[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-667161-en-US":3},{"detail":4,"match":276,"insight":277,"providers":278,"providerLink":25,"trailer":25},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":25,"revenue":8,"runtime":68,"similar":69,"tagline":211,"homepage":252,"overview":253,"softcore":6,"popularity":254,"vote_count":8,"poster_path":255,"release_date":256,"vote_average":8,"backdrop_path":257,"origin_country":258,"original_title":261,"watch\u002Fproviders":262,"spoken_languages":264,"original_language":139,"production_companies":268,"production_countries":273,"belongs_to_collection":25},667161,false,"My Pride",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"id":5,"results":15},[],{"cast":17,"crew":27},[18],{"id":19,"name":20,"adult":6,"order":8,"gender":8,"cast_id":21,"character":22,"credit_id":23,"popularity":24,"profile_path":25,"original_name":20,"known_for_department":26},2521494,"Kassandra Vollant",1,"Herself","5e2dc4cc98f1f1000ffbba0c",0.4661,null,"Acting",[28,32,40,44,51,55,62],{"id":19,"job":29,"name":20,"adult":6,"gender":8,"credit_id":30,"department":31,"popularity":24,"profile_path":25,"original_name":20,"known_for_department":26},"Director","5e2dc4d5d6819b00187cbb25","Directing",{"id":33,"job":34,"name":35,"adult":6,"gender":21,"credit_id":36,"department":37,"popularity":38,"profile_path":39,"original_name":35,"known_for_department":31},1352355,"Producer","Manon Barbeau","5e2dc4e866f2d20017d67068","Production",0.5395,"\u002F7NNIcebnOUdBmcUwehx2pVmfAv4.jpg",{"id":19,"job":41,"name":20,"adult":6,"gender":8,"credit_id":42,"department":43,"popularity":24,"profile_path":25,"original_name":20,"known_for_department":26},"Screenplay","5e2dc51e98f1f10014fb9e60","Writing",{"id":45,"job":46,"name":47,"adult":6,"gender":8,"credit_id":48,"department":49,"popularity":50,"profile_path":25,"original_name":47,"known_for_department":49},2521495,"Camera Operator","Antoine Aphesbero","5e2dc532326c1900181a918e","Camera",0.25,{"id":45,"job":52,"name":47,"adult":6,"gender":8,"credit_id":53,"department":54,"popularity":50,"profile_path":25,"original_name":47,"known_for_department":49},"Editor","5e2dc53998f1f1000ffbba69","Editing",{"id":56,"job":57,"name":58,"adult":6,"gender":8,"credit_id":59,"department":60,"popularity":61,"profile_path":25,"original_name":58,"known_for_department":60},2521496,"Sound Recordist","Daisy Bellefleur Bacon","5e2dc54998f1f1000ffbba74","Sound",0.3143,{"id":63,"job":64,"name":65,"adult":6,"gender":8,"credit_id":66,"department":60,"popularity":67,"profile_path":25,"original_name":65,"known_for_department":60},2521497,"Music","Ulrich Fontaine","5e2dc55498f1f1000ffbba82",0.3407,3,{"page":21,"results":70,"total_pages":250,"total_results":251},[71,83,93,102,111,119,128,140,150,158,170,177,186,194,201,208,217,226,233,242],{"id":72,"adult":6,"title":73,"video":6,"overview":74,"softcore":6,"genre_ids":75,"popularity":76,"vote_count":77,"poster_path":78,"release_date":79,"vote_average":80,"backdrop_path":81,"original_title":73,"original_language":82},445992,"Foster Child","Gil Cardinal searches for his natural family and an understanding of the circumstances that led to his becoming a foster child. An important figure in the history of Canadian Indigenous filmmaking, Gil Cardinal was born to a Métis mother but raised by a non-Indigenous foster family, and with this auto-biographical documentary he charts his efforts to find his biological mother and to understand why he was removed from her. Considered a milestone in documentary cinema, it addressed the country’s internal