[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-651613-en-US":3},{"detail":4,"match":273,"insight":274,"providers":275,"providerLink":6,"trailer":6},{"adult":5,"backdrop_path":6,"belongs_to_collection":6,"budget":7,"genres":8,"homepage":12,"id":13,"imdb_id":6,"origin_country":14,"original_language":16,"original_title":17,"overview":18,"popularity":19,"poster_path":20,"production_companies":21,"production_countries":22,"release_date":23,"revenue":7,"runtime":24,"softcore":5,"spoken_languages":25,"status":28,"tagline":12,"title":17,"video":5,"vote_average":29,"vote_count":30,"credits":31,"similar":94,"watch\u002Fproviders":269,"videos":271},false,null,0,[9],{"id":10,"name":11},10402,"Music","",651613,[15],"US","en","Bernstein Mahler Rehearsal","\"Four Ways to Say Farewell\" is a personal introduction to Mahler and his Ninth Symphony, during which Leonard Bernstein is seen and heard rehearsing the Vienna Philharmonic Orchestra. 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Bělohlávek. Slavonic Dances are among the most popular works by Antonín Dvořák and Czech Romantic music in general. The first series, originally composed for four-hand piano and later orchestrated for symphony orchestra, is inspired mainly by Czech folk dances. The orchestral version of Slavonic Dances is considered a groundbreaking work, thanks to which Dvořák attracted attention abroad and launched his international career. A television recording of this outstanding performance was made in 2014. The Czech Philharmonic Orchestra is conducted by Jiří Bělohlávek.",1.4665,"2015-10-28",{"adult":5,"backdrop_path":6,"genre_ids":112,"id":115,"title":116,"original_language":16,"original_title":116,"overview":117,"popularity":118,"poster_path":119,"release_date":120,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10,113,114],99,10770,648107,"Karajan in Rehearsal","Karajan conducts rehearsal and performance of Schubert's Symphony No. 4 with the Vienna Symphony in Vienna, Nov. 1965, and Beethoven's Symphony No. 5 with the Berlin Philharmonic, January 1966. Henri-Georges Clouzot directs.",0.7954,"\u002FiJvKGfGnueF1ctMDomFI72ruLqe.jpg","1965-03-04",{"adult":5,"backdrop_path":6,"genre_ids":122,"id":123,"title":124,"original_language":16,"original_title":124,"overview":12,"popularity":125,"poster_path":126,"release_date":127,"softcore":5,"video":128,"vote_average":7,"vote_count":7},[10],656094,"Beethoven Piano Sonatas Vol. 2",0.8699,"\u002FmnlUxpEK3wJEKhCybrPbkS586TS.jpg","2016-01-29",true,{"adult":5,"backdrop_path":6,"genre_ids":130,"id":131,"title":132,"original_language":16,"original_title":132,"overview":12,"popularity":133,"poster_path":134,"release_date":135,"softcore":5,"video":128,"vote_average":7,"vote_count":7},[10],656096,"Beethoven Piano Sonatas Vol. 3",0.8703,"\u002FbTVy45RbloeezeP2QccnkUnjT6Y.jpg","2016-02-26",{"adult":5,"backdrop_path":6,"genre_ids":137,"id":138,"title":139,"original_language":16,"original_title":139,"overview":12,"popularity":140,"poster_path":141,"release_date":142,"softcore":5,"video":128,"vote_average":7,"vote_count":7},[10],656091,"Beethoven Piano Sonatas Vol. 1",0.8846,"\u002F5zxECYIQGlLwztVZ7CaMLl93M4J.jpg","2015-11-27",{"adult":5,"backdrop_path":144,"genre_ids":145,"id":146,"title":147,"original_language":16,"original_title":147,"overview":148,"popularity":149,"poster_path":150,"release_date":151,"softcore":5,"video":128,"vote_average":7,"vote_count":7},"\u002Fp6SqdsduluYCBnsdTGDFJKvRCp0.jpg",[10],649371,"Verdi Requiem","The production itself is quite beautiful: recorded in the Basilica di San Marco in Venice in November 2007, it highlights the cathedral's splendor, the reverent audience, the soloists, orchestra and chorus with near-perfect cinematography. The soundtrack is also acceptable, which may have been quite a task to achieve, given the Basilica's over-reverberant acoustics. Alas, the performance itself does not rise to the occasion. Despite the occasional minor insecurity in ensemble and a visible lack of joy, the Symphonica Toscanini musicians play well, the Coro del Maggio Musicale Fiorentino members sing equally well, and the soloists are more than adequate, almost tangibly trying to excel.",0.4808,"\u002FtrEtYyUXgpKT9l33iKAfGFyjPtE.jpg","2007-12-01",{"adult":5,"backdrop_path":6,"genre_ids":153,"id":154,"title":155,"original_language":16,"original_title":155,"overview":156,"popularity":157,"poster_path":158,"release_date":159,"softcore":5,"video":128,"vote_average":160,"vote_count":30},[10],649148,"Mahler - Symphonies Nos. 4, 5 & 6","For Mahlerites, his symphonies are much more than musical performances--they can be an emotional or spiritual journey through the struggles, fears, and triumphs of life.  