239,"original_language":242,"production_companies":243,"production_countries":244,"belongs_to_collection":26},650932,false,"The Boundaries",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":18},[],[19,27],{"id":20,"job":21,"name":22,"adult":6,"gender":8,"credit_id":23,"department":24,"popularity":25,"profile_path":26,"original_name":22,"known_for_department":24},2467160,"Director","Miaoyuan Long","5ddbc0b9aad9c20012c21d93","Directing",0.4282,null,{"id":28,"job":21,"name":29,"adult":6,"gender":8,"credit_id":30,"department":24,"popularity":31,"profile_path":26,"original_name":29,"known_for_department":24},2467161,"Zheng Lu","5ddbc0c73faba000150020ab",0.3963,"tt11338016",15,{"page":35,"results":36,"total_pages":227,"total_results":228},1,[37,48,57,68,78,87,97,106,114,125,133,141,151,161,172,180,190,199,207,216],{"id":38,"adult":6,"title":39,"video":6,"overview":40,"softcore":6,"genre_ids":41,"popularity":42,"vote_count":43,"poster_path":44,"release_date":45,"vote_average":46,"backdrop_path":26,"original_title":39,"original_language":47},260403,"New York Portrait, Chapter III","\"[Hutton’s] latest urban film, New York Portrait, Chapter III, takes on a unique tone in relation to Hutton’s ongoing exploration of rural landscape. The very fact that Hutton is dealing with older footage, with archives of memory more than immediacy, gives it a different texture than his earlier New York films. Hutton always found the presence of nature in the city, not only in his many shots of sky and vegetation, but also in the geometry and texture of the city itself, which seemed to project an independence from the human.\" (Tom Gunning)",[11],0.6428,3,"\u002Fo6LHFlah0QF6ZZRVO9dyTrhTBgl.jpg","1990-03-21",7.7,"en",{"id":49,"adult":6,"title":50,"video":6,"overview":51,"softcore":6,"genre_ids":52,"popularity":53,"vote_count":8,"poster_path":54,"release_date":55,"vote_average":8,"backdrop_path":56,"original_title":50,"original_language":47},1387525,"Running Fields II","Fifteen images of a camera running in a park and in obscurity searching the space of light through distorsion and the sensory of rapid motion.",[11],0.8631,"\u002Fn5fM6em0y5iTs4461F1dw6aRfBo.jpg","2024-11-15","\u002FxuuN3h0ojTGUMdlDOYRa7RcjPZX.jpg",{"id":58,"adult":6,"title":59,"video":6,"overview":60,"softcore":6,"genre_ids":61,"popularity":63,"vote_count":64,"poster_path":65,"release_date":66,"vote_average":67,"backdrop_path":26,"original_title":59,"original_language":47},268367,"Heterodyne","“Geometric animation made entirely by sculptural methods: cutting, punching, welding colored leader. HETERODYNE is related to some of my other work as RNA to a protein or polypeptide. It was made in abject (if blissful) ignorance of Paul Sharits’ early work.” –Hollis Frampton",[11,62],16,0.9675,4,"\u002FvIv4hIO4pPpvxYMpxdBL2mt0EwY.jpg","1967-01-01",5,{"id":69,"adult":6,"title":70,"video":6,"overview":71,"softcore":6,"genre_ids":72,"popularity":73,"vote_count":35,"poster_path":74,"release_date":75,"vote_average":76,"backdrop_path":77,"original_title":70,"original_language":47},455020,"Electro-Pythagorus: A Portrait of Martin Bartlett","Electro-Pythagorus is an intimate and subjective portrait of the late Martin Bartlett, the Canadian electronic music pioneer who studied with Pauline Oliveros, David Tudor, John Cage, and Pandit Pran Nath. His contribution as an interdisciplinary composer, educator, and founding member of Western Front, though undoubtedly extensive, is in danger of being erased from cultural memory since his death from AIDS in 1993.  