colonialism in a profoundly personal manner, winning a Special Jury Prize at Banff and multiple international awards.",[11],0.9036,2,"\u002F4p34vdy8d8clwPR39h7R4aXYyHE.jpg","1987-03-08",5,"\u002FeGBGLwnpVP8z8I1VupRhpR99N5F.jpg","en",{"id":84,"adult":6,"title":85,"video":6,"overview":86,"softcore":6,"genre_ids":87,"popularity":89,"vote_count":8,"poster_path":90,"release_date":91,"vote_average":8,"backdrop_path":92,"original_title":85,"original_language":82},1220722,"I'm Not Black, I'm Coloured: Identity Crisis at the Cape of Good Hope","In the wake of one of the worst social experiments in the history of mankind, 'I'm not Black, I'm Coloured' is one of the first documentary films to look at the legacy of Apartheid from the viewpoint of the Cape Coloured. A people who in 1994, embraced the concept of Desmond Tutu's all encompassing 'rainbow nation', but soon thereafter realized that freedom, privilege, economic growth and equality would not include them. A people who for more than 350 years has been disregarded, ignored, belittled, and stripped of anything they can call their own enduring a complex psychological oppression and identity crisis unparalleled in South African history.",[11,88],36,0.7735,"\u002FAqFX9odAa4cjUx4Qrw3UbLYbuCc.jpg","2009-02-09","\u002Ff6rDY9m1XomPjhLW3e33oiM7nTo.jpg",{"id":94,"adult":6,"title":95,"video":6,"overview":96,"softcore":6,"genre_ids":97,"popularity":98,"vote_count":21,"poster_path":99,"release_date":100,"vote_average":101,"backdrop_path":25,"original_title":95,"original_language":82},1207111,"Bill Reid","Follows Haida artist Bill Reid, from British Columbia. A jeweller and wood carver, he works on a traditional Haida totem pole. We watch the gradual transformation of a bare cedar trunk into a richly carved pole to stand on the shores of the town of Skidegate, in the Queen Charlotte Islands of B.C.",[11],1.2925,"\u002F3HZAmQ6KT4gjRSwIpAiwkTGaEsx.jpg","1979-01-01",7,{"id":103,"adult":6,"title":104,"video":6,"overview":105,"softcore":6,"genre_ids":106,"popularity":107,"vote_count":8,"poster_path":108,"release_date":109,"vote_average":8,"backdrop_path":25,"original_title":104,"original_language":110},1584599,"Morena","MORENA tells the uplifting story of the Philippine National Surf Athlete Ikit Agudo, who overcame the pressure to blend into a society obsessed with skin whitening. Within the ocean, she found happiness, strength, and pride in her roots. Inspiring young girls around the world to embrace who they truly are.  In the Philippines, skin-whitening remains a billion-peso industry, a legacy of colonial beauty ideals that for generations have led many to neglect their true identity and natural beauty.",[11],2.4422,"\u002FxR3UH3S3Y2lwOW9uhPT8JL1ATNE.jpg","2025-11-16","tl",{"id":112,"adult":6,"title":113,"video":6,"overview":114,"softcore":6,"genre_ids":115,"popularity":116,"vote_count":8,"poster_path":117,"release_date":118,"vote_average":8,"backdrop_path":25,"original_title":113,"original_language":82},1206217,"Whispers \u002F Megan Cope","A documentary short which follows follow Quandamooka artist Megan Cope in the creation of her work 'Whispers' and the lead up to the opening of the exhibition at Sydney Opera House in 2023.",[11],0.5243,"\u002FofIpAOI7KvSOE1Wf8dfXaD1byY5.jpg","2023-11-01",{"id":120,"adult":6,"title":121,"video":6,"overview":122,"softcore":6,"genre_ids":123,"popularity":124,"vote_count":21,"poster_path":125,"release_date":126,"vote_average":127,"backdrop_path":25,"original_title":121,"original_language":82},826506,"Mary Two-Axe Earley: I Am Indian Again","After