This Sixth Symphony is a 1976 performance in the Vienna Musikvereinssaal with PCM stereo and DTS 5.1. The 2 dvd set also includes the 4th and 5th symphonies, which are performed as magnificently as the Sixth.",0.4978,"\u002F9kosZ4KJp6RnBway7JpMN6JhYyk.jpg","1976-08-22",10,{"adult":5,"backdrop_path":162,"genre_ids":163,"id":164,"title":165,"original_language":16,"original_title":165,"overview":166,"popularity":167,"poster_path":168,"release_date":169,"softcore":5,"video":128,"vote_average":29,"vote_count":30},"\u002F1UfxfPMftaNLXFrcLzAffi0CE5O.jpg",[10],648949,"Rostropovich Life & Art","Released as a memorial for the great Russian cellist Mstislav Rostropovich, who passed away on 27 April 2007, this DVD contains one bonafide cello concerto, the Schumann Cello Concerto in A minor, and two tone poems with prominent cello parts, Ernest Bloch's Schelomo and Richard Strauss' Don Quixote. Rostropovich mastered the Schumann in several famous recordings. Here, conducted by Leonard Bernstein, he provides a splendid performance. Featuring his trademark powerful technique, smooth legato and crisp vibrato, the Romantic roots of the concerto are never hidden for long, despite the relatively cool playing of the Orchestre National de France.",0.7427,"\u002F8rUkTa1umXQ9b8h0WEOUYOBizCb.jpg","2007-02-05",{"adult":5,"backdrop_path":171,"genre_ids":172,"id":173,"title":174,"original_language":16,"original_title":174,"overview":175,"popularity":176,"poster_path":177,"release_date":178,"softcore":5,"video":128,"vote_average":29,"vote_count":30},"\u002F5KoeTuO4pN1zv1dXLMQfWsn8Hqr.jpg",[10],649588,"Rubinstein in Concert","Live 1973 concert performances by celebrated Polish-American virtuoso concert pianist Arthur Rubinstein, with the Concertgebouw Orchestra under conductor Bernard Haitink. Filmed in August 1973 at the Concertgebouw in Amsterdam, the performances include Beethoven's Third Piano Concerto, in C minor, op. 37; and Brahms's First Piano Concerto, in D minor, op. 15. These are followed by four short pieces for solo piano, by Schubert, Brahms, and Chopin. The 2008 DVD release by Deutsche Grammophon also includes a short documentary, \"Rubinstein at 90\", an interview with Robert MacNeil, filmed at Rubinstein's home in Paris in 1977.",0.8396,"\u002F6zY6k4PcF5DMzsSTpdQO9XnCFiV.jpg","1973-06-01",{"adult":5,"backdrop_path":6,"genre_ids":180,"id":181,"title":182,"original_language":16,"original_title":182,"overview":183,"popularity":184,"poster_path":185,"release_date":186,"softcore":5,"video":128,"vote_average":7,"vote_count":7},[10],651292,"Beethoven Piano Concertos 1-5","These recordings, filmed in March and April 1974 for the BBC, occurred at the tail end of the old performance era and the very start of the new. Vladimir Ashkenazy was a graduate of the same Soviet school of piano playing that produced Sviatoslav Richter, Emil Gilels, Lazar Berman and a host of others of that era. There are simularities that unite them, including a broad romanticism, a degree of Lisztian showmanship coupled with periods of introspection, powerful technique that occasionally borders on pounding and an intellectual streak that produces some deeply insightful playing. Ashkenazy was younger than the others, more modern in his playing.",0.4232,"\u002FpRI3iPYijPPmz00i4jjLZ6W8ggf.jpg","1974-04-01",{"adult":5,"backdrop_path":188,"genre_ids":189,"id":190,"title":191,"original_language":16,"original_title":191,"overview":192,"popularity":193,"poster_path":194,"release_date":195,"softcore":5,"video":128,"vote_average":7,"vote_count":7},"\u002FnEsBnqgU7EQzxIL0YpSxHY7yl3h.jpg",[10],651397,"Vivaldi Le Quattro Stagioni","In April 1981 violinist Gidon Kremer performed Vivaldi's Four Seasons leading the English Chamber Orchestra recorded in the baroque library of the monastery in Polling, near Munich. It is, as one would expect from a master violinist, a superbly insightful performance. The sound is resonant and satisfying although surely not