Navigating an array of archival materials including letters, correspondences, notebooks, personal photos, and a huge body of unreleased music and field recordings held at the archives of Simon Fraser University, Electro-Pythagoras is a journey through the evolution of Bartlett’s musical time and space, softly guided by Luke Fowler’s insightful camera and montage—creating an experimental portrait that defies one-dimensionality.",[11],0.9087,"\u002FhbkFUBza3fgbpHVv9GIQs31yfkD.jpg","2017-02-26",8,"\u002FxOoP9CZB7zURnfNPM0Iep2H3lnR.jpg",{"id":79,"adult":6,"title":80,"video":6,"overview":81,"softcore":6,"genre_ids":82,"popularity":83,"vote_count":8,"poster_path":84,"release_date":85,"vote_average":8,"backdrop_path":86,"original_title":80,"original_language":47},824057,"A Night of Soap Water","A watchman at an apartment complex in Assam, India, spends an ordinary evening. A surreal, expressionistic landscape unfolds.",[11],0.9007,"\u002FgF2rgudq0GREJ5KhplGvcWVhoUb.jpg","2021-02-24","\u002FyeR7uQP7q3ywShn6gXcq6t0JHPH.jpg",{"id":88,"adult":6,"title":89,"video":6,"overview":90,"softcore":6,"genre_ids":91,"popularity":93,"vote_count":35,"poster_path":94,"release_date":95,"vote_average":96,"backdrop_path":26,"original_title":89,"original_language":47},260938,"One 11 and 103","Avant-garde composer John Cage is famous for his experimental pieces and \"chance music\" but temporarily branched into video in 1992 with this art film about meaningless activity. The work is composed of two segments that are supposed to be played simultaneously: \"One 11\" contains the artistic statement, and \"103\" is a 17-part orchestral piece. Also included is a revealing documentary about Cage and director Henning Lohner.",[92,11],10402,0.6557,"\u002FaMjYRZ0LLaWfKo1eMsVDxPLjOk7.jpg","1992-01-01",10,{"id":98,"adult":6,"title":99,"video":6,"overview":100,"softcore":6,"genre_ids":101,"popularity":102,"vote_count":8,"poster_path":26,"release_date":103,"vote_average":8,"backdrop_path":26,"original_title":104,"original_language":105},261158,"The Red Bank. James Joyce: His Greek Notebooks","This documentary aims to register this unknown side of James Joyce: His Greek Notebooks. Trieste. Bloomsday, 2013. Dance in slow motion, accompanied by text. By deconstructing the body, we turn it into a memory: of the body, of life, of texts. The biographical references to Joyce and Mando Aravantinou, combined with the diagonal slicing of the image, cancel the realism of the landscape, including that of the Narrator’s space\u002Fstudy. As a culmination, Joyce’s letter “A request for a loan in Greek” functions as a timely denunciation. Various routes through cities, such as Trieste, London, New York, and Athens; languages such as Greek and English. In addition to the primal myth of Ulysses, there is another issue: Greek is “the language of the subject of Ulysses”",[11],2.4768,"2013-03-25","The Red Bank. James Joyce: Ta τετράδιά του, των Ελληνικών","el",{"id":107,"adult":6,"title":108,"video":6,"overview":109,"softcore":6,"genre_ids":110,"popularity":111,"vote_count":8,"poster_path":112,"release_date":113,"vote_average":8,"backdrop_path":26,"original_title":108,"original_language":47},451761,"Popsong","The world appears black on black until it separates from itself, looks at itself, includes itself, and sees colour.",[11],2.7203,"\u002F8vO1t1haYwKrrnrYIy3SzHDPVp7.jpg","2016-10-01",{"id":115,"adult":6,"title":116,"video":6,"overview":117,"softcore":6,"genre_ids":118,"popularity":120,"vote_count":121,"poster_path":122,"release_date":123,"vote_average":43,"backdrop_path":124,"original_title":116,"original_language":47},452322,"PROTOTYPE","As a major storm strikes Texas in 1900, a mysterious televisual device is built and tested. Blake Williams’ experimental 3D sci-fi film immerses us in the aftermath of the Galveston disaster to fashion a haunting treatise on technology, cinema, and the medium’s future.",[119,11],878,0.9362,2,"\u002FdcPxRevTlhyPwkidx1lhzfBFemj.jpg","2017-09-08","\u002FewX3AYxuWezxI3qGgWjKjG468oe.jpg",{"id":126,"adult":6,"title":127,"video":6,"overview":128,"softcore":6,"genre_ids":129,"popularity":130,"vote_count":8,"poster_path":131,"release_date":132,"vote_average":8,"backdrop_path":26,"original_title":127,"original_language":47},1394611,"Running Fields III","Twenty images of a camera running next to a chemical platform and capturing abstract light throught improvised gestures and asymmetrical motion",[11],1.2832,"\u002FfBZPvK6GcZwMfT87WPy69TDeV2Y.jpg","2024-11-29",{"id":134,"adult":6,"title":135,"video":6,"overview":136,"softcore":6,"genre_ids":137,"popularity":138,"vote_count":8,"poster_path":139,"release_date":140,"vote_average":8,"backdrop_path":26,"original_title":135,"original_language":47},816281,"Destruction of the Berlin