marrying a settler, Mary Two-Axe Earley lost her legal status as a First Nations woman. Dedicating her life to activism, she campaigned to have First Nations women's rights restored and coordinated a movement that continues to this day. Kahnawake filmmaker Courtney Montour honours this inspiring leader while drawing attention to contemporary injustices that remain in this era of truth and reconciliation.",[11],0.9958,"\u002F8neQAY1zlLLtKxC3LmKClThQGhU.jpg","2021-05-06",8,{"id":129,"adult":6,"title":130,"video":6,"overview":131,"softcore":6,"genre_ids":132,"popularity":133,"vote_count":134,"poster_path":135,"release_date":136,"vote_average":137,"backdrop_path":25,"original_title":138,"original_language":139},455265,"Before Summer Ends","After five years studying in Paris, Arash has not adjusted to life there and has decided to return to Iran to live. Hoping to change his mind, his two friends Hossein and Ashkan convince him to take a last trip through France.",[11],1.3249,16,"\u002F5Qm9hkZmC5O2KA7336XG8Q0uclw.jpg","2017-05-18",6.5,"Avant la fin de l'été","fr",{"id":141,"adult":6,"title":142,"video":6,"overview":143,"softcore":6,"genre_ids":144,"popularity":145,"vote_count":21,"poster_path":146,"release_date":147,"vote_average":101,"backdrop_path":148,"original_title":149,"original_language":82},828353,"Oaxacalifornia: The Return","The Mejia family emigrated from Oaxaca to Fresno, California 40 years ago. Filmmaker Trisha ZIff filmed the family in 1996, and returns now to see the changes that have settled over them, and follows the family on their return to Mexico.",[11],0.7544,"\u002Fa4vvlVpzJI26rOIgJ0QaJHd1vOH.jpg","2021-10-30","\u002FjUItsYODzzYFWmMqLArqyUE99qw.jpg","Oaxacalifornia: El Regreso",{"id":151,"adult":6,"title":152,"video":6,"overview":153,"softcore":6,"genre_ids":154,"popularity":155,"vote_count":8,"poster_path":156,"release_date":157,"vote_average":8,"backdrop_path":25,"original_title":152,"original_language":82},1411387,"The Navajos: Children of the Gods","The story of the Navajo, at work and play, in the Southwestern United States, and in particular, in scenic Monument Valley. The film focuses on a typical Indian family, its daily life, struggles, and folkways, as every aspect of living is governed by Navajo gods and legends.",[11],2.2165,"\u002FcwDGLhCjIoONInsDerP3eWTkEMk.jpg","1957-12-01",{"id":159,"adult":6,"title":160,"video":6,"overview":161,"softcore":6,"genre_ids":162,"popularity":163,"vote_count":68,"poster_path":164,"release_date":165,"vote_average":166,"backdrop_path":167,"original_title":168,"original_language":169},1411086,"Far from Being Lipizzans","Although director Olga Kosanović was born and raised in Austria, she is not allowed to be Austrian. Her first attempt at naturalization failed. One contemptuous social media comment summed it up: “If a cat gives birth in the Spanish Riding School, that doesn’t make the kittens Lipizzaners.”What notion of identity underlies a legal system that divides society into “us” and “them”? A film about belonging — and about a second attempt.",[11],1.1105,"\u002Flykq1ZCegLPgZ7MsrbC4kiIr4Ig.jpg","2025-09-12",6.833,"\u002FhRIPPGofSatGX5lmnXYm6GGDWdT.jpg","Noch lange keine Lipizzaner","de",{"id":171,"adult":6,"title":172,"video":6,"overview":173,"softcore":6,"genre_ids":174,"popularity":175,"vote_count":21,"poster_path":25,"release_date":176,"vote_average":127,"backdrop_path":25,"original_title":172,"original_language":82},1221996,"Salmon People","Contrasting ancient myth and modern reality, this short documentary examines the legendary relationship