true 5.1, and those who wish to have this music on video might well investigate it.",0.618,"\u002FoScnLp6q3ZZACBuBbYtCRFkz5Aa.jpg","2008-11-12",{"adult":5,"backdrop_path":6,"genre_ids":197,"id":198,"title":199,"original_language":16,"original_title":199,"overview":200,"popularity":201,"poster_path":202,"release_date":203,"softcore":5,"video":128,"vote_average":7,"vote_count":7},[10],652253,"Mahler - Symphonies Nos. 7 & 8","Leonard Bernstein made these recordings during his wonderfully productive collaboration with the Wiener Philharmoniker in the mid-1970s when he was at the peak of his career. Humphrey Burton's direction is, as always, very fine, giving the viewer\u002Flistener both the larger picture and highlighting individual soloists, players or groups of musicians and, of course, the maestro. The video and audio tracks show their age, but are quite acceptable even for today's standards. Bernstein's Seventh is everything one could desire: dark and spooky, highly sensual, but also structurally strong and assertive where needed. Bernstein's reading does not gloss over breakdowns in tonality and the foreshadowing of later musical developments.",0.5176,"\u002Fz3R3NIDORi6f2oBPM7PAFoWdBmr.jpg","1975-07-17",{"adult":5,"backdrop_path":205,"genre_ids":206,"id":207,"title":208,"original_language":16,"original_title":208,"overview":209,"popularity":210,"poster_path":211,"release_date":212,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002F4vRow4Va4b2zgQkDn3YpehekS9K.jpg",[10],656735,"Tchaikovsky: Symphonies Nos. 4, 5 & 6 - Gergiev","Valery Gergiev is widely recognised as the greatest modern interpreter of Tchaikovsky’s music and the Mariinsky holds a peerless reputation in the repertoire. Together they deliver definitive interpretations of Tchaikovsky’s most popular symphonies. These acclaimed performances were filmed at Salle Pleyel in Paris during January 2010, directed by Andy Sommer.  The themes of fate and death pervade Tchaikovsky’s final symphonies. The composition of the Fourth Symphony coincided with the breakdown of Tchaikovsky’s marriage and a failed suicide attempt, yet he considered it to be his greatest. In contrast he believed his Fifth to be flawed and uninviting, yet today this heartfelt work is widely regarded as one of his finest. The subject of fate is further instilled in the Sixth Symphony, premiered shortly before Tchaikovsky’s death. It was posthumously entitled ‘Pathétique’ by his brother and is a deeply melancholic work, full of dynamic extremes and an inherent sense of finality.",0.6479,"\u002Fkj95lYWil2t6UTlPIbkR6Zyduza.jpg","2011-10-03",{"adult":5,"backdrop_path":6,"genre_ids":214,"id":215,"title":216,"original_language":16,"original_title":216,"overview":217,"popularity":218,"poster_path":219,"release_date":220,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],656823,"András Schiff plays Bach","Surely Bach’s French Suites, which he composed during his years at Cöthen (1717–1723), are among the finest inducements to practise that any teacher has ever made to a pupil. In this case Bach wrote them for his young wife, Anna Magdalena. The over-riding impression left by these suites is one of endearing tunefulness. Clavier-Übung II is a later collection of didactic keyboard pieces. It comprises two greatly contrasted works: the Italian Concerto and the Overture in the French Style. These performances admirably demonstrate the thoughtful and persuasive approach that András Schiff adopts when performing Bach. Recorded live at the Bachfest 2010, Protestant Reformed Church of Leipzig, 11 June 2010  Repertoire\r J.S. Bach: French Suites Nos. 1–6, Overture in the French Style in B minor, Italian Concerto in F major, BWV 971",0.8974,"\u002FnvofkYomxFx6dYb6ixpxTJ1yHZ.jpg","2011-01-31",{"adult":5,"backdrop_path":222,"genre_ids":223,"id":224,"title":225,"original_language":226,"original_title":227,"overview":228,"popularity":229,"poster_path":230,"release_date":231,"softcore":5,"video":5,"vote_average":160,"vote_count":30},"\u002Fbg2IjzuSoYsGk5KmW0hh06WHXzq.jpg",[10],1058148,"Currentzis conducts Beethoven Symphony No. 9","de","Teodor Currentzis dirigiert Beethovens Sinfonie Nr. 9","Ludwig van Beethoven headed for Symphony No. 9 literally his entire life. As early as the 1790s, he had an eye on Ode to Joy, perhaps the most well-known poem by Friedrich Schiller, written on the threshold of the French Revolution (1786). In his mature and, in particular, later years, the deaf composer with an acute ‘hearing vision’ increasingly distanced himself from conventional forms and genres and wrote parts beyond the possibilities of instruments of his day. He nurtured the idea of a symphony with a choir for at least several years.  