Wall","Filmed in Berlin, July 1990. Images of workers taking down the wall and street peddlers selling pieces of it to make a living.",[11],0.7331,"\u002FdIVqx6jry3mckE7vwkJppgJliri.jpg","2014-11-09",{"id":142,"adult":6,"title":143,"video":6,"overview":144,"softcore":6,"genre_ids":145,"popularity":146,"vote_count":147,"poster_path":148,"release_date":149,"vote_average":150,"backdrop_path":26,"original_title":143,"original_language":47},259458,"New York Portrait, Chapter II","Chapter Two represents a continuation of daily observations from the environment of Manhattan compiled over a period from 1980-1981. This is the second part of an extended life's portrait of New York.",[11],0.5933,7,"\u002FemTOeOgYMkSJ2UZovoqo2T1nYtW.jpg","1981-01-01",7.1,{"id":152,"adult":6,"title":153,"video":6,"overview":154,"softcore":6,"genre_ids":155,"popularity":156,"vote_count":64,"poster_path":157,"release_date":158,"vote_average":76,"backdrop_path":159,"original_title":153,"original_language":160},263806,"Bliss","The first film made by Markopoulos after moving to Europe, Bliss was shot over the course of two days using only available light to create a lyrical study of the interior of the Church of St. John on the island of Hydra.",[11],0.4945,"\u002FctbGBuZw7n811WMNXuauHr6wzxM.jpg","1967-06-02","\u002FyXLoSsOggRiHXmNnkL5rpV9Om20.jpg","xx",{"id":162,"adult":6,"title":163,"video":6,"overview":164,"softcore":6,"genre_ids":165,"popularity":166,"vote_count":35,"poster_path":167,"release_date":168,"vote_average":169,"backdrop_path":170,"original_title":163,"original_language":171},810466,"Grid","A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).",[11],1.0805,"\u002Fpnty2w8uVVDF6jN0nW5uQimwibh.jpg","2021-10-22",6,"\u002FjJwtyOXbeUvrSkMRtta1FtxVnd4.jpg","pt",{"id":173,"adult":6,"title":174,"video":6,"overview":175,"softcore":6,"genre_ids":176,"popularity":177,"vote_count":8,"poster_path":178,"release_date":179,"vote_average":8,"backdrop_path":26,"original_title":174,"original_language":47},1400387,"Running Fields IV","Twenty-four images of a camera running in the woods, a moonlight and a cemetery through improvised gestures, mechanical abstraction and saturated colors",[11],1.0473,"\u002FfoU1PQZ64h5vvvA6eh5UvQwMCMT.jpg","2024-12-13",{"id":181,"adult":6,"title":182,"video":6,"overview":183,"softcore":6,"genre_ids":184,"popularity":185,"vote_count":35,"poster_path":186,"release_date":187,"vote_average":96,"backdrop_path":188,"original_title":189,"original_language":47},825169,"Butterfly 360°","The 360° project tells the story of a peaceful environment featuring a rare case phenomena where a swarm of butterflies is nurturing itself by eating the nectar of flowers showing the beauty but also the fragility of a complex ecosystem. The video installation is configured to work as an interactive 360° experience where the spectator can view the untouched nature by moving \u002F grabbing \u002F touching the nature by his\u002Fher hands (mouse) but offers also the possibility to be screened large scale as a flat video loop on a wall, building or in cinema.",[11],0.5743,"\u002Fy6eUV4XMK0O655uBvTGoc0aKJuO.jpg","2020-11-27","\u002F4ImuXeIBAkn6CFG6GchzRZrBav1.jpg","Sfarfallii liberali 360°",{"id":191,"adult":6,"title":192,"video":6,"overview":193,"softcore":6,"genre_ids":194,"popularity":195,"vote_count":35,"poster_path":196,"release_date":197,"vote_average":96,"backdrop_path":198,"original_title":192,"original_language":47},825182,"Paleo Impulse","Paleo is a video clip shoot at the famous homonymous music festival in the French canton of Vaud in Switzerland, where many hippie-techno-pagans gather every summer since 1977. The editing style is a tribute to the reworking of psychedelic theories and the New Age proliferation within rave culture in the early 90s from the perspective of the late second decade of the new millennium. In the footage, the ritual ingestion of psychedelics is symbolically replaced by a liberating dance through a powerful fast montage that epitomizes the frenzy of intoxication achieved through psychedelic plants. A revival of a revival of a revival.",[11],0.4614,"\u002FplPo33WTKYG3qzoprgX6a1Hca3B.jpg","2018-07-13","\u002FwGWpeMsDyC3reBtCpKbrqBS3T3V.jpg",{"id":200,"adult":6,"title":201,"video":6,"overview":202,"softcore":6,"genre_ids":203,"popularity":204,"vote_count":8,"poster_path":205,"release_date":206,"vote_average":8,"backdrop_path":26,"original_title":201,"original_language":47},825220,"(Always) Next To Me","(Always) Next to Me is a 16mm film that pairs abstract sequences of plants developed directly on the film emulsion with intertitles briefly describing what was going on for me personally at the moment the plants were collected.  