between West Coast Indigenous people and salmon, once their staple food. In the mythical realm, we learn how Raven finds riches in the harvest of the salmon, only to lose everything through a thoughtless act against the Spirit of the Salmon. So too does modern man jeopardize his living from the sea by heedless action. Images of ancient spear-fishing and smoke-houses contrast with images of today's Indigenous people operating a seiner and working in a cooperative cannery.",[11],1.4676,"1976-01-01",{"id":178,"adult":6,"title":179,"video":6,"overview":180,"softcore":6,"genre_ids":181,"popularity":182,"vote_count":8,"poster_path":183,"release_date":184,"vote_average":8,"backdrop_path":185,"original_title":179,"original_language":169},1030716,"How to Build a House out of Wreckage and Rags","Found footage: California in the 1950's and 60's. A young Indian couple enjoys their personal American dream come true in their home somewhere in the suburbs of San Francisco. In great detail they pose with their newly achieved wealth in front of their Super-8 camera. Just like postcards, they would send these film rolls to their joint families back in India. Around the same time, an American missionary couple visits the city of Calcutta to shoot a Christian propaganda film. The drastic reality with poverty and famine in the streets of the Indian metropolis fits perfectly into their wicked plan: To promote the faith in Jesus by showing the misery that pagan believers are doomed to suffer from.",[11],0.9937,"\u002F5r1979MqpAl0OsS69fnwyQo1pm6.jpg","2022-10-19","\u002Fyxpq5Ahyb9I92Bwi3JmGsE6rrT5.jpg",{"id":187,"adult":6,"title":188,"video":6,"overview":189,"softcore":6,"genre_ids":190,"popularity":192,"vote_count":21,"poster_path":25,"release_date":193,"vote_average":101,"backdrop_path":25,"original_title":188,"original_language":82},1206749,"Stolen Spirits of Haida Gwaii","Filmmaker Kevin McMahon accompanies the Haida delegation on a repatriation trip to Chicago in 2003. His film reveals the whole repatriation process through the stories and experiences of the people who participated, both Museum staff and the Haida people.",[11,191],10770,0.7984,"2004-07-09",{"id":195,"adult":6,"title":196,"video":6,"overview":197,"softcore":6,"genre_ids":198,"popularity":199,"vote_count":8,"poster_path":25,"release_date":200,"vote_average":8,"backdrop_path":25,"original_title":196,"original_language":82},1588102,"Wədzįh Nəne’ — Caribou Country","Set against the stunning backdrop of northern British Columbia’s wilderness, Wədzįh Nəne’ (Caribou Country) takes viewers on a contemplative journey through a rugged and remote landscape. Along the way, we meet those who live and work on the land – First Nations guardians, government biologists, and guide outfitters – each confronting the stark reality of declining caribou populations. This meditative film explores the profound connection between people and nature, and the enduring impacts of modernity on an ancient species.",[11],0.5205,"2025-12-03",{"id":202,"adult":6,"title":203,"video":6,"overview":204,"softcore":6,"genre_ids":205,"popularity":206,"vote_count":8,"poster_path":25,"release_date":207,"vote_average":8,"backdrop_path":25,"original_title":203,"original_language":82},265653,"Openland","Openland is an art film guided by issues surrounding micro states and its derivative definitions. Through intertwining interviews, meta-narratives, and digital landscapes, Openland unfurls a dialogue between consciousness, individuality and