The history of the Ninth’s interpretations includes 200 years of staggering revelations and lingering stagnation. Performed by the musicAeterna orchestra, choir, and guest soloists under the baton of Teodor Currentzis, Beethoven’s opus magnum acquires the original poignancy and energy of a recent discovery.",0.34,"\u002FmLTwfZQEZi247a0P1HmoNKyAXMQ.jpg","2022-02-24",{"adult":5,"backdrop_path":233,"genre_ids":234,"id":235,"title":236,"original_language":226,"original_title":236,"overview":237,"popularity":238,"poster_path":239,"release_date":240,"softcore":5,"video":5,"vote_average":160,"vote_count":30},"\u002Fe5gUeTnmPgGjkE1vZ52haneNspz.jpg",[10],1058744,"Teodor Currentzis: Utopia","Utopia, the new orchestra of conductor Teodor Currentzis, can be experienced for the first time in Vienna on its inaugural tour with the 1945 version of Igor Stravinsky’s ‘The Firebird’ and Maurice Ravel’s Suite No. 2 of ‘Daphnis et Chloé’, ‘La Valse’ and ‘Boléro’.",0.9554,"\u002F310xoECaEehjyt1MyJ8gPJKeBiV.jpg","2022-10-21",{"adult":5,"backdrop_path":242,"genre_ids":243,"id":244,"title":245,"original_language":16,"original_title":245,"overview":246,"popularity":247,"poster_path":248,"release_date":249,"softcore":5,"video":128,"vote_average":250,"vote_count":30},"\u002F3qdydGj3gZq77yHKG2OjuSTvZSM.jpg",[10],650712,"Brahms: The Symphonies","Karajan conducts these symphonies with eyes closed, often intently enraptured by the music, smiling occasionally when a passage or solo sounds just right to his ear. He conducts Brahms with a greater sense of urgency than does Bernstein: the First symphony is 11 minutes shorter as conducted by Karajan! Nothing is rushed but there is what can only be described as emotional compression, an intensity of expression that sounds quicker than Bernstein's performances.",0.7025,"\u002FMlaG5VySmKz2exYJPpDQ2mmAFN.jpg","1980-02-05",9,{"adult":5,"backdrop_path":6,"genre_ids":252,"id":253,"title":254,"original_language":226,"original_title":254,"overview":255,"popularity":256,"poster_path":257,"release_date":258,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],655360,"Europakonzert 2008 from Moscow","The Berliner Philharmoniker’s European Concert, held each year on 1 May, is invariably an international highlight. Performing in 2008 in Moscow's renowned Tchaikovsky Conservatory, the orchestra under Sir Simon Rattle presented outstanding performances of works by Beethoven, Stravinsky and Bruch, whose Violin Concerto featured one of today’s most fascinating artists, the Russian violinist Vadim Repin.\r Stravinsky: Symphony in Three Movements\r Bruch: Concerto for Violin No.1, op.26\r Beethoven: Symphony No.7 in A major, op. 92",0.4218,"\u002FA1kceNLlaFneXgrAXEYA9Qn48G4.jpg","2008-05-01",{"adult":5,"backdrop_path":6,"genre_ids":260,"id":261,"title":262,"original_language":16,"original_title":262,"overview":263,"popularity":264,"poster_path":265,"release_date":266,"softcore":5,"video":128,"vote_average":7,"vote_count":7},[10],655703,"Beethoven: Piano Concertos 1-5 - Uchida, Rattle","There is hardly a better way to approach Ludwig van Beethoven than through his piano concertos. Beethoven’s own instrument was the piano, and in his improvisations – which made him the darling of the Viennese salons – he merged virtuosity and unbridled expression. The piano concertos give a clear idea of these performances. At the same time, they are prime examples of Beethoven’s ability to create large orchestral works with seemingly endless arcs of tension.  The complete recording of all five works with Mitsuko Uchida and Sir Simon Rattle was one of the most spectacular projects of the Berliner Philharmoniker during the Rattle era – and at the same time the highlight of the collaboration between the orchestra and the pianist, which began in 1984.",0.9526,"\u002FsypByCwK4yj3EzFaBDU7yjCdSB0.jpg","2018-12-07",3269,65369,{"results":270},{},{"results":272},[],45,"A music story that tends to land well.",[]]