I started the film at the beginning of the pandemic, just after I found out I was pregnant for the first time in April 2020 and finished it just before the birth of my baby in December of the same year.",[11],0.493,"\u002F1PD3kgNzira3EWl6TqP3hc0IcM3.jpg","2021-05-01",{"id":208,"adult":6,"title":209,"video":6,"overview":210,"softcore":6,"genre_ids":211,"popularity":212,"vote_count":35,"poster_path":213,"release_date":214,"vote_average":96,"backdrop_path":215,"original_title":209,"original_language":47},825223,"Taxidrome","To fly a – way from\u002Fout of death, don’t hire a taxidermist but take a ride in this taxidrome!  Series of 41 Moving Images  - this analogy is possible being conservation at its core rescuing what really matters in the world, like nature, habitats, science and art. It is vital. Yet in a continuously changing environment, the flipside of conservation becomes and here it is where the vital feature of conservation becomes its lifelike trait, a fictive life, a fake life.  The embalming process consists of 1) imparting a balmy essence to the dead body, as in the ancient world, 2) by filling its blood vessels with formaldehyde to prevent putrification, as in the modern world, although recently with more regard towards more natural treatments, as for instance in bio-art. To embalm also means to “preserve from oblivion”, and “to cause to remain unchanged”, “to prevent the development of something”.",[11,62],0.4857,"\u002Fx9L0dvwRirXy1fMKH4KPaGMAcCG.jpg","2021-01-26","\u002F1Z9C1VnjoR2LAjgqRj4B8PuLlUG.jpg",{"id":217,"adult":6,"title":218,"video":6,"overview":219,"softcore":6,"genre_ids":220,"popularity":222,"vote_count":121,"poster_path":223,"release_date":224,"vote_average":225,"backdrop_path":226,"original_title":218,"original_language":47},626624,"Bauhaus 100","In 1919 an art school opened in Germany that would change the world forever. It was called the Bauhaus. A century later, its radical thinking still shapes our lives today.  Bauhaus 100 is the story of Walter Gropius, architect and founder of the Bauhaus, and the teachers and students he gathered to form this influential school. Traumatised by his experiences during the Great War, and determined that technology should never again be used for destruction, Gropius decided to reinvent the way art and design were taught. At the Bauhaus, all the disciplines would come together to create the buildings of the future, and define a new way of living in the modern world.",[221,11],36,0.8107,"\u002FlLwqN8TNW1R8LqT3X3TQvo0KjZ.jpg","2019-08-21",6.5,"\u002F6ipGIAQ3tmLmRdFV6ISHietvxZK.jpg",11720,234399,"","Shenzhen River (the border btw Hong Kong and Shenzhen), and the Second Line of Shenzhen Special Economic Zone (the border between Socialism China and Capitalism China) were compared to the Berlin Wall. The Second Line were constructed June 1982, demolished June 2015. The First Line (Shenzhen River) still flows, running deeper and deeper after 1997. Artist Miaoyuan LONG and Zen LU (the ON\u002FOFF media Group) documented major checkpoints along these two boundaries. It’s a piece to illustrate the Big Escape (Touch Base Policy) from mainland China to Hong Kong during 1950-70’s and the geopolitical history of Shenzhen. The 48min audio-visual live performance version was Official selection of Draft Systems 2017 WRO Media Art Biennale, Poland.",0.7448,"\u002F7Y8jx3ozrrbAkDH4nZwmA71lwH.jpg","2019-11-11",[235],"CN","边界计划",{"results":238},{},[240],{"name":241,"iso_639_1":160,"english_name":241},"No Language","zh",[],[245],{"name":246,"iso_3166_1":235},"China",45,"A documentary story that tends to land well.",[]]