collectivity.",[11],1.3085,"2009-10-01",{"id":209,"adult":6,"title":210,"video":6,"overview":211,"softcore":6,"genre_ids":212,"popularity":214,"vote_count":8,"poster_path":25,"release_date":215,"vote_average":8,"backdrop_path":25,"original_title":210,"original_language":216},1596251,"La reserva del silencio","",[11,88,213],10751,0.527,"2025-12-11","es",{"id":218,"adult":6,"title":219,"video":6,"overview":220,"softcore":6,"genre_ids":221,"popularity":222,"vote_count":8,"poster_path":223,"release_date":224,"vote_average":8,"backdrop_path":225,"original_title":219,"original_language":82},651717,"Negra","I was about seven years old the first time someone called me \\\"black\\\" on the street. I turned around to see who they were talking to, until I realized they were talking to me.",[11],1.6951,"\u002FnMt7ETMnbIn37Bvyo2BTHqfiDPB.jpg","2020-03-01","\u002Fp95KAFUgUxw6TnBbUlFoKz5owjO.jpg",{"id":227,"adult":6,"title":228,"video":6,"overview":229,"softcore":6,"genre_ids":230,"popularity":231,"vote_count":21,"poster_path":25,"release_date":211,"vote_average":232,"backdrop_path":25,"original_title":228,"original_language":82},1605973,"Urban Elder","Meet Vern Harper, Urban Elder, who walks the \"Red Road\" in a fast-paced, urban landscape. The camera follows Vern as he leads a sweat lodge purification ceremony, watches his 11-year-old daughter Cody at a classical ballet rehearsal, conducts a private healing ceremony, participates in a political march of 150,000 people, and counsels Indigenous prisoners at Warkworth Federal Prison.",[11],1.4001,9,{"id":234,"adult":6,"title":235,"video":6,"overview":236,"softcore":6,"genre_ids":237,"popularity":238,"vote_count":8,"poster_path":239,"release_date":240,"vote_average":8,"backdrop_path":241,"original_title":235,"original_language":139},464254,"Tshiuetin","Take a breathtaking train a ride through Nothern Quebec and Labrador on Canada’s first First Nations-owned railway. Come for the celebration of the power of independence, the crucial importance of aboriginal owned businesses and stay for the beauty of the northern landscape.",[11],1.3755,"\u002FWNtVEBoXWFtAm9ZHtdNaeRXmi2.jpg","2016-09-08","\u002FoRdN0KHA07EYAe5fmrRWVfBQ7zA.jpg",{"id":243,"adult":6,"title":244,"video":6,"overview":245,"softcore":6,"genre_ids":246,"popularity":247,"vote_count":8,"poster_path":248,"release_date":249,"vote_average":8,"backdrop_path":25,"original_title":244,"original_language":82},1411892,"People of the Potlatch","The Indigenous peoples of northern British Columbia still hunt and fish, using a combination of traditional ways and modern equipment and techniques where appropriate. Lumbering and trapping bring them money and goods. Their traditional arts and crafts, however, remain essentially unchanged. This archival film reflects the social and cultural values and beliefs prevalent at the time of production.",[11],1.0664,"\u002FlD8KxWrdOkhitzaxR5vzXgsK1XU.jpg","1944-01-01",1001,20001,"http:\u002F\u002Fwww.wapikoni.ca\u002Ffilms\u002Fma-fierte","Spontaneous portrait of an endearing and cheerful teenager living in balance between traditionalism and modernity. She presents her regalia to us and we share her pride in being Innu.",2.01,"\u002FieVCgGUrb7qVaAzJa5hvKe1NxKR.jpg","2020-01-24","\u002F8P1gSRy0sfmBW9wDD9dMljRPqEw.jpg",[259,260],"FR","CA","Ma fierté",{"results":263},{},[265],{"name":266,"iso_639_1":139,"english_name":267},"Français","French",[269],{"id":270,"name":271,"logo_path":272,"origin_country":260},114092,"Wapikoni","\u002FaDsJGso8p3tZpnJtHzo7XJigrVq.png",[274],{"name":275,"iso_3166_1":260},"Canada",45,"A documentary story that